When Egypt Went Broke, Holman Day [free ereaders .txt] 📗
- Author: Holman Day
Book online «When Egypt Went Broke, Holman Day [free ereaders .txt] 📗». Author Holman Day
the bagman.
"You being a stranger, I can let out some of my feelings," returned Mr. Files. "Emperor, you say? He might just as well try to be one as to run for the legislature."
The drummer showed interest.
"That's what getting to be a widderer can do to some men," confided the landlord. He placed a smutty hand on the table and leaned down. "That legislature thing ain't the half of it, mister! He hasn't blacked his whiskers and bought that false mane simply so as to get into politics. He's trying to court the prettiest girl in this town."
"Aha!" said the drummer. "The old story! Cleopatra, queen of Egypt, is doing the job over again with the local Mark Antony!"
"Mebbe," admitted Mr. Files, his fishy gaze revealing that he had no personal knowledge of the parties mentioned. "It's the old story, all right. Widdereritis, and a bad run of it."
The bagman had a scarfpin in the shape of a horse shoe. His comment was in line with his taste in adornment. "Files, old scout, if a colt is put to harness so early that he can't get his natural fling in the fields, he'll have it at the other end of his life, when he's let run to pasture, spavin or no spavin. Why don't Egypt hold off and let Uncle What's-his-name enjoy his new hair and hopes?"
"He has known how to collect in the money that's due him," stated Mr. Files, "compound interest and all! He was only getting back his investments. But he has never put out any of the kind of capital that earns liking or respect or love. He has woke up to what he has been missing. He's trying to collect what he has never invested. And he can't do it, mister! No, sir, he can't!"
The drummer was a young man. He asked a natural question. "Isn't the girl willing to be an old man's darling?"
"You might go over to Britt's bank and ask her," suggested Mr. Files, crisply. "She's bookkeeper there. But you'd better not let that young fellow that's cashier overhear you."
"So that's it? Say, events in Egypt in the near future may make some of the mummies here sit up and take notice!"
"Shouldn't wonder a mite," agreed Mr. Files, beginning to gather up the dishes.
CHAPTER II
FIRST COLLECTIONS
That morning Mr. Britt did not dawdle in the hotel office with his cigar. He knew perfectly well that he merely had been making a pretense of enjoying that sybaritism, putting on his new clubman airs along with his dye and his toupee.
Among other curios in the office was a dusty, stuffed alligator, hanging from the ceiling over the desk. The jaws were widely agape and Mr. Britt always felt an inclination to yawn when he looked alligatorward. Therefore, the alligator offended Mr. Britt by suggesting drowsiness in the morning; Mr. Britt, up early, and strictly after any worm that showed itself along the financial path, resented the feeling of daytime sleepiness as heresy. Furthermore, that morning the gaping alligator also suggested the countenance of the open-mouthed Files whom Britt had just left in the dining room, and Files had been irritating. Britt scowled at the alligator, lighted a cigar, and hustled outdoors; he had the feeling that the day was to be an important one in his affairs.
Egypt's Pharaoh was able to view considerable of the town from the tavern porch. The tavern was an old stage-coach house and was boosted high on a hill, according to the pioneer plan of location. The houses of the little village straggled down the hill.
The aspect was not uninviting, seen under the charitable cloak of February's snow, sun-touched by the freshly risen luminary, the white expanses glinting; all the rocks and ledges and the barren shapes were covered. But under summer's frank sunlight Egypt was as disheartening a spectacle as a racked old horse, ribs and hip bones outthrust, waiting for the knacker's offices.
There were men in Egypt--men whose reverses had put them in a particularly ugly mood--who said out loud in places where Britt could not hear them that the money-grabber could not get much more than twelve-per-cent blood out of the nag he had ridden for so long, and might as well set knife to neck and put the town out of its misery.
Right behind Britt, as he stood on the porch, was a sheaf of yellowed papers nailed to the side of the tavern. Nobody in Egypt bothered to look at the papers; all the taxpayers knew what they were; the papers were signed by the high sheriff of the county and represented that all the real estate of Egypt had been sold over and over for taxes and had been bid in by the town as a municipality--and there the matter rested. Egypt, in other words, had been trying to lift itself by the bootstraps and was not merely still standing on the ground, but was considerably sunk in the hole that had been dug by the boot heels while Egypt was jumping up and down. Mr. Britt was not troubled by the sight of the yellowed papers; he owned mortgages and pulled in profit by the legal curiosities known as "Holmes notes"--leeches of particular drawing power. Mr. Britt did not own real estate. Egypt, in its financial stress and snarl of litigation, was a wonderful operating field for a man with loose money and a tight nature.
