Vixen, Volume I, Mary Elizabeth Braddon [good summer reads txt] 📗

had impressed him very painfully. It was his first experience of the kind, and it was infinitely terrible to him. It seemed to him a long time before Vixen appeared, and then the door opened, and a slim black figure came in, a white fixed face looked at him piteously, with tearless eyes made big by a great grief. She came leaning on Miss McCroke, as if she could hardly walk unaided. The face was stranger to him than an altogether unknown face. It was Violet Tempest with all the vivid joyous life gone out of her, like a lamp that is extinguished.

He took her cold trembling hands and drew her gently to a chair, and sat down beside her.

"I wanted so much to see you, dear," he said, "to tell you how sorry we all are for you--my mother, my aunt, and cousin"--Violet gave a faint shiver--"all of us. The Duke liked your dear father so much. It was quite a shock to him."

"You are very good," Violet said mechanically.

She sat by him, pale and still as marble, looking at the ground. His voice and presence impressed her but faintly, like something a long way off. She was thinking of her dead father. She saw nothing but that one awful figure. They had laid him in his grave by this time. The cold cruel earth had fallen upon him and hidden him for ever from the light; he was shut away for ever from the fair glad world; he who had been so bright and cheerful, whose presence had carried gladness everywhere.

"Is the funeral quite over?" she asked presently, without lifting her heavy eyelids.

"Yes, dear. It was a noble funeral. Everybody was there--rich and poor. Everybody loved him."

"The poor most of all," she said. "I know how good he was to them."

Somebody knocked at the door and asked something of Miss McCroke, which obliged the governess to leave her pupil. Roderick was glad at her departure, That substantial figure in its new black dress had been a hinderance to freedom of conversation.

Miss McCroke's absence did not loosen Violet's tongue. She sat looking at the ground, and was dumb. That silent grief was very awful to Roderick.

"Violet, why don't you talk to me about your sorrow?" he said. "Surely you can trust me--your friend--your brother!"

That last word stung her into speech. The hazel eyes shot a swift angry glance at him.

"You have no right to call yourself that," she said, "you have not treated me like a sister."

"How not, dear?"

"You should have told me about your engagement--that you were going to marry Lady Mabel Ashbourne."

"Should I?" exclaimed Rorie, amazed. "If I had I should have told you an arrant falsehood. I am not engaged to my cousin Mabel. I am not going to marry her."

"Oh, it doesn't matter in the least whether you are or not," returned Vixen, with a weary air. "Papa is dead, and trifles like that can't affect me now. But I felt it unkind of you at the time I heard it."

"And where and how did you hear this wonderful news, Vixen?" asked Rorie, very pleased to get her thoughts away from her grief, were it only for a minute.

"Mamma told me that everybody said you were engaged, and that the fact was quite obvious."

"What everybody says, and I what is quite obvious, is very seldom true, Violet. You may take that for a first principle in social science. I am not engaged to anyone. I have no thought of getting married--for the next three years."

Vixen received this information with chilling silence. She would have been very glad to hear it, perhaps, a week ago--at which time she had found it a sore thing to think of her old playfellow as Lady Mabel's affianced husband--but it mattered nothing now. The larger grief had swallowed up all smaller grievances. Roderick Vawdrey had receded into remote distance. He was no one, nothing, in a world that was suddenly emptied of all delight.

"What are you going to do, dear?" asked Roderick presently. "If you shut yourself up in your room and abandon yourself to grief, you will make yourself very ill. You ought to go away somewhere for a little while."

"For ever!" exclaimed Vixen passionately. "Do you think I can ever endure this dear home without papa? There is not a thing I look at that doesn't speak to me of him. The dogs, the horses. I almost hate them for reminding me so cruelly. Yea, we are going away at once, I believe. Mamma said so when I saw her this morning."

"Your poor mamma! How does she bear her grief?"

"Oh, she cries, and cries, and cries," said Vixen, rather contemptuously. "I think it comforts her to cry. I can't cry. I am like the dogs. If I did not restrain myself with all my might I should howl. I should like to lie on the ground outside his door--just as his dog does--and to refuse to eat or drink till I died."

"But, dear Violet, you are not alone in the world. You have your poor mamma to think of."

"Mamma--yes. I am sorry for her, of course. But she is only like a lay-figure in my life. Papa was everything."

"Do you know where your mamma is going to take you?"

"No; I neither know nor care. It will be to a house with four walls and a roof, I suppose. It will be all the same to me wherever it is."

What could Roderick say? It was too soon to talk about hope or comfort. His heart was rent by this dull silent grief; but he could do nothing except sit there silently by Vixen's side with her cold unresponsive hands held in his.

Miss McCroke came back presently, followed by a maid carrying a pretty little Japanese tea-tray.

