Helen with the High Hand, Arnold Bennett [summer reading list .txt] 📗

sostenuto.

Then the piano, in its fashion, also said: "O Love!"

"O Love!" Emanuel exclaimed again, with slight traces of excitement, and rising to heights of stature hitherto undreamt of.

And the piano once more, in turn, called plaintively on love.

It would be too easy to mock Emanuel's gift of song. I leave that to people named Swetnam. There can be no doubt Emanuel had a very taking voice, if thin, and that his singing gave pleasure to the majority of his hearers. More than any one else, it pleased himself. When he sang he seemed to be inspired by the fact, to him patent, that he was conferring on mankind a boon inconceivably precious. If he looked a fool, his looks seriously misinterpreted his feelings. He did not spare himself on that evening. He told his stepmother's guests all about love and all about his own yearnings. He hid nothing from them. He made no secret of the fact that he lived for love alone, that he had known innumerable loves, but none like one particular variety, which he described in full detail. As a confession, and especially as a confession uttered before many maidens, it did not err on the side of reticence. Presently, having described a kind of amorous circle, he came again to: "O Love!" But this time his voice cracked: which made him angry, with a stern and controlled anger. Still singing, he turned slowly to the pianist, and fiercely glared at the pianist's unconscious back. The obvious inference was that if his voice had cracked the fault was the pianist's. The pianist, poor thing, utterly unaware of the castigation she was receiving, stuck to her business. Less than a minute later, Emanuel's voice cracked again. This time he turned even more deliberately to the pianist. He was pained. He stared during five complete bars at the back of the pianist, still continuing his confession. He wished the audience to understand clearly where the blame lay. Finally, when he thought the pianist's back was sufficiently cooked, he faced the audience.

"I hope the pianist will not be so atrociously clumsy as to let my voice crack again," he seemed to be saying.

Evidently his reproof to the pianist's back was effectual, for his voice did not crack again.

And at length, when Jos had communicated her vibration to all her family, and every one had ceased to believe that the confession would ever end, the confession did end. It ended as it had begun, in an even, agreeable tenor piping. Emanuel was much too great an artist to allow himself to be carried away by his emotion. The concluding words were, "Oh, rapture!" and Emanuel sang them just as if he had been singing "One-and-eleven-pence three-farthings."

"Oh, rats!" said Jos, under cover of the impassioned applause.

"It was nearly as long as Jarndyce _v_. Jarndyce," observed Adams, under the same cover.

"What!" cried James, enchanted. "Have you been reading that too?"

Adams Swetnam and great-stepuncle James had quite a little chat on the subject of Jarndyce _v_. Jarndyce. Several other people, including the hostess, joined in the conversation, and James was surprised at the renown which Jarndyce _v._ Jarndyce seemed to enjoy; he was glad to find his view shared on every hand. He was also glad, and startled, to discover himself a personality in the regions of Hillport. He went through more formal introductions in ten minutes than he had been through during the whole of his previous life. It was a hot evening; he wiped his brow. Then iced champagne was served to him. Having fluttered round him, in her ample way, and charmingly flattered him, Mrs. Prockter left him, encircled chiefly by young women, in order to convey to later arrivals that they, and they alone, were the authentic objects of her solicitude. Emanuel Prockter, clad in triumph, approached, and questioned James, as one shrewd man of business may question another, concerning the value in the market of Wilbraham Hall.

Shortly afterwards a remarkable occurrence added zest to the party. Helen had wandered away with Sarah and Jos Swetnam. She reentered the drawing-room while James and Emanuel were in discussion, and her attitude towards Emanuel was decidedly not sympathetic. Then Sarah Swetnam came in alone. And then Andrew Dean came in alone.

"Oh, here's Andrew, Helen!" Sarah exclaimed.

Andrew Dean had the air of a formidable personage. He was a tall, heavy, dark young man, with immense sloping shoulders, a black moustache, and incandescent eyes, which he used as though he were somewhat suspicious of the world in general. If his dress had been less untidy, he would have made a perfect villain of melodrama. He smiled the unsure smile of a villain as he awkwardly advanced, with out-stretched hand, to Helen.

Helen put her lips together, kept her hands well out of view, and offered him a bow that could only have been properly appreciated under a microscope.

The episode was quite negative; but it amounted to a scene--a scene at one of Mrs. Prockter's parties! A scene, moreover, that mystified everybody; a scene that implied war and the wounded!

Some discreetly withdrew. Of these was Emanuel, who had the sensitiveness of an artist.

Andrew Dean presently perceived, after standing for some seconds like an imbecile stork on one leg, that the discretion of the others was worthy to be imitated. At the door he met Lilian, and they disappeared together arm in arm, as betrothed lovers should. Three people remained in that quarter of the drawing-room--Helen, her uncle, and Sarah Swetnam.

"Why, Nell," said Sarah, aghast, "what's the matter?"

"Nothing," said Helen, calmly.

"But surely you shake hands with Andrew when you meet him, don't you?"

"That depends how I feel, my dear," said Helen.

"Then something _is_ the matter?"

