The Man in the Iron Mask, Alexandre Dumas [the best motivational books TXT] 📗

this etext, I have chosen to split the novel as the four-volume edition does, with these titles: The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask. In the first three etexts:

The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D’Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite a fortune in the process. D’Artagnan returns to Paris to live the life of a rich citizen, and Athos, after negotiating the marriage of Philip, the king’s brother, to Princess Henrietta of England, likewise retires to his own estate, La Fere. Meanwhile, Mazarin has finally died, and left Louis to assume the reigns of power, with the assistance of M. Colbert, formerly Mazarin’s trusted clerk. Colbert has an intense hatred for M. Fouquet, the king’s superintendent of finances, and has resolved to use any means necessary to bring about his fall. With the new rank of intendant bestowed on him by Louis, Colbert succeeds in having two of Fouquet’s loyal friends tried and executed. He then brings to the king’s attention that Fouquet is fortifying the island of Belle-Ile-en-Mer, and could possibly be planning to use it as a base for some military operation against the king. Louis calls D’Artagnan out of retirement and sends him to investigate the island, promising him a tremendous salary and his long-promised promotion to captain of the musketeers upon his return. At Belle-Isle, D’Artagnan discovers that the engineer of the fortifications is, in fact, Porthos, now the Baron du Vallon, and that’s not all. The blueprints for the island, although in Porthos’s handwriting, show evidence of another script that has been erased, that of Aramis. D’Artagnan later discovers that Aramis has become the bishop of Vannes, which is, coincidentally, a parish belonging to M. Fouquet. Suspecting that D’Artagnan has arrived on the king’s behalf to investigate, Aramis tricks D’Artagnan into wandering around Vannes in search of Porthos, and sends Porthos on an heroic ride back to Paris to warn Fouquet of the danger. Fouquet rushes to the king, and gives him Belle-Isle as a present, thus allaying any suspicion, and at the same time humiliating Colbert, just minutes before the usher announces someone else seeking an audience with the king.

Ten Years Later (Etext 2681): As 1661 approaches, Princess Henrietta of England arrives for her marriage, and throws the court of France into complete disorder. The jealousy of the Duke of Buckingham, who is in love with her, nearly occasions a war on the streets of Le Havre, thankfully prevented by Raoul’s timely and tactful intervention. After the marriage, though, Monsieur Philip becomes horribly jealous of Buckingham, and has him exiled. Before leaving, however, the duke fights a duel with M. de Wardes at Calais. De Wardes is a malicious and spiteful man, the sworn enemy of D’Artagnan, and, by the same token, that of Athos, Aramis, Porthos, and Raoul as well. Both men are seriously wounded, and the duke is taken back to England to recover. Raoul’s friend, the Comte de Guiche, is the next to succumb to Henrietta’s charms, and Monsieur obtains his exile as well, though De Guiche soon effects a reconciliation. But then the king’s eye falls on Madame Henrietta during the comte’s absence, and this time Monsieur’s jealousy has no recourse. Anne of Austria intervenes, and the king and his sister-in-law decide to pick a young lady with whom the king can pretend to be in love, the better to mask their own affair. They unfortunately select Louise de la Valliere, Raoul’s fiancee. While the court is in residence at Fontainebleau, the king unwitting overhears Louise confessing her love for him while chatting with her friends beneath the royal oak, and the king promptly forgets his affection for Madame. That same night, Henrietta overhears, at the same oak, De Guiche confessing his love for her to Raoul. The two embark on their own affair. A few days later, during a rainstorm, Louis and Louise are trapped alone together, and the whole court begins to talk of the scandal while their love affair blossoms. Aware of Louise’s attachment, the king arranges for Raoul to be sent to England for an indefinite period.

Meanwhile, the struggle for power continues between Fouquet and Colbert. Although the Belle-Isle plot backfired, Colbert prompts the king to ask Fouquet for more and more money, and without his two friends to raise it for him, Fouquet is sorely pressed. The situation gets so bad that his new mistress, Madame de Belliere, must resort to selling all her jewels and her gold and silver plate. Aramis, while this is going on, has grown friendly with the governor of the Bastile, M. de Baisemeaux, a fact that Baisemeaux unwittingly reveals to D’Artagnan while inquiring of him as to Aramis’s whereabouts. This further arouses the suspicions of the musketeer, who was made to look ridiculous by Aramis. He had ridden overnight at an insane pace, but arrived a few minutes after Fouquet had already presented Belle-Isle to the king. Aramis learns from the governor the location of a mysterious prisoner, who bears a remarkable resemblance to Louis XIV—in fact, the two are identical. He uses the existence of this secret to persuade a dying Franciscan monk, the general of the society of the Jesuits, to name him, Aramis, the new general of the order. On Aramis’s advice, hoping to use Louise’s influence with the king to counteract Colbert’s influence, Fouquet also writes a love letter to La Valliere, unfortunately undated. It never reaches its destination, however, as the servant ordered to deliver it turns out to be an agent of Colbert’s.

