Eastern Standard Tribe, Cory Doctorow [romance book recommendations TXT] 📗

in peaceful, pistol-free London had eased his normal road-rage defense systems. Now they came up full, and he wondered if the road-rager he'd just snapped at would haul out a Second-Amendment Special and cap him.

But the other driver looked as shocked as Art felt. He rolled up his window and sped off, turning wildly at the next corner — Brookline, Art saw. Art got back into his rental, pulled off to the curb and asked his comm to generate an optimal route to his hotel, and drove in numb silence the rest of the way.

19.

They let me call Gran on my second day here. Of course, Linda had already called her and briefed her on my supposed mental breakdown. I had no doubt that she'd managed to fake hysterical anxiety well enough to convince Gran that I'd lost it completely; Gran was already four-fifths certain that I was nuts.

"Hi, Gran," I said.

"Arthur! My God, how are you?"

"I'm fine, Gran. It's a big mistake is all."

"A mistake? Your lady friend called me and told me what you'd done in London.
Arthur, you need help."

"What did Linda say?"

"She said that you threatened to kill a coworker. She said you threatened to kill *her*. That you had a knife. Oh, Arthur, I'm so worried —"

"It's not true, Gran. She's lying to you."

"She told me you'd say that."

"Of course she did. She and Fede — a guy I worked with in London — they're trying to get rid of me. They had me locked up. I had a business deal with Fede, we were selling one of my ideas to a company in New Jersey. Linda talked him into selling to some people she knows in LA instead, and they conspired to cut me out of the deal. When I caught them at it, they got me sent away. Let me guess, she told you I was going to say this, too, right?"

"Arthur, I know —"

"You know that I'm a good guy. You raised me. I'm not nuts, OK? They just wanted to get me out of the way while they did their deal. A week or two and I'll be out again, but it will be too late. Do you believe that you know me better than some girl I met a month ago?"

"Of *course* I do, Arthur. But why would the hospital take you away if —"

"If I wasn't crazy? I'm in here for observation — they want to find *out* if
I'm crazy. If *they're* not sure, then you can't be sure, right?"

"All right. Oh, I've been sick with worry."

"I'm sorry, Gran. I need to get through this week and I'll be free and clear and
I'll come back to Toronto."

"I'm going to come down there to see you. Linda told me visitors weren't allowed, is that true?"

"No, it's not true." I thought about Gran seeing me in the ward amidst the pukers and the screamers and the droolers and the *fondlers* and flinched away from the phone. "But if you're going to come down, come for the hearing at the end of the week. There's nothing you can do here now."

"Even if I can't help, I just want to come and see you. It was so nice when you were here."

"I know, I know. I'll be coming back soon, don't worry."

If only Gran could see me now, on the infirmary examination table, in four-point restraint. Good thing she can't.

A doctor looms over me. "How are you feeling, Art?"

"I've had better days," I say, with what I hope is stark sanity and humor. Aren't crazy people incapable of humor? "I went for a walk and the door swung shut behind me."

"Well, they'll do that," the doctor says. "My name is Szandor," he says, and shakes my hand in its restraint.

"A pleasure to meet you," I say. "You're a *doctor* doctor, aren't you?"

"An MD? Yup. There're a couple of us around the place."

"But you're not a shrink of any description?"

"Nope. How'd you guess?"

"Bedside manner. You didn't patronize me."

Dr. Szandor tries to suppress a grin, then gives up. "We all do our bit," he says. "How'd you get up on the roof without setting off your room alarm, anyway?"

"If I tell you how I did it, I won't be able to repeat the trick," I say jokingly. He's swabbing down my shins now with something that stings and cools at the same time. From time to time, he takes tweezers in hand and plucks loose some gravel or grit and plinks it into a steel tray on a rolling table by his side. He's so gentle, I hardly feel it.

"What, you never heard of doctor-patient confidentiality?"

"Is that thing still around?"

"Oh sure! We had a mandatory workshop on it yesterday afternoon. Those are always a lot of fun."

"So, you're saying that you've got professional expertise in the keeping of secrets, huh? I suppose I could spill it for you, then." And I do, explaining my little hack for tricking the door into thinking that I'd left and returned to the room.

"Huh — now that you explain it, it's pretty obvious."

"That's my job — figuring out the obvious way of doing something."

And we fall to talking about my job with V/DT, and the discussion branches into the theory and practice of UE, only slowing a little when he picks the crud out of the scrape down my jaw and tugs through a couple of quick stitches. It occurs to me that he's just keeping me distracted, using a highly evolved skill for placating psychopaths through small talk so that they don't thrash while he's knitting their bodies back together.

I decide that I don't care. I get to natter on about a subject that I'm nearly autistically fixated on, and I do it in a context where I know that I'm sane and smart and charming and occasionally mind-blowing.

"…and the whole thing pays for itself through EZPass, where we collect the payments for the music downloaded while you're on the road." As I finish my spiel, I realize *I've* been keeping *him* distracted, standing there with the tweezers in one hand and a swab in the other.

"Wow!" he said. "So, when's this all going to happen?"

