Astounding Stories of Super-Science, November, 1930, Various [popular books of all time txt] 📗

t stretched beyond the confines of their window, that unfamiliar line of wave-marked shore; the water was like frozen gold, wrinkled in countless tiny corrugations and reflecting the bright glow from above. But the land,—that drew their eyes!

Were those cities, those shadow-splashed areas of gray and rose?... The last veiling clouds dissolved, and the whole circle was plain to their view.

The men leaned forward, breathless, intent, till the scientist, Sykes—the man whose eyes had seen and whose brain recorded a dim shape in the lens of a great telescope—Sykes drew back with a quivering, incredulous breath. For below them, so plain, so unmistakable, there lay an island, large even from this height, and it formed on this round map a sharp angle like a great letter "L."

"We shall know that if we ever see it again," Professor Sykes had remarked in the quiet and security of that domed building surmounting the heights of Mount Lawson. But he said nothing now, as he stared at his companion with eyes that implored Mc[197]Guire to arouse him from this sleep, this dream that could never be real. But McGuire, lieutenant one-time in the forces of the U. S. A., had seen it too, and he stared back with a look that gave dreadful confirmation.

The observatory—Mount Lawson—the earth!—those were the things unreal and far away. And here before them, in brain-stunning actuality, were the markings unmistakable—the markings of Venus. And they were landing, these two, in the company of creatures wild and strange as the planet—on Venus itself!

(To be continued.)

[198]

"The connection is made," murmured Von Stein. The Destroyer By William Merriam Rouse

he pencil in the hand of Allen Parker refused to obey his will. A strange unseen force pushed his will aside and took possession of the pencil point so that what he drew was not his own. It was the same when he turned from drawing board to typewriter. The sentences were not of his framing; the ideas were utterly foreign to him. This was the first hint he received of the fate that was drawing in like night upon him and his beautiful wife.

Slowly, insidiously, there stole over Allen Parker something uncanny. He could no longer control his hands—even his brain!

Parker, a young writer of growing reputation who illustrated his own work, was making a series of pencil sketches for a romance partly finished. The story was as joyous and elusive as sunlight, and until to-day his sketches had held the same quality. Now he could not tap the reservoir from which he had taken the wind-blown hair and smiling eyes of Madelon, his heroine.

When he drew or wrote he seemed to be submerged in the dark waters of a measureless evil pit. The face that mocked him from the paper was stamped with a world-old knowledge of forbidden things.

Parker dropped his pencil and leaned back, tortured. He and his wife, Betty,[199] had taken this house in Pine Hills, a small and extremely quiet suburban village, solely for the purpose of concentration on the book which was to be the most important work he had done. He went to the door of the room that he used for a studio and called:

"Betty! Can you come here a moment, please?"

here was a patter of running feet on the stairs and then a girl of twenty, or thereabout, came into the room. Any man would have said she was a blessing. Her hair "was yellow like ripe corn," and her vivid blue eyes held depth and character and charm.

"Look!" exclaimed Parker. "What do you think of this stuff?"

For a moment there was silence. Then Allen Parker saw something he had never before seen in his wife's face for him or his work—a look of complete disgust.

"I wouldn't have believed you capable of doing anything so ... so horrid!" she said coldly. "How could you?"

"I don't know!" His arms, which had been ready to take her to him for comfort, dropped. "The work has been ... difficult, lately. As though something were pulling at my mind. But not like this! It isn't me!"

"It must be you, since it came out of you!" She turned away and moved restlessly to one of the windows.

"Through me!" muttered Parker. "Ideas come!"

"You'll have to do something!"

"But what? I don't know what to do!"

"Why not go to see that new doctor?" asked Betty, over her shoulder. "Dr. Friedrich von Stein?"

"Von Stein?" repeated Parker, vaguely. "Don't know him. Anyhow, I don't need a doctor. What in the world made you think of that?"

othing, except that I can see his house from here. He's taken what they call 'the old Reynolds place.' You know—opposite the church. We looked at it and thought it was too large for us. He's made a lot of alterations."

"Oh, yes!" Parker had placed the newcomer, more recent than himself. "I had an idea that he was a doctor of philosophy, not medicine."

"He has half a dozen degrees, they say. Certainly he's a stunning looking man. I saw him on the street."

"Maybe he doesn't practice." The artist was gazing, baffled and sick at heart, upon what he had wrought. "And what could he do, unless it's my liver?"

"He might be a psycho-analyst, or something like that," she replied, slowly.

"But why the wild interest in this particular doctor?" Parker roused himself and looked at her. He felt irritable, and was ashamed of it.

"Only for your work," said Betty. A faint pink touched her cheeks.

