Venetia, Benjamin Disraeli [good non fiction books to read txt] 📗

from their hinges; the gate of the courtyard was prostrate on the ground; and the silent clock that once adorned the cupola over the noble entrance arch, had long lost its index. Even the litter of the yard appeared dusty and grey with age. You felt sure no human foot could have disturbed it for years. At the back of these buildings were nailed the trophies of the gamekeeper: hundreds of wild cats, dried to blackness, stretched their downward heads and legs from the mouldering wall; hawks, magpies, and jays hung in tattered remnants! but all grey, and even green, with age; and the heads of birds in plenteous rows, nailed beak upward, and so dried and shrivelled by the suns and winds and frosts of many seasons, that their distinctive characters were lost.

'Do you know, my good Pauncefort,' said Lady Annabel, 'that I have an odd fancy to-day to force an entrance into the old abbey. It is strange, fond as I am of this walk, that we have never yet entered it. Do you recollect our last vain efforts? Shall we be more fortunate this time, think you?'

Mistress Pauncefort smiled and smirked, and, advancing to the old gloomy porch, gave a determined ring at the bell. Its sound might be heard echoing through the old cloisters, but a considerable time elapsed without any other effect being produced. Perhaps Lady Annabel would have now given up the attempt, but the little Venetia expressed so much regret at the disappointment, that her mother directed the groom to reconnoitre in the neighbourhood, and see if it were possible to discover any person connected with the mansion.

'I doubt our luck, my lady,' said Mistress Pauncefort, 'for they do say that the abbey is quite uninhabited.'

''Tis a pity,' said Lady Annabel, 'for, with all its desolation, there is something about this spot which ever greatly interests me.'

'Mamma, why does no one live here?' said Venetia.

'The master of the abbey lives abroad, my child.'

'Why does he, mamma?'

'Never ask questions, Miss Venetia,' said Mistress Pauncefort, in a hushed and solemn tone; 'it is not pretty.' Lady Annabel had moved away.

The groom returned, and said he had met an old man, picking water-cresses, and he was the only person who lived in the abbey, except his wife, and she was bedridden. The old man had promised to admit them when he had completed his task, but not before, and the groom feared it would be some time before he arrived.

'Come, Pauncefort, rest yourself on this bench,' said Lady Annabel, seating herself in the porch; 'and Venetia, my child, come hither to me.'

'Mamma,' said Venetia, 'what is the name of the gentleman to whom this abbey belongs?'

'Lord Cadurcis, love.'

'I should like to know why Lord Cadurcis lives abroad?' said Venetia, musingly.

'There are many reasons why persons may choose to quit their native country, and dwell in another, my love,' said Lady Annabel, very quietly; 'some change the climate for their health.'

'Did Lord Cadurcis, mamma?' asked Venetia.

'I do not know Lord Cadurcis, dear, or anything of him, except that he is a very old man, and has no family.'

At this moment there was a sound of bars and bolts withdrawn, and the falling of a chain, and at length the massy door slowly opened, and the old man appeared and beckoned to them to enter.

''Tis eight years, come Martinmas, since I opened this door,' said the old man, 'and it sticks a bit. You must walk about by yourselves, for I have no breath, and my mistress is bedridden. There, straight down the cloister, you can't miss your way; there is not much to see.'

The interior of the abbey formed a quadrangle, surrounded by the cloisters, and in this inner court was a curious fountain, carved with exquisite skill by some gothic artist in one of those capricious moods of sportive invention that produced those grotesque medleys for which the feudal sculptor was celebrated. Not a sound was heard except the fall of the fountain and the light echoes that its voice called up.

The staircase led Lady Annabel and her party through several small rooms, scantily garnished with ancient furniture, in some of which were portraits of the family, until they at length entered a noble saloon, once the refectory of the abbey, and not deficient in splendour, though sadly soiled and worm-eaten. It was hung with tapestry representing the Cartoons of Raffael, and their still vivid colours contrasted with the faded hangings and the dingy damask of the chairs and sofas. A mass of Cromwellian armour was huddled together in a corner of a long monkish gallery, with a standard, encrusted with dust, and a couple of old drums, one broken. From one of the windows they had a good view of the old walled garden, which did not tempt them to enter it; it was a wilderness, the walks no longer distinguishable from the rank vegetation of the once cultivated lawns; the terraces choked up with the unchecked shrubberies; and here and there a leaden statue, a goddess or a satyr, prostrate, and covered with moss and lichen.

'It makes me melancholy,' said Lady Annabel; 'let us return.'

'Mamma,' said Venetia, 'are there any ghosts in this abbey?'

'You may well ask me, love,' replied Lady Annabel; 'it seems a spell-bound place. But, Venetia, I have often told you there are no such things as ghosts.'

'Is it naughty to believe in ghosts, mamma, for I cannot help believing in them?'

'When you are older, and have more knowledge, you will not believe in them, Venetia,' replied Lady Annabel.