Louise de la Valliere (Etext 2710): Believing D’Artagnan occupied at Fontainebleau and Porthos safely tucked away at Paris, Aramis holds a funeral for the dead Franciscan—but in fact, Aramis is wrong in both suppositions. D’Artagnan has left Fontainebleau, bored to tears by the fetes, retrieved Porthos, and is visiting the country-house of Planchet, his old lackey. This house happens to be right next door to the graveyard, and upon observing Aramis at this funeral, and his subsequent meeting with a mysterious hooded lady, D’Artagnan, suspicions aroused, resolves to make a little trouble for the bishop. He presents Porthos to the king at the same time as Fouquet presents Aramis, thereby surprising the wily prelate. Aramis’s professions of affection and innocence do only a little to allay D’Artagnan’s concerns, and he continues to regard Aramis’s actions with a curious and wary eye. Meanwhile, much to his delight, Porthos is invited to dine with the king as a result of his presentation, and with D’Artagnan’s guidance, manages to behave in such a manner as to procure the king’s marked favor.

The mysterious woman turns out to be the Duchesse de Chevreuse, a notorious schemer and former friend of Anne of Austria. She comes bearing more bad news for Fouquet, who is already in trouble, as the king has invited himself to a fete at Vaux, Fouquet’s magnificent mansion, that will surely bankrupt the poor superintendent. The Duchesse has letters from Mazarin that prove that Fouquet has received thirteen million francs from the royal coffers, and she wishes to sell these letters to Aramis. Aramis refuses, and the letters are instead sold to Colbert. Fouquet, meanwhile, discovers that the receipt that proves his innocence in the affair has been stolen from him. Even worse, Fouquet, desperate for money, is forced to sell the parliamentary position that renders him untouchable by any court proceedings. As part of her deal with Colbert, though, Chevreuse also obtains a secret audience with the queen-mother, where the two discuss a shocking secret—Louis XIV has a twin brother, long believed, however, to be dead.

Meanwhile, in other quarters, De Wardes, Raoul’s inveterate enemy, has returned from Calais, barely recovered from his wounds, and no sooner does he return than he begins again to insult people, particularly La Valliere, and this time the comte de Guiche is the one to challenge him. The duel leaves De Guiche horribly wounded, but enables Madame to use her influence to destroy De Wardes’s standing at court. The fetes, however, come to an end, and the court returns to Paris. The king has been more than obvious about his affections for Louise, and Madame, the queen-mother, and the queen join forces to destroy her. She is dishonorably discharged from court, and in despair, she flees to the convent at Chaillot. Along the way, though, she runs into D’Artagnan, who manages to get word back to the king of what has taken place. By literally begging Madame in tears, Louis manages to secure Louise’s return to court—but Madame still places every obstacle possible before the lovers. They have to resort to building a secret staircase and meeting in the apartments of M. de Saint-Aignan, where Louis has a painter create a portrait of Louise. But Madame recalls Raoul from London and shows him these proofs of Louise’s infidelity. Raoul, crushed, challenges Saint-Aignan to a duel, which the king prevents, and Athos, furious, breaks his sword before the king. The king has D’Artagnan arrest Athos, and at the Bastile they encounter Aramis, who is paying Baisemeaux another visit. Raoul learns of Athos’s arrest, and with Porthos in tow, they effect a daring rescue, surprising the carriage containing D’Artagnan and Athos as they leave the Bastile. Although quite impressive, the intrepid raid is in vain, as D’Artagnan has already secured Athos’s pardon from the king. Instead, everybody switches modes of transport; D’Artagnan and Porthos take the horses back to Paris, and Athos and Raoul take the carriage back to La Fere, where they intend to reside permanently, as the king is now their sworn enemy, Raoul cannot bear to see Louise, and they have no more dealings in Paris.

Aramis, left alone with Baisemeaux, inquires the governor of the prison about his loyalties, in particular to the Jesuits. The bishop reveals that he is a confessor of the society, and invokes their regulations in order to obtain access to this mysterious prisoner who bears such a striking resemblance to Louis XIV...

And so Baisemeaux is conducting Aramis to the prisoner as the final section of The Vicomte de Bragelonne and this final story of the D’Artagnan Romances opens. I have written a “Cast of Historical Characters,” Etext 2760, that will enable curious readers to compare personages in the novel with their historical counterparts. Also of interest may be an essay Dumas wrote on the possible identity of the real Man in the Iron Mask, which is Etext 2751. Enjoy!

John Bursey

Chapter I. The Prisoner.

Since Aramis’s singular transformation into a confessor of the order, Baisemeaux was no longer the same man. Up to that period, the place which Aramis had held in the worthy governor’s estimation was that of a prelate whom he respected and a friend to whom he owed a debt of gratitude; but now he felt himself an inferior, and that Aramis was his master. He himself lighted a lantern, summoned a turnkey, and said, returning to Aramis, “I am at your orders, monseigneur.” Aramis merely nodded his head, as much as to say, “Very good”; and signed to him with his hand to lead the way. Baisemeaux advanced, and Aramis followed him. It was a calm and lovely starlit night; the steps of three men resounded on the flags of the terraces, and the clinking of the keys hanging from the jailer’s girdle made itself heard up to the stories of the towers, as if to remind the prisoners that the liberty of earth was a luxury beyond their reach. It might have been said that the alteration effected in Baisemeaux extended even to the prisoners. The turnkey,