The Valley of Silent Men, James Oliver Curwood [suggested reading TXT] 📗

the girl's eyes, pools of flame. The three men were facing them now, shocked to speechlessness. Automatically they seemed to obey her command to throw up their hands. Then she leveled her grim little gun straight at Pelly's heart.
"You have the key," she said. "Unlock the cell!" Felly fumbled and produced the key. She watched him closely. Then suddenly the special constable dropped his arms with a coarse laugh. "A pretty trick," he said, "but the bluff won't work!"
"Oh, but it will!" came the reply.
The little black gun was shifted to him, even as the constable's fingers touched his revolver holster. With half-smiling lips, Marette's eyes blazed at him.
"Please put up your hands," she commanded.
The constable hesitated; then his fingers gripped the butt of his gun. Kent, holding his breath, saw the almost imperceptible tensing of Marette's body and the wavering of Pelly's arms over his head. Another moment and he, too, would have called the bluff if it were that. But that moment did not come. From the slim, black barrel of the girl's revolver leaped forth a sudden spurt of smoke and flame, and the special constable lurched back against the cell bars, caught himself as he half fell, and then stood with his pistol arm hanging limp and useless at his side. He had not made a sound, but his face was twisted in pain.
"Open the cell door!"
A second time the deadly-looking little gun was pointed straight at Pelly's heart. The half-smile was gone from the girl's lips now. Her eyes blazed a deeper fire. She was breathing quickly, and she leaned a little toward Pelly, repeating her command. The words were partly drowned in a sudden crash of thunder. But Pelly understood. He saw her lips form the words, and half heard,
"Open the door, or I shall kill you!"
He no longer hesitated. The key grated in the lock, and Kent himself flung the door wide open and sprang out. He was quick to see and seize upon opportunity and swift to act. The astounding audacity of the girl's ruse, her clever acting in feigning horror to line the guards up at the cell door and the thrilling decisiveness with which she had used the little black gun in her hand set every drop of blood in his body afire. No sooner was he outside his cell than he was the old Jim Kent, fighting man. He whipped Carter's automatic out of its holster and, covering Pelly and the special constable, relieved them of their guns. Behind him he heard Marette's voice, calm and triumphant,
"Lock them in the cell, Mr. Kent!"
He did not look at her, but swung his gun on Pelly and the special constable, and they backed through the door into the cell. Carter had not moved. He was looking straight at the girl, and the little black gun was leveled at his breast. Pelly and the wounded man did not see, but on Carter's lips was a strange smile. His eyes met Kent's, and there was revealed for an instant a silent flash of comradeship and an unmistakable something else. Carter was glad! It made Kent want to reach out and grip his hand, but in place of that he backed him into the cell, turned the key in the lock, and with the key in his hand faced Marette Radisson. Her eyes were shining gloriously. He had never seen such splendid, fighting eyes, nor the birdlike swiftness with which she turned and ran down the hall, calling him to follow her.
He was only a step behind her in passing Kedsty's office. She reached the outer door and opened it. It was pitch-dark outside, and a deluge of rain beat into their faces. He observed that she did not replace the hood of her raincoat when she darted out. As he closed the door, her hand groped to his arm and from that found his hand. Her fingers clung to his tightly.
He did not ask questions as they faced the black chaos of rain. A rending streak of lightning revealed her for an instant, her bare head bowed to the wind. Then came a crash of thunder that shook the earth under their feet, and her fingers closed more tightly about his hand. And in that crash he heard her voice, half laughing, half broken, saying,
"I'm afraid--of thunder!"
In that storm his laugh rang out, a great, free, joyous laugh. He wanted to stop in that instant, sweep her up into his arms, and carry her. He wanted to shout like an insane man in his mad joy. And a moment before she had risked everything in facing three of the bravest men in the service and had shot one of them! He started to say something, but she increased her speed until she was almost running.
She was not leading Jim in the direction of the river, but toward the forest beyond Kedsty's bungalow. Not for an instant did she falter in that drenched and impenetrable darkness. There was something imperative in the clasp of her fingers, even though they tightened perceptibly when the thunder crashed. They gave Kent the conviction that there was no doubt in her mind as to the point she was striving for. He took advantage of the lightning, for each time it gave him a glimpse of her bare, wet head bowed to the storm, her white profile, and her slim figure fighting over the sticky earth under her feet.
