After London; Or, Wild England, Richard Jefferies [love letters to the dead .txt] 📗
- Author: Richard Jefferies
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He slipped away at the first opportunity, and having first strolled to and fro on the bowling green, wet with dew, at the rear of the castle, asked for his bedroom. It was some time before he could get attended to; he stood alone at the foot of the staircase while others went first (their small coins bought them attention), till at last a lamp was brought to him, and his chamber named. This chamber, such as it was, was the only pleasure, and that a melancholy one, he had had that day.
Though overflowing with guests, so that the most honoured visitors could not be accommodated within the castle, and only the ladies could find sleeping room there, yet the sacred law of honour, the pledge of the hearth-friend passed three generations ago, secured him this privilege. The hearth-friend must sleep within, if a king were sent without. Oliver, of course, would occupy the same room, but he was drinking and shouting a song below, so that for a while Felix had the chamber to himself.
It pleased him, because it was the room in which he had always slept when he visited the place from a boy, when, half afraid and yet determined to venture, he had first come through the lonely forest alone. How well he remembered that first time! the autumn sunshine on the stubble at Old House, and the red and brown leaves of the forest as he entered; how he entered on foot, and twice turned back, and twice adventured again, till he got so deep into the forest that it seemed as far to return as to advance. How he started at the sudden bellow of two stags, and the clatter of their horns as they fought in the brake close by, and how beautiful the castle looked when presently he emerged from the bushes and looked down upon it!
This was the very room he slept in; the Baroness, mother-like, came to see that he was comfortable. Here he had slept every time since; here he had listened in the early morning for Aurora's footfall as she passed his door, for the ladies rose earlier than did the men. He now sat down by the open window; it was a brilliant moonlight night, warm and delicious, and the long-drawn note of the nightingale came across the gardens from the hawthorn bushes without the inner stockade. To the left he could see the line of the hills, to the right the forest; all was quiet there, but every now and then the sound of a ballad came round the castle, a sound without recognizable words, inarticulate merriment.
If he started upon the hazardous voyage he contemplated, and for which he had been so long preparing, should he ever sleep there again, so near the one he loved? Was it not better to be poor and despised, but near her, than to attempt such an expedition, especially as the chances (as his common sense told him) were all against him? Yet he could not stay; he must do it, and he tried to stifle the doubt which insisted upon arising in his mind. Then he recurred to Durand; he remembered that not once on that day had he exchanged one single word, beyond the first and ordinary salutation, with Aurora.
Might she not, had she chosen, have arranged a moment's interview? Might she not easily have given him an opportunity? Was it not clear that she was ashamed of her girlish fancy for a portionless and despised youth? If so, was it worth while to go upon so strange an enterprise for her sake? But if so, also, was life worth living, and might he not as well go and seek destruction?
While this conflict of feeling was proceeding, he chanced to look towards the table upon which he had carelessly placed his lamp, and observed, what in his agitated state of mind he had previously overlooked, a small roll of manuscript tied round with silk. Curious in books, he undid the fastening, and opened the volume. There was not much writing, but many singular diagrams, and signs arranged in circles. It was, in fact, a book of magic, written at the dictation, as the preface stated, of one who had been for seven years a slave among the Romany.
He had been captured, and forced to work for the tent to which his owners belonged. He had witnessed their worship and their sorceries; he had seen the sacrifice to the full moon, their chief goddess, and the wild extravagances with which it was accompanied. He had learnt some few of their signs, and, upon escaping, had reproduced them from memory. Some were engraved on the stones set in their rings; some were carved on wooden tablets, some drawn with ink on parchment; but, with all, their procedure seemed to be the repetition of certain verses, and then a steady gaze upon the picture. Presently they became filled with rapture, uttered what sounded as the wildest ravings, and (their women especially) prophesied of the future.
A few of the signs he understood the meaning of, but the others he owned were unknown to him. At the end of the book were several pages of commentary, describing the demons believed in and worshipped by the Romany, demons which haunted the woods and hills, and against which it was best to be provided with amulets blessed by the holy fathers of St. Augustine. Such demons stole on the hunter at noonday, and, alarmed at the sudden appearance, upon turning his head (for demons invariably approach from behind, and their presence is indicated by a shudder in the back), he toppled into pits hidden by fern, and was killed.
Or, in the shape of a dog, they ran between the traveller's legs; or as woman, with tempting caresses, lured him from the way at nightfall into the leafy recesses, and then instantaneously changing into vast bat-like forms, fastened on his throat and sucked his blood. The terrible screams of such victims had often been heard by the warders at the outposts. Some were invisible, and yet slew the unwary by descending unseen upon him, and choking him with a pressure as if the air had suddenly become heavy.
