Mary Erskine, Jacob Abbott [booksvooks txt] 📗

He therefore did not spare invention, or restrict himself by any rules either of truth or probability in his narratives. Nor did he usually require any time for preparation, but commenced at once with whatever came into his head, pronouncing the first sentence of his story, very often without any idea of what he was to say next.

On this occasion Beechnut began as follows:

"Once there was a girl about three years old, and she had a large black cat. The cat was of a jet black color, and her fur was very soft and glossy. It was as soft as silk.

"This cat was very mischievous and very sly. She was very sly: very indeed. In fact she used to go about the house so very slyly, getting into all sorts of mischief which the people could never find out till afterwards, that they gave her the name of Sligo. Some people said that the reason why she had that name was because she came from a place called Sligo, in Ireland. But that was not the reason. It was veritably and truly because she was so sly."

Beechnut pronounced this decision in respect to the etymological import of the pussy's name in the most grave and serious manner, and Malleville and Phonny listened with profound attention.

"What was the girl's name?" asked Malleville.

"The girl's?" repeated Beechnut. "Oh, her name was Arabella."

"Well, go on," said Malleville.

"One day," continued Beechnut, "Sligo was walking about the house, trying to find something to do. She came into the parlor. There was nobody there. She looked about a little, and presently she saw a work-basket upon the corner of a table, where Arabella's mother had been at work. Sligo began to look at the basket, thinking that it would make a good nest for her to sleep in, if she could only get it under the clock. The clock stood in a corner of the room.

"Sligo accordingly jumped up into a chair, and from the chair to the table, and then pushing the basket along nearer and nearer to the edge of the table, she at last made it fall over, and all the sewing and knitting work, and the balls, and needles, and spools, fell out upon the floor. Sligo then jumped down and pushed the basket along toward the clock. She finally got it under the clock, crept into it, curled herself round into the form of a semicircle inside, so as just to fill the basket, and went to sleep.

"Presently Arabella came in, and seeing the spools and balls upon the floor, began to play with them. In a few minutes more, Arabella's mother came in, and when she saw Arabella playing with these things upon the floor, she supposed that Arabella herself was the rogue that had thrown the basket off the table. Arabella could not talk much. When her mother accused her of doing this mischief, she could only say "No;" "no;" but her mother did not believe her. So she made her go and stand up in the corner of the room, for punishment, while Sligo peeped out from under the clock to see."

"But you said that Sligo was asleep," said Phonny.

"Yes, she went to sleep," replied Beechnut, "but she waked up when Arabella's mother came into the room."

Beechnut here paused a moment to consider what he should say next, when suddenly he began to point forward to a little distance before them in the road, where a boy was to be seen at the side of the road, sitting upon a stone.

"I verily believe it is Jemmy," said he.

As the wagon approached the place where Jemmy was sitting, they found that he was bending down over his foot, and moaning with, pain. Beechnut asked him what was the matter. He said that he had sprained his foot dreadfully. Beechnut stopped the horse, and giving the reins to Phonny, he got out to see. Phonny immediately gave them to Malleville, and followed.

"Are you much hurt?" asked Beechnut.

"Oh, yes," said Jemmy, moaning and groaning; "oh dear me!"

Beechnut then went back to the horse, and taking him by the bridle, he led him a little way out of the road, toward a small tree, where he thought he would stand, and then taking Malleville out, so that she might not be in any danger if the horse should chance to start, he went back to Jemmy.

"You see," said Jemmy, "I was going to mill, and I was riding along here, and the horse pranced about and threw me off and sprained my foot. Oh dear me! what shall I do?"

"Where is the horse?" asked Beechnut.

"There he is," said Jemmy, "somewhere out there. He has gone along the road. And the bags have fallen off too. Oh dear me!"

Phonny ran out into the road, and looked forward. He could see the horse standing by the side of the road at some distance, quietly eating the grass. A little this side of the place where the horse stood, the bags were lying upon the ground, not very far from each other.

The story which Jemmy told was not strictly true. He was one of the boys of the village, and was of a wild and reckless character. This was, however, partly his father's fault, who never gave him any kind and friendly instruction, and always treated him with a great degree of sternness and severity.

A circus company had visited Franconia a few weeks before the time of this accident, and Jemmy had peeped through the cracks of the fence that formed their enclosure, and had seen the performers ride around the ring, standing upon the backs of the horses. He was immediately inspired with the ambition to imitate this feat, and the next time that he mounted his father's horse, he made the attempt to perform it. His father, when he found it out, was very angry with him, and sternly forbade him ever to do such a thing again. He declared positively that if he did, he would whip him to death, as he said. Jemmy was silent, but he secretly resolved that he would ride standing again, the very first opportunity.

