The Grey Cloak, Harold MacGrath [smart books to read TXT] 📗
- Author: Harold MacGrath
Book online «The Grey Cloak, Harold MacGrath [smart books to read TXT] 📗». Author Harold MacGrath
He stood in the library of the master of the hôtel. In this very room, while his brain was filled with the fumes of wine and passion, he had scribbled his name upon crackling parchment on which were such names as Gaston d'Orléans, Condé, Beaufort, De Longueville, De Retz. Fool!
Grinning from the high shelves were the Greek masks, Comedy and Tragedy. The light from the candle gave a sickly human tint to the marble. He closed the door.
"Now for the drawer which holds my head; of love, anon!"
He knelt, placing the candle on the book-ledge. Along the bottom of the shelves ran a series of drawers. These he opened without sound, searching for secret bottoms. Drawer after drawer yawned into his face, and his heart sank. What he sought was not to be found. The last drawer would not open. With infinite care and toil he succeeded in prying the lock with the point of his sword, and his spirits rose. The papers in this drawer were of no use to any one but the owner. The man in the grey cloak cursed under his breath and a thrill of rage ran through him. He was about to give up in despair when he saw a small knob protruding from the back panel of the drawer. Eagerly he touched the knob, and a little drawer slid forth.
"Mine!" With trembling fingers he unfolded the parchment. He held it close to the candle and scanned each signature. There was his own, somewhat shaky, but nevertheless his own. . . . He brushed his eyes, as if cobwebs of doubt had suddenly gathered there. Her signature! Hers! "Roses of Venus, she is mine, mine!" He pressed his lips to the inken line. Fortune indeed favored him . . . or was it the devil? Hers! She was his; here was a sword to bend that proud neck. Ten thousand livres? There was more than that, more than that by a hundred times. Passion first, or avarice; love or greed? He would decide that question later. He slipped the paper into the pocket of the cloak. Curiosity drew him toward the drawer again. There was an old commission in the musketeers, signed by Louis XIII; letters from Madame de Longueville; an unsigned lettre-de-cachet ; an accounting of the revenues of the various chateaus; and a long envelope, yellow with age. He picked it out of the drawer and blew away the dust. He read the almost faded address, and his jaw fell. . . . "To Monsieur le Marquis de Périgny, to be delivered into his hands at my death."
He was not conscious how long a time he stared at that address. Age had unsealed the envelope, and the man in the grey cloak drew out the contents. It was in Latin, and with some difficulty he translated it. . . . So rapt was he over what he read, so nearly in a dream he knelt there, that neither the sound of a horse entering the court nor the stir of activity in the armory held forth a menace.
"Good God, what a revenge!" he murmured. "What a revenge!"
Twice, three times, and yet again he drank of the secret. That he of all men should make this discovery! His danger became as nothing; he forgot even the object of his thieving visit.
"Well, Monsieur?" said a cold, dry voice from the threshold.
The man in the grey cloak leaped to his feet, thrusting the letter into the pocket along with the cabal. His long rapier snarled from its scabbard, just in time. The two blades hung in mid air.
"Nicely caught," said the cold, dry voice again. "What have you to say? It is hanging, Monsieur, hanging by the neck." The speaker was a man of sixty, white of hair, but wiry and active. "Ha! in a mask, eh? That looks bad for you. You are not a common thief, then? . . . That was a good stroke, but not quite high enough. Well?"
"Stand aside, Monsieur le Comte," said the man in the cloak. His tones were steady; all his fright was gone.
The steel slithered and ground.
"You know me, eh?" said the old man, banteringly. His blade ripped a hole in the cloak. "You have a voice that sounds strangely familiar to my ears."
"Your ears will soon be dull and cold, if you do not let me pass."
"Was it gold, or jewels? . . . Jesus!" The old man's gaze, roving a hair's breadth, saw the yawning drawers. "That paper, Monsieur, or you shall never leave this place alive! Hallo! Help, men! To me, Grégoire! Help, Captain!"
"Madame shall become a widow," said the man in the mask.
Back he pressed the old man, back, back, into the corridor, toward the stairs. They could scarce see each other, and it was by instinct alone that thrust was met by parry. Up the rear staircase came a dozen mercenaries, bearing torches. The glare smote the master in the eyes, and partly dazzled him. He fought valiantly, but he was forced to give way. A chance thrust, however, severed the cords of his opponent's mask.
"You?"
