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creature as ever walked the bad city streets. The flare of the gas-jets shone full upon her--upon a haggard face lighted up with two blazing eyes.

"For God's sake! Miriam!"

Carl Walraven started back, as if struck by an iron hand. The woman took a step forward and confronted him.

"Yes, Carl Walraven--Miriam! You did well to come at once. I have something to say to you. Shall I say it here?"

That was all Messrs. Johnson and Wilson ever heard, for Mr. Walraven opened the library door and waved her in, followed, and shut the door again with a sounding slam.

"Now, then," he demanded, imperiously, "what do you want? I thought you were dead and--"

"Don't say that other word, Mr. Walraven; it is too forcible. You only hoped it. I am not dead. It's a great deal worse with me than that."

"What do you want?" Mr. Walraven repeated, steadily, though his swarth face was dusky gray with rage or fear, or both. "What do you come here for to-night? Has the master you serve helped you bodily, that you follow and find me even here? Are you not afraid I will throttle you for your pains?"

"Not the least."

She said it with a composure the best bred of his mother's guests could not have surpassed, standing bolt upright before him, her dusky eyes of fire burning on his face.

"I am not afraid of you, Mr. Walraven (that's your name, isn't it?--and a very fine-sounding name it is), but you're afraid of me--afraid to the core of your bitter, black heart. You stand there dressed like a king, and I stand here in rags your kitchen scullions would scorn; but for all that, Carl Walraven--for all that, you're my slave, and you know it!"

Her eyes blazed, her hands clinched, her gaunt form seemed to tower and grow tall with the sense of her triumph and her power. "Have you anything else to say?" inquired Mr. Walraven, sullenly, "before I call my servants and have you turned out?"

"You dare not," retorted the woman, fiercely--"you dare not, coward! boaster! and you know it! I have a great deal more to say, and I will say it, and you will hear me before we part to-night. I know my power, Mr. Carl Walraven, and I mean to use it. Do you think I need wear these rags? Do you think I need tramp the black, bad streets, night after night, a homeless, houseless wretch? No; not if I chose, not if I ordered--do you hear?--_ordered_ my aristocratic friend, Mr. Walraven, of Fifth Avenue, to empty his plethoric purse in my dirty pocket. Ah, yes," with a shrill laugh, "Miriam knows her power!"

"Are you almost done?" Mr. Walraven replied, calmly. "Have you come here for anything but talk? If so, for what?"

"Not your money--be sure of that. I would starve--I would die the death of a dog in a kennel--before I would eat a mouthful of bread bought with your gold. I come for justice!"

"Justice"--he lifted a pair of sullen, inquiring eyes--"justice! To whom?"

"To one whom you have injured beyond reparation--Mary Dane!"

She hissed the name in a sharp, sibilant whisper, and the man recoiled as if an adder had stung him.

"What do you mean?" he asked, with dry, parched lips. "Why do you come here to torment me? Mary Dane is dead."

"Mary Dane's daughter lives not twenty miles from where we stand. Justice to the dead is beyond the power of even the wealthy Carl Walraven. Justice to the living can yet be rendered, and shall be to the uttermost farthing."

"What do you want?"

"I want you to find Mary Dane, and bring her here, educate her, dress her, treat as your own child."

"Where shall I find her?"

"At K----, twenty miles from here."

"Who is she? What is she?"

"An actress, traveling about with a strolling troupe; an actress since her sixth year--on the stage eleven years to-night. This is her seventeenth birthday, as you know."

"Is this all?"

"All at present. Are you prepared to obey, or shall I--"

"There!" interrupted Mr. Walraven, "that will do. There is no need of threats, Miriam--I am very willing to obey you in this. If I had known Mary Dane--why the deuce did you give her that name?--was on this continent, I would have hunted her up of my own accord. I would, upon my honor!"

"Swear by something you possess," the woman said, with a sneer; "honor you never had since I first knew you."

"Come, come, Miriam," said Mr. Walraven, uneasily, "don't be cantankerous. Let by-gones be by-gones. I'm sorry for the past--I am indeed, and am willing to do well for the future. Sit down and be sociable, and tell me all about it. How came you to let the little one go on the stage first?"

Miriam spurned away the proffered chair.

"I spurn it as I would your dead body if it lay before me, Carl Walraven! Sit down with you? Never, if my life depended on it! The child became an actress because I could keep her no longer--I couldn't keep myself--and because she had the voice and face of an angel--poor little wretch! The manager of a band of strolling players, passing through our village, heard her baby voice singing some baby song, and pounced upon her on the instant. We struck a bargain, and I sold her, Mr. Walraven--yes, sold her."

"You wretch! Well?"

