Through the Postern Gate, Florence Louisa Barclay [large ebook reader txt] 📗

arms; it comforted her to rock him there. But the man who had arisen and left her, when he might, taking advantage of her weakness, have won her against her own conscience and will; the man who, mastering his own agony, had thus been brave and strong for her--had carried her whole heart with him, when he went out through the postern gate.

In rising, he left the Boy in her arms. Through the long hard years to come, she prayed she might keep him there--her own Little Boy Blue.

But he who went out alone, for her sake to face life without her, was _the man she loved_.

She knew it, at last.

* * * * *


"_And the evening and the morning were the fifth day_."

* * * * *


THE SIXTH DAY


MISS ANN HAS "MUCH TO SAY"

On the afternoon of the sixth day, at the hour which had hitherto been kept for the Boy, Christobel Charteris, in response to another urgent and immediate summons, went to take tea with Miss Ann.

It had been a long, dull, uneventful day, holding at first a certain amount of restless uncertainty as to whether the Boy was really gone; mingled with apprehensive anticipation of a call from the Professor.

But before noon a reply-paid telegram arrived from the Boy, sent off at Charing Cross.

"_Good morning. All's well. Just off for Folkestone. Please tell me how you are._"

To which, while Jenkins and the telegraph-boy waited, Miss Charteris replied:

"_Quite well, thank you. Do be careful at Folkestone._"

and afterwards thought of many other messages which she might have sent, holding more, and better expressed. But that precious moment in touch with the Boy passed so quickly; and it seemed so impossible to think of anything but commonplace words, while Jenkins stood at attention near the table; and the telegraph-boy kept ringing his bicycle-bell outside, as a reminder that he waited.

Yet her heart felt warmed and comforted by this momentary contact with the Boy. He still cared to know how she was. And it was so like him to put: "All's well." He wished her to know he had not gone down beneath his trouble. "Fanks, but I always does my own cawwying." Brave Little Boy Blue, of long ago!

The expectation of the Professor's note or call remained, keeping her anxious; until she heard from Ann Harvey, that her brother had been obliged to go to London on business, and would not return until the evening. "Come to tea with me, dear child," the note concluded; "we have _much_ to say!"

It seemed to Christobel that there remained nothing which Miss Ann had not already said, in every possible form and way. Nevertheless, she put on her hat, and went. Miss Ann had succeeded in impressing all her friends with the conviction that her wishes must never be thwarted.

Miss Ann had named her villa "Shiloh," undoubtedly a suitable name, so far as she herself was concerned; her time being mostly spent upon a comfortable sofa in her tiny drawing-room; or reclining on a wicker lounge beneath the one tree in her small garden; or being carefully wheeled out in a bath-chair.

But nobody else found Miss Ann's villa in any sense a "resting-place." She had a way of keeping everybody about her--from jaded Emma to the most casual caller--on the move, while she herself presented a delicate picture of frail inactivity. Immediately upon their arrival, her friends found an appointed task awaiting them; but it was always something which Miss Ann would have given to somebody else to do, had they not chanced at that moment to appear; and they were usually left with the feeling that the particular somebody else--whose _privilege_ they, in their well-meant zeal, had usurped--would have accomplished it better.

Directing them from the sofa, Miss Ann kept her entourage busy and perpetually on the move. Yet she never felt she was asking much of them; nor, however weary at the conclusion of the task, did they ever feel much had been accomplished, owing to the judicious use of the word "just."

"My dear," Miss Ann would say, "as you _are_ here, will you _just_ clean the canary?" Cleaning the canary meant a very thorough turning out of an intricate little brass cage; several journeys up and down stairs in quest of sand, seed, and brass polish, and an out-door excursion to a neighbour's garden for groundsel. The canary's name was "Sweetie-weet," and, however much annoyed Miss Ann's friends might be feeling with the canary, they had to call him "Sweetie-weet" all the time they "cleaned him," lest his flutterings should upset Miss Ann. Now you cannot say "Sweetie-weet" in an angry voice. Try, and you will see. Consequently Miss Ann's friends had no vent for their feelings during the process of getting a rather large hand in and out of a very small brass door with a spring, which always snapped to, at the wrong moment, while the hand, which seemed to its possessor larger than it had ever seemed before, was crooked round in an impossible position in a strained attempt to fix Sweetie-weet's perches. If anything went wrong during the cleaning process, Miss Ann, from her vantage-ground on the sofa would sigh, and exclaim: "Poor patient little Sweetie-weet!" Miss Ann was in full possession of all her faculties. Her hearing was preternaturally sharp. It was no use saying "Fiend!" to Sweetie-weet, in an emphatic whisper. He fluttered the more.

