The Kreutzer Sonata, and Other Stories, Leo Nikoleyevich Tolstoy [good e books to read TXT] 📗
- Author: Leo Nikoleyevich Tolstoy
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"Two days later I was to start for the assembly of the Zemstvo, and for that reason, on taking leave of me and carrying all his scores with him, Troukhatchevsky asked me when I should return. I inferred from that that he believed it impossible to come to my house during my absence, and that was agreeable to me. Now I was not to return before his departure from the city. So we bade each other a definite farewell. For the first time I shook his hand with pleasure, and thanked him for the satisfaction that he had given me. He likewise took leave of my wife, and their parting seemed to me very natural and proper. All went marvellously. My wife and I retired, well satisfied with the evening. We talked of our impressions in a general way, and we were nearer together and more friendly than we had been for a long time.
CHAPTER XXIV.
"Two days later I started for the assembly, having bid farewell to my wife in an excellent and tranquil state of mind. In the district there was always much to be done. It was a world and a life apart. During two days I spent ten hours at the sessions. The evening of the second day, on returning to my district lodgings, I found a letter from my wife, telling me of the children, of their uncle, of the servants, and, among other things, as if it were perfectly natural, that Troukhatchevsky had been at the house, and had brought her the promised scores. He had also proposed that they play again, but she had refused.
"For my part, I did not remember at all that he had promised any score. It had seemed to me on Sunday evening that he took a definite leave, and for this reason the news gave me a disagreeable surprise. I read the letter again. There was something tender and timid about it. It produced an extremely painful impression upon me. My heart swelled, and the mad beast of jealousy began to roar in his lair, and seemed to want to leap upon his prey. But I was afraid of this beast, and I imposed silence upon it.
"What an abominable sentiment is jealousy! 'What could be more natural than what she has written?' said I to myself. I went to bed, thinking myself tranquil again. I thought of the business that remained to be done, and I went to sleep without thinking of her.
"During these assemblies of the Zemstvo I always slept badly in my strange quarters. That night I went to sleep directly, but, as sometimes happens, a sort of sudden shock awoke me. I thought immediately of her, of my physical love for her, of Troukhatchevsky, and that between them everything had happened. And a feeling of rage compressed my heart, and I tried to quiet myself.
"'How stupid!' said I to myself; 'there is no reason, none at all. And why humiliate ourselves, herself and myself, and especially myself, by supposing such horrors? This mercenary violinist, known as a bad man,--shall I think of him in connection with a respectable woman, the mother of a family, MY wife? How silly!' But on the other hand, I said to myself: 'Why should it not happen?'
"Why? Was it not the same simple and intelligible feeling in the name of which I married, in the name of which I was living with her, the only thing I wanted of her, and that which, consequently, others desired, this musician among the rest? He was not married, was in good health (I remember how his teeth ground the gristle of the cutlets, and how eagerly he emptied the glass of wine with his red lips), was careful of his person, well fed, and not only without principles, but evidently with the principle that one should take advantage of the pleasure that offers itself. There was a bond between them, music,--the most refined form of sensual voluptuousness. What was there to restrain them? Nothing. Everything, on the contrary, attracted them. And she, she had been and had remained a mystery. I did not know her. I knew her only as an animal, and an animal nothing can or should restrain. And now I remember their faces on Sunday evening, when, after the 'Kreutzer Sonata,' they played a passionate piece, written I know not by whom, but a piece passionate to the point of obscenity.
"'How could I have gone away?' said I to myself, as I recalled their faces. 'Was it not clear that between them everything was done that evening? Was it not clear that between them not only there were no more obstacles, but that both--especially she--felt a certain shame after what had happened at the piano? How weakly, pitiably, happily she smiled, as she wiped the perspiration from her reddened face! They already avoided each other's eyes, and only at the supper, when she poured some water for him, did they look at each other and smile imperceptibly.'
"Now I remember with fright that look and that scarcely perceptible smile. 'Yes, everything has happened,' a voice said to me, and directly another said the opposite. 'Are you mad? It is impossible!' said the second voice.
