John Thorndyke's Cases<br />related by Christopher Jervis and edited by R. Austin Freeman, R. Austin Freeman [best pdf ebook reader txt] 📗

"And you tell me that that is only three hours' work!" he exclaimed, looking at the lawyer. "It is really a marvellous achievement."

"My brother is a very rapid worker," replied Stopford dejectedly.

"Yes, but this is not only amazingly rapid; it is in his very happiest vein—full of spirit and feeling. But we mustn't stay to look at it longer." He replaced the canvas on its pins, and having glanced at the locket and some other articles that lay in a drawer, thanked the inspector for his courtesy and withdrew.

"That sketch and the colour-box appear very suggestive to me," he remarked, as we walked up the street.

"To me also," said Stopford gloomily, "for they are under lock and key, like their owner, poor old fellow."

He sighed heavily, and we walked on in silence.

The mortuary-keeper had evidently heard of our arrival, for he was waiting at the door with the key in his hand, and, on being shown the coroner's order, unlocked the door, and we entered together; but, after a momentary glance at the ghostly, shrouded figure lying upon the slate table, Stopford turned pale and retreated, saying that he would wait for us outside with the mortuary-keeper.

As soon as the door was closed and locked on the inside, Thorndyke glanced curiously round the bare, whitewashed building. A stream of sunlight poured in through the skylight, and fell upon the silent form that lay so still under its covering-sheet, and one stray beam glanced into a corner by the door, where, on a row of pegs and a deal table, the dead woman's clothing was displayed.

"There is something unspeakably sad in these poor relics, Jervis," said Thorndyke, as we stood before them. "To me they are more tragic, more full of pathetic suggestion, than the corpse itself. See the smart, jaunty hat, and the costly skirts hanging there, so desolate and forlorn; the dainty lingerie on the table, neatly folded—by the mortuary-man's wife, I hope—the little French shoes and open-work silk stockings. How pathetically eloquent they are of harmless, womanly vanity, and the gay, careless life, snapped short in the twinkling of an eye. But we must not give way to sentiment. There is another life threatened, and it is in our keeping."

He lifted the hat from its peg, and turned it over in his hand. It was, I think, what is called a "picture-hat"—a huge, flat, shapeless mass of gauze and ribbon and feather, spangled over freely with dark-blue sequins. In one part of the brim was a ragged hole, and from this the glittering sequins dropped off in little showers when the hat was moved.

"This will have been worn tilted over on the left side," said Thorndyke, "judging by the general shape and the position of the hole."

"Yes," I agreed. "Like that of the Duchess of Devonshire in Gainsborough's portrait."

"Exactly."

He shook a few of the sequins into the palm of his hand, and, replacing the hat on its peg, dropped the little discs into an envelope, on which he wrote, "From the hat," and slipped it into his pocket. Then, stepping over to the table, he drew back the sheet reverently and even tenderly from the dead woman's face, and looked down at it with grave pity. It was a comely face, white as marble, serene and peaceful in expression, with half-closed eyes, and framed with a mass of brassy, yellow hair; but its beauty was marred by a long linear wound, half cut, half bruise, running down the right cheek from the eye to the chin.

"A handsome girl," Thorndyke commented—"a dark-haired blonde. What a sin to have disfigured herself so with that horrible peroxide." He smoothed the hair back from her forehead, and added: "She seems to have applied the stuff last about ten days ago. There is about a quarter of an inch of dark hair at the roots. What do you make of that wound on the cheek?"

"It looks as if she had struck some sharp angle in falling, though, as the seats are padded in first-class carriages, I don't see what she could have struck."

"No. And now let us look at the other wound. Will you note down the description?" He handed me his notebook, and I wrote down as he dictated: "A clean-punched circular hole in skull, an inch behind and above margin of left ear—diameter, an inch and seven-sixteenths; starred fracture of parietal bone; membranes perforated, and brain entered deeply; ragged scalp-wound, extending forward to margin of left orbit; fragments of gauze and sequins in edges of wound. That will do for the present. Dr. Morton will give us further details if we want them."

He pocketed his callipers and rule, drew from the bruised scalp one or two loose hairs, which he placed in the envelope with the sequins, and, having looked over the body for other wounds or bruises (of which there were none), replaced the sheet, and prepared to depart.

As we walked away from the mortuary, Thorndyke was silent and deeply thoughtful, and I gathered that he was piecing together the facts that he had acquired. At length Mr. Stopford, who had several times looked at him curiously, said:

"The post-mortem will take place at three, and it is now only half-past eleven. What would you like to do next?"

Thorndyke, who, in spite of his mental preoccupation, had been looking about him in his usual keen, attentive way, halted suddenly.

"Your reference to the post-mortem," said he, "reminds me that I forgot to put the ox-gall into my case."

"Ox-gall!" I exclaimed, endeavouring vainly to connect this substance with the technique of the pathologist. "What were you going to do with—"

But here I broke off, remembering my friend's dislike of any discussion of his methods before strangers.

"I suppose," he continued, "there would hardly be an artist's colourman in a place of this size?"

"I should think not," said Stopford. "But couldn't you got the stuff from a butcher? There's a shop just across the road."

"So there is," agreed Thorndyke, who had already observed the shop. "The gall ought, of course, to be prepared, but we can filter it ourselves—that is, if the butcher has any. We will try him, at any rate."