When the task was completed, the cage had to be brought to Miss Ann's couch for inspection. She then usually discovered the perches to have been put back before they were perfectly dry. Now _nothing_--as surely you hardly ought to require to be told--was so prejudicial to Sweetie-weet's delicate constitution as to have _damp_ wood beneath his _precious_ little feet. Consequently all the perches had _just_ to be taken out again, dried before the kitchen fire, and put back once more. When this mandate went forth, the glee in the bright black eyes in Sweetie-weet's yellow head was unmistakable. He shared Miss Ann's mania for keeping people busy.

When, at last, the second installation of perches was over, and the cage was suspended from the brass chain in the sunny window, Sweetie-weet poured forth a shrill crescendo of ear-piercing sarcasm--"a little song of praise" Miss Ann called it--directed full at the hot and exhausted friend, who was applying a pocket-handkerchief to the wire scratches on the back of her hand, and trying to smile at Miss Ann's recital of all Emma would say, when she found that her special privilege and delight--the cleaning of Sweetie-weet--had been wrested from her by the over-zealous friend. As a matter of fact, jaded Emma's personal remarks about Sweetie-weet, during the perch-drying process in the kitchen, had been of a nature which would not bear repeating in Sweetie-weet's presence, and had provided the only amusement the friend had got out of the whole performance.

When Christobel Charteris arrived at Shiloh, she found Miss Ann on the green velvet sofa, looking very frail and ethereal; a Shetland shawl about her shoulders, fastened by the largest and most mysterious of her hair-brooches--a gold-mounted oval brooch, in which a weeping willow of fair hair drooped over a sarcophagus of dark hair; while a crescent moon of grey hair kept watch over both. This funereal collection of family hair always possessed a weird fascination for small children, brought by their parents to call upon Miss Ann. The most undemonstrative became affectionate, and hastened with ready docility to the sofa to kiss Miss Ann, in order to obtain a closer view, and to settle the much disputed point as to the significance of a small round object in the left-hand corner at the bottom. In fact, to the undisguised dismay of his mother, a sturdy youngster once emerged from Miss Ann's embrace, exclaiming eagerly to his little sister: "It's a furze-bush, _not_ a hedgehog!" An unfortunate remark, which might have been taken by Miss Ann to refer to even more personal matters than a detail in her brooch.

Christobel herself was not altogether free from the spell of this hirsute cemetery; chiefly because she knew it was worn on days when deep emotion was to be felt and expressed. At sight of it, she was quite prepared for the tearful smile with which Miss Ann signed to her to close the door. Then extending her arms, "Sweet sister," she said, with emotion, "let me take you to my heart."

It was somewhat startling to Christobel to be apostrophized as "sister" by Miss Ann. The Boy had made her feel so young, and so completely his contemporary, that if Miss Ann had called her "daughter," or even "granddaughter," it would have seemed more appropriate. Also her magnificent proportions constituted a somewhat large order for Miss Ann's proposed embrace.

However, she knelt beside the sofa, and allowed herself to be taken to Miss Ann's heart in sections. Then, having found and restored Miss Ann's lace pocket-handkerchief, she seated herself in a low chair beside the couch, hoping for enlightenment upon the immediate prospects of her own future.

Miss Ann wept gently for a while. Christobel sat silent. Her recent experience of tears, wrung from such deep anguish of soul, made it less easy for her to feel sympathetic towards tears which flowed from no apparent cause, and fell delicately into perfumed lace. So she waited in silence, while Miss Ann wept.

The room was very still. The bang with which the Boy usually made his entry anywhere, would have been terrific in its joyful suddenness. At the mere thought of it, Christobel's heart stood still and listened. But this was a place into which the Boy would never make an entry, noisy or otherwise. Besides--the Boy was gone. Oh, silent, sober, sorry world! The Boy was gone.

Sweetie-weet put his head on one side, and chirped interrogatively. In his judgment, the silence had lasted sufficiently long.

Miss Ann dried her eyes, making an effort to control her emotion. Then she spoke, in a voice which still trembled.

"Dearest child," she said, "I want you _just_ to cover this book for me. Emma has offered to do it, several times, but I said: 'No, Emma. We must keep it for Miss Christobel. I do not know _what_ she would say to you, if you took to covering my books!' Emma is a good soul, and willing; but has not the _mind_ and _method_ required to cover a book properly. If you will _just_ run up to my room, dear child, you will find a neat piece of whity-brown paper laid aside on purpose.... Hush, Sweetie-weet! Christobel knows you are pleased to see her.... It is either on the ottoman behind the screen, or in the top left-hand drawer of the mahogany chest, between the window and the fireplace. Ah, how much we have come through, during the last twenty-four hours! The scissors, dear Love, are hanging by black tape from a nail in the store-room. You require a