"You'd use it, huh?"

"Hell, yeah! I've got a good twenty, thirty thousand on my car right now! You're saying I could plunder anyone else's stereo at will, for free, and keep it, while I'm stuck in traffic, and because I'm a — what'd you call it, a super-peer? — a super-peer, it's all free and legal? Damn!"

"Well, it may be a while before you see it on the East Coast. It'll probably roll out in LA first, then San Francisco, Seattle…"

"What? Why?"

"It's a long story," I say. "And it ends with me on the roof of a goddamned nuthouse on Route 128 doing a one-man tribute to the Three Stooges."

20.

Three days later, Art finally realized that something big and ugly was in the offing. Fede had repeatedly talked him out of going to Perceptronics's offices, offering increasingly flimsy excuses and distracting him by calling the hotel's front desk and sending up surprise massage therapists to interrupt Art as he stewed in his juices, throbbing with resentment at having been flown thousands of klicks while injured in order to check into a faceless hotel on a faceless stretch of highway and insert this thumb into his asshole and wait for Fede — *who was still in fucking London!* — to sort out the mess so that he could present himself at the Perceptronics Acton offices and get their guys prepped for the ever-receding meeting with MassPike.

"Jesus, Federico, what the fuck am I *doing* here?"

"I know, Art, I know." Art had taken to calling Fede at the extreme ends of circadian compatibility, three AM and eleven PM and then noon on Fede's clock, as a subtle means of making the experience just as unpleasant for Fede as it was for Art. "I screwed up," Fede yawned. "I screwed up and now we're both paying the price. You handled your end beautifully and I dropped mine. And I intend to make it up to you."

"I don't *want* more massages, Fede. I want to get this shit done and I want to come home and see my girlfriend."

Fede tittered over the phone.

"What's so funny?"

"Nothing much," Fede said. "Just sit tight there for a couple minutes, OK? Call me back once it happens and tell me what you wanna do, all right?"

"Once what happens?"

"You'll know."

It was Linda, of course. Knocking on Art's hotel room door minutes later, throwing her arms — and then her legs — around him, and banging him stupid, half on and half off the hotel room bed. Riding him and then being ridden in turns, slurping and wet and energetic until they both lay sprawled on the hotel room's very nice Persian rugs, dehydrated and panting and Art commed Fede, and Fede told him it could take a couple weeks to sort things out, and why didn't he and Linda rent a car and do some sight-seeing on the East Coast?

That's exactly what they did. Starting in Boston, where they cruised Cambridge, watching the cute nerdyboys and geekygirls wander the streets, having heated technical debates, lugging half-finished works of technology and art through the sopping summertime, a riot of townie accents and highbrow engineerspeak.

Then a week in New York, where they walked until they thought their feet would give out entirely, necks cricked at a permanent, upward-staring angle to gawp at the topless towers of Manhattan. The sound the sound the sound of Manhattan rang in their ears, a gray and deep rumble of cars and footfalls and subways and steampipes and sirens and music and conversation and ring tones and hucksters and schizophrenic ranters, a veritable Las Vegas of cacophony, and it made Linda uncomfortable, she who was raised in the white noise susurrations of LA's freeway forests, but it made Art feel *wonderful*. He kept his comm switched off, though the underfoot rumble of the subway had him reaching for it a hundred times a day, convinced that he'd left it on in vibe-alert mode.

They took a milk-run train to Toronto, chuffing through sleepy upstate New York towns, past lakes and rolling countryside in full summer glory. Art and Linda drank ginger beer in the observation car, spiking it with rum from a flask that Linda carried in a garter that she wore for the express purpose of being able to reach naughtily up her little sundress and produce a bottle of body-temperature liquor in a nickel-plated vessel whose shiny sides were dulled by the soft oil of her thigh.

Canada Customs and Immigration separated them at the border, sending Art for a full inspection — a privilege of being a Canadian citizen and hence perennially under suspicion of smuggling goods from the tax havens of the US into the country — and leaving Linda in their little Pullman cabin.

When Art popped free of the bureaucracy, his life thoroughly peered into, he found Linda standing on the platform, leaning against a pillar, back arched, one foot flat against the bricks, corresponding dimpled knee exposed to the restless winds of the trainyard. From Art's point of view, she was a gleaming vision skewered on a beam of late day sunlight that made her hair gleam like licorice. Her long and lazy jaw caught and lost the sun as she talked animatedly down her comm, and Art was struck with a sudden need to sneak up behind her and run his tongue down the line that began with the knob of her mandible under her ear and ran down to the tiny half-dimple in her chin, to skate it on the soft pouch of flesh under her chin, to end with a tasting of her soft lips.

Thought became deed. He crept up on her, smelling her new-car hair products on the breeze that wafted back from her, and was about to begin his tonguing when she barked, "Fuck *off*! Stop calling me!" and closed her comm and stormed off trainwards, leaving Art standing on the opposite side of the pillar with a thoroughly wilted romantic urge.

More carefully, he followed her into the train, back to their little cabin, and reached for the palm-pad to open the door when he