A Book of Myths, Jean Lang [readera ebook reader txt] 📗
- Author: Jean Lang
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Abashed before the god’s entreaties stood Idas. And the heart of Marpessa was torn as she heard the burning words of the beautiful Apollo still ringing through her head, and saw her mortal lover, silent, white-lipped, gazing first at the god and then into her own pale face. At length he spoke:
Or what pale promise make? Yet since it is
In woman to pity rather than to aspire,
A little I will speak. I love thee then
Not only for thy body packed with sweet
Of all this world, that cup of brimming June,
That jar of violet wine set in the air,
That palest rose sweet in the night of life;
Nor for that stirring bosom all besieged
By drowsing lovers, or thy perilous hair;
Nor for that face that might indeed provoke
Invasion of old cities; no, nor all
Thy freshness stealing on me like strange sleep.
Nor for this only do I love thee, but
Because Infinity upon thee broods;
And thou art full of whispers and of shadows.
Thou meanest what the sea has striven to say
So long, and yearned up the cliffs to tell;
Thou art what all the winds have uttered not,
What the still night suggesteth to the heart.
Thy voice is like to music heard ere birth,
Some spirit lute touched on a spirit sea;
Thy face remembered is from other worlds,
It has been died for, though I know not when,
It has been sung of, though I know not where.
It has the strangeness of the luring West,
And of sad sea-horizons; beside thee
I am aware of other times and lands,
Of birth far-back, of lives in many stars.
O beauty lone and like a candle clear
In this dark country of the world! Thou art
My woe, my early light, my music dying.”
Stephen Phillips.
Then Idas, in the humility that comes from perfect love, drooped low his head, and was silent. In silence for a minute stood the three—a god, a man, and a woman. And from on high the watching stars looked down and marvelled, and Diana stayed for a moment the course of her silver car to watch, as she thought, the triumph of her own invincible brother.
From man to god passed the eyes of Marpessa, and back from god to man. And the stars forgot to twinkle, and Diana’s silver-maned horses pawed the blue floor of the sky, impatient at the firm hand of the mistress on the reins that checked their eager course.
Marpessa spoke at last, in low words that seemed to come “remembered from other worlds.”
For all the joys he offered her she thanked Apollo. What grander fate for mortal woman than to rule the sunbeams—to bring bliss to the earth and to the sons of men? What more could mortal woman crave than the gift of immortality shared with one whose power ruled the vast universe, and who still had stooped to lay the red roses of his passionate love at her little, human feet? And yet—and yet—in that sorrow-free existence that he promised, might there not still be something awanting to one who had once known tears?
Then were he indeed to give her the gift of immortal life, what value were life to one whose beauty had withered as the leaves in autumn, whose heart was tired and dead? What uglier fate than this, to endure an endless existence in which no life was, yoked to one whose youth was immortal, whose beauty was everlasting?
Then did she turn to Idas, who stood as one who awaits the judgment of the judge in whose hands lies the power of meting out life or death. Thus she spoke:
On the low earth shall prosper hand in hand
In odours of the open field, and live
In peaceful noises of the farm, and watch
The pastoral fields burned by the setting sun.
And he shall give me passionate children, not
Some radiant god that will despise me quite,
But clambering limbs and little hearts that err.
... So shall we live,
And though the first sweet sting of love be past,
The sweet that almost venom is; though youth,
With tender and extravagant delight,
The first and secret kiss by twilight hedge,
The insane farewell repeated o’er and o’er,
Pass off; there shall succeed a faithful peace;
Beautiful friendship tried by sun and wind,
Durable from the daily dust of life.”
The sun-god frowned as her words fell from her lips. Even now, as she looked at him, he held out his arms. Surely she only played with this poor mortal youth. To him she must come, this rose who could own no lesser god than the sun-god himself.
But Marpessa spoke on:
When in thy setting sweet thou gazest down
On his grey head, wilt thou remember then
That once I pleased thee, that I once was young?”
So did her voice cease, and on the earth fell sudden darkness. For to Apollo had come the shame of love rejected, and there were those who said that to the earth that night there came no sunset, only the sullen darkness that told of the flight of an angry god. Yet, later, the silver moonbeams of Diana seemed to greet the dark earth with a smile, and, in the winged car of Neptune, Idas and Marpessa sped on, greater than the gods, in a perfect harmony of human love that feared nor time, nor pain, nor Death himself.