He crossed the road towards the shop, over which the name "Felton" appeared in gilt lettering, and, addressing himself to the proprietor, who stood at the door, introduced himself and explained his wants.

"Ox-gall?" said the butcher. "No, sir, I haven't any just now; but I am having a beast killed this afternoon, and I can let you have some then. In fact," he added, after a pause, "as the matter is of importance, I can have one killed at once if you wish it."

"That is very kind of you," said Thorndyke, "and it would greatly oblige me. Is the beast perfectly healthy?"

"They're in splendid condition, sir. I picked them out of the herd myself. But you shall see them—ay, and choose the one that you'd like killed."

"You are really very good," said Thorndyke warmly. "I will just run into the chemist's next door, and get a suitable bottle, and then I will avail myself of your exceedingly kind offer."

He hurried into the chemist's shop, from which he presently emerged, carrying a white paper parcel; and we then followed the butcher down a narrow lane by the side of his shop. It led to an enclosure containing a small pen, in which were confined three handsome steers, whose glossy, black coats contrasted in a very striking manner with their long, greyish-white, nearly straight horns.

"These are certainly very fine beasts, Mr. Felton," said Thorndyke, as we drew up beside the pen, "and in excellent condition, too."

He leaned over the pen and examined the beasts critically, especially as to their eyes and horns; then, approaching the nearest one, he raised his stick and bestowed a smart tap on the under-side of the right horn, following it by a similar tap on the left one, a proceeding that the beast viewed with stolid surprise.

"The state of the horns," explained Thorndyke, as he moved on to the next steer, "enables one to judge, to some extent, of the beast's health."

"Lord bless you, sir," laughed Mr. Felton, "they haven't got no feeling in their horns, else what good 'ud their horns be to 'em?"

Apparently he was right, for the second steer was as indifferent to a sounding rap on either horn as the first. Nevertheless, when Thorndyke approached the third steer, I unconsciously drew nearer to watch; and I noticed that, as the stick struck the horn, the beast drew back in evident alarm, and that when the blow was repeated, it became manifestly uneasy.

"He don't seem to like that," said the butcher. "Seems as if—Hullo, that's queer!"

Thorndyke had just brought his stick up against the left horn, and immediately the beast had winced and started back, shaking his head and moaning. There was not, however, room for him to back out of reach, and Thorndyke, by leaning into the pen, was able to inspect the sensitive horn, which he did with the closest attention, while the butcher looked on with obvious perturbation.

"You don't think there's anything wrong with this beast, sir, I hope," said he.

"I can't say without a further examination," replied Thorndyke. "It may be the horn only that is affected. If you will have it sawn off close to the head, and sent up to me at the hotel, I will look at it and tell you. And, by way of preventing any mistakes, I will mark it and cover it up, to protect it from injury in the slaughter-house."

He opened his parcel and produced from it a wide-mouthed bottle labelled "Ox-gall," a sheet of gutta-percha tissue, a roller bandage, and a stick of sealing-wax. Handing the bottle to Mr. Felton, he encased the distal half of the horn in a covering by means of the tissue and the bandage, which he fixed securely with the sealing-wax.

"I'll saw the horn off and bring it up to the hotel myself, with the ox-gall," said Mr. Felton. "You shall have them in half an hour."

He was as good as his word, for in half an hour Thorndyke was seated at a small table by the window of our private sitting-room in the Black Bull Hotel. The table was covered with newspaper, and on it lay the long grey horn and Thorndyke's travelling-case, now open and displaying a small microscope and its accessories. The butcher was seated solidly in an armchair waiting, with a half-suspicious eye on Thorndyke for the report; and I was endeavouring by cheerful talk to keep Mr. Stopford from sinking into utter despondency, though I, too, kept a furtive watch on my colleague's rather mysterious proceedings.

I saw him unwind the bandage and apply the horn to his ear, bending it slightly to and fro. I watched him, as he scanned the surface closely through a lens, and observed him as he scraped some substance from the pointed end on to a glass slide, and, having applied a drop of some reagent, began to tease out the scraping with a pair of mounted needles. Presently he placed the slide under the microscope, and, having observed it attentively for a minute or two, turned round sharply.

"Come and look at this, Jervis," said he.

I wanted no second bidding, being on tenterhooks of curiosity, but came over and applied my eye to the instrument.

"Well, what is it?" he asked.

"A multipolar nerve corpuscle—very shrivelled, but unmistakable."

"And this?"

He moved the slide to a fresh spot.

"Two pyramidal nerve corpuscles and some portions of fibres."

"And what do you say the tissue is?"

"Cortical brain substance, I should say, without a doubt."

"I entirely agree with you. And that being so," he added, turning to Mr. Stopford, "we may say that the case for the defence is practically complete."

"What, in Heaven's name, do you mean?" exclaimed Stopford, starting up.

"I mean that we can now prove when and where and how Miss Grant met her death. Come and sit down here, and I will explain. No, you needn't go away, Mr. Felton. We shall have to subpoena you. Perhaps," he continued, "we had better go over the facts and see what they suggest. And first we note the position of the body, lying with the feet close to the off-side door, showing that, when she fell, the deceased was sitting, or more probably standing, close to that door. Next there is this." He drew from his pocket a folded paper, which he opened, displaying a tiny blue disc. "It is one of the sequins with which her hat was trimmed, and I have in this envelope several more which I took from the hat itself.

"This single sequin I picked up on the rear end of the off side footboard, and its presence there makes it nearly certain that at some time Miss Grant