"Well, I went to see her occasionally afterward, but not often, for the strolling troupe were here, there, and everywhere--from pillar to post. But I never lost sight of her, and I saw her grow up a pretty, slender, bright-eyed lass, well dressed, well fed, and happy--perfectly happy in her wandering life. Her great-grandmother--old Peter Dane's wife--was a gypsy, Mr. Walraven, and I dare say the wild blood broke out. She liked the life, and became the star of the little band--the queen of the troupe. I kept her in view even when she crossed the Atlantic last year, and paid her a visit a week ago to-night."

"Humph!" was Carl Walraven's comment. "Well, Mistress Miriam, it might have been worse; no thanks to you, though. And now--what does she know of her own story?"

"Nothing."

"What?"

"Nothing, I tell you. Her name is Mary Dane, and she is seventeen years old on the twenty-fifth of November. Her father and mother are dead--poor but honest people, of course--and I am Aunt Miriam, earning a respectable living by washing clothes and scrubbing floors. That is what she knows. How much of that is true, Mr. Walraven?"

"Then she never heard of me?"

"She has never had that misfortune yet; it has been reserved for yourself. You are a rich man, and you will go to K----, and you will see her play, and will take a fancy to her, and adopt her as your daughter. There is the skeleton for you to clothe with flesh."

"And suppose she refuses?"

"She will not refuse. She likes handsome dresses and jewelry as well as any other little fool of seventeen. You make her the offer, and my word for it, it will be accepted."

"I will go, Miriam. Upon my word I feel curious to see the witch. Who is she like, Miriam--mamma or me?"

The woman's eyes flashed fire.

"Not like you, you son of Satan! If she was I would have strangled her in her cradle! Let me go, for the air you breathe chokes me! Dare to disobey at your peril!"

"I will start for K---- to-morrow. She will be here--my adopted daughter--before the week ends."

"Good! And this old mother of yours, will she be kind to the girl? I won't have her treated badly, you understand."

"My mother will do whatever her son wishes. She would be kind to a young gorilla if I said so. Don't fear for your niece--she will be treated well."

"Let it be so, or beware! A blood-hound on your track would be less deadly than I! I will be here again, and yet again, to see for myself that you keep your word."

She strode to the door, opened it, and stood in the illuminated ball. Johnson just had time to vanish from the key-hole and no more. Down the stair-way pealed the wild, melancholy music of a German waltz; from the dining-room came the clink and jingle of silver, and china, and glass. The woman's haggard face filled with scorn and bitterness as she gave one fleeting, backward glance.

"They say there is a just and avenging Heaven, yet Carl Walraven is master of all this. Wealth, love, and honor for him, and a nameless grave for her; the streets, foul and deadly, for me. The mill of the gods may grind sure, but it grinds fearfully slow--fearfully slow!"

They were the last words Carl Walraven heard her utter. She opened the house door, gathered her threadbare shawl closer around her, and fluttered away in the wild, wet night.


CHAPTER II.

"CRICKET."

The little provincial theater was crowded from pit to dome--long tiers of changing faces and luminous eyes. There was a prevalent odor of stale tobacco, and orange-peel, and bad gas; and there was bustle, and noise, and laughter, and a harsh collection of stringed instruments grinding out the overture.

There were stamps and calls for the tawdry curtain to rise, when a gentleman entered, sauntered up to a front seat, took up a bill and began to read it--a tall, middle-aged, rather distinguished-looking man, black and bearded, with piercing eyes, superfine clothes, and a general aristocratic air about him.

People paused to look again at him--for he was a stranger there--but nobody recognized him, and Mr. Carl Walraven read his bill undisturbed.

The play was "Fanchon the Cricket," and the bill announced, in very big capitals, that the part of Fanchon was to be played by that "distinguished and beautiful young English actress, Miss Mollie Dane."

Mr. Walraven saw no more; he sat holding the strip of paper before him, and staring at the one name as if the fat letters fascinated him--"Fanchon, Miss Mollie Dane."

A shrill-voiced bell tinkled, and the drop-curtain went up, and the household of Father Barbeaud was revealed. There was a general settling into seats, hats flew off, the noises ceased, and the play began.

A moment or two, and, in rags and tatters, hair streaming, and feet bare, on the stage bounded Fanchon, the Cricket.

There was an uproarious greeting. Evidently it was not Miss Dane's first appearance before that audience, and still more evidently she was a prime favorite.

Mr. Walraven dropped his bill, poised his lorgnette, and prepared to stare his fill.

She was very well worth looking at, this clear-voiced Mollie Dane--through the tatters and unkempt hair he could see that. The stars in the frosty November sky without were not brighter than her dark, bright eyes; no silvery music that the heir of all the Walravens had ever heard was clearer or sweeter than her free, girlish laugh; no golden sunburst ever more beautiful than the waving banner of wild, yellow hair. Mollie Dane stood before him a beauty born.

Every nerve in Carl Walraven's body thrilled as he looked at her. How lovely that face! How sweet that voice, that laugh! How eminently well she acted!

He had seen women of whom the world raved play that very part; but he had never, no, never
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