Accordingly, when his father put the two bags of grain upon the horse, and ordered Jemmy to go to mill with them, Jemmy thought that the opportunity had come. He had observed that the circus riders, instead of a saddle, used upon the backs of their horses a sort of flat pad, which afforded a much more convenient footing than any saddle; and as to standing on the naked back of a horse, it was manifestly impossible for any body but a rope-dancer. When, however, Jemmy saw his father placing the bags of grain upon the horse, he perceived at once that a good broad and level surface was produced by them, which was much more extended and level, even than the pads of the circus-riders. He instantly resolved, that the moment that he got completely away from the village, he would mount upon the bags and ride standing and ride so, too, just as long as he pleased.

Accordingly, as soon as he had passed the house where Phonny lived, which was the last house in that direction for some distance, he looked round in order to be sure that his father was not by any accident behind him, and then climbing up first upon his knees, and afterward upon his feet, he drew up the reins cautiously, and then chirruped to the horse to go on. The horse began to move slowly along. Jemmy was surprised and delighted to find how firm his footing was on the broad surface of the bags. Growing more and more bold and confident as he became accustomed to his situation, he began presently to dance about, or rather to perform certain awkward antics, which he considered dancing, looking round continually, with a mingled expression of guilt, pleasure, and fear, in his countenance, in order to be sure that his father was not coming. Finally, he undertook to make his horse trot a little. The horse, however, by this time, began to grow somewhat impatient at the unusual sensations which he experienced the weight of the rider being concentrated upon one single point, directly on his back, and resting very unsteadily and interruptedly there, and the bridle-reins passing up almost perpendicularly into the air, instead of declining backwards, as they ought to do in any proper position of the horseman. He began to trot forward faster and faster. Jemmy soon found that it would be prudent to restrain him, but in his upright position, he had no control over the horse by pulling the reins. He only pulled the horse's head upwards, and made him more uneasy and impatient than before. He then attempted to get down into a sitting posture again, but in doing so, he fell off upon the hard road and sprained his ankle. The horse trotted rapidly on, until the bags fell off, first one and then the other. Finding himself thus wholly at liberty, he stopped and began to eat the grass at the road-side, wholly unconcerned at the mischief that had been done.

Jemmy's distress was owing much more to his alarm and his sense of guilt, than to the actual pain of the injury which he had suffered. He was, however, entirely disabled by the sprain.

"It is rather a hard case," said Beechnut, "no doubt, but never mind it, Jemmy. A man may break his leg, and yet live to dance many a hornpipe afterwards. You'll get over all this and laugh about it one day. Come, I'll carry you home in my wagon."

"But I am afraid to go home," said Jemmy.

"What are you afraid of?" asked Beechnut.

"Of my father," said Jemmy.

"Oh no," said Beechnut. "The horse is not hurt, and as for the grist I'll carry it to mill with mine. So there is no harm done. Come, let me put you into the wagon."

"Yes," said Phonny, "and I will go and catch the horse."

While Beechnut was putting Jemmy into the wagon, Phonny ran along the road toward the horse. The horse, hearing footsteps, and supposing from the sound that somebody might be coming to catch him, was at first disposed to set off and gallop away; but looking round and seeing that it was nobody but Phonny he went on eating as before. When Phonny got pretty near to the horse, he began to walk up slowly towards him, putting out his hand as if to take hold of the bridle and saying, "Whoa Dobbin, whoa." The horse raised his head a little from the grass, shook it very expressively at Phonny, walked on a few steps, and then began to feed upon the grass as before. He seemed to know precisely how much resistance was necessary to avoid the recapture with which he was threatened.

"Whoa Jack! whoa!" said Phonny, advancing again. The horse, however, moved on, shaking his head as before. He seemed to be no more disposed to recognize the name of Jack than Dobbin.

[Illustration: CATCHING THE HORSE.]

"Jemmy," said Phonny, turning back and calling out aloud, "Jemmy! what's his name?"

Jemmy did not answer. He was fully occupied in getting into the wagon.

Beechnut called Phonny back and asked him to hold his horse, while he went to catch Jemmy's. He did it by opening one of the bags and taking out a little grain, and by means of it enticing the stray horse near enough to enable him to