But none of these were, perhaps, so much to be dreaded as the sweetly-formed and graceful ladies of the fern. These were creatures, not of flesh and blood, and yet not incorporeal like the demons, nor were they dangerous to the physical man, doing no bodily injury. The harm they did was by fascinating the soul so that it revolted from all religion and all the rites of the Church. Once resigned to the caress of the fern-woman, the unfortunate was lured farther and farther from the haunts of men, until at last he wandered into the unknown forest, and was never seen again. These creatures were usually found among the brake fern, nude, but the lower limbs and body hidden by the green fronds, their white arms and shoulders alone visible, and their golden hair aglow with the summer sunshine.
Demons there were, too, of the streams, and demons dwelling in the midst of the hills; demons that could travel only in the moonbeams, and others that floated before the stormy winds and hurled the wretched wanderer to destruction, or crushed him with the overthrown trees. In proof of this the monk asked the reader if he had not heard of huge boughs falling from trees without visible cause, suddenly and without warning, and even of trees themselves in full foliage, in calm weather, toppling with a crash, to the imminent danger or the death of those who happened to be passing. Let all these purchase the amulets of St. Augustine, concluded the writer, who it appeared was a monk in whose monastery the escaped prisoner had taken refuge, and who had written down his relation and copied his rude sketches.
Felix pored over the strange diagrams, striving to understand the hidden meaning; some of them he thought were alchemical signs, and related to the making of gold, especially as the prisoner stated the Romany possessed much more of that metal in the tents than he had seen in the palaces of our kings. Whether they had a gold mine from whence they drew it, or whether they had the art of transmutation, he knew not, but he had heard allusions to the wealth in the mountain of the apple trees, which he supposed to be a mystical phrase.
When Felix at last looked up, the lamp was low, the moonbeams had entered and fell upon the polished floor, and from the window he could see a long white ghostly line of mist where a streamlet ran at the base of the slope by the forest. The songs were silent; there was no sound save the distant neigh of a horse and the heavy tramp of a guest coming along the gallery. Half bewildered by poring over the magic scroll, full of the signs and the demons, and still with a sense of injury and jealousy cankering his heart, Felix retired to his couch, and, weary beyond measure, instantly fell asleep.
In his unsettled state of mind it did not once occur to him to ask himself how the manuscript came to be upon his table. Rare as they were, books were not usually put upon the tables of guests, and at an ordinary time he would certainly have thought it peculiar. The fact was, that Aurora, whom all day he had inwardly accused of forgetting him, had placed it there for him with her own hands. She, too, was curious in books and fond of study. She had very recently bought the volume from a merchant who had come thus far, and who valued it the least of all his wares.
She knew that Felix had read and re-read every other scrap of writing there was in the castle, and thought that this strange book might interest him, giving, as it did, details of those powers of the air in which almost all fully believed. Unconscious of this attention, Felix fell asleep, angry and bitter against her. When, half an hour afterwards, Oliver blundered into the room, a little unsteady on his legs, notwithstanding his mighty strength, he picked up the roll, glanced at it, flung it down with contempt, and without a minute's delay sought and obtained slumber.
CHAPTER XTHE FEAST Return to Contents
At ten in the morning next day the feast began with a drama from Sophocles, which was performed in the open air. The theatre was in the gardens between the wall and the inner stockade; the spectators sat on the slope, tier above tier; the actors appeared upon a green terrace below, issuing from an arbour and passing off behind a thick box-hedge on the other side of the terrace. There was no scenery whatever.
Aurora had selected the Antigone. There were not many dramatists from whom to choose, for so many English writers, once famous, had dropped out of knowledge and disappeared. Yet some of the far more ancient Greek and Roman classics remained because they contained depth and originality of ideas in small compass. They had been copied in manuscripts by thoughtful men from the old printed books before they mouldered away, and their manuscripts being copied again, these works were handed down. The books which came into existence with printing had never been copied by the pen, and had consequently nearly disappeared. Extremely long and diffuse, it was found, too, that so many of them were but enlargements of ideas or sentiments which had been expressed in a few words by the classics. It is so much easier to copy an epigram of two lines than a printed book of hundreds of pages, and hence it was that Sophocles had survived while much more recent writers had been lost.
From a translation Aurora had arranged several of his dramas. Antigone was her favourite, and she wished Felix to see it. In some indefinable manner the spirit of the ancient Greeks seemed to her in accord with the times, for men had or appeared to have so little control over their own lives that they might well imagine themselves overruled by destiny. Communication between one place and another was difficult, the division of society into castes, and the iron tyranny of arms, prevented the individual from making any progress in lifting himself out of the groove in which he was
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