Venus in Furs, Ritter von Leopold Sacher-Masoch [e book reader pdf TXT] 📗

and many rich loops; on his black locks is a red fez.

I now understand the masculine Eros, and I marvel at Socrates for having remained virtuous in view of an Alcibiades like this.

* * * * *

I have never seen my lioness so excited. Her cheeks flamed when she left from the carriage at her villa. She hurried upstairs, and with an imperious gesture ordered me to follow.

Walking up and down her room with long strides, she began to talk so rapidly, that I was frightened.

"You are to find out who the man in the Cascine was, immediately—

"Oh, what a man! Did you see him? What do you think of him? Tell me."

"The man is beautiful," I replied dully.

"He is so beautiful," she paused, supporting herself on the arm of a chair, "that he has taken my breath away."

"I can understand the impression he has made on you," I replied, my imagination carrying me away in a mad whirl. "I am quite lost in admiration myself, and I can imagine—"

"You may imagine," she laughed aloud, "that this man is my lover, and that he will apply the lash to you, and that you will enjoy being punished by him.

"But now go, go."

* * * * *

Before evening fell, I had the desired information.

Wanda was still fully dressed when I returned. She reclined on the ottoman, her face buried in her hands, her hair in a wild tangle, like the red mane of a lioness.

"What is his name?" she asked, uncanny calm.

"Alexis Papadopolis."

"A Greek, then,"

I nodded.

"He is very young?"

"Scarcely older than you. They say he was educated in Paris, and that he is an atheist. He fought against the Turks in Candia, and is said to have distinguished himself there no less by his race-hatred and cruelty, than by his bravery."

"All in all, then, a man," she cried with sparkling eyes.

"At present he is living in Florence," I continued, "he is said to be tremendously rich—"

"I didn't ask you about that," she interrupted quickly and sharply.
"The man is dangerous. Aren't you afraid of him? I am afraid of him.
Has he a wife?"

"No."

"A mistress?"

"No."

"What theaters does he attend?"

"To-night he will be at the Nicolini Theater, where Virginia Marini and Salvini are acting; they are the greatest living artists in Italy, perhaps in Europe.

"See that you get a box—and be quick about it!" she commanded.

"But, mistress—"

"Do you want a taste of the whip?"

* * * * *

"You can wait down in the lobby," she said when I had placed the opera-glasses and the programme on the edge of her box and adjusted the footstool.

I am standing there and had to lean against the wall for support so as not to fall down with envy and rage—no, rage isn't the right word; it was a mortal fear.

I saw her in her box dressed in blue moire, with a huge ermine cloak about her bare shoulders; he sat opposite. I saw them devour each other with their eyes. For both of them the stage, Goldoni's Pamela, Salvini, Marini, the public, even the entire world, were non-existant to-night. And I—what was I at that moment?—

* * * * *

To-day she is attending the ball at the Greek ambassador's. Does she know, that she will meet him there?

At any rate she dressed, as if she did. A heavy sea-green silk dress plastically encloses her divine form, leaving the bust and arms bare. In her hair, which is done into a single flaming knot, a white water-lily blossoms; from it the leaves of reeds interwoven with a few loose strands fall down toward her neck. There no longer is any trace of agitation or trembling feverishness in her being. She is calm, so calm, that I feel my blood congealing and my heart growing cold under her glance. Slowly, with a weary, indolent majesty, she ascends the marble staircase, lets her precious wrap slide off, and listlessly enters the hall, where the smoke of a hundred candles has formed a silvery mist.

For a few moments my eyes follow her in a daze, then I pick up her furs, which without my being aware, had slipped from my hands. They are still warm from her shoulders.

I kiss the spot, and my eyes fill with tears.

* * * * *

He has arrived.

In his black velvet coat extravagantly trimmed with sable, he is a beautiful, haughty despot who plays with the lives and souls of men. He stands in the ante-room, looking around proudly, and his eyes rest on me for an uncomfortably long time.

Under his icy glance I am again seized by a mortal fear. I have a presentiment that this man can enchain her, captivate her, subjugate her, and I feel inferior in contrast with his savage masculinity; I am filled with envy, with jealousy.

