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fingers. Manisty leaning back in his chair, looked up for an instant at the rattle of the soldiers, then went back sleepily to his Greek book. Yet Lucy felt her own heart throbbing. Through the candelabra of the High Altar beneath the dome, she can see the moving figures of the priests, the wreaths of incense ascending. The face of the celebrant Cardinal, which had dropped out of sight, reappears. Since it was last visible, according to Catholic faith, the great act of Catholic worship has been accomplished--the Body and Blood are there--God has descended, has mingled with a mortal frame. And who cares? Lucy looks round her at the good-humoured indifference, vacancy, curiosity, of the great multitude filling the nave; and her soul frees itself in a rush of protesting amazement.

* * * * *

One more 'moment' however there was,--very different from the great moment of the entry, yet beautiful. The mass is over, and a temporary platform has been erected between the Confession and the nave. The Pope has been placed upon it, and is about to chant the Apostolic Benediction.

The old man is within thirty feet of Manisty, who sits nearest to the barrier. The red Cardinal holding the service-book, the groups of guards, clergy and high officials, every detail of the Pope's gorgeous dress, nay every line of the wrinkled face, and fleshless hands, Lucy's eyes command them all. The quavering voice rises into the sudden silence of St. Peter's. Fifty thousand people hush every movement, strain their ears to listen.

Ah! how weak it is! Surely the effort is too great for a frame so enfeebled, so ancient. It should not have been exacted--allowed. Lucy's ears listen painfully for the inevitable break. But no!--The Pope draws a long sigh--the sigh of weakness,--('Ah! poveretto!' says a woman, close to Lucy, in a transport of pity),--then once more attempts the chant--sighs again--and sings. Lucy's face softens and glows; her eyes fill with tears. Nothing more touching, more triumphant, than this weakness and this perseverance. Fragile indomitable face beneath the Papal crown! Under the eyes of fifty thousand people the Pope sighs like a child, because he is weak and old, and the burden of his office is great; but in sighing, keeps a perfect simplicity, dignity, courage. Not a trace of stoical concealment; but also not a trace of flinching. He sings to the end, and St. Peter's listens in a tender hush.

Then there seems to be a moment of collapse. The long straight lips close as though with a snap, the upper jaw protruding; the eyelids drop; the emaciated form sinks upon itself.--

But his guards raise the chair, and the Pope's trance passes away. He opens his eyes, and braces himself for the last effort. Whiter than the gorgeous cope which falls about him, he raises himself, clinging to the chair; he lifts the skeleton fingers of his partially gloved hand; his look searches the crowd.

Lucy fell on her knees, a sob in her throat. When the Pope had passed, some influence made her look up. She met the eyes of Edward Manisty. They were instantly withdrawn, but not before the mingling of amusement and triumph in them had brought the quick red to the girl's cheek.

* * * * *

And outside, in the Piazza, amid the out-pouring thousands, as they were rushing for their carriage, Manisty's stride overtook her.

'Well--you were impressed?'--he said, looking at her sharply.

The girl's pride was somehow nettled by his tone.

'Yes--but by the old man--more than by the Pope,'--she said quickly.

'I hope not,' he said, with emphasis.--'Otherwise you would have missed the whole point.'

'Why?--Mayn't one feel it was pathetic, and touching--'

'No--not in the least!' he said, impatiently. 'What does the man himself matter, or his age?--That's all irrelevant,--foolish sentiment. What makes these ceremonies so tremendous is that there is no break between that man and Peter--or Linus, if you like--it comes to the same thing:--that the bones, if not of Peter, at any rate of men who might have known Peter, are there, mingled with the earth beneath his feet--that he stands there recognised by half the civilised world as Peter's successor--that five hundred, a thousand years hence, the vast probability is there will still be a Pope in St. Peter's to hand on the same traditions, and make the same claims.'

'But if you don't acknowledge the tradition or the claims!--why shouldn't you feel just the human interest?'

'Oh, of course, if you want to take the mere vulgar, parochial view--the halfpenny interviewer's view--why, you must take it!' he said, almost with violence, shrugging his shoulders.

Lucy's eyes sparkled. There was always something of the overgrown, provoking child in him, when he wanted to bear down an opinion or feeling that displeased him. She would have liked to go on walking and wrangling with him, for the great ceremony had excited her, and made it easier for her to talk. But at that moment Mrs. Burgoyne's voice was heard in front--'Joy! there is the carriage, and Reggie has picked up another.--Edward, take Aunt Pattie through--we'll look after ourselves.'

* * * * *

And soon the whole party were driving in two of the little Roman victorias through streets at the back of the Capitol, and round the base of the Palatine, to the Aventine, where it appeared they were to lunch at an open-air _trattoria_, recommended by Mr. Brooklyn.