Our friends left Cadurcis Abbey. Venetia mounted her donkey, her mother walked by her side; the sun was beginning to decline when they again reached Cherbury, and the air was brisk. Lady Annabel was glad to find herself by her fireside in her little terrace-room, and Venetia fetching her book, read to her mother until their dinner hour.


CHAPTER III.

Two serene and innocent years had glided away at Cherbury since this morning ramble to Cadurcis Abbey, and Venetia had grown in loveliness, in goodness, and intelligence. Her lively and somewhat precocious mind had become greatly developed; and, though she was only nine years of age, it scarcely needed the affection of a mother to find in her an interesting and engaging companion. Although feminine education was little regarded in those days, that of Lady Annabel had been an exception to the general practice of society. She had been brought up with the consciousness of other objects of female attainment and accomplishment than embroidery, 'the complete art of making pastry,' and reading 'The Whole Duty of Man.' She had profited, when a child, by the guidance of her brother's tutor, who had bestowed no unfruitful pains upon no ordinary capacity. She was a good linguist, a fine musician, was well read in our elder poets and their Italian originals, was no unskilful artist, and had acquired some knowledge of botany when wandering, as a girl, in her native woods. Since her retirement to Cherbury, reading had been her chief resource. The hall contained a library whose shelves, indeed, were more full than choice; but, amid folios of theological controversy and civil law, there might be found the first editions of most of the celebrated writers of the reign of Anne, which the contemporary proprietor of Cherbury, a man of wit and fashion in his day, had duly collected in his yearly visits to the metropolis, and finally deposited in the family book-room.

The education of her daughter was not only the principal duty of Lady Annabel, but her chief delight. To cultivate the nascent intelligence of a child, in those days, was not the mere piece of scientific mechanism that the admirable labours of so many ingenious writers have since permitted it comparatively to become. In those days there was no Mrs. Barbauld, no Madame de Genlis, no Miss Edgeworth; no 'Evenings at Home,' no 'Children's Friend,' no 'Parent's Assistant.' Venetia loved her book; indeed, she was never happier than when reading; but she soon recoiled from the gilt and Lilliputian volumes of the good Mr. Newbury, and her mind required some more substantial excitement than 'Tom Thumb,' or even 'Goody Two-Shoes.' 'The Seven Champions' was a great resource and a great favourite; but it required all the vigilance of a mother to eradicate the false impressions which such studies were continually making on so tender a student; and to disenchant, by rational discussion, the fascinated imagination of her child. Lady Annabel endeavoured to find some substitute in the essays of Addison and Steele; but they required more knowledge of the every-day world for their enjoyment than an infant, bred in such seclusion, could at present afford; and at last Venetia lost herself in the wildering pages of Clelia and the Arcadia, which she pored over with a rapt and ecstatic spirit, that would not comprehend the warning scepticism of her parent. Let us picture to ourselves the high-bred Lady Annabel in the terrace-room of her ancient hall, working at her tapestry, and, seated at her feet, her little daughter Venetia, reading aloud the Arcadia! The peacocks have jumped up on the window-sill, to look at their friends, who love to feed them, and by their pecking have aroused the bloodhound crouching at Lady Annabel's feet. And Venetia looks up from her folio with a flushed and smiling face to catch the sympathy of her mother, who rewards her daughter's study with a kiss. Ah! there are no such mothers and no such daughters now!

Thus it will be seen that the life and studies of Venetia tended rather dangerously, in spite of all the care of her mother, to the development of her imagination, in case indeed she possessed that terrible and fatal gift. She passed her days in unbroken solitude, or broken only by affections which softened her heart, and in a scene which itself might well promote any predisposition of the kind; beautiful and picturesque objects surrounded her on all sides; she wandered, at it were, in an enchanted wilderness, and watched the deer reposing under the green shadow of stately trees; the old hall itself was calculated to excite mysterious curiosity; one wing was uninhabited and shut up; each morning and evening she repaired with her mother and the household through long galleries to the chapel, where she knelt to her devotions, illumined by a window blazoned with the arms of that illustrious family of which she was a member, and of which she knew nothing. She had an indefinite and painful consciousness that she had been early checked in the natural inquiries which occur to every child; she had insensibly been trained to speak only of what she saw; and when she listened, at night, to the long ivy rustling about the windows, and the wild owls hooting about the mansion, with their pining, melancholy voices, she might have been excused for believing in those spirits, which her mother warned her to discredit; or she forgot these mournful impressions in dreams, caught from her romantic volumes, of bright knights and beautiful damsels.

Only one event of importance had occurred at Cherbury during these two years, if indeed that be not too strong a phrase to use in reference to an occurrence which occasioned so slight and passing an interest. Lord Cadurcis had died. He had left his considerable property to his natural children, but the abbey had descended with the title to a very distant relative. The circle at Cherbury had heard, and that was all, that the new lord was a minor, a little boy, indeed very little older