"If you want to know," said Helen, with haughtiness, "in the hall, just now--that is--I--I overheard Mr. Dean say something about Emanuel Prockter's singing which I consider very improper."

"But we all----"

"I'm going out into the garden," said Helen.

"A pretty how-d'ye-do!" James muttered inaudibly to himself as he meandered to and fro in the hall, observing the manners and customs of Hillport society. Another couple were now occupying the privacy of the seat at the end of the side-hall, and James noticed that the heads of this couple had precisely the same relative positions as the heads of the previous couple. "Bless us!" he murmured, apropos of the couple, who, seeing in him a spy, rose and fled. Then he resumed his silent soliloquy. "A pretty how-d'ye-do! The chit's as fixed on that there Emanuel Prockter as ever a chit could be!" And yet James had caught the winking with Jos Swetnam during the song! As an enigma, Helen grew darker and darker to him. He was almost ready to forswear his former belief, and to assert positively that Helen had no sense whatever.

Mrs. Prockter loomed up, disengaged. "Ah, Mr. Ollerenshaw," she said, "everybody seems to be choosing the garden. Shall we go there? This way."

She led him down the side-hall. "By the bye," she murmured, with a smile, "I think our plan is succeeding."

And, without warning him, she sat down in the seat, and of course he joined her, and she put her head close to his, evidently in a confidential mood.

"Bless us!" he said to himself, apropos of himself and Mrs. Prockter, glancing about for spies.

"It's horrid of me to make fun of poor dear Emanuel's singing," pursued Mrs. Prockter. "But how did she take it? If I am not mistaken, she winked."

"Her winked," said James; "yes, her winked."

"Then everything's all right."

"Missis," said he, "if you don't mind what ye're about, you'll have a daughter-in-law afore you can say 'knife'!"

"Not Helen?"

"Ay, Helen."

"But, Mr. Ollerenshaw----"

Here happened an interruption--a servant with a tray of sustenance, comprising more champagne. James, prudent, would have refused, but under the hospitable urgency of Mrs. Prockter he compromised--and yielded.

"I'll join ye."

So she joined him. Then a string of young people passed the end of the side-hall, and among them was Jos Swetnam, who capered up to the old couple on her long legs.

"Oh, Mrs. Prockter," she cried, "what a pity we can't dance on the lawn!"

"I wish you could, my dear," said Mrs. Prockter.

"And why can't ye?" demanded James.

"No music!" said Jos.

"You see," Mrs. Prockter explained, "the lawn is at the far end of the garden, and it is impossible to hear the piano so far off. If it were only a little piano we could move it about, but it's a grand piano."

In James's next speech was to be felt the influence of champagne. "Look here," he said, "it's nobbut a step from here to the Green Man, is it?"

"The Green Man!" echoed Mrs. Prockter, not comprehending.

"Ay, the pub!"

"I believe there is an inn at the bend," said Mrs. Prockter; "but I don't think I've ever noticed the sign."

"It's the Green Man," said James. "If you'll send some one round there, and the respex of Mr. Ollerenshaw to Mr. Benskin--that's the land-lord--and will he lend me the concertina as I sold him last Martinmas?"

"Oh, Mr. Ollerenshaw!" shrieked Jos. "Can you play for dancing? How perfectly lovely it would be!"

"I fancy as I can keep _your_ trotters moving, child," said he, gaily.

Upon this, two spinsters, the Misses Webber, wearing duplicates of one anxious visage, supervened, and, with strange magic gestures, beckoned Mrs. Prockter away. News of the episode between Andrew Dean and Helen had at length reached them, and they had deemed it a sacred duty to inform the hostess of the sad event. They were of the species of woman that spares neither herself nor others. Their fault was, that they were too compassionate for this world. Promising to send the message to Mr. Benskin, Mrs. Prockter vanished to her doom.

Within a quarter of an hour a fete unique in the annals of Hillport had organised itself on the lawn in the dim, verdurous retreats behind Mrs. Prockter's house. The lawn was large enough to be just too small for a tennis-court. It was also of a pretty mid-Victorian irregularity as regards shape, and guarded from the grim horizons of the Five Towns by a ring of superb elms. A dozen couples, mainly youngish, promenaded upon its impeccable surface in obvious expectation; while on the borders, in rustic chairs, odd remnants of humanity, mainly oldish, gazed in ecstasy at the picturesque ensemble. In the midst of the lawn was Mrs. Prockter's famous weeping willow, on whose branches Chinese lanterns had been hung by a reluctant gardener, who held to the proper gardener's axiom that lawns are made to be seen and not hurt. The moon aided these lanterns to the best of her power. Under the tree was a cane chair, and on the cane chair sat an ageing man with a concertina between his hands. He put his head on one side and played a few bars, and the couples posed themselves expectantly.

"Hold on a bit!" the virtuoso called out. "It's a tidy bit draughty here."

He put the concertina on his knees, fumbled in his tail-pocket, and drew forth a tasselled Turkish cap, which majestically he assumed; the tassel fell over his forehead. He owned several Turkish caps, and never went abroad without one.

Then he struck up definitely, and Mrs. Prockter's party had resolved itself, as parties often do, into a dance. In the blissful excitation caused by the ancient and