"I have just been giving your poor mamma a cup of tea, Violet," said the governess. "Mr. Clements has been telling her about the will, and it has been quite too much for her. She was almost hysterical. But she's better now, poor dear. And now we'll all have some tea. Bring the table to the fire, Mr. Vawdrey, please, and let us make ourselves comfortable," concluded Miss McCroke, with an assumption of mild cheerfulness.

Perhaps there is not in all nature so cheerful a thing as a good sea-coal fire, with a log of beechwood on the top of the coals. It will be cheerful in the face of affliction. It sends out its gushes of warmth and brightness, its gay little arrowy flames that appear and disappear like elves dancing their midnight waltzes on a barren moor. It seems to say: "Look at me and be comforted! Look at me and hope! So from the dull blackness of sorrow rise the many coloured lights of new-born joy."

Vixen suffered her chair to be brought near that cheery fire, and just then Argus crept into the room and nestled at her knee. Roderick seated himself at the other side of the hearth--a bright little fire-place with its border of high-art tiles, illuminated with the story of "Mary, Mary, quite contrary," after quaintly mediaeval designs, by Mr. Stacey Marks. Miss McCroke poured out the tea in the quaint old red and blue Worcester cups, and valiantly sustained that assumption of cheerfulness. She would not have permitted herself to smile yesterday; but now the funeral was over, the blinds were drawn up, and a mild cheerfulness was allowable.

"If you would condescend to tell me where you are going, Vixen, I might contrive to come there too, by-and-by. We could have some rides together. You'll take Arion, of course."

"I don't know that I shall ever ride again," answered Violet with a shudder.

Could she ever forget that awful ride? Roderick hated himself for his foolish speech.

"Violet will have to devote herself to her studies very assiduously for the next two years," said Miss McCroke. "She is much more backwards than I like a pupil of mine to be at sixteen."

"Yes, I am going to grind at three or four foreign grammars, and to give my mind to latitude and longitude, and fractions, and decimals," said Vixen, with a bitter laugh. "Isn't that cheering?"

"Whatever you do, Vixen," cried Roderick earnestly, "don't be a paradigm."

"What's that?"

"An example, a model, a paragon, a perfect woman nobly planned, &c. Be anything but that, Vixen, if you love me."

"I don't think there is much fear of any of us being perfect," said Miss McCroke severely. "Imperfection is more in the line of humanity."

"Do you think so?" interrogated Rorie. "I find there is a great deal too much perfection in this world, too many faultless people--I hate them."

"Isn't that a confession of faultiness on your side?" suggested Miss McCroke.

"It may be. But it's the truth."

Vixen sat with dry hollow eyes staring at the fire. She had heard their talk as if it had been the idle voices of strangers sounding in the distance, ever so far away. Argus nestled closer and closer at her knee, and she patted his big blunt head absently, with a dim sense of comfort in this brute love, which she had not derived from human sympathy.

Miss McCroke went on talking and arguing with Rorie, with a view to sustaining that fictitious cheerfulness which might beguile Vixen into brief oblivion of her griefs. But Vixen was not so to be beguiled. She was with them, but not of them. Her haggard eyes stared at the fire, and her thoughts were with the dear dead father, over whose newly-filled grave the evening shadows were closing.


CHAPTER X.


Captain Winstanley.

Two years later, and Vixen was sitting with the same faithful Argus nestling beside her, by the fireside of a spacious Brighton drawing-room, a large, lofty, commonplace room, with tall windows facing seawards. Miss McCroke was there too, standing at one of the windows taking up a dropped stitch in her knitting, while Mrs. Tempest walked slowly up and down the expanse of Brussels carpet, stopping now and then at a window to look idly out at the red sunset beyond the low-lying roofs and spars of Shoreham. Those two years had changed Violet Tempest from a slender girl to a nobly-formed woman; a woman whom a sculptor would have worshipped as his dream of perfection, whom a painter would have reverenced for her glow and splendour of colouring; but about whose beauty the common run of mankind, and more especially womankind, had not quite made up their minds. The pretty little women with eighteen-inch waists opined that Miss Tempest was too big.

"She's very handsome, you know, and all that," they said deprecatingly, "and her figure is quite splendid; but she's on such a very large scale. She ought to be painted in fresco, you know, on a high cornice. As Autumn, or Plenty, or Ceres, or something of that kind, carrying a cornucopia. But in a drawing-room she looks so very massive."

The amber-haired women--palpably indebted to auricomous fluids for the colour of their tresses--objected to the dark burnished gold of Violet Tempest's hair. There was too much red in the gold, they said, and a colour so obviously natural was very unfashionable. That cream-white skin of hers, too, found objectors, on the score of a slight powdering of freckles; spots which the kindly sun leaves on the fruit he best loves. In fact, there were many reservations made