Sketches of Young Couples, Charles Dickens [best love story novels in english TXT] 📗

Anne drinking lane’s health, and adding, ‘and here’s wishing you yours, Mr. John,’ drinks it in a great many sips,—Mr. John all the time making jokes appropriate to the occasion. At last Mr. John, who has waxed bolder by degrees, pleads the usage at weddings, and claims the privilege of a kiss, which he obtains after a great scuffle; and footsteps being now heard on the stairs, they disperse suddenly.

 

By this time a carriage has driven up to convey the bride to church, and Anne of number six prolonging the process of ‘cleaning her door,’ has the satisfaction of beholding the bride and bridesmaids, and the papa and mamma, hurry into the same and drive rapidly off. Nor is this all, for soon other carriages begin to arrive with a posse of company all beautifully dressed, at whom she could stand and gaze for ever; but having something else to do, is compelled to take one last long look and shut the street-door.

 

And now the company have gone down to breakfast, and tears have given place to smiles, for all the corks are out of the long-necked bottles, and their contents are disappearing rapidly. Miss Emma’s papa is at the top of the table; Miss Emma’s mamma at the bottom; and beside the latter are Miss Emma herself and her husband,—

admitted on all hands to be the handsomest and most interesting young couple ever known. All down both sides of the table, too, are various young ladies, beautiful to see, and various young gentlemen who seem to think so; and there, in a post of honour, is an unmarried aunt of Miss Emma’s, reported to possess unheard-of riches, and to have expressed vast testamentary intentions respecting her favourite niece and new nephew. This lady has been very liberal and generous already, as the jewels worn by the bride abundantly testify, but that is nothing to what she means to do, or even to what she has done, for she put herself in close communication with the dressmaker three months ago, and prepared a wardrobe (with some articles worked by her own hands) fit for a Princess. People may call her an old maid, and so she may be, but she is neither cross nor ugly for all that; on the contrary, she is very cheerful and pleasant-looking, and very kind and tender-hearted: which is no matter of surprise except to those who yield to popular prejudices without thinking why, and will never grow wiser and never know better.

 

Of all the company though, none are more pleasant to behold or better pleased with themselves than two young children, who, in honour of the day, have seats among the guests. Of these, one is a little fellow of six or eight years old, brother to the bride,—and the other a girl of the same age, or something younger, whom he calls ‘his wife.’ The real bride and bridegroom are not more devoted than they: he all love and attention, and she all blushes and fondness, toying with a little bouquet which he gave her this morning, and placing the scattered rose-leaves in her bosom with nature’s own coquettishness. They have dreamt of each other in their quiet dreams, these children, and their little hearts have been nearly broken when the absent one has been dispraised in jest.

When will there come in after-life a passion so earnest, generous, and true as theirs; what, even in its gentlest realities, can have the grace and charm that hover round such fairy lovers!

 

By this time the merriment and happiness of the feast have gained their height; certain ominous looks begin to be exchanged between the bridesmaids, and somehow it gets whispered about that the carriage which is to take the young couple into the country has arrived. Such members of the party as are most disposed to prolong its enjoyments, affect to consider this a false alarm, but it turns out too true, being speedily confirmed, first by the retirement of the bride and a select file of intimates who are to prepare her for the journey, and secondly by the withdrawal of the ladies generally. To this there ensues a particularly awkward pause, in which everybody essays to be facetious, and nobody succeeds; at length the bridegroom makes a mysterious disappearance in obedience to some equally mysterious signal; and the table is deserted.

 

Now, for at least six weeks last past it has been solemnly devised and settled that the young couple should go away in secret; but they no sooner appear without the door than the drawing-room windows are blocked up with ladies waving their handkerchiefs and kissing their hands, and the dining-room panes with gentlemen’s faces beaming farewell in every queer variety of its expression.

The hall and steps are crowded with servants in white favours, mixed up with particular friends and relations who have darted out to say good-bye; and foremost in the group are the tiny lovers arm in arm, thinking, with fluttering hearts, what happiness it would be to dash away together in that gallant coach, and never part again.

 

The bride has barely time for one hurried glance at her old home, when the steps rattle, the door slams, the horses clatter on the pavement, and they have left it far away.

 

A knot of women servants still remain clustered in the hall, whispering among themselves, and there of course is Anne from number six, who has made another escape on some plea or other, and been an admiring witness of the departure. There are two points on which Anne expatiates over and over again, without the smallest appearance of fatigue or intending to leave off; one is, that she ‘never see in all her life such a—oh such a angel of a gentleman as Mr. Harvey’—and the other, that she ‘can’t tell how it is, but it don’t seem a bit like a work-a-day, or a Sunday neither—it’s all so unsettled and unregular.’

