Dombey and Son, Charles Dickens [ebook reader computer .TXT] 📗
- Author: Charles Dickens
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that some of Mr Gills's old investments are coming out wonderfully well; and that instead of being behind the time in those respects, as he supposed, he was, in truth, a little before it, and had to wait the fulness of the time and the design. The whisper is that Mr Gills's money has begun to turn itself, and that it is turning itself over and over pretty briskly. Certain it is that, standing at his shop-door, in his coffee-coloured suit, with his chronometer in his pocket, and his spectacles on his forehead, he don't appear to break his heart at customers not coming, but looks very jovial and contented, though full as misty as of yore.
As to his partner, Captain Cuttle, there is a fiction of a business in the Captain's mind which is better than any reality. The Captain is as satisfied of the Midshipman's importance to the commerce and navigation of the country, as he could possibly be, if no ship left the Port of London without the Midshipman's assistance. His delight in his own name over the door, is inexhaustible. He crosses the street, twenty times a day, to look at it from the other side of the way; and invariably says, on these occasions, 'Ed'ard Cuttle, my lad, if your mother could ha' know'd as you would ever be a man o' science, the good old creetur would ha' been took aback in-deed!'
But here is Mr Toots descending on the Midshipman with violent rapidity, and Mr Toots's face is very red as he bursts into the little parlour.
'Captain Gills,' says Mr Toots, 'and Mr Sols, I am happy to inform you that Mrs Toots has had an increase to her family.
'And it does her credit!' cries the Captain.
'I give you joy, Mr Toots!' says old Sol.
'Thank'ee,' chuckles Mr Toots, 'I'm very much obliged to you. I knew that you'd be glad to hear, and so I came down myself. We're positively getting on, you know. There's Florence, and Susan, and now here's another little stranger.'
'A female stranger?' inquires the Captain.
'Yes, Captain Gills,' says Mr Toots, 'and I'm glad of it. The oftener we can repeat that most extraordinary woman, my opinion is, the better!'
'Stand by!' says the Captain, turning to the old case-bottle with no throat--for it is evening, and the Midshipman's usual moderate provision of pipes and glasses is on the board. 'Here's to her, and may she have ever so many more!'
'Thank'ee, Captain Gills,' says the delighted Mr Toots. 'I echo the sentiment. If you'll allow me, as my so doing cannot be unpleasant to anybody, under the circumstances, I think I'll take a pipe.'
Mr Toots begins to smoke, accordingly, and in the openness of his heart is very loquacious.
'Of all the remarkable instances that that delightful woman has given of her excellent sense, Captain Gills and Mr Sols,' said Mr Toots, 'I think none is more remarkable than the perfection with which she has understood my devotion to Miss Dombey.'
Both his auditors assent.
'Because you know,' says Mr Toots, 'I have never changed my sentiments towards Miss Dombey. They are the same as ever. She is the same bright vision to me, at present, that she was before I made Walters's acquaintance. When Mrs Toots and myself first began to talk of--in short, of the tender passion, you know, Captain Gills.'
'Ay, ay, my lad,' says the Captain, 'as makes us all slue round--for which you'll overhaul the book--'
'I shall certainly do so, Captain Gills,' says Mr Toots, with great earnestness; 'when we first began to mention such subjects, I explained that I was what you may call a Blighted Flower, you know.'
The Captain approves of this figure greatly; and murmurs that no flower as blows, is like the rose.
'But Lord bless me,' pursues Mr Toots, 'she was as entirely conscious of the state of my feelings as I was myself. There was nothing I could tell her. She was the only person who could have stood between me and the silent Tomb, and she did it, in a manner to command my everlasting admiration. She knows that there's nobody in the world I look up to, as I do to Miss Dombey. Knows that there's nothing on earth I wouldn't do for Miss Dombey. She knows that I consider Miss Dombey the most beautiful, the most amiable, the most angelic of her sex. What is her observation upon that? The perfection of sense. "My dear, you're right. I think so too."'
'And so do I!' says the Captain.
'So do I,' says Sol Gills.
'Then,' resumes Mr Toots, after some contemplative pulling at his pipe, during which his visage has expressed the most contented reflection, 'what an observant woman my wife is! What sagacity she possesses! What remarks she makes! It was only last night, when we were sitting in the enjoyment of connubial bliss--which, upon my word and honour, is a feeble term to express my feelings in the society of my wife--that she said how remarkable it was to consider the present position of our friend Walters. "Here," observes my wife, "he is, released from sea-going, after that first long voyage with his young bride"--as you know he was, Mr Sols.'
'Quite true,' says the old Instrument-maker, rubbing his hands.
