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words, actually dying with it clinched between his teeth?

5. If he was killed in anger and died as monsters do (her own word), why did his face show sorrow rather than hate, and a determination as far as possible removed from the rush of over-whelming emotions likely to follow the reception of a mortal blow from the hand of an unexpected antagonist?

6. Why, if he had strength to seize the above-mentioned paper and convey it to his lips, did he not use that strength in turning on a light calculated to bring him assistance, instead of leaving blazing the crimson glow which, according to the code of signals as now understood by us, means: "Nothing more required just now. Keep away."

7. What was the meaning of the huge steel plate found between the casings of the doorway, and why did it remain at rest within its socket at this, the culminating moment of his life?

8. An explanation of how old Poindexter came to appear on the scene so soon after the event. His words as overheard were: "It is Amos's son, not Amos!" Did he not know whom he was to meet in this house? Was the condition of the man lying before him with a cross on his bosom and a dagger in his heart less of a surprise to him than the personality of the victim?

9. Remember the conclusions we have drawn from Bartow's pantomime. Mr. Adams was killed by a left-handed thrust. Watch for an acknowledgment that the young woman is left-handed, and do not forget that an explanation is due why for so long a time she held her other arm stretched out behind her.

10. Why did the bird whose chief cry is "Remember Evelyn!" sometimes vary it with "Poor Eva! Lovely Eva! Who would strike Eva?" The story of this tragedy, to be true, must show that Mr. Adams knew his brother's bride both long and well.

11. If Bartow is, as we think, innocent of all connection with this crime save as witness, why does he show such joy at its result? This may not reasonably be expected to fall within the scope of Thomas Adams's confession, but it should not be ignored by us. This deaf-and-dumb servitor was driven mad by a fact which caused him joy. Why?

12. Notice the following schedule. It has been drawn up after repeated experiments with Bartow and the various slides of the strange lamp which cause so many different lights to shine out in Mr. Adams's study:

White light—Water wanted.
Green light—Overcoat and hat to be brought.
Blue light—Put back books on shelves.
Violet light—Arrange study for the night.
Yellow light—Watch for next light.
Red light—Nothing wanted; stay away.

The last was on at the final scene. Note if this fact can be explained by Mr. Adams's account of the same.

With these points in our mind, let us peruse the history of this crime and of the remote and possibly complicated causes which led to it.

BOOK II REMEMBER EVELYN CHAPTER I. THE SECRET OF THE CADWALADERS.

Thomas Cadwalader suggested rather than told his story. We dare not imitate him in this, nor would it be just to your interest to relate these facts with all the baldness and lack of detail imposed upon this unhappy man by the hurry and anxiety of the occasion. Remarkable tragedies have their birth in remarkable facts, and as such facts are but the outcome of human passions, we must enter into those passions if we would understand either the facts or their appalling consequences. In this case, the first link of the chain which led to Felix Adams's violent death was forged before the birth of the woman who struck him. We must begin, then, with almost forgotten days, and tell the story, as her pleader did, from the standpoint of Felix and Thomas Cadwalader.

Thomas Cadwalader—now called Adams—never knew his mother; she died in his early infancy. Nor could he be said to have known his father, having been brought up in France by an old Scotch lawyer, who, being related to his mother, sometimes spoke of her, but never of his father, till Thomas had reached his fifteenth year. Then he put certain books into his hands, with this remarkable injunction:

"Here are romances, Thomas. Read them; but remember that none of them, no matter how thrilling in matter or effect, will ever equal the story of your father's bitterly wronged and suffering life."

"My father!" he cried; "tell me about him; I have never heard."

But his guardian, satisfied with an allusion which he knew must bear fruit in the extremely susceptible nature of this isolated boy, said no more that day, and Thomas turned to the books. But nothing after that could ever take his mind away from his father. He had scarcely thought of him for years, but now that that father had been placed before him in the light of a wronged man, he found himself continually hunting back in the deepest recesses of his memory for some long-forgotten recollection of that father's features calculated to restore his image to his eyes. Sometimes he succeeded in this, or thought he did; but this image, if image it was, was so speedily lost in a sensation of something strange and awe-compelling enveloping it, that he found himself more absorbed by the intangible impressions associated with this memory than by the memory itself. What were these impressions, and in what had they originated? In vain he tried to determine. They were as vague as they were persistent. A stretch of darkness—two bars of orange light, always shining, always the same—black lines against these bars, like the tops of distant gables—an inner thrill—a vague affright—a rush about him as of a swooping wind—all this came with his father's image, only to fade away with it, leaving him troubled, uneasy, and perplexed. Finding these impressions persistent, and receiving no explanation of them in his own mind, he finally asked his guardian what they meant. But that guardian was as ignorant as himself on this topic; and satisfied with having roused the boy's imagination, confined himself to hints, dropped now and then with a judiciousness which proved the existence of a deliberate purpose, of some duty which awaited him on the other side of the water, a duty which would explain his long exile from his only parent and for which he must fit himself by study and the acquirement of such accomplishments as render a young man a positive power in society, whether that society be of the Old World or the New. He showed his shrewdness in thus dealing with this pliable and deeply affectionate nature. From this time forth Thomas felt himself leading a life of mystery and interest.