ARETHUSA“We have victualled and watered,” wrote Nelson from Syracuse in 1798, “and surely, watering at the fountain of Arethusa, we must have victory. We shall sail with the first breeze; and be assured I will return either crowned with laurel or covered with cypress.” Three days later, he won the Battle of the Nile, one of the greatest sea-fights of history.
Here in our own land the tales of the Greek gods seem very remote. Like the colours in an old, old portrait, the humanity of the stories seems to have faded. But in Sicily they grow vivid at once. Almost, as we stand above Syracuse, that long yellow town by the sea—a blue-green sea, with deep purple shadows where the clouds above it grow dark, and little white-sailed boats, like white butterflies, wing their way across to the far horizon—can we
Or hear old Triton blow his wreathèd horn.”
Here, to this day, one of the myths most impossible of acceptance to the scientific modern mind lives on, and Arethusa is not yet forgotten. “In Ortygia,” says Cicero, “is a fountain of sweet water, the name of which is Arethusa, of incredible flow, very full of fish, which would be entirely overwhelmed by the sea, were its waters not protected from the waves by a rampart and a wall of stone.” White marble walls have taken the place of the protecting barrier, but the spring bubbles up to this day, and Ortygia (Quail Island) is the name still given to that part of Syracuse. Fluffy-headed, long, green stalks of papyrus grow in the fountain, and red and golden fish dart through its clear water. Beyond lie the low shores of Plemmgrium, the fens of Lysimeleia, the hills above the Anapus, and above all towers Etna, in snowy and magnificent serenity and indifference to the changes wrought by the centuries to gods and to men. Yet here the present is completely overshadowed by the past, and even the story of Arethusa knocks loudly at the well-barricaded doors of twentieth-century incredulity.
The beautiful Arethusa was a nymph in Diana’s train, and many a time in the chase did she thread her way through the dim woodland, as a stream flows down through the forest from the mountains to the sea. But to her, at last, there came a day when she was no longer the huntress but the hunted.
The flaming wheels of the chariot of Apollo had made the whole land scintillate with heat, and the nymph sought the kind shelter of a wood where she might bathe in the exquisite coolness of the river that still was chilled by the snows of the mountain. On the branch of a tree that bent over the stream she hung her garments, and joyously stepped into the limpid water. A ray of the sun glanced through the leaves above her and made the soft sand in the river’s bed gleam like gold and the beautiful limbs of the nymph seem as though carved from pure white marble by the hand of Pygmalion himself. There was no sound there but the gentle sound of the stream that murmured caressingly to her as it slowly moved on through the solitude, and so gently it flowed that almost it seemed to stand still, as though regretful to leave for the unknown forest so beautiful a thing as Arethusa.
And Heaven smiled above her.”
But suddenly the stillness of the stream was ruffled. Waves, like the newly-born brothers of the billows of the sea, swept both down-stream and up-stream upon her, and the river no longer murmured gently, but spoke to her in a voice that thrilled with passionate longing. Alpheus, god of the river, had beheld her, and, beholding her, had loved her once and forever. An uncouth creature of the forest was he, unversed in all the arts of love-making. So not as a supplicant did he come to her, but as one who demanded fiercely love for love. Terror came upon Arethusa as she listened, and hastily she sprang from the water that had brought fear upon her, and hastened to find shelter in the woodlands. Then the murmur, as of the murmur of a river before a mighty flood comes to seize it and hold it for its own, took form in a voice that pled with her, in tones that made her tremble as she heard.
“Hear me, Arethusa!” it said. “I am Alpheus, god of the river that now thou hast made sacred. I am the god of the rushing streams—the god of the thundering cataracts. Where the mountain streams crash over the rocks and echo through the shadowy hollows of the hills, I hold my kingship. Down from Etna I come, and the fire of Etna is in my veins. I love thee! I love but thee, and thou shalt be mine, and I thine forever.”
Then Arethusa, in blind panic, fled before the god who loved her. Through the shadowy forest she sped, while he swiftly gained upon her. The asphodel bent under her flying feet, and the golden flowers of the Fiori Maggio were swept aside as she fled. Yet ever Alpheus gained upon her, until at length she felt that the chase was ended, and cried to Diana to save her. Then a cloud, grey and thick and blinding as the mist that wraps the mountain tops, suddenly descended and enfolded her, and Alpheus groped for her in vain.
“Arethusa!” she heard him cry, in a voice of piteous longing—“Arethusa!—my belovèd!”
Patiently he waited, with the love that makes uncouth things beautiful, until at length a
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