"'Here he is," says my wife, "released from that, immediately; appointed by the same establishment to a post of great trust and confidence at home; showing himself again worthy; mounting up the ladder with the greatest expedition; beloved by everybody; assisted by his uncle at the very best possible time of his fortunes"--which I think is the case, Mr Sols? My wife is always correct.'
'Why yes, yes--some of our lost ships, freighted with gold, have come home, truly,' returns old Sol, laughing. 'Small craft, Mr Toots, but serviceable to my boy!'
'Exactly so,' says Mr Toots. 'You'll never find my wife wrong. "Here he is," says that most remarkable woman, "so situated,--and what follows? What follows?" observed Mrs Toots. Now pray remark, Captain Gills, and Mr Sols, the depth of my wife's penetration. "Why that, under the very eye of Mr Dombey, there is a foundation going on, upon which a--an Edifice;" that was Mrs Toots's word,' says Mr Toots exultingly, "'is gradually rising, perhaps to equal, perhaps excel, that of which he was once the head, and the small beginnings of which (a common fault, but a bad one, Mrs Toots said) escaped his memory. Thus," said my wife, "from his daughter, after all, another Dombey and Son will ascend"--no "rise;" that was Mrs Toots's word--"triumphant!"'
Mr Toots, with the assistance of his pipe--which he is extremely glad to devote to oratorical purposes, as its proper use affects him with a very uncomfortable sensation--does such grand justice to this prophetic sentence of his wife's, that the Captain, throwing away his glazed hat in a state of the greatest excitement, cries:
'Sol Gills, you man of science and my ould pardner, what did I tell Wal'r to overhaul on that there night when he first took to business? Was it this here quotation, "Turn again Whittington, Lord Mayor of London, and when you are old you will never depart from it." Was it them words, Sol Gills?'
'It certainly was, Ned,' replied the old Instrument-maker. 'I remember well.'
'Then I tell you what,' says the Captain, leaning back in his chair, and composing his chest for a prodigious roar. 'I'll give you Lovely Peg right through; and stand by, both on you, for the chorus!'
Buried wine grows older, as the old Madeira did, in its time; and dust and cobwebs thicken on the bottles.
Autumn days are shining, and on the sea-beach there are often a young lady, and a white-haired gentleman. With them, or near them, are two children: boy and girl. And an old dog is generally in their company.
The white-haired gentleman walks with the little boy, talks with him, helps him in his play, attends upon him, watches him as if he were the object of his life. If he be thoughtful, the white-haired gentleman is thoughtful too; and sometimes when the child is sitting by his side, and looks up in his face, asking him questions, he takes the tiny hand in his, and holding it, forgets to answer. Then the child says:
'What, grandpa! Am I so like my poor little Uncle again?'
'Yes, Paul. But he was weak, and you are very strong.'
'Oh yes, I am very strong.'
'And he lay on a little bed beside the sea, and you can run about.'
And so they range away again, busily, for the white-haired gentleman likes best to see the child free and stirring; and as they go about together, the story of the bond between them goes about, and follows them.
But no one, except Florence, knows the measure of the white-haired gentleman's affection for the girl. That story never goes about. The child herself almost wonders at a certain secrecy he keeps in it. He hoards her in his heart. He cannot bear to see a cloud upon her face. He cannot bear to see her sit apart. He fancies that she feels a slight, when there is none. He steals away to look at her, in her sleep. It pleases him to have her come, and wake him in the morning. He is fondest of her and most loving to her, when there is no creature by. The child says then, sometimes:
'Dear grandpapa, why do you cry when you kiss me?'
He only answers, 'Little Florence! little Florence!' and smooths away the curls that shade her earnest eyes.
The voices in the waves speak low to him of Florence, day and night--plainest when he, his blooming daughter, and her husband, beside them in the evening, or sit at an open window, listening to their roar. They speak to him of Florence and his altered heart; of Florence and their ceaseless murmuring to her of the love, eternal and illimitable, extending still, beyond the sea, beyond the sky, to the invisible country far away.
Never from the mighty sea may voices rise too late, to come between us and the unseen region on the other shore! Better, far better, that they whispered of that region in our childish ears, and the swift river hurried us away!
PREFACE OF 1848
I cannot forego my usual opportunity of saying farewell to my readers in this greeting-place, though I have only to acknowledge the unbounded warmth and earnestness of their sympathy in every stage of the journey we have just concluded.
If any of them have felt a sorrow in one of the principal incidents on which this fiction turns, I hope it may be a sorrow of that sort which endears the sharers in it, one to another. This is not unselfish in me. I may claim to have felt it, at least as much as anybody else; and I would fain be remembered kindly for my part in the experience.
DEVONSHIRE TERRACE, Twenty-Fourth March, 1848.