To feel himself appointed for a work whose unknown character only heightened its importance gave point to every effort now made by this young man, and lent to his studies that vague touch of romance which made them a delight, and him an adept in many things he might otherwise have cared little about. At eighteen he was a graduate from the Sorbonne, and a musical virtuoso as well. He could fence, ride, and carry off the prize in games requiring physical prowess as well as mental fitness. He was, in fact, a prodigy in many ways, and was so considered by his fellow-students. He, however, was not perfect; he lacked social charm, and in so far failed of being the complete gentleman. This he was made to realize in the following way:

One morning his guardian came to him with a letter from his father, in which, together with some words of commendation for his present attainments, that father expressed a certain dissatisfaction with his general manner as being too abrupt and self-satisfied with those of his own sex, and much too timid and deprecatory with those of the other. Thomas felt the criticism and recognized its justice; but how had his father, proved by his letter to be no longer a myth, become acquainted with defects which Thomas instinctively felt could never have attracted the attention of his far from polished guardian?

His questions on this point elicited a response that confounded him. He was not the only son of his father; he had a brother living, and this brother, older than himself by some twenty years or more, had just been in Paris, where, in all probability, he had met him, talked with him, and perhaps pressed his hand.

It was a discovery calculated to deepen the impression already made upon Thomas's mind. Only a purpose of the greatest importance could account for so much mystery. What could it be? What was he destined to do or say or be? He was not told, but while awaiting enlightenment he was resolved not to be a disappointment to the two anxious souls who watched his career so eagerly and exacted from him such perfection. He consequently moderated his manner, and during the following year acquired by constant association with the gilded youth about him that indescribable charm of the perfect gentleman which he was led to believe would alone meet with the approval of those he now felt bound to please. At the end of the year he found himself a finished man of the world. How truly so, he began to realize when he noted the blush with which his presence was hailed by women and the respect shown him by men of his own stamp. In the midst of the satisfaction thus experienced his guardian paid him a final visit.

"You are now ready," said he, "for your father's summons. It will come in a few weeks. Be careful, then. Form no ties you cannot readily break; for, once recalled from France, you are not likely to return here. What your father's purpose concerning you may be I do not know, but it is no ordinary one. You will have money, a well-appointed home, family affection, all that you have hitherto craved in vain, and in return you will carry solace to a heart which has awaited your healing touch for twenty years. So much I am ordered to say; the rest you will hear from your father's own lips."

Aroused, encouraged, animated by the wildest hopes, the most extravagant anticipations, Thomas awaited his father's call with feverish impatience, and when it came, hastened to respond to it by an immediate voyage to America. This was some six months previous to the tragedy in ---- Street. On his arrival at the wharf in New York he was met, not by his brother, as he had every reason to expect, but by a messenger in whose face evil tidings were apparent before he spoke. Thomas was soon made acquainted with them. His father, who he now learned was called Cadwalader (he himself had always been called Adams), was ill, possibly dying. He must therefore hasten, and, being provided with minute instructions as to his way, took the train at once for a small village in northern Pennsylvania.

All that followed was a dream to him. He was hurried through the night, with the motion of the ship still in his blood, to meet—what? He dared not think. He swam in a veritable nightmare. Then came a stop, a hurrying from the train, a halt on a platform reeking with rain (for the night was stormy), a call from some one to hurry, the sight of a panting horse steaming under a lamp whose blowing flame he often woke in after nights to see, a push from a persuasive hand, then a ride over a country road the darkness of which seemed impenetrable, and, finally, the startling vision of an open door, with a Meg Merrilies of a woman standing in it, holding a flaming candle in her hand. The candle went out while he looked at it, and left only a voice to guide him—a voice which, in tones shaken by chill or feeling, he could not tell which, cried eagerly:

"Is that you, laddie? Come awa in. Come awa in. Dinna heed the rain. The maister's been crying on you a' day. I'm glad you're no ower late."

He got down, followed the voice, and, stumbling up a step or two, entered a narrow door, which was with difficulty held open behind him, and which swung to with a loud noise the minute he crossed the threshold. This or the dreariness of the place in which he found himself disturbed him greatly. Bare floors, stained walls, meagre doorways, and a common pine staircase, lighted only by the miserable candle which the old woman had relit—were these the appointments of the palatial home he had been led to expect? These the surroundings, this the abode of him who had exacted such perfection on his part, and to satisfy whose standard he had

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