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didn't have her number, and he didn't know anything about where she lived, except that it could be reached by subway. That, Malone told himself morosely, limited things nicely to the five boroughs of New York.

And she said she was living with her aunt. Would she have a phone listing under her own name? Or would the listing be under her aunt's name, which he also didn't know?

At any rate, he could check listings under Dorothy Francis, he told himself.

He did so.

There were lots and lots of people named Dorothy Francis, in Manhattan and in all the other boroughs.

Malone went back to the bar to think some more. He was on his second bourbon and soda, still thinking but without any new ideas, when BeeBee tapped him gently on the shoulder.

"Pardon me," the maître d' said, "but are you English?"

"Am I what?" Malone said, spilling a little of his drink on the bar.

"Are you English?" BeeBee said.

"Oh," Malone said. "No. Irish. Very Irish."

"That's nice," BeeBee said.

Malone stared at him. "I think it's fine," he said, "but I'd love to know why you asked me."

"Well," BeeBee said, "I knew you couldn't be American. Not after the phone call. You don't have to hide your nationality here; we're quite accustomed to foreign visitors. And we don't have special prices for tourists."

Malone waited two breaths. "Will you please tell me," he said slowly, "what it is you're talking about?"

"Certainly," BeeBee said with aplomb. "There's a call for you in the upstairs booth. A long-distance call, personal."

"Oh," Malone said. "Who'd know I was—" He stopped, thinking hard.
There was no way for anybody in the world to know he was in Topp's.
Therefore, nobody could be calling him. "They've got the wrong name,"
he said decisively.

"Oh, no," BeeBee said. "I heard them quite distinctly. You are Sir
Kenneth Malone, aren't you?"

Malone gaped for one long second, and then his mind caught up with the facts. "Oh," he said. "Sure." He raced upstairs to the phone booth, said, "This is Sir Kenneth Malone," into the blank screen, and waited.

After a while an operator said, "Person-to-person call, Sir Kenneth, from Yucca Flats. Will you take this call?"

"I'll take it," Malone said. A face appeared on the screen, and Malone knew he was right. He knew exactly how he'd been located, and by whom.

Looking only at the face in the screen, it might have been thought that the woman who appeared there was somebody's grandmother, kindly, red-cheeked, and twinkle-eyed. Perhaps that wasn't the only stereotype; she could have been an old-maid schoolteacher, one of the kindly schoolteachers who taught, once upon a time that never was, in the little red schoolhouses of the dim past. The face positively radiated kindliness, and friendship, and peace.

But if the face was the face of a sentimental dream, the garb was the garb of royalty. Somebody's grandmother was on her way to a costume party. She wore the full court costume of the days of Queen Elizabeth I, complete with brocaded velvet gown, wide ruff collar, and bejeweled skullcap.

She was, Malone knew, completely insane.

Like all the other telepaths Malone and the rest of the FBI had found during their work in uncovering a telepathic spy, she had been located in an insane asylum. Months of extensive psychotherapy, including all the newest techniques and some so old that psychiatrists were a little afraid to use them, had done absolutely nothing to shake the firm conviction in the mind of Miss Rose Thompson.

She was, she insisted, Elizabeth Tudor, rightful Queen of England.

She claimed she was immortal, which was not true. She also claimed to be a telepath. This was perfectly accurate. It had been her help that had enabled Malone to find the telepathic spy, and a grateful government had rewarded her.

It had given her a special expense allotment for life, covering the clothing she wore, and the style in which she lived. Rooms had been set aside for her at Yucca Flats, and she held court there, sometimes being treated by psychiatrists and sometimes helping Dr. Thomas O'Connor in his experiments and in the development of new psionic machines.

She was probably the happiest psychopath on Earth.

Malone stared at her. For a second he could think of nothing to say but, "My God." He said it.

"Not at all, Sir Kenneth," the little old lady said. "Your Queen."

Malone took a deep breath. "Good afternoon, Your Majesty," he said.

"Good afternoon, Sir Kenneth," she said, and waited. After a second
Malone figured out what she was waiting for.

He inclined his head in as courtly a bow as he could manage over a visiphone. "I am deeply honored," he said, "that Your Majesty has called on me. Is there any way in which I might be of service?"

"Oh, goodness me, no," said the little old lady. "I don't need a thing. They do one very well here in Yucca Flats. You must come out soon and see my new throne room. I've had the decorations done by—but I can see you're not interested in that, Sir Kenneth."

"But—" Malone realized it was useless to argue with the old lady. She was telepathic, and knew exactly what he was thinking. That, after all, was how he had been located; she had mentally "hunted" for him until she found him.

But why?

"I'll tell you why, Sir Kenneth," the little old lady said. "I'm worried about you."

"Worried? About me, Your Majesty?"

"Certainly," the little old lady said, inclining her head just the proper number of degrees, and raising it again. "You, Sir Kenneth, and that silly little notebook you lost. You've been stewing about it for the last hour."

It was obvious that, for reasons of her own, the Queen had seen fit to look into Malone's mind. She'd found him worrying, and called him about it. It was, Malone thought, sweet of her in a way. But it was also just a bit disconcerting.

He was perfectly well aware that the Queen could read his mind at any distance. But unless something reminded him of the fact, he didn't have to think about it.

And he didn't like to think about it.

"Don't be disturbed," the Queen said. "Please. I only want to help you, Sir Kenneth; you know that."

