The Saracen: The Holy War, Robert Shea [best beach reads TXT] 📗

few drops of dark brown liquid splashed onto the wood. At once d'Ucello righted and stopped the flask.

A white flash, bright as lightning, burst before Daoud's face, blinding him.

He jerked his head back and squeezed his eyes shut. He heard Erculio curse in Italian and the clerk and the guards cry out.

Smoke burned Daoud's nostrils and throat. As he coughed, he opened his eyes and saw a small fire burning its way into the wood a hand's breadth from his face. He felt a wave of heat. D'Ucello and his men watched in silence as the fire ate through the thick planking of the rack table. Gradually the blaze lost its intensity as the liquid that started it was used up. It ended in a hole a man could pass his fist through, with glowing, smoking edges.

"What is that?" said the clerk, tugging nervously at his brown beard.

"Witchcraft," said d'Ucello with a grim chuckle. The clerk and the guards stared at him. Erculio was expressionless.

In spite of Soma, in spite of his years of training, Daoud felt a scream of horror rising inside him at the thought of what d'Ucello was threatening.

"Not witchcraft, but just as evil," d'Ucello went on. "It is a weapon devised by the Byzantines."

"Ah!" said the clerk. "This must be that Greek Fire I have heard crusaders tell of. I always thought it another of their lies about the East."

"It is real," said d'Ucello. "Perhaps our guest, being from the East, has seen it before. The Turks stole the secret from the Byzantines and have been using it against the crusaders. It starts burning the moment it is exposed to air. It clings to whatever it touches, and its flames cannot be put out. Maligno."

The podesta turned to Daoud. "But in this case we will be using it for a good purpose. Messer David, do you love your organs of manhood?"

"What are you saying to me?" Daoud cried, determined that he would be David of Trebizond to the very end. His real terror now matched his pretended terror, but he managed to keep them two separate feelings. The scream trying to escape him battered itself like a trapped animal against the inner wall of the Face of Steel.

D'Ucello bent closer to Daoud, and from his painful position, belly down, arms and legs stretched taut, Daoud lifted his head to look at the podesta. D'Ucello glowered at him, his lips tight under his thin mustache.[88]

"I mean that if you do not tell me who you really are and what you are doing in Orvieto, I will apply this healing potion to your male member. It should not take more than a drop to burn away everything you have there." D'Ucello feinted at Daoud's face with the flask, and Daoud flinched back and cried out. He strained desperately against the chains that held him.

Greek Fire—what a cruel turn of fate that a thing invented by Sophia's people should destroy him. Grief swelled in his throat as he mourned the end of those hours of delight they had passed together.

But, Daoud thought, d'Ucello did not need Greek Fire to destroy his manhood. He could burn it with oil and a torch, or he could order Erculio to slash it away with a knife. The podesta had chosen Greek Fire because it was strange, hinted of magic—maligno. Daoud remembered what d'Ucello had said, an eon ago, when they were talking upstairs: that he would prefer picking a lock to forcing it. Even now the podesta was trying to use fear rather than pain to make Daoud tell him what he wanted to know. D'Ucello himself did not really relish inflicting physical pain; he preferred to work on men's emotions.

D'Ucello peered at him. "Under the appearance of a helpless and terrified merchant, there is bravado. But now you know what a terrible thing is going to happen to you if you persist. I will give that understanding time to ripen."

He drew away and turned to Erculio. "I will return at midday, after my morning audiences. See that he thinks about what is going to happen to him."

Erculio bowed. "Signore."

The podesta left the dungeon, still holding the silver flask.

He has to put off carrying out his threat, Daoud thought. Once he has poured that Greek Fire on my loins, he has done his worst. If the fear does not force me to speak, the deed is pointless. After it is done I will have little more to lose. If he were a true torturer, he would have begun with my toes.

Even so, Daoud was sure d'Ucello would carry out his threat.

Therefore, I must prepare myself for death.

If d'Ucello used the Greek Fire on him, Daoud would want Erculio to kill him. And he was sure Erculio would do it.

He turned his mind again to thoughts of God. Soon he would be face-to-face with God in paradise.

He heard Erculio talking to the guards, making preparations for some new torment. Rather than wallow in fear, Daoud visualized a fresh flood of Soma coursing through his heart and mind and[89] limbs. Saadi had explained that there was no limit to how much of a spiritual drug a man could take.

This time, as Soma detached his spirit from his body, something happened to him unlike anything he had never known before. He was looking down at himself. He saw himself lying facedown, nearly nude on the rack, his blond hair darkened and plastered down with sweat. He saw the bloody slashes across his back, the blackened burn mark on his leg.

He was floating near the ceiling of the dungeon. He looked down at the spider shape of Erculio, talking with the guards and the clerk. Amazing that they did not look up here and see him. They thought he was still on the rack.

He rose through solid stone, a space of lightlessness. Then he was moving over tiled floors through the upper levels of the Palazzo del Podesta, and he was out through its iron-sheathed oak door.

The vault of the sky over him was as black and heavy as the stones of the dungeon where his body lay. It must be the final hour of night. Even though he was a spirit, he sensed that the air was hot and damp.