Mrs. Burgoyne, Lucy and Mr. Vanbrugh Neal found themselves together. Mrs. Burgoyne and Mr. Neal talked of the function, and Lucy, after a few shy expressions of gratitude and pleasure, fell silent, and listened. But she noticed very soon that Mrs. Burgoyne was talking absently. Amid the black that fell about her slim tallness, she was more fragile, more pale than ever; and it seemed to Lucy that her eyes were dark with a fatigue that had not much to do with St. Peter's. Suddenly indeed, she bent forward and said in a lowered voice to Mr. Neal--

'You have read it?'

He too bent forward, with a smile not quite free from embarrassment--

'Yes, I have read it--I shall have some criticisms to make.--You won't mind?'

She threw up her hands--

'Must you?'

'I think I must--for the good of the book,'--he said reluctantly. 'Very likely I'm all wrong. I can only look at it as one of the public. But that's what he wants,'--what you both want--isn't it?'

She assented. Then she turned her head away, looked out of the carriage and said no more. But her face had drooped and dimmed, all in a moment; the lines graven in it long years before, by grief and delicacy, came out with a singular and sudden plainness.

The man sitting opposite to her was of an aspect little less distinguished than hers. He had a long face, with a high forehead, set in grizzled hair, and a mouth and chin of peculiar refinement. The shortness of the chin gave a first impression of weakness, which however was soon undone by the very subtle and decided lines in which, so to speak, the mouth, and indeed the face as a whole, were drawn. All that Lucy knew of him was that he was a Cambridge don, a man versed in classical archaeology who was an old friend and tutor of Mr. Manisty's. She had heard his name mentioned several times at the Villa, and always with an emphasis that marked it out from other names. And she understood from various signs that before finally passing his proofs for publication, Mr. Manisty had taken advantage of his old friend's coming to Rome to ask his opinion on them.

How brilliant was the April day on the high terrace of the Aventine _trattoria_! As Lucy and Aunt Pattie stood together beside the little parapet looking out through the sprays of banksia rose that were already making a white canopy above the restaurant tables, they had before them the steep sides and Imperial ruins of the Palatine; the wonderful group of churches on the Coelian; the low villa-covered ridges to the right melting into the Campagna; and far away, the blue, Sabine mountains--'suffused with sunny air'--that look down with equal kindness on the refuge of Horace, and the oratory of St. Benedict. What sharpness of wall and tree against the pearly sky--what radiance of blossom in the neighbouring gardens--what ruin everywhere, yet what indomitable life!

Beneath on a lower terrace, Manisty and Mr. Vanbrugh Neal were walking up and down.

'He's such a clever man,' sighed Aunt Pattie, as she looked down upon them. 'But I do hope he won't discourage Edward.'

Whereupon she glanced not at Manisty but at Eleanor, who was sitting near them, pretending to talk to Reggie Brooklyn--but in reality watching the conversation below.

Presently some other guests arrived, and amongst them the tall and fine-faced priest who had spoken to Manisty in St. Peter's. He came in very shyly. Eleanor Burgoyne received him, made him sit by her, and took charge of him till Manisty should appear. But he seemed to be ill at ease with ladies. He buried his hands in the sleeves of his soutane, and would answer little more than Yes and No.

'There'll be a great fuss about him soon,' whispered Aunt Pattie in Lucy's ear--'I don't quite understand--but he's written a book that's been condemned; and the question is, will he submit? They give you a year apparently to decide in. Edward says the book's quite right--and yet they were quite right to condemn him. It's very puzzling!'

When Manisty and Mr. Neal answered to the call of luncheon, Mr. Neal mounted the steps leading to the open-air restaurant, with the somewhat sheepish air of the man who has done his duty, and is inclined to feel himself a meddler for his pains. The luncheon itself passed without gaiety. Manisty was either moodily silent, or engaged in discussions with the strange priest, Father Benecke, as to certain incidents connected with a South German University, which had lately excited Catholic opinion. He scarcely spoke to any of the ladies--least of all to Eleanor Burgoyne. She and Aunt Pattie must needs make all the greater efforts to carry off the festa. Aunt Pattie chattered nervously like one in dread of a silence, while Eleanor was merry with young Brooklyn, and courteous to the other guests whom Manisty had invited--a distinguished French journalist for instance, an English member of Parliament and his daughter, and an Italian senator with an English wife.

Nevertheless when the party was breaking up, Reggie who had thrown her occasional glances of disquiet, approached Lucy Foster and said to her in a low voice, twirling an angry moustache--

'Mrs. Burgoyne is worn out. Can't you look after her?'

Lucy, a little scared by so much responsibility, did her best. She dissuaded Aunt Pattie from dragging Mrs. Burgoyne through an afternoon of visits. She secured an early train for the return to Marinata, and so earned a special and approving smile from Mr. Reggie, when at last he had settled the three ladies safely in their carriage, and
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