"Well, of course I do," Malone said. "But—"

"Heavens to Betsy," she said. "Sir Kenneth, what kind of a detective are you?"

"What?" Malone said, and added at once, "Your Majesty." He knew perfectly well, of course, that Miss Thompson was not Queen Elizabeth I—and he knew that Miss Thompson knew what he thought.

But she didn't mind. Politeness, she held, was the act of being pleasant on the surface, no matter what a person really thought. People were polite to their bosses, she pointed out, even though they were perfectly sure that they could do a better job than the bosses were doing.

So she insisted on the surface pretense that Malone was going through, treating her like a Queen.

The psychiatrists had called her delusion a beautifully rationalized one. As far as Malone was concerned, it made more sense than most of real life.

"That's very nice of you, Sir Kenneth," the Queen said. "But I ask you again, what kind of detective are you? Haven't you got any common sense at all?"

Malone hated to admit it, but he had always had just that suspicion. After all, he wasn't a very good detective. He was just lucky. His luck had enabled him to break a lot of tough cases. But some day people would find out, and then—

"Well," the Queen said, "at the very least you ought to act like a detective." She sniffed audibly. "Sir Kenneth, I'm ashamed that a member of my own FBI can't do any better than you're doing now."

Malone blinked into the screen. He did feel ashamed in a vague sort of way, and he was willing to admit it. But he did feel, wistfully, that it would be nice to know just what he was being ashamed of. "Have I been missing something?" he said.

"Outside of the obvious," the Queen said, "that you've been missing your notebook—or rather Mike Fueyo's notebook—"

"Yes?" Malone said.

"You certainly have," the Queen said. "Don't you see what happened to that notebook? You've been missing the only possible explanation."

"But there isn't any," Malone said. "Unless Miss Francis has it."

Her Majesty gave him a bright smile. "There!" she said.

"There, what?" Malone said.

"I knew you could do it," the Queen said. "All you had to do was apply your intelligence, and you'd come up with just the fact you needed."

"What fact?" Malone said.

"That Miss Francis has your notebook," the Queen said. "You just told me."

"All right," Malone said, and stopped and took a deep breath. "My God," he said after a pause. "What is that supposed to mean? Did I give it to her after all?"

"No," the Queen said.

"Did I lose it, and did she pick it up?"

"No," the Queen said.

"My God," Malone said again. "All right. I give up. Is this Twenty
Questions?"

"Sir Kenneth!" the Queen said. "What a way to talk to your Queen!"

Malone took another breath. "I'm sorry," he muttered. "But—"

"Yes, I know," the Queen said sympathetically. "You're upset. But you didn't give Miss Francis the notebook, and she didn't find it after you'd lost it."

"Then—" Malone stared. "She stole it. She stole it from me."

"I imagine she took it right from your jacket pocket," the Queen said. "Now, if you'd only wear proper clothing, and a proper pouch at your belt—"

"I'd be stared at," Malone said. "In court clothing."

"No one in New York would stare at you," the Queen said. "They'd think it was what they call an advertising stunt."

"Anyhow," Malone said, "I wasn't wearing court clothing. So that made it easy for her to steal the notebook. But why, for God's sake? Why?"

"Because," the Queen said, "she needed it."

"Needed it?" Malone shrieked.

"Please, Sir Kenneth," the Queen said. "Don't talk to your Sovereign in that manner. And I do wish you'd stop thinking of that girl as Dorothy Francis. She isn't at all, you know."

"No," Malone said. "I don't know. If she isn't Dorothy Francis, who in hell is she?"

"Don't swear, Sir Kenneth," the Queen said. "She's Dorothea Francisca
Fueyo, if you want to know."

Malone gulped. "Then she's—"

"That's right," the Queen said. "She's little Miguel Fueyo's older sister."

10

Malone put in a great deal of time, he imagined, just staring at the face of the little old lady on the screen. At last he spoke. "My God," he said. "Her name is Fueyo. I'll be damned."

"I've told you," the Queen said with some asperity, "not to swear, Sir
Kenneth."

"I know," Malone said. "But—"

"You're excited," the Queen said. "You're stunned. Goodness, you don't need to tell me that, Sir Kenneth. I know."

"But she's—" Malone discovered that he couldn't talk. He swallowed a couple of times and then went on. "She's Mike Fueyo's sister."

"That's exactly right, Sir Kenneth," the Queen said. "That's just what
I told you."

"Then she swiped the book to protect her little brother," Malone said.
"Oh, boy."

"Exactly, Sir Kenneth," the Queen said.

"And she doesn't care about me at all," Malone said. "I mean, she only went out with me because I was me. Malone. And she wanted the notebook. That was all there was to it." He added an expletive. The Queen frowned, but said nothing about it.

"I wouldn't say that if I were you," she went on. "Quite the contrary. She does like you, you know. And she thinks you're a very nice person." The Queen beamed. "You are, you know," she said.

"Oh," Malone said uncomfortably. "Sure."

"You don't have to think that she merely went out with you because of her brother's notebook," the Queen said. "But she does have a strong sense of loyalty—and he is—her younger brother, after all."

"He sure is," Malone said. "He's a great kid, little Mike."

"You see," the Queen continued imperturbably, "Mike told her about losing the notebook the other night—when he struck you."

"When he struck me," Malone said.

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