Tales of the Five Towns, Arnold Bennett [ereader manga TXT] 📗

It was the dinner-hour, and a group of ragged and clay-soiled apprentice boys were making a great noise in the yard of Henry Mynors and Co.'s small, compact earthenware manufactory up at Toft End. Toft End caps the ridge to the east of Bursley; and Bursley, which has been the home of the potter for ten centuries, is the most ancient of the Five Towns in Staffordshire. The boys, dressed for the most part in shirt, trousers, and boots, all equally ragged and insecure, were playing at prison-bars.

Soon the game ended abruptly in a clamorous dispute upon a point of law, and it was not recommenced. The dispute dying a natural death, the tireless energies of the boys needed a fresh outlet. Inspired by a common instinct, they began at once to bait one of their number, a slight youngster of twelve years, much better clothed than the rest, who had adventurously strolled in from a neighbouring manufactory. This child answered their jibes in an amiable, silly, drawling tone which seemed to justify the epithet 'Loony,' frequently applied to him. Now and then he stammered; and then companions laughed loud, and he with them. It was known that several years ago he had fallen down a flight of stone steps, alighting on the back of his head, and that ever since he had been deaf of one ear and under some trifling mental derangement. His sublime calmness under their jests baffled them until the terrible figure of Mr. Machin, the engine-man, standing at the door of the slip-house, caught their attention and suggested a plan full of joyous possibilities. They gathered round the lad, and, talking in subdued murmurs, unanimously urged him with many persuasions to a certain course of action. He declined the scheme, and declined again. Suddenly a boy shouted:

'Thee dars' na'!'

'I dare,' was the drawled, smiling answer.

'I tell thee thee dars' na'!'

'I tell thee I dare.' And thereupon he slowly but resolutely set out for the slip-house door and Mr. Machin.

Eli Machin was beyond doubt the most considerable employe on Clarke's 'bank' (manufactory). Even Henry Clarke approached him with a subtly-indicated deference, and whenever Silas Emery, the immensely rich and miserly sleeping partner in the firm, came up to visit the works, these two old men chatted as old friends. In a modern earthenware manufactory the engine-room is the source of all activity, for, owing to the inventive genius of a famous and venerable son of the Five Towns, steam now presides at nearly every stage in the long process of turning earth into ware. It moves the pug-mill, the jollies, and the marvellous batting machines, dries the unfired clay, heats the printers' stoves, and warms the offices where the 'jacket-men' dwell. Coal is a tremendous item in the cost of production, and a competent, economical engine-man can be sure of good wages and a choice of berths; he is desired like a good domestic servant. Eli Machin was the prince of engine-men. His engine never went wrong, his coal bills were never extravagant, and (supreme virtue!) he was never absent on Mondays. From his post in the slip-house he watched over the whole works like a father, stern, gruff, forbidding, but to be trusted absolutely. He was sixty years old, and had been 'putting by' for nearly half a century. He lived in a tiny villa-cottage with his bed-ridden, cheerful wife, and lent small sums on mortgage of approved freeholds at 5 per cent.--no more and no less. Secure behind this rampart of saved money, he was the equal of the King on the throne. Not a magnate in all the Five Towns who would dare to be condescending to Eli Machin. He had been a sidesman at the old church. A trades-union had once asked him to become a working-man candidate for the Bursley Town Council, but he had refused because he did not care for the possibility of losing caste by being concerned in a strike. His personal respectability was entirely unsullied, and he worshipped this abstract quality as he worshipped God.

There was only one blot--but how foul!--on Eli Machin's career, and that had been dropped by his daughter Miriam, when, defying his authority, she married a scene-shifter at Hanbridge Theatre. The atrocious idea of being connected with the theatre had rendered him speechless for a time. He could but endure it in the most awful silence that ever hid passionate feeling. Then one day he had burst out, 'The wench is no better than a tiddy-fol-lol!' Only this solitary phrase--nothing else.

What a tiddy-fol-lol was no one quite knew; but the word, getting about, stuck to him, and for some weeks boys used to shout it after him in the streets, until he caught one of them, and in thirty seconds put an end to the practice. Thenceforth Miriam, with all hers, was dead to him. When her husband expired of consumption, Eli Machin saw the avenging arm of the Lord in action; and when her boy grew to be a source of painful anxiety to her, he said to himself that the wrath of Heaven was not yet cooled towards this impious daughter. The passage of fifteen years had apparently in no way softened his resentment.

The challenged lad in Mynors' yard slowly approached the slip-house door, and halted before Eli Machin, grinning.

'Well, young un,' the old man said absently, 'what dost want?'

'Tiddy-fol-lol, grandfeyther,' the child drawled in his silly, irritating voice, and added: 'They said I darena say it to ye.'

Without and instant's hesitation Eli Machin raised his still powerful arm, and, catching the boy under the ear, knocked him down. The other boys yelled with unaffected pleasure and ran away.