It was this presence of her, and not the thought of escape, that exalted him now. She was at his side. Her hand lay close in his. The lightning gave him glimpses of her. He felt the touch of her shoulder, her arm, her body, as they drew close together. The life and warmth and thrill of her seemed to leap into his own veins through the hand he held. He had dreamed of her. And now suddenly she had become a part of him, and the glory of it rode overwhelmingly over all other emotions that were struggling in his brain--the glory of the thought that it was she who had come to him in the last moment, who had saved him, and who was now leading him to freedom through the crash of storm.
At the crest of a low knoll between barracks and Kedsty's bungalow she stopped for the first time. He had there, again, the almost irresistible impulse to reach out in the darkness and take her into his arms, crying out to her of his joy, of a happiness that had come to him greater even than the happiness of freedom. But he stood, holding her hand, his tongue speechless, and he was looking at her when the lightning revealed her again. In a rending flash it cut open the night so close that the hiss of it was like the passing of a giant rocket, and involuntarily she shrank against him, and her free hand caught his arm at the instant thunder crashed low over their heads. His own hand groped out, and in the blackness it touched for an instant her wet face and then her drenched hair.
"Marette," he cried, "where are we going?"
"Down there," came her voice.
Her hand had left his arm, and he sensed that she was pointing, though he could not see. Ahead of them was a chaotic pit of gloom, a sea of blackness, and in the heart of that sea he saw a light. He knew that it was a lamp in one of Kedsty's windows and that Marette was guiding herself by that light when she started down the slope with her hand still in his. That she had made no effort to withdraw it made him unconscious of the almost drowning discomfort of the fresh deluge of rain that beat their faces. One of her fingers had gripped itself convulsively about his thumb, like a child afraid of falling. And each time the thunder crashed that soft hold on his thumb tightened, and Kent's soul acclaimed.
They drew swiftly nearer to the light, for it was not far from the knoll to Kedsty's place. Kent's mind leaped ahead. A little west by north from the inspector's bungalow was Kim's Bayou and it was undoubtedly to the forest trail over which she had gone at least once before, on the night of the mysterious assault upon Mooie, that Marette was leading him. Questions began to rush upon him now, immediate demanding questions. They were going to the river. They must be going to the river. It was the quickest and surest way of escape. Had Marette prepared for that? And was she going with him?
He had no time to answer. Their feet struck the gravel path leading to the door of Kedsty's place, and straight up this path the girl turned, straight toward the light blazing in the window. Then, to his amazement, he heard in the sweep of storm her voice crying out in glad triumph,
"We're home!"
Home! His breath came in a sudden gulp. He was more than astounded. He was shocked. Was she mad or playing an amazingly improper joke? She had freed him from a cell to lead him to the home of the Inspector of Police, the deadliest enemy the world now held for him. He stopped, and Marette Radisson tugged at his hand, pulling him after her, insisting that he follow. She was clutching his thumb as though she thought he might attempt to escape.
"It is safe, M'sieu Jeems," she cried. "Don't be afraid!"
M'sieu Jeems! And the laughing note of mockery in her voice! He rallied himself and followed her up the three steps to the door. Her hand found the latch, the door opened, and swiftly they were inside. The lamp in the window was close to them, but for a space he could not see because of the water in his eyes. He blinked it out, drew a hand across his face, and looked at Marette. She stood three or four paces from him. Her face was very white, and she was panting as if hard-run for breath, but her eyes were shining, and she was smiling at him. The water was running from her in streams.
"You are wet," she said. "And I am afraid you will catch cold. Come with me!"
Again she was making fun of him just as she had made fun of him at Cardigan's! She turned, and he ran upstairs behind her. At the top she waited for him, and as he came up, she reached out her hand, as if apologizing for having taken it from him when they entered the bungalow. He held it again as she led him down the hall to a door farthest from the stair. This she opened, and they entered. It was dark inside, and the girl withdrew her hand again, and Kent heard her moving across the room. In that darkness a new and thrilling emotion possessed him. The air he was breathing was not the air he had breathed in the hall. In it was the sweet scent of flowers, and of something else--the faint and intangible perfume of a woman's room. He waited, staring. His eyes were wide when a match leaped into flame in Marette's fingers. Then he stood in the glow of a lamp.
He continued to stare in the stupidity of a shock to which he was not accustomed. Marette, as if to give him time to acquaint himself with his environment, was taking off her raincoat. Under it her slim little figure was dry, except where the water had run down from her uncovered head to her shoulders. He noticed that she wore a short skirt, and boots, adorably small boots of splendidly worked caribou. And then suddenly she came toward him with both hands reaching