Macleod of Dare, William Black [always you kirsty moseley .txt] 📗

daughter! Macleod turned in a bewildered way to that gay crowd under the brilliant lights.

"Was that Miss White?" said he.

"The Duchess of Devonshire. Didn't you recognize her? I am afraid she will be very tired to-morrow; but she would come."

He caught sight of her again--that woman, with the dark eyes full of fire, and the dashing air, and the audacious smile! He could have believed this old man to be mad. Or was he only the father of a witch, of an illusive _ignis fatuus_, of some mocking Ariel darting into a dozen shapes to make fools of the poor simple souls of earth?

"No," he stammered, "I--I did not recognize her. I thought the lady who came with you had intensely dark eyes."

"She is said to be very clever in making up," her father said, coolly and sententiously. "It is a part of her art that is not to be despised. It is quite as important as a gesture or a tone of voice in creating the illusion at which she aims. I do not know whether actresses, as a rule, are careless about it, or only clumsy; but they rarely succeed in making their appearance homogeneous. A trifle too much here, a trifle too little there, and the illusion is spoiled. Then you see a painted woman--not the character she is presenting. Did you observe my daughter's eyebrows?"

"No, sir, I did not," said Macleod, humbly.

"Here she comes. Look at them."

But how could he look at her eyebrows, or at any trick of making up, when the whole face, with its new excitement of color, its parted lips and lambent eyes, was throwing its fascination upon him? She came forward laughing, and yet with a certain shyness. He would fain have turned away.

The Highlanders are superstitious. Did he fear being bewitched? Or what was it that threw a certain coldness over his manner? The fact of her having danced with young Ogilvie? Or the ugly reference made by her father to her eyebrows? He had greatly admired this painted stranger when he thought she was a stranger; he seemed less to admire the artistic make-up of Miss Gertrude White.

The merry Duchess, playing her part admirably, charmed all eyes but his; and yet she was so kind as to devote herself to her father and him, refusing invitations to dance, and chatting to them--with those brilliant lips smiling--about the various features of the gay scene before them. Macleod avoided looking at her face.

"What a bonny boy your friend Mr. Ogilvie is!" said she, glancing across the room.

He did not answer.

"But he does not look much of a soldier," she continued. "I don't think I should be afraid of him if I were a man."

He answered, somewhat distantly:--

"It is not safe to judge that way, especially of any one of Highland blood. If there is fighting in his blood, he will fight when the proper time comes. And we have a good Gaelic saying--it has a great deal of meaning in it, that saying--'_You do not know what sword is in the scabbard until it is drawn._'"

"What did you say was the proverb?" she asked; and for second her eyes met his; but she immediately withdrew them startled by the cold austerity of his look.

"'_You do not know what sword is in the scabbard until it is drawn_,'" said he, carelessly. "There is a good deal of meaning in it."


CHAPTER VIII.


LAUREL COTTAGE.

A small, quaint, old-fashioned house in South Bank, Regent's Park; two maidens in white in the open veranda; around them the abundant foliage of June, unruffled by any breeze; and down at the foot of the steep garden the still canal, its surface mirroring the soft translucent greens of the trees and bushes above, and the gaudier colors of a barge lying moored on the northern side. The elder of the two girls is seated in a rocking-chair; she appears to have been reading, for her right hand, hanging down, still holds a thin MS. book covered with coarse brown paper. The younger is lying at her feet, with her head thrown back in her sister's lap, and her face turned up to the clear June skies. There are some roses about this veranda, and the still air is sweet with them.

"And of all the parts you ever played in," she says, "which one did you like the best Gerty?"

"This one," is the gentle answer.

"What one?"

"Being at home with you and papa, and having no bother at all, and nothing to think of."

"I don't believe it," says the other, with the brutal frankness of thirteen. "You couldn't live without the theatre, Gerty--and the newspapers talking about you--and people praising you--and bouquets--"

"Couldn't I?" says Miss White, with a smile, as she gently lays her hand on her sister's curls.

"No," continues the wise young lady. "And besides, this pretty, quiet life would not last. You would have to give up playing that part. Papa is getting very old now; and he often talks about what may happen to us. And you know, Gerty, that though it is very nice for sisters to say they will never and never leave each other, it doesn't come off, does it? There is only one thing I see for you--and that is to get married."

"Indeed!"