'Get up, and be off wi' ye. Ye dunna belong to this bank,' said Eli Machin in cold anger to the lad. But the lad did not stir; the lad's eyes were closed, and he lay white on the stones.

Eli Machin bent down, and peered through his spectacles at the prone form upon which the mid-day sun was beating.

'It's Miriam's boy!' he ejaculated under his breath, and looked round as if in inquiry--the yard was empty. Then with quick decision he picked up this limp and inconvenient parcel of humanity and hastened--ran--with it out of the yard into the road.

Down the road he ran, turned to the left into Clowes Street, and stopped before a row of small brown cottages. At the open door of one of these cottages a woman sat sewing. She was rather stout and full-bosomed, with a fair, fresh face, full of sense and peace; she looked under thirty, but was older.

'Here's thy Tommy, Miriam,' said Eli Machin shortly. 'He give me some of his sauce, and I doubt I've done him an injury.'

The woman dropped her sewing.

'Eh, dear!' she cried, 'is that lad o' mine in mischief again? I do hope he's no limb brokken.'

'It in'na that,' said the old man, 'but he's dazed-like. Better lay him on th' squab.'

She calmly took Tommy and placed him gently down on the check-covered sofa under the window. 'Come in, father, do.'

The man obeyed, astonished at the entire friendliness of this daughter, whom, though he had frequently seen her, he had never spoken to for more than ten years. Her manner, at once filial and quite natural, perfectly ignored the long breach, and disclosed no trace of animosity.

Father and daughter examined the unconscious child. Pale, pulseless, cold, he lay on the sofa like a corpse except for the short, faint breaths which he drew through his blue lips.

'I doubt I've killed him,' said Eli.

'Nay, nay, father!' And her face actually smiled. This supremacy of the soul against years of continued misfortune lifted her high above him, and he suddenly felt himself an inferior creature.

'I'll go for th' doctor,' he said.

'Nay! I shall need ye.' And she put her head out of the window. 'Mrs. Walley, will ye let your Lucy run quick for th' club doctor? my Tommy's hurt.'

The whole street awoke instantly from its nap, and in a few moments every door was occupied. Miriam closed her own door softly, as though she might wake the boy, and spoke in whispers to people through the window, finally telling them to go away. When the doctor came, half an hour afterwards, she had done all that she knew for Tommy, without the slightest apparent result.

'What is it?' asked the doctor curtly, as he lifted the child's thin and lifeless hand.

Eli Machin explained that he had boxed the boy's ear.

'Tommy was impudent to his grandfather,' Miriam added hastily.

'Which ear?' the doctor inquired. It was the left. He gazed into it, and then raised the boy's right leg and arm. 'There is no paralysis,' he said. Then he felt the heart, and then took out his stethoscope and applied it, listening intently.

'Canst hear owt?' the old man said.

'I cannot,' he answered.

'Don't say that, doctor--don't say that! said Miriam, with an accent of appeal.

'In these cases it is almost impossible to tell whether the patient is alive or dead. We must wait. Mrs. Baddeley, make a mustard plaster for his feet, and we will put another over the heart.' And so they waited one hour, while the clock ticked and the mustard plasters gradually cooled. Then Tommy's lips parted.

After another half-hour the doctor said:

'I must go now; I will come again at six. Do nothing but apply fresh plasters. Be sure to keep his neck free. He is breathing, but I may as well be plain with you--there is a great risk of your child dying in this condition.'

Neighbours were again at the window, and Miriam drew the blind, waving them away. At six o'clock the doctor reappeared. 'There is no change,' he remarked. 'I will call in before I go to bed.'

When he lifted the latch for the third time, at ten o'clock, Eli Machin and Miriam still sat by the sofa, and Tommy still lay thereon, moveless, a terrible enigma. But the glass lamp was lighted on the mantelpiece, and Miriam's sewing, by which she earned a livelihood, had been hidden out of sight.

'There is no change,' said the doctor. 'You can do nothing except hope.'

'And pray,' the calm mother added.

Eli neither stirred nor spoke. For nine hours he had absolutely forgotten his engine. He knew the boy would die.

The clock struck eleven, twelve, one, two, three, each time fretting the nerves of the old man like a rasp. It was the hour of summer dawn. A cold gray light fell unkindly across the small figure on the sofa.

'Open th' door a bit, father,' said Miriam. 'This parlour's gettin' close; th' lad canna breathe.'

'Nay, lass,' Eli sighed, as he stumbled obediently to the door. 'The lad'll breathe no more. I've killed him i' my anger.' He frowned heavily, as though someone was annoying him.

'Hist!' she exclaimed, when, after extinguishing the lamp, she returned to her boy's side. 'He's reddened--he's reddened! Look thee at his cheeks, father!' She seized the child's inert hands and rubbed them between her own. The blood was now plain in Tommy's face. His legs faintly twitched. His breathing was slower. Miriam moved the coverlet and put her head upon his heart. 'It's beating loud, father,' she cried. 'Bless God!'

Eli stared at the child with the fixity of a statue. Then Tommy