THE FORMAL COUPLE

The formal couple are the most prim, cold, immovable, and unsatisfactory people on the face of the earth. Their faces, voices, dress, house, furniture, walk, and manner, are all the essence of formality, unrelieved by one redeeming touch of frankness, heartiness, or nature.

 

Everything with the formal couple resolves itself into a matter of form. They don’t call upon you on your account, but their own; not to see how you are, but to show how they are: it is not a ceremony to do honour to you, but to themselves,—not due to your position, but to theirs. If one of a friend’s children die, the formal couple are as sure and punctual in sending to the house as the undertaker; if a friend’s family be increased, the monthly nurse is not more attentive than they. The formal couple, in fact, joyfully seize all occasions of testifying their good-breeding and precise observance of the little usages of society; and for you, who are the means to this end, they care as much as a man does for the tailor who has enabled him to cut a figure, or a woman for the milliner who has assisted her to a conquest.

 

Having an extensive connexion among that kind of people who make acquaintances and eschew friends, the formal gentleman attends from time to time a great many funerals, to which he is formally invited, and to which he formally goes, as returning a call for the last time. Here his deportment is of the most faultless description; he knows the exact pitch of voice it is proper to assume, the sombre look he ought to wear, the melancholy tread which should be his gait for the day. He is perfectly acquainted with all the dreary courtesies to be observed in a mourning-coach; knows when to sigh, and when to hide his nose in the white handkerchief; and looks into the grave and shakes his head when the ceremony is concluded, with the sad formality of a mute.

 

‘What kind of funeral was it?’ says the formal lady, when he returns home. ‘Oh!’ replies the formal gentleman, ‘there never was such a gross and disgusting impropriety; there were no feathers.’

‘No feathers!’ cries the lady, as if on wings of black feathers dead people fly to Heaven, and, lacking them, they must of necessity go elsewhere. Her husband shakes his head; and further adds, that they had seed-cake instead of plum-cake, and that it was all white wine. ‘All white wine!’ exclaims his wife. ‘Nothing but sherry and madeira,’ says the husband. ‘What! no port?’ ‘Not a drop.’ No port, no plums, and no feathers! ‘You will recollect, my dear,’ says the formal lady, in a voice of stately reproof, ‘that when we first met this poor man who is now dead and gone, and he took that very strange course of addressing me at dinner without being previously introduced, I ventured to express my opinion that the family were quite ignorant of etiquette, and very imperfectly acquainted with the decencies of life. You have now had a good opportunity of judging for yourself, and all I have to say is, that I trust you will never go to a funeral THERE again.’ ‘My dear,’

replies the formal gentleman, ‘I never will.’ So the informal deceased is cut in his grave; and the formal couple, when they tell the story of the funeral, shake their heads, and wonder what some people’s feelings ARE made of, and what their notions of propriety CAN be!

 

If the formal couple have a family (which they sometimes have), they are not children, but little, pale, sour, sharp-nosed men and women; and so exquisitely brought up, that they might be very old dwarfs for anything that appeareth to the contrary. Indeed, they are so acquainted with forms and conventionalities, and conduct themselves with such strict decorum, that to see the little girl break a looking-glass in some wild outbreak, or the little boy kick his parents, would be to any visitor an unspeakable relief and consolation.

 

The formal couple are always sticklers for what is rigidly proper, and have a great readiness in detecting hidden impropriety of speech or thought, which by less scrupulous people would be wholly unsuspected. Thus, if they pay a visit to the theatre, they sit all night in a perfect agony lest anything improper or immoral should proceed from the stage; and if anything should happen to be said which admits of a double construction, they never fail to take it up directly, and to express by their looks the great outrage which their feelings have sustained. Perhaps this is their chief reason for absenting themselves almost entirely from places of public amusement. They go sometimes to the Exhibition of the Royal Academy;—but that is often more shocking than the stage itself, and the formal lady thinks that it really is high time Mr. Etty was prosecuted and made a public example of.

 

We made one at a christening party not long since, where there were amongst the guests a formal couple, who suffered the acutest torture from certain jokes, incidental to such an occasion, cut—

and very likely dried also—by one of the godfathers; a red-faced elderly gentleman, who, being highly popular with the rest of the company, had it all his own way, and was in great spirits. It was at supper-time that this gentleman came out in full force. We—

being of a grave and quiet demeanour—had been chosen to escort the formal lady down-stairs, and, sitting beside her, had a favourable opportunity of observing her emotions.

 

We have a shrewd suspicion that, in the very beginning, and in the first blush—literally the first blush—of the matter, the formal lady had not felt quite certain whether the being present at such a ceremony, and encouraging, as it were, the public