"It was too painful to me to remain thus stretched in the darkness. I struck a match, and the little yellow-papered room frightened me. I lighted a cigarette, and, as always happens, when one turns in a circle of inextricable contradiction, I began to smoke. I smoked cigarette after cigarette to dull my senses, that I might not see my contradictions. All night I did not sleep, and at five o'clock, when it was not yet light, I decided that I could stand this strain no longer, and that I would leave directly. There was a train at eight o'clock. I awakened the keeper who was acting as my servant, and sent him to look for horses. To the assembly of Zemstvo I sent a message that I was called back to Moscow by pressing business, and that I begged them to substitute for me a member of the Committee. At eight o'clock I got into a tarantass and started off.
CHAPTER XXV.
"I had to go twenty-five versts by carriage and eight hours by train. By carriage it was a very pleasant journey. The coolness of autumn was accompanied by a brilliant sun. You know the weather when the wheels imprint themselves upon the dirty road. The road was level, and the light strong, and the air strengthening. The tarantass was comfortable. As I looked at the horses, the fields, and the people whom we passed, I forgot where I was going. Sometimes it seemed to me that I was travelling without an object,--simply promenading,--and that I should go on thus to the end of the world. And I was happy when I so forgot myself. But when I remembered where I was going, I said to myself: 'I shall see later. Don't think about it.'
"When half way, an incident happened to distract me still further. The tarantass, though new, broke down, and had to be repaired. The delays in looking for a telegue, the repairs, the payment, the tea in the inn, the conversation with the dvornik, all served to amuse me. Toward nightfall all was ready, and I started off again. By night the journey was still pleasanter than by day. The moon in its first quarter, a slight frost, the road still in good condition, the horses, the sprightly coachman, all served to put me in good spirits. I scarcely thought of what awaited me, and was gay perhaps because of the very thing that awaited me, and because I was about to say farewell to the joys of life.
"But this tranquil state, the power of conquering my preoccupation, all ended with the carriage drive. Scarcely had I entered the cars, when the other thing began. Those eight hours on the rail were so terrible to me that I shall never forget them in my life. Was it because on entering the car I had a vivid imagination of having already arrived, or because the railway acts upon people in such an exciting fashion? At any rate, after boarding the train I could no longer control my imagination, which incessantly, with extraordinary vivacity, drew pictures before my eyes, each more cynical than its predecessor, which kindled my jealousy. And always the same things about what was happening at home during my absence. I burned with indignation, with rage, and with a peculiar feeling which steeped me in humiliation, as I contemplated these pictures. And I could not tear myself out of this condition. I could not help looking at them, I could not efface them, I could not keep from evoking them.
"The more I looked at these imaginary pictures, the more I believed in their reality, forgetting that they had no serious foundation. The vivacity of these images seemed to prove to me that my imaginations were a reality. One would have said that a demon, against my will, was inventing and breathing into me the most terrible fictions. A conversation which dated a long time back, with the brother of Troukhatchevsky, I remembered at that moment, in a sort of ecstasy, and it tore my heart as I connected it with the musician and my wife. Yes, it was very long ago. The brother of Troukhatchevsky, answering my questions as to whether he frequented disreputable houses, said that a respectable man does not go where he may contract a disease, in a low and unclean spot, when one can find an honest woman. And here he, his brother, the musician, had found the honest woman. 'It is true that she is no longer in her early youth. She has lost a tooth on one side, and her face is slightly bloated,' thought I for Troukhatchevsky. 'But what is to be done? One must profit by what one has.'
"'Yes, he is bound to take her for his mistress,' said I to myself again; 'and besides, she is not dangerous.'
"'No, it is not possible' I rejoined in fright. 'Nothing, nothing of the kind has happened, and there is no reason to suppose there has. Did she not tell me that the very idea that I could be jealous of her because of him was humiliating to her?' 'Yes, but she lied,' I cried, and all began over again.
"There were only two travellers in my compartment: an old woman with her husband, neither of them very talkative; and
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