There was a gurgling sound, a coughing, and the elder sank to his knees, rolled upon his side, and became still. The man in the grey cloak, holding the mask to his face, rushed down the grand staircase, sweeping aside all those who barred his path. He seemed possessed with strength and courage Homeric; odds were nothing. With a back hand-swing of his arm he broke one head; he smashed a face with the pommel; caught another by the throat and flung him headlong. In a moment he was out of the door. Down the steps he dashed, through the gate, thence into the street, a mob yelling at his heels. The light from the torches splashed him. A sharp gust of wind nearly tore the mask from his fingers. As he caught it, he ran full into a priest.
"Out of the way, then, curse you!"
Before the astonished priest, who was a young man, could rise from the pavement where the impact had sent him sprawling, the assailant had disappeared in the alley. He gained the door of the low tavern, flung it open, pushed by every one, upsetting several, all the while the bloody rapier in one hand and the mask held in place by the other. The astonished inmates of the tavern saw him leap like a huge bird and vanish through one of the windows, carrying the sash with him. But a nail caught the grey cloak, and it fluttered back to the floor. Scarce a moment had passed when the pursuers crowded in. When questioned, the stupefied host could only point toward the splintered window frame. Through this the men scrambled, and presently their yells died away in the distance.
A young man of ruddy countenance, his body clothed in the garments of a gentleman's lackey, stooped and gathered up the cloak.
"Holy Virgin!" he murmured, his eyes bulging, "there can not be two cloaks like this in Paris; it's the very same."
He crushed it under his arm and in the general confusion gained the alley, took to his legs, and became a moving black shadow in the grey. He made off toward the Seine.
Meanwhile terror stalked in the corridors of the hôtel. Lights flashed from window to window. The court was full of servants and mercenaries. For the master lay dead in the corridor above. A beautiful young woman, dressed in her night-robes, her feet in slippers, hair disordered and her eyes fixed with horror, gazed down at the lifeless shape. The stupor of sleep still held her in its dulling grasp. She could not fully comprehend the tragedy. Her ladies wailed about her, but she heeded them not. It was only when the captain of the military household approached her that she became fully aroused. She pressed her hand against her madly beating heart.
[Illustration: She pressed her hands against her madly beating heart.]
"Who did this?" she asked.
"A man in a mask, Madame," replied the captain, kneeling. He gently loosed the sword from the stiffening fingers. The master of twenty-five years was gone.
"In a mask?"
"Yes, Madame."
"And the motive ?"
"Not robbery, since nothing is disturbed about the hôtel save in monsieur's library. The drawers have all been pulled out."
With a sharp cry she crossed the corridor and entered the library. The open drawers spoke dumbly but surely.
"Gone!" she whispered. "We are all lost! He was fortunate in dying." Terror and fright vanished from her face and her eyes, leaving the one impassive and the other cold. She returned to the body and the look she cast on it was without pity or regret. Alive, she had detested him; dead, she could gaze on him with indifference. He had died, leaving her the legacy of the headsman's ax. And his play-woman? would she weep or laugh? . . . She was free. It came quickly and penetrated like a dry wine: she was free. Four odious years might easily be forgiven if not forgotten. "Take him to his room," she said softly. After all, he had died gallantly.
Soon one of the pursuers returned. He was led into the presence of his mistress.
"Have they found him?"
"No, Madame. He disappeared as completely as if the ground had swallowed him. All that can be added is that he wore a grey cloak."
"A grey cloak, did you say?" Her hand flew to her throat and her eyes grew wild again. "A grey cloak?"
"Yes Madame; a grey cloak with a square velvet collar."
"Ah!" said the captain, with a singular smile. He glanced obliquely at madame. But madame lurched forward into the arms of one of her waiting-women. She had fainted.
CHAPTER II
THE TOILET OF THE CHEVALIER DU CEVENNES
The Chevalier du Cévennes occupied the apartment on the first floor of the Hôtel of the Silver Candlestick, in the Rue Guénégaud. The apartment consisted of three rooms. In all Paris there was not to be found the like of them. They were not only elegant, they were simple; for true elegance is always closely allied to simplicity. Persian rugs covered the floors, rugs upon which many a true believer had knelt in evening prayer; Moorish tapestries hung from the walls, making a fine and mellow background for the various pieces of ancient and modern armor; here and there were Greek marbles and Italian vases; and several spirited paintings filled the gaps left between one tapestry and another. Sometimes the Chevalier entertained his noble friends, young and old, in these rooms; and the famous kitchens of Madame Boisjoli, the landlady of the Candlestick, supplied the delicacies of his tables. Ordinarily the Chevalier dined in the cheery assembly-room below; for, like all true gourmands of refinement, he believed that there is as much appetite in a man's
Grinning from the high shelves were the Greek masks, Comedy and Tragedy. The light from the candle gave a sickly human tint to the marble. He closed the door.
