The Diary of a Superfluous Man, Ivan Turgenev [graded readers .TXT] 📗

in him; he was quiet, as he had always been, but everlastingly glad at heart.

In Petersburg he lived as in a wilderness, not thinking of the future, and knowing scarcely any one. I took him to the Zlotnitskys'. He used to go and see them rather often. Not being self-conscious, he was not shy, but in their house, as everywhere, he said very little; they liked him, however. Even the tedious old man, Tatiana Vassilievna's husband, was friendly to him, and both the silent girls were soon quite at home with him.

Sometimes he would arrive, bringing with him in the back pocket of his coat some book that had just come out, and for a long time would not make up his mind to read, but would keep stretching his neck out on one side, like a bird, looking about him as though inquiring, 'could he?' At last he would establish himself in a corner (he always liked sitting in corners), would pull out a book and set to reading, at first in a whisper, then louder and louder, occasionally interrupting himself with brief criticisms or exclamations. I noticed that Varvara was readier to sit by him and listen than her sister, though she certainly did not understand much; literature was not in her line. She would sit opposite Pasinkov, her chin in her hands, staring at him--not into his eyes, but into his whole face--and would not utter a syllable, but only heave a noisy, sudden sigh. Sometimes in the evenings we used to play forfeits, especially on Sundays and holidays. We were joined on these occasions by two plump, short young ladies, sisters, and distant relations of the Zlotnitskys, terribly given to giggling, and a few lads from the military school, very good-natured, quiet fellows. Pasinkov always used to sit beside Tatiana Vassilievna, and with her, judge what was to be done to the one who had to pay a forfeit.

Sophia did not like the kisses and such demonstrations, with which forfeits are often paid, while Varvara used to be cross if she had to look for anything or guess something. The young ladies giggled incessantly--laughter seemed to bubble up by some magic in them,--I sometimes felt positively irritated as I looked at them, but Pasinkov only smiled and shook his head. Old Zlotnitsky took no part in our games, and even looked at us rather disapprovingly from the door of his study. Only once, utterly unexpectedly, he came in to us, and proposed that whoever had next to pay a forfeit should waltz with him; we, of course, agreed. It happened to be Tatiana Vassilievna who had to pay the forfeit. She crimsoned all over, and was confused and abashed like a girl of fifteen; but her husband at once told Sophia to go to the piano, while he went up to his wife, and waltzed two rounds with her of the old-fashioned _trois temps_ waltz. I remember how his bilious, gloomy face, with its never-smiling eyes, kept appearing and disappearing as he slowly turned round, his stern expression never relaxing. He waltzed with a long step and a hop, while his wife pattered rapidly with her feet, and huddled up with her face close to his chest, as though she were in terror. He led her to her place, bowed to her, went back to his room and shut the door. Sophia was just getting up, but Varvara asked her to go on, went up to Pasinkov, and holding out her hand, with an awkward smile, said, 'Will you like a turn?' Pasinkov was surprised, but he jumped up--he was always distinguished by the most delicate courtesy--and took Varvara by the waist, but he slipped down at the first step, and leaving hold of his partner at once, rolled right under the pedestal on which the parrot's cage was standing.... The cage fell, the parrot was frightened and shrieked, 'Present arms!' Every one laughed.... Zlotnitsky appeared at his study door, looked grimly at us, and slammed the door to. From that time forth, one had only to allude to this incident before Varvara, and she would go off into peals of laughter at once, and look at Pasinkov, as though anything cleverer than his behaviour on that occasion it was impossible to conceive.

Pasinkov was very fond of music. He used often to beg Sophia to play him something, and to sit on one side listening, and now and then humming in a thin voice the most pathetic passages. He was particularly fond of Schubert's Constellation. He used to declare that when he heard the air played he could always fancy that with the sounds long rays of azure light came pouring down from on high, straight upon him. To this day, whenever I look upon a cloudless sky at night, with the softly quivering stars, I always recall Schubert's melody and Pasinkov.... An excursion into the country comes back to my mind. We set out, a whole party of us, in two hired four-wheel carriages, to Pargolovo. I remember we took the carriages from the Vladimirsky; they were very old, and painted blue, with round springs, and a wide box-seat, and bundles of hay inside; the brown, broken-winded horses that drew us along at a slow trot were each lame in a different leg. We strolled a long while about the pinewoods round Pargolovo, drank milk out of earthenware pitchers, and ate wild strawberries and sugar. The weather was exquisite. Varvara did not care for long walks: she used soon to get tired; but this time she did not lag behind us. She took off her hat, her hair came down, her heavy features lighted up, and her cheeks were flushed. Meeting two peasant girls in the wood, she sat down suddenly on the ground, called them to her, did not patronise them, but made them sit down beside her. Sophia looked at them from some distance with a cold smile, and did not go up to them. She was walking with Asanov. Zlotnitsky observed that Varvara was a regular hen for sitting. Varvara got up and walked away. In the course of the walk she several times went up to Pasinkov, and said to him, 'Yakov Ivanitch, I want to tell you something,' but what she wanted to tell him--remained unknown.