PREFACE OF 1867
I make so bold as to believe that the faculty (or the habit) of correctly observing the characters of men, is a rare one. I have not even found, within my experience, that the faculty (or the habit) of correctly observing so much as the faces of men, is a general one by any means. The two commonest mistakes in judgement that I suppose to arise from the former default, are, the confounding of shyness with arrogance--a very common mistake indeed--and the not
As to his partner, Captain Cuttle, there is a fiction of a business in the Captain's mind which is better than any reality. The Captain is as satisfied of the Midshipman's importance to the commerce and navigation of the country, as he could possibly be, if no ship left the Port of London without the Midshipman's assistance. His delight in his own name over the door, is inexhaustible. He crosses the street, twenty times a day, to look at it from the other side of the way; and invariably says, on these occasions, 'Ed'ard Cuttle, my lad, if your mother could ha' know'd as you would ever be a man o' science, the good old creetur would ha' been took aback in-deed!'
But here is Mr Toots descending on the Midshipman with violent rapidity, and Mr Toots's face is very red as he bursts into the little parlour.
'Captain Gills,' says Mr Toots, 'and Mr Sols, I am happy to inform you that Mrs Toots has had an increase to her family.
'And it does her credit!' cries the Captain.
'I give you joy, Mr Toots!' says old Sol.
'Thank'ee,' chuckles Mr Toots, 'I'm very much obliged to you. I knew that you'd be glad to hear, and so I came down myself. We're positively getting on, you know. There's Florence, and Susan, and now here's another little stranger.'
'A female stranger?' inquires the Captain.
'Yes, Captain Gills,' says Mr Toots, 'and I'm glad of it. The oftener we can repeat that most extraordinary woman, my opinion is, the better!'
'Stand by!' says the Captain, turning to the old case-bottle with no throat--for it is evening, and the Midshipman's usual moderate provision of pipes and glasses is on the board. 'Here's to her, and may she have ever so many more!'
'Thank'ee, Captain Gills,' says the delighted Mr Toots. 'I echo the sentiment. If you'll allow me, as my so doing cannot be unpleasant to anybody, under the circumstances, I think I'll take a pipe.'
Mr Toots begins to smoke, accordingly, and in the openness of his heart is very loquacious.
'Of all the remarkable instances that that delightful woman has given of her excellent sense, Captain Gills and Mr Sols,' said Mr Toots, 'I think none is more remarkable than the perfection with which she has understood my devotion to Miss Dombey.'
Both his auditors assent.
'Because you know,' says Mr Toots, 'I have never changed my sentiments towards Miss Dombey. They are the same as ever. She is the same bright vision to me, at present, that she was before I made Walters's acquaintance. When Mrs Toots and myself first began to talk of--in short, of the tender passion, you know, Captain Gills.'
'Ay, ay, my lad,' says the Captain, 'as makes us all slue round--for which you'll overhaul the book--'
'I shall certainly do so, Captain Gills,' says Mr Toots, with great earnestness; 'when we first began to mention such subjects, I explained that I was what you may call a Blighted Flower, you know.'
The Captain approves of this figure greatly; and murmurs that no flower as blows, is like the rose.
'But Lord bless me,' pursues Mr Toots, 'she was as entirely conscious of the state of my feelings as I was myself. There was nothing I could tell her. She was the only person who could have stood between me and the silent Tomb, and she did it, in a manner to command my everlasting admiration. She knows that there's nobody in the world I look up to, as I do to Miss Dombey. Knows that there's nothing on earth I wouldn't do for Miss Dombey. She knows that I consider Miss Dombey the most beautiful, the most amiable, the most angelic of her sex. What is her observation upon that? The perfection of sense. "My dear, you're right. I think so too."'
'And so do I!' says the Captain.
'So do I,' says Sol Gills.
'Then,' resumes Mr Toots, after some contemplative pulling at his pipe, during which his visage has expressed the most contented reflection, 'what an observant woman my wife is! What sagacity she possesses! What remarks she makes! It was only last night, when we were sitting in the enjoyment of connubial bliss--which, upon my word and honour, is a feeble term to express my feelings in the society of my wife--that she said how remarkable it was to consider the present position of our friend Walters. "Here," observes my wife, "he is, released from sea-going, after that first long voyage with his young bride"--as you know he was, Mr Sols.'
'Quite true,' says the old Instrument-maker, rubbing his hands.
"'Here he is," says my wife, "released from that, immediately; appointed by the same establishment to a post of great trust and confidence at home; showing himself again worthy; mounting up the ladder with the greatest expedition; beloved by everybody; assisted by his uncle at the very best possible time of his fortunes"--which I think is the case, Mr Sols? My wife is always correct.'
'Why yes, yes--some of our lost ships, freighted with gold, have come home, truly,' returns old Sol, laughing. 'Small craft, Mr Toots, but serviceable to my boy!'