"Now for the drawer which holds my head; of love, anon!"
He knelt, placing the candle on the book-ledge. Along the bottom of the shelves ran a series of drawers. These he opened without sound, searching for secret bottoms. Drawer after drawer yawned into his face, and his heart sank. What he sought was not to be found. The last drawer would not open. With infinite care and toil he succeeded in prying the lock with the point of his sword, and his spirits rose. The papers in this drawer were of no use to any one but the owner. The man in the grey cloak cursed under his breath and a thrill of rage ran through him. He was about to give up in despair when he saw a small knob protruding from the back panel of the drawer. Eagerly he touched the knob, and a little drawer slid forth.
"Mine!" With trembling fingers he unfolded the parchment. He held it close to the candle and scanned each signature. There was his own, somewhat shaky, but nevertheless his own. . . . He brushed his eyes, as if cobwebs of doubt had suddenly gathered there. Her signature! Hers! "Roses of Venus, she is mine, mine!" He pressed his lips to the inken line. Fortune indeed favored him . . . or was it the devil? Hers! She was his; here was a sword to bend that proud neck. Ten thousand livres? There was more than that, more than that by a hundred times. Passion first, or avarice; love or greed? He would decide that question later. He slipped the paper into the pocket of the cloak. Curiosity drew him toward the drawer again. There was an old commission in the musketeers, signed by Louis XIII; letters from Madame de Longueville; an unsigned lettre-de-cachet ; an accounting of the revenues of the various chateaus; and a long envelope, yellow with age. He picked it out of the drawer and blew away the dust. He read the almost faded address, and his jaw fell. . . . "To Monsieur le Marquis de Périgny, to be delivered into his hands at my death."
He was not conscious how long a time he stared at that address. Age had unsealed the envelope, and the man in the grey cloak drew out the contents. It was in Latin, and with some difficulty he translated it. . . . So rapt was he over what he read, so nearly in a dream he knelt there, that neither the sound of a horse entering the court nor the stir of activity in the armory held forth a menace.
"Good God, what a revenge!" he murmured. "What a revenge!"
Twice, three times, and yet again he drank of the secret. That he of all men should make this discovery! His danger became as nothing; he forgot even the object of his thieving visit.
"Well, Monsieur?" said a cold, dry voice from the threshold.
The man in the grey cloak leaped to his feet, thrusting the letter into the pocket along with the cabal. His long rapier snarled from its scabbard, just in time. The two blades hung in mid air.
"Nicely caught," said the cold, dry voice again. "What have you to say? It is hanging, Monsieur, hanging by the neck." The speaker was a man of sixty, white of hair, but wiry and active. "Ha! in a mask, eh? That looks bad for you. You are not a common thief, then? . . . That was a good stroke, but not quite high enough. Well?"
"Stand aside, Monsieur le Comte," said the man in the cloak. His tones were steady; all his fright was gone.
The steel slithered and ground.
"You know me, eh?" said the old man, banteringly. His blade ripped a hole in the cloak. "You have a voice that sounds strangely familiar to my ears."
"Your ears will soon be dull and cold, if you do not let me pass."
"Was it gold, or jewels? . . . Jesus!" The old man's gaze, roving a hair's breadth, saw the yawning drawers. "That paper, Monsieur, or you shall never leave this place alive! Hallo! Help, men! To me, Grégoire! Help, Captain!"
"Madame shall become a widow," said the man in the mask.
Back he pressed the old man, back, back, into the corridor, toward the stairs. They could scarce see each other, and it was by instinct alone that thrust was met by parry. Up the rear staircase came a dozen mercenaries, bearing torches. The glare smote the master in the eyes, and partly dazzled him. He fought valiantly, but he was forced to give way. A chance thrust, however, severed the cords of his opponent's mask.
"You?"