But it's high time for me to get back to my story.

* * * * *


I was glad to see Pasinkov; but when I recalled what I had done the day before, I felt unutterably ashamed, and I hurriedly turned away to the wall again. After a brief pause, Yakov asked me if I were unwell.

'I'm quite well,' I answered through my teeth; 'only my head aches.'

Yakov made no reply, and took up a book. More than an hour passed by; I was just coming to the point of confessing everything to Yakov ... suddenly there was a ring at the outer bell of my flat.

The door on to the stairs was opened.... I listened.... Asanov was asking my servant if I were at home.

Pasinkov got up; he did not care for Asanov, and telling me in a whisper that he would go and lie down on my bed, he went into my bedroom.

A minute later Asanov entered.

From the very sight of his flushed face, from his brief, cool bow, I guessed that he had not come to me without some set purpose in his mind. 'What is going to happen?' I wondered.

'Sir,' he began, quickly seating himself in an armchair, 'I have come to you for you to settle a matter of doubt for me.'

'And that is?'

'That is: I wish to know whether you are an honest man.'

I flew into a rage. 'What's the meaning of that?' I demanded.

'I'll tell you what's the meaning of it,' he retorted, underlining as it were each word. 'Yesterday I showed you a pocket-book containing letters from a certain person to me.... To-day you repeated to that person, with reproach--with reproach, observe--some expressions from those letters, without having the slightest right to do so. I should like to know what explanation you can give of this?'

'And I should like to know what right you have to cross-examine me,' I answered, trembling with fury and inward shame.

'You chose to boast of your uncle, of your correspondence; I'd nothing to do with it. You've got all your letters all right, haven't you?'

'The letters are all right; but I was yesterday in a condition in which you could easily----'

'In short, sir,' I began, speaking intentionally as loud as I could, 'I beg you to leave me alone, do you hear? I don't want to know anything about it, and I'm not going to give you any explanation. You can go to that person for explanations!' I felt that my head was beginning to go round.

Asanov turned upon me a look to which he obviously tried to impart an air of scornful penetration, pulled his moustaches, and got up slowly.

'I know now what to think,' he observed; 'your face is the best evidence against you. But I must tell you that that's not the way honourable people behave.... To read a letter on the sly, and then to go and worry an honourable girl....'

'Will you go to the devil!' I shouted, stamping, 'and send me a second; I don't mean to talk to you.'

'Kindly refrain from telling me what to do,' Asanov retorted frigidly; 'but I certainly will send a second to you.'

He went away. I fell on the sofa and hid my face in my hands. Some one touched me on the shoulder; I moved my hands--before me was standing Pasinkov.

'What's this? is it true?' ... he asked me. 'You read another man's letter?'

I had not the strength to answer, but I nodded in assent.

Pasinkov went to the window, and standing with his back to me, said slowly: 'You read a letter from a girl to Asanov. Who was the girl?'

'Sophia Zlotnitsky,' I answered, as a prisoner on his trial answers the judge.

For a long while Pasinkov did not utter a word.

'Nothing but passion could to some extent excuse you,' he began at last. 'Are you in love then with the younger Zlotnitsky?'

'Yes.'

Pasinkov was silent again for a little.

'I thought so. And you went to her to-day and began reproaching her?...'

'Yes, yes, yes!...' I articulated desperately. 'Now you can despise me....'

Pasinkov walked a couple of times up and down the room.

'And she loves him?' he queried.

'She loves him....'

Pasinkov looked down, and gazed a long while at the floor without moving.

'Well, it must be set right,' he began, raising his head,' things can't be left like this.'

And he took up his hat.

'Where are you going?'

'To Asanov.'

I jumped up from the sofa.

'But I won't let you. Good heavens! how can you! what will he think?'

Pasinkov looked at me.

'Why, do you think it better to keep this folly up, to bring ruin on yourself, and disgrace on the girl?'

'But what are you going to say to Asanov?'

'I'll try and explain things to him, I'll tell him you beg his forgiveness ...'

'But I don't want to apologise to him!'

'You don't? Why, aren't you in fault?'