Allen Parker had a sudden feeling of certainty that his wife was lying to him. To one who knew the Parkers it would have been equally impossible to think of Betty as lying, or of her husband as believing such a thing. Parker was outraged by his own suspicion. He sprang up and began to pace the floor.

"All right, then!" he exploded. "My work is going to the dogs! Why, there's an appointment with Cartwright to-morrow to show him these sketches, and the last few chapters I've done! We'll go now! If this man can't do anything for me I'll try somebody else!"

n ten minutes they were walking up the quiet street toward the present home of Dr. Friedrich von Stein. Despite his self-absorption Parker could not help noticing that his wife had never looked more attractive than she did at this moment. Her color had deepened, little wisps of hair curled against her cheeks, and there was a sparkle in her eyes which he knew came only on very particular occasions.[200]

Even from the outside it was apparent that many strange things had been done to the staid and dignified house of Reynolds. A mass of aerials hung above the roof. Some new windows had been cut at the second floor and filled with glass of a peculiar reddish-purple tinge. A residence had been turned into a laboratory, in sharp contrast to the charming houses up and down the street and the church of gray stone that stood opposite.

Beside the door, at the main entrance, a modest plate bore the legend: "Dr. Friedrich von Stein." Parker pressed the bell. Then he squared his broad shoulders and waited: a very miserable, very likeable young man, with a finely shaped head and a good set of muscles under his well cut clothes. He had brought his sketches, but he was uncomfortable with the portfolio under his arm. It seemed to contaminate him.

he door opened to reveal a blocky figure of a man in a workman's blouse and overalls. The fellow was pale of eye, towheaded; he appeared to be good natured but of little intelligence. The only remarkable thing about him was a livid welt that ran across one cheek, from nose to ear. Beside him a glossy-coated dachshund wagged furiously, after having barked once as a matter of duty.

"May we see Dr. von Stein?" asked Parker. "If he is in?"

"I will ask the Herr Doktor if he iss in," replied the man, stiffly.

"Dummkopf!" roared a voice from inside the house. An instant later man and dog shrank back along the hall and there appeared in their place one of the most striking personalities Allen Parker had ever seen.

Dr. Friedrich von Stein was inches more than six feet tall and he stood perfectly erect, with the unmistakable carriage of a well drilled soldier. He was big boned, but lean, and every movement was made with military precision. More than any other feature his eyes impressed Parker: they were steady, penetrating, and absolutely black. But for a thread of gray here and there his well-kept beard and hair were black. He might have been any age from forty to sixty, so deceptive was his appearance.

"Come in, if you please," he said, before Parker could speak. Von Stein's voice was rich and deep, but with a metallic quality which somehow corresponded with his mechanical smile. Except for the guttural r's there was hardly a hint of the foreigner in his speech. "It is Mr. and Mrs. Parker, I believe? I am Dr. von Stein."

e stood aside for them to pass into the hallway, and while they murmured their thanks he shot a volley of German at the man, whom he called Heinrich. The frightened servant vanished; and the Parkers were taken into a living room furnished carelessly, but in good enough taste. Betty took her place on a couch, to which the doctor led her with a bow. Parker sank into an overstuffed chair not far from a window.

"I learned your names because of the beauty of madame," said Von Stein, as he stood looming above the mantel. Again he bowed. "One could not see her without wishing to know how such a charming woman was called. You are my neighbors from down the street, I believe."

"Yes," replied Allen. He wanted to be agreeable, but found it difficult. "And I think Mrs. Parker has developed a great admiration for you. She persuaded me to come here to-day. Are you, by chance, a psycho-analyst? I don't even know that you are a doctor of medicine, but—"

"I know a very great deal about the human mind," interrupted Dr. von Stein calmly. "I know a great deal about many things. I am not going to practice medicine here in Pine Hills because I have research work to do, but I will help you if I can. What is your trouble?"[201]

he question brought back to Parker the mood of half an hour ago. Almost savagely he snapped the portfolio open and spread out a few of his recent drawings, with some of the earlier ones for comparison.

"Look!" he cried. "These vicious things are what I am doing now! I can't help myself! The pencil does not obey me! Apparently I have no emotional control. It's as though my normal ideas were shouldered aside, like people in a crowd. And my writing to-day was as bad as these illustrations. I'm doing a book. Consider these things carefully, Doctor. They are not obscene, except by inference. They can't be censored. The book would go through the mails. Yet they are deadly! Look at my heroine in these two pictures. In one she is like—like violets! In the other she looks capable of any crime! What is she? A vampire, if there is such a thing? A witch? I can almost believe in demonology since I made these last drawings!"

Parker, in spite of his excitement, tried to read the face of Dr. Friedrich von Stein. He found nothing but the automatic smile upon that mask. Yet it seemed to the artist that this time there was a hint of real pleasure in the curve of the lips. Was it possible that anyone could like those drawings? Parker began to think that