He rose higher and higher over Orvieto, and amazingly he was able to see despite the absence of light. He could see the entire oval shape of the city from end to end, and the deep valleys that surrounded it. There at the west end was the cathedral of San Giovenale, with the great piazza where public events took place. There was Cardinal Ugolini's mansion, near the palace where the pope had lived. On the north side of the town, the Palazzo Monaldeschi, where he had hoped to end the threat to Islam with swift blows of his dagger. And there—

From such a height—and since it was not yet dawn—he should not have been able to recognize her, but he saw and knew at once the small figure of a cloaked and hooded woman striding purposefully through a twisting street. She was walking through the eastern side of the town, in the direction of Tilia's house, which he could see from up here, with the dovecote on its roof and its crenellated balconies, though Sophia could not. Beside Sophia, a hulking figure carried a torch to light their way. Ugolini's man-at-arms Riccardo.

Without knowing how he did it, Daoud was down from the sky in an instant and walking invisibly beside her. Her black brows were drawn together in a frown, her nose and mouth covered by a silk scarf. She looked almost like a Muslim woman. She was full of fear for him, he knew. He wanted to tell her not to be afraid, but how could he, knowing he was going to die?[90]

He thanked God for letting him see Sophia one last time.

I love you, Sophia. Remember our joy.

LII

Fighting billows of terror that threatened to engulf her, Sophia pulled her veil aside so that Tilia's servant Cassio could recognize her. Yawning, Cassio led Sophia and Riccardo into the large, column-lined reception room and left them. Ugolini's man threw himself down on a padded bench. Sophia, too agitated to sit still, unpinned her hooded cloak and dropped it beside Riccardo. Even though she had just walked halfway across town, she paced the carpeted floor, twisting her fingers.

Would Tilia be able to help, or would she be as powerless as Ugolini? This journey across the city might be utterly futile, but Sophia, unable to sleep and tormented by demon-inspired visions of what was happening to Daoud, had to do something.

Tilia quickly appeared on the landing of the second floor gallery, followed by Cassio, who held a candle. Despite her bulk, she seemed to flow down the stairs in her trailing red silk gown.

"Quickly, tell me what has happened," she said. "For you to come this late it must be disastroso." Her voice was calm but hoarse. Her face was puffy and creased with deep wrinkles. She wore one piece of jewelry, her bishop's cross.

"We had better talk alone," Sophia said. Tilia nodded. Riccardo was already sitting on a couch in the entry hall with his eyes shut. Cassio looked inquiringly at Tilia. His shoulder-length black hair, usually well-combed and glossy, was a nest of unruly locks pointing every which way.

"Give me the candle, Cassio," said Tilia. "Come up to my room, Sophia. Your escort can wait here." She sighed. "A few weeks ago there would have been clients waiting in this room even at this hour. Since the pope left—" She waved a hand at the emptiness of the great chamber.

Sophia felt herself wanting to cling to Tilia, as if the short, fat woman were her mother. A few months before she had felt nothing[91] but hatred for the brothel keeper because she had introduced Rachel into whoredom. Now she prayed only that Tilia could help her.

Her bedroom was cool, the shutters of a large double window having been swung open to let in the night air. Tilia sat on her wide bed, which was covered with embroidered cushions and silk sheets that draped over the four posts. Sophia went to the window and drew back the curtain to look out. The street outside was dark and empty.

What was happening to Daoud in the Palazzo del Podesta? Were they crippling his beautiful body? Was he dying? Dead? She felt like crying at the thought of how they might be hurting him. But she could not help him unless she kept her head.

Sophia quickly told Tilia about Daoud's arrest. Tilia lay back on the bed, her beady eyes fixed on Sophia, and fingered the cross on her ample bosom. Every so often she nodded, as if this were just what she had expected.

She covered her eyes momentarily with her hand. "May God be kind to Daoud ibn Abdallah. He is worth ten of any ordinary men."

She knows Daoud's Muslim name!

But Sophia had no time to pursue the thought. Tilia had quickly wiped her tears away and turned to Sophia expectantly.

"With Lorenzo away you are the only one who might be able to do something," Sophia said.

"What do you expect of me, if David lets himself be taken away and the cardinal does nothing?" Tilia asked. "Have I more power than they?" Clearly her use of "Daoud" was a momentary indiscretion.

"We need someone who can think," Sophia said, realizing how vague she sounded in her desperation.

"How is Adelberto taking it?" Tilia asked.

"He is almost speechless with terror. He just moans and weeps and wrings his hands. I am afraid he may try to run away, or confess everything or do something equally foolish."

Tilia nodded again, grimly. "He is picturing all the things they will do to him if he is found guilty of conspiring with the enemies of Christendom." She looked at Sophia keenly. "What about you? Are you not afraid for yourself?"

"I am dying of fear."

Tilia reached over and squeezed her hand. "I am frightened too. Who would not be? But you're right—giving way to panic just leaves us helpless. Let us go back to Adelberto's mansion. He is a changeable man. I may be able to get him to think sensibly. I will see what I can do with him."[92]

A wave of relief swept over Sophia. At least she was no longer struggling alone.

Sophia could see a bluish light on the tile roofs of the houses across from Tilia's window. It would soon be morning.

God, they have had Daoud for a whole night! What have they done to him?

"D'Ucello has men watching the cardinal's mansion," Sophia said. "Riccardo and I slipped out through the tunnel that leads under the street to the potterymaker's shop, but we cannot get back in