There was a gurgling sound, a coughing, and the elder sank to his knees, rolled upon his side, and became still. The man in the grey cloak, holding the mask to his face, rushed down the grand staircase, sweeping aside all those who barred his path. He seemed possessed with strength and courage Homeric; odds were nothing. With a back hand-swing of his arm he broke one head; he smashed a face with the pommel; caught another by the throat and flung him headlong. In a moment he was out of the door. Down the steps he dashed, through the gate, thence into the street, a mob yelling at his heels. The light from the torches splashed him. A sharp gust of wind nearly tore the mask from his fingers. As he caught it, he ran full into a priest.
"Out of the way, then, curse you!"
Before the astonished priest, who was a young man, could rise from the pavement where the impact had sent him sprawling, the assailant had disappeared in the alley. He gained the door of the low tavern, flung it open, pushed by every one, upsetting several, all the while the bloody rapier in one hand and the mask held in place by the other. The astonished inmates of the tavern saw him leap like a huge bird and vanish through one of the windows, carrying the sash with him. But a nail caught the grey cloak, and it fluttered back to the floor. Scarce a moment had passed when the pursuers crowded in. When questioned, the stupefied host could only point toward the splintered window frame. Through this the men scrambled, and presently their yells died away in the distance.
A young man of ruddy countenance, his body clothed in the garments of a gentleman's lackey, stooped and gathered up the cloak.
"Holy Virgin!" he murmured, his eyes bulging, "there can not be two cloaks like this in Paris; it's the very same."
He crushed it under his arm and in the general confusion gained the alley, took to his legs, and became a moving black shadow in the grey. He made off toward the Seine.
Meanwhile terror stalked in the corridors of the hôtel. Lights flashed from window to window. The court was full of servants and mercenaries. For the master lay dead in the corridor above. A beautiful young woman, dressed in her night-robes, her feet in slippers, hair disordered and her eyes fixed with horror, gazed down at the lifeless shape. The stupor of sleep still held her in its dulling grasp. She could not fully comprehend the tragedy. Her ladies wailed about her, but she heeded them not. It was only when the captain of the military household approached her that she became fully aroused. She pressed her hand against her madly beating heart.
[Illustration: She pressed her hands against her madly beating heart.]
"Who did this?" she asked.
"A man in a mask, Madame," replied the captain, kneeling. He gently loosed the sword from the stiffening fingers. The master of twenty-five years was gone.
"In a mask?"
"Yes, Madame."
"And the motive ?"
"Not robbery, since nothing is disturbed about the hôtel save in monsieur's library. The drawers have all been pulled out."
With a sharp cry she crossed the corridor and entered the library. The open drawers spoke dumbly but surely.
"Gone!" she whispered. "We are all lost! He was fortunate in dying." Terror and fright vanished from her face and her eyes, leaving the one impassive and the other cold. She returned to the body and the look she cast on it was without pity or regret. Alive, she had detested him; dead, she could gaze on him with indifference. He had died, leaving her the legacy of the headsman's ax. And his play-woman? would she weep or laugh? . . . She was free. It came quickly and penetrated like a dry wine: she was free. Four odious years might easily be forgiven if not forgotten. "Take him to his room," she said softly. After all, he had died gallantly.
Soon one of the pursuers returned. He was led into the presence of his mistress.
"Have they found him?"
"No, Madame. He disappeared as completely as if the ground had swallowed him. All that can be added is that he wore a grey cloak."
"A grey cloak, did you say?" Her hand flew to her throat and her eyes grew wild again. "A grey cloak?"
"Yes Madame; a grey cloak with a square velvet collar."
"Ah!" said the captain, with a singular smile. He glanced obliquely at madame. But madame lurched forward into the arms of one of her waiting-women. She had fainted.
CHAPTER II
THE TOILET OF THE CHEVALIER DU CEVENNES
The Chevalier du Cévennes occupied the apartment on the first floor of the Hôtel of the Silver Candlestick, in the Rue Guénégaud. The apartment consisted of three rooms. In all Paris there was not to be found the like of them. They were not only elegant, they were simple; for true elegance is always closely allied to simplicity. Persian rugs covered the floors, rugs upon which many a true believer had knelt in evening prayer; Moorish tapestries hung from the walls, making a fine and mellow background for the various pieces of ancient and modern armor; here and there were Greek marbles and Italian vases; and several spirited paintings filled the gaps left between one tapestry and another. Sometimes the Chevalier entertained his noble friends, young and old, in these rooms; and the famous kitchens of Madame Boisjoli, the landlady of the Candlestick, supplied the delicacies of his tables. Ordinarily the Chevalier dined in the cheery assembly-room below; for, like all true gourmands of refinement, he believed that there is as much appetite in a man's
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