It is easy to fence with a child's prattle. She might have amused herself by encouraging this chatterbox to go through the list of their acquaintances, and pick out a goodly choice of suitors. She might have encouraged her to give expression to her profound views of the chances and troubles of life, and the safeguards that timid maidens may seek. But she suddenly said, in a highly matter-of-fact manner:--

"What you say is quite true, Carry, and I've thought of it several times. It is a very bad thing for an actress to be left without a father or husband, or brother, as her ostensible guardian. People are always glad to hear stories--and to make them--about actresses. You would be no good at all, Carry--"

"Very well, then," the younger sister said, promptly, "you've got to get married. And to a rich man, too; who will buy you a theatre, and let you do what you like in it."

Miss Gertrude White, whatever she may have thought of this speech, was bound to rebuke the shockingly mercenary ring in it.

"For shame, Carry! Do you think people marry from such motives as that?"

"I don't know," said Carry; but she had, at least, guessed.

"I should like my husband to have money, certainly," Miss White said, frankly; and here she flung the MS. book from her on to a neighboring chair. "I should like to be able to refuse parts that did not suit me. I should like to be able to take just such engagements as I chose. I should like to go to Paris for a whole year, and study hard--"

"Your husband might not wish you to remain an actress," said Miss Carry.

"Then he would never be my husband," the elder sister said, with decision. "I have not worked hard for nothing. Just when I begin to think I can do something--when I think I can get beyond those coquettish, drawing-room, simpering parts that people run after now--just when the very name of Mrs. Siddons, or Rachael, or any of the great actresses makes my heart jump--when I have ambition and a fair chance, and all that--do you think I am to give the whole thing up, and sink quietly into the position of Mrs. Brown or Mrs. Smith, who is a very nice lady, no doubt, and very respectable, and lives a quiet and orderly life, with no greater excitement than scheming to get big people to go to her garden parties?"

She certainly seemed very clear on that point.

"I don't see that men are so ready to give up their professions, when they marry, in order to devote themselves to domestic life, even when they have plenty of money. Why should all the sacrifice be on the side of the woman? But I know if I have to choose between my art and a husband, I shall continue to do without a husband."

Miss Carry had risen, and put one arm round her sister's neck, while with the other she stroked the soft brown hair over the smooth forehead.

"And it shall not be taken away from its pretty theatre, it sha'n't!" said she, pettingly; "and it shall not be asked to go away with any great ugly Bluebeard, and be shut up in a lonely house--"

"Go away, Carry," said she, releasing herself. "I wonder why you began talking such nonsense. What do you know about all those things?"

"Oh! very well," said the child, turning away with a pout; and she pulled a rose and began to take its petals off, one by one, with her lips. "Perhaps I don't know. Perhaps I haven't studied your manoeuvres on the stage, Miss Gertrude White. Perhaps I never saw the newspapers declaring that it was all so very natural and life-like." She flung two or three rose petals at her sister. "I believe you're the biggest flirt that ever lived, Gerty. You could make any man you liked marry you in ten minutes."

"I wish I could manage to have certain schoolgirls whipped and sent to bed."

At this moment there appeared at the open French window an elderly woman of Flemish features and extraordinary breadth of bust.

"Shall I put dressing in the salad, miss?" she said, with scarcely any trace of foreign accent.

"Not yet, Marie," said Miss White. "I will make the dressing first. Bring me a large plate, and the cruet-stand, and a spoon and fork, and some salt."

Now when these things had been brought, and when Miss White had sat about preparing this salad dressing in a highly scientific manner, a strange thing occurred. Her sister seemed to have been attacked by a sudden fit of madness. She had caught up a light shawl, which she extended from hand to hand, as if she were dancing with some one, and then she proceeded to execute a slow waltz in this circumscribed space, humming the improvised music in a mystical and rhythmical manner. And what were these dark utterances that the inspired one gave forth, as she glanced from time to time at her sister and the plate?

"_Oh, a Highland lad my love was born--and the Lowland laws he held in scorn--_"

"Carry, don't make a fool of yourself!" said the other flushing angrily.

Carry flung her imaginary partner aside.

"There is no use making any pretence," said she, sharply. "You know quite well why you are making that salad dressing."

"Did you never see me make salad dressing before?" said the other, quite as sharply.

"You know it is simply because Sir Keith Macleod is coming to lunch. I forgot all about it. Oh, and that's why you had the clean curtains put up yesterday?"

What else had this precocious brain ferreted out?

"Yes, and that's why you bought papa a new necktie," continued the tormenter; and then she added, triumphantly, "_But he hasn't put it on this morning, ha--Gerty?_"

A calm and dignified silence is the best answer to the fiendishness of thirteen. Miss White went on with the making of the salad-dressing. She was considered very clever at it. Her father had taught her: but he never