The Booming of Acre Hill And Other Reminiscences of Urban and Suburban Life, John Kendrick Bangs [bill gates books to read TXT] 📗
- Author: John Kendrick Bangs
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Possibly when Acre Hill reads this it will understand, possibly not.
Dumfries Corners people understood it right along, but then they always were a most suspicious lot, and fond of an amusing spectacle that cost them nothing.
THE STRANGE MISADVENTURES OF AN ORGAN
Carson was a philosopher, and on the whole it was a great blessing that he was so. No man needed to be possessor of a philosophical temperament more than he, for, in addition to being a resident of Dumfries Corners, Carson had other troubles which, to an excitable nature, would have made life a prolonged period of misery. He was the sort of a man to whom irritating misfortunes of the mosquito order have a way of coming. To some of us it seemed as if a spiteful Nature took pleasure in pelting Carson with petty annoyances, none of them large enough to excite compassion, many of them of a sort to provoke a quiet smile. Of all the dogs in the neighborhood it was always his dog that got run into the pound, although it was equally true that Carson's dog was one of the few that were properly licensed. If he bought a new horse something would happen to it before a week had elapsed; and how his coachman once ripped off the top of his depot wagon by driving it under a loose telephone wire is still one of the stories of the vicinity in which he lives. Anything out of the way in the shape of trouble seemed to choose the Carson household for experimental purposes. He was the medium by which new varieties of irritations were introduced to an ungrateful world, but such was his nature that, given the companionship of Herbert Spencer and a cigar, he could be absolutely counted on not to murmur.
This disposition to accept the trials and tribulations which came upon him without a passionate outburst was not by any means due to amiability. Carson was of too strong a character to be continually amiable. He merely exercised his philosophy in meeting trouble. He boiled within, but presented a calm, unruffled front to the world, simply because to do otherwise would involve an expenditure of nervous force which he did not consider to be worth while.
I can never forget the sense of admiring regard which I experienced when in Genoa, while he and I were about to enter our banker's together, he slipped upon a bit of banana peeling, bruising his knee and destroying his trouser leg. I should have indulged in profane allusions to the person who had thoughtlessly thrown the peeling upon the ground if by some mischance the accident had happened to me. Carson, however, did nothing of the sort, but treated me to a forcible abstract consideration of the unthinking habits of the masses.
The unknown individual who was responsible for the accident did not enter into the question; no one was consigned to everlasting torture in the deepest depths of purgatory; a calm, dispassionate presentation of an abstraction was all that greeted my ears. The practice of thoughtlessness was condemned as a thing entirely apart from the practitioner, and as a tendency needing correction. Inwardly, I know he swore; outwardly, he was as serene as though nothing untoward had happened to him. It was then that I came to admire Carson. Before that he had my affectionate regard in fullest measure, but now admiration for his deeper qualities set in, and it has in no sense diminished as time has passed. Once, and once only, have I known him to depart from his philosophical demeanor, and that one departure was, I think, justified by the situation, since it was the culminating point of a series of aggravations, to fail to yield to which would have required a more than human strength.
The incident to which I refer was in connection with a fine organ, which at large expense Carson had had built in his house, for, like all philosophers, Carson has a great fondness for music, and is himself a musician of no mean capacity. I have known him to sit down under a parlor-lamp and read over the score of the "Meistersinger" just as easily as you or I would peruse one of the lighter novels of the day. This was one of his refuges. When his spirit was subjected to an extreme tension he relieved his soul by flying to the composers; to use his own very bad joke, when he was in need of composure he sought out the "composures." As time progressed, however, and the petty annoyances grew more numerous, the merely intellectual pleasure of the writings of Wagner and Handel and Mozart possibly failed to suffice, and an organ was contracted for.
"I enjoy reading the music," said he as we sat and talked over his plan, "but sometimes--very often, in fact--I feel as if something ought to shriek, and I'm going to have an organ of my own to do it for me."