'Exactly so,' says Mr Toots. 'You'll never find my wife wrong. "Here he is," says that most remarkable woman, "so situated,--and what follows? What follows?" observed Mrs Toots. Now pray remark, Captain Gills, and Mr Sols, the depth of my wife's penetration. "Why that, under the very eye of Mr Dombey, there is a foundation going on, upon which a--an Edifice;" that was Mrs Toots's word,' says Mr Toots exultingly, "'is gradually rising, perhaps to equal, perhaps excel, that of which he was once the head, and the small beginnings of which (a common fault, but a bad one, Mrs Toots said) escaped his memory. Thus," said my wife, "from his daughter, after all, another Dombey and Son will ascend"--no "rise;" that was Mrs Toots's word--"triumphant!"'
Mr Toots, with the assistance of his pipe--which he is extremely glad to devote to oratorical purposes, as its proper use affects him with a very uncomfortable sensation--does such grand justice to this prophetic sentence of his wife's, that the Captain, throwing away his glazed hat in a state of the greatest excitement, cries:
'Sol Gills, you man of science and my ould pardner, what did I tell Wal'r to overhaul on that there night when he first took to business? Was it this here quotation, "Turn again Whittington, Lord Mayor of London, and when you are old you will never depart from it." Was it them words, Sol Gills?'
'It certainly was, Ned,' replied the old Instrument-maker. 'I remember well.'
'Then I tell you what,' says the Captain, leaning back in his chair, and composing his chest for a prodigious roar. 'I'll give you Lovely Peg right through; and stand by, both on you, for the chorus!'
Buried wine grows older, as the old Madeira did, in its time; and dust and cobwebs thicken on the bottles.
Autumn days are shining, and on the sea-beach there are often a young lady, and a white-haired gentleman. With them, or near them, are two children: boy and girl. And an old dog is generally in their company.
The white-haired gentleman walks with the little boy, talks with him, helps him in his play, attends upon him, watches him as if he were the object of his life. If he be thoughtful, the white-haired gentleman is thoughtful too; and sometimes when the child is sitting by his side, and looks up in his face, asking him questions, he takes the tiny hand in his, and holding it, forgets to answer. Then the child says:
'What, grandpa! Am I so like my poor little Uncle again?'
'Yes, Paul. But he was weak, and you are very strong.'
'Oh yes, I am very strong.'
'And he lay on a little bed beside the sea, and you can run about.'
And so they range away again, busily, for the white-haired gentleman likes best to see the child free and stirring; and as they go about together, the story of the bond between them goes about, and follows them.
But no one, except Florence, knows the measure of the white-haired gentleman's affection for the girl. That story never goes about. The child herself almost wonders at a certain secrecy he keeps in it. He hoards her in his heart. He cannot bear to see a cloud upon her face. He cannot bear to see her sit apart. He fancies that she feels a slight, when there is none. He steals away to look at her, in her sleep. It pleases him to have her come, and wake him in the morning. He is fondest of her and most loving to her, when there is no creature by. The child says then, sometimes:
'Dear grandpapa, why do you cry when you kiss me?'
He only answers, 'Little Florence! little Florence!' and smooths away the curls that shade her earnest eyes.
The voices in the waves speak low to him of Florence, day and night--plainest when he, his blooming daughter, and her husband, beside them in the evening, or sit at an open window, listening to their roar. They speak to him of Florence and his altered heart; of Florence and their ceaseless murmuring to her of the love, eternal and illimitable, extending still, beyond the sea, beyond the sky, to the invisible country far away.
Never from the mighty sea may voices rise too late, to come between us and the unseen region on the other shore! Better, far better, that they whispered of that region in our childish ears, and the swift river hurried us away!
PREFACE OF 1848
I cannot forego my usual opportunity of saying farewell to my readers in this greeting-place, though I have only to acknowledge the unbounded warmth and earnestness of their sympathy in every stage of the journey we have just concluded.
If any of them have felt a sorrow in one of the principal incidents on which this fiction turns, I hope it may be a sorrow of that sort which endears the sharers in it, one to another. This is not unselfish in me. I may claim to have felt it, at least as much as anybody else; and I would fain be remembered kindly for my part in the experience.
DEVONSHIRE TERRACE, Twenty-Fourth March, 1848.
PREFACE OF 1867
I make so bold as to believe that the faculty (or the habit) of correctly observing the characters of men, is a rare one. I have not even found, within my experience, that the faculty (or the habit) of correctly observing so much as the faces of men, is a general one by any means. The two commonest mistakes in judgement that I suppose to arise from the former default, are, the confounding of shyness with arrogance--a very common mistake indeed--and the not
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