I feel that I am a queer weakly creature of brains, merely! And what is most humiliating, I want to hate him, but I can't. Why is that among all the host of servants he has chosen me.

With an inimitably aristocratic nod of the head he calls me over to him, and I—I obey his call—against my own will.

"Take my furs," he quickly commands.

My entire body trembles with resentment, but I obey, abjectly like a slave.

* * * * *

All night long I waited in the ante-room, raving as in a fever. Strange images hovered past my inner eye. I saw their meeting—their long exchange of looks. I saw her float through the hall in his arms, drunken, lying with half-closed lids against his breast. I saw him in the holy of holies of love, lying on the ottoman, not as slave, but as master, and she at his feet. On my knees I served them, the tea-tray faltering in my hands, and I saw him reach for the whip. But now the servants are talking about him.

He is a man who is like a woman; he knows that he is beautiful, and he acts accordingly. He changes his clothes four or five times a day, like a vain courtesan.

In Paris he appeared first in woman's dress, and the men assailed him with love-letters. An Italian singer, famous equally for his art and his passionate intensity, even invaded his home, and lying on his knees before him threatened to commit suicide if he wouldn't be his.

"I am sorry," he replied, smiling, "I should like to do you the favor, but you will have to carry out your threat, for I am a man."

* * * * *

The drawing-room has already thinned out to a marked degree, but she apparently has no thought of leaving.

Morning is already peering through the blinds.

At last I hear the rustling of her heavy gown which flows along behind her like green waves. She advances step by step, engaged in conversation with him.

I hardly exist for her any longer; she doesn't even trouble to give me an order.

"The cloak for madame," he commands. He, of course, doesn't think of looking after her himself.

While I put her furs about her, he stands to one side with his arms crossed. While I am on my knees putting on her fur over-shoes, she lightly supports herself with her hand on his shoulder. She asks:

"And what about the lioness?"

"When the lion whom she has chosen and with whom she lives is attacked by another," the Greek went on with his narrative, "the lioness quietly lies down and watches the battle. Even if her mate is worsted she does not go to his aid. She looks on indifferently as he bleeds to death under his opponent's claws, and follows the victor, the stronger—that is the female's nature."

At this moment my lioness looked quickly and curiously at me.

It made me shudder, though I didn't know why—and the red dawn immerses me and her and him in blood.

* * * * *

She did not go to bed, but merely threw off her ball-dress and undid her hair; then she ordered me to build a fire, and she sat by the fire-place, and stared into the flames.

"Do you need me any longer, mistress?" I asked, my voice failed me at the last word.

Wanda shook her head.

I left the room, passed through the gallery, and sat down on one of the steps, leading from there down into the garden. A gentle north wind brought a fresh, damp coolness from the Arno, the green hills extended into the distance in a rosy mist, a golden haze hovered over the city, over the round cupola of the Duomo.

A few stars still tremble in the pale-blue sky.

I tore open my coat, and pressed my burning forehead against the marble. Everything that had happened so far seemed to me a mere child's play; but now things were beginning to be serious, terribly serious.

I anticipated a catastrophe, I visualized it, I could lay hold of it with my hands, but I lacked the courage to meet it. My strength was broken. And if I am honest with myself, neither the pains and sufferings that threatened me, not the humiliations that impended, were the thing that frightened me.

I merely felt a fear, the fear of losing her whom I loved with a sort of fanatical devotion; but it was so overwhelming, so crushing that I suddenly began to sob like a child.

* * * * *

During the day she remained locked in her room, and had the negress attend her. When the evening star rose glowing in the blue sky, I saw her pass through the garden, and, carefully following her at a distance, watched her enter the shrine of Venus. I stealthily followed and peered through the chink in the door.

She stood before the divine image of the goddess, her hands folded as in prayer, and the sacred light of the star of love casts its blue rays over her.

* * * * *

On my couch at night the fear of losing her and despair took such powerful hold of me that they made a hero and a libertine of me. I lighted the little red oil-lamp which hung in the corridor beneath a saint's image, and entered her bedroom, covering the light with one hand.

The lioness had been hunted and driven until she was exhausted. She had fallen asleep among her pillows, lying on her back,