So, as I have said, the organ was contracted for, was built, and an additional series of trials began. Upon a very important occasion the organ declined to shriek, although every effort to persuade it to perform the functions for which it was designed was made. Forty or fifty very charming people were gathered together to be introduced to the virtues of the new instrument--for Carson was not the kind of man to keep to himself the good things which came into his life; he shared all his blessings, while keeping his woes to himself; a well-known virtuoso was retained to set forth the possibilities of the acquisition, and all was going as "merry as a marriage bell" when suddenly there came a wheeze, and the fingers of the well-known virtuoso were powerless to elicit the harmonious shrieks which all had come to hear.
It was a sad moment, but Carson was equal to the occasion.
"Something's out of gear," he said, with a laugh due rather to his philosophical nature than to mirth. "I'm afraid we'll have to finish on the piano."
* * * * *
And so we did, and a delightful evening we had of it, although many of us went home wondering what on earth was the matter with the organ.
A few days later I met Carson on the train and the mystery was solved.
"The trouble was with the water-pipes," he explained. "They were put in wrong, and the location of the house is such that every time Colonel Hawkins, on the other side of the street, takes a bath, all the water that flows down the hill is diverted into his tub."
I tried not to laugh.
"You'll have to enter into an agreement with the Colonel," I said. "Make him promise not to bathe between certain hours."
"That's a good idea," said Carson, smiling, "but after all I guess I'd better change the pipes. Heaven forbid that in days like these I should seek to let any personal gratification stand between another man and the rare virtue of cleanliness."
Several weeks went by, and men were busily employed in seeing that the water supply needed for a proper running of the organ came direct from the mains, instead of coming from a pipe of limited capacity used in common by a half dozen or more residents of a neighboring side street.
Somewhere about the end of the fourth week Carson invited me to dinner. The organ was all right again, he said. The water supply was sufficient, and if I cared to I might dine with him, and afterward spend an evening sitting upon the organ bench while Carson himself manipulated the keys. I naturally accepted the invitation, since, in addition to his other delightful qualities, Carson is a past grand-master in the art of giving dinners. He is a man with a taste, and a dinner good enough for him is a thing to arouse the envy of the gods. Furthermore, as I have already said, he is a musician of no mean order, and I know of no greater pleasure than that of sitting by his side while he "potters through a score," as he puts it. But there was a disappointment in store for us. I called at the appointed hour and found the household more or less in consternation. The cook had left, and a dinner of "cold things" confronted us.
"She couldn't stand the organ," explained Carson. "She said it got on to her nerves--'rumblin' like.'"
I gazed upon him in silent sympathy as we dined on cold roast beef, stuffed olives, and ice cream.
"This is serious," my host observed as we sat over our coffee and cigars after the repast. "That woman was the only decent cook we've managed to secure in seven years, and, by Jingo, the minute she gets on to my taste the organ gets on to her nerves and she departs!"
"One must eat," I observed.
"That's just it," said Carson. "If it comes to a question of cook or organ the organ will have to go. She was right about it, though. The organ does rumble like the dickens. Some of the bass notes make the house buzz like an ocean-steamer blowing off steam." It was a picturesque description, for I had noticed at times that when the organ was being made to shriek fortissimo every bit of panelling in the house seemed to rattle, and if a huge boiler of some sort suffering from internal disturbance had been growling down in the cellar, the result would have been quite similar.
"It may work out all right in time," Carson said. "The thing is new yet, and you can't expect it to be mellow all at once. What I'm afraid of, apart from the inability of our cook to stand the racket, is that this quivering will structurally weaken the house. What do you think?"
"Oh, I don't know," I said. "Some of the wainscot panels rattle a bit, but I imagine the house will stand it unless you go in too much for Wagner. 'Tannhäuser' or 'Siegfried' might shake a few beams loose, but lighter music, I think, can be indulged in with impunity."
Time did not serve, as Carson had hoped, to mellow things. Indeed, the succeeding weeks brought more trouble, and most of
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