From far swamps the whack of axes sounded. Mr. Britt knew that men were cutting hoop poles and timber for shooks; Egypt earned ready money with which to pay interest, getting out shooks and hoop poles. That occupation had been the resource of the pioneers, and the descendants stuck to the work, knowing how to do it better than anything else. There was not enough soil for farming on a real money-making scale. The old sheep, so cynics said, were trained to hold the lambs by their tails and lower them head downward among the rocks to graze. Poor men usually own dogs. But dogs would not live long in Egypt, the cynics went on to assert; the dogs ran themselves to death hustling over the town line to find dirt enough to bury a bone.
Mr. Britt could see his statue in the cemetery.
Down the street was a one-story brick building, the only brick structure in the town. Set into the front of this building was a replica of the statue in the cemetery. Britt had secured special rates by ordering two statues from the stonecutter. Britt possessed vanity. He had hidden it, begrudging the cost of gratifying it. The crust of his nature, hardening through the years, had pressed upon that vanity. The statues, his refurbished beard, and his rehaired head had relieved the pressure somewhat, but the vanity was still sore. In his new mood he was dreading a blow on that sore spot. He realized what kind of a grudge he was carrying around. A vague sense of an unjust deal in life is more dangerous to the possessor than an acute and concrete knowledge of specific injury. The vagueness causes it to be correlated to insanity. Britt, putting his belated aspirations to the test, hoped that nobody would presume to hit on that sore spot. He knew that such an adventure might be dangerous for the person or persons who went up against him.
He buttoned his overcoat, settled the cigar rigidly into one corner of his mouth, stared with approval at the stone image of himself in the facade of Britt Block, and walked to the edge of the porch.
Across the street sat a little building above the door of which was a sign inscribed, "Usial Britt, Shoemaker." That it was a dwelling as well as a shop was indicated when a bare and hairy arm was thrust from a side window and the refuse in a smoking iron spider was dumped upon the snow. Simultaneously it was shown that more than one person tenanted the building: a man, bareheaded, but with a shaggy mat of roached hair that served in lieu of a hat, issued from the door. The wanton luxuriance of the hair would have stirred envy in any baldheaded man; but Tasper Britt exhibited a passion that was more virulent than envy.
The man who came forth was "Prophet Elias." It was the newcomer, the religious fanatic, the exhorter against oppression of the people by usury, the fearless declaimer who named Tasper Britt in diatribe and was setting the folks by the ears.
The Prophet's morning greeting did not make for amity. He stood straight and pointed in turn to the visible statues and then to Tasper Britt, in person. "Baal, and the images of Baal!" he shouted. "Stone, all three!"
Then he stepped from the door and spread a prodigiously big umbrella--an umbrella striped in dingy colors and of the size of the canopies seen over the drivers of delivery wagons. The employment of such a shield from the sun in midwinter indicated that the Prophet was rather more than eccentric; his garb conveyed the same suggestion. He wore a frayed purple robe that hung on his heels when he came striding across the street. On a broad band of cloth that once had been white, reaching from shoulder to waist, diagonally across his breast, were the words, "The Light of the World."
Tasper Britt surveyed him with venomous gaze as he advanced. But Britt shifted his stare and put additional venom into the look he gave a man who came to the door and stood there, leaning against the jamb and surveying the scene with a satisfied grin. There was no need of the name "Britt" above his head to proclaim his kinship with the man who stood on the tavern porch. The beard of the Britt in the door was gray, and his head was bald. But he was Tasper Britt, in looks, as Britt unadorned ought to have been. There was something like subtle reproach in his sticking to nature as nature had ordained. And the folks of Egypt had been having much to say about Usial Britt putting this new touch of malice into the long-enduring feud between twin brothers--even though he merely went on as he had been going, bald and gray. But because Usial had taken to going about in public places wherever Tasper appeared, and unobtrusively got as near his brother as possible on those occasions, and winked and pointed to himself and suggested "Before using!" the malice was apparent.
Usial, in the door, stroked his smooth poll complacently and grinned.
Tasper, on the porch, shook his fist.
Prophet Elias marched close to the porch and struck an attitude. "Hear ye! Hath not Job said, 'The triumphing of the wicked is short, and the joy of the hypocrite but for a moment'?"
A man who was humped over a sawbuck in a nearby yard straightened up and began to pay strict attention. A driver halted a sled loaded with unshaved hoop poles, and listened. The commercial drummer came out on the porch.
"Look here, you crazy coot, haven't I given you fair warning about tongue-whaling me in public?" demanded the man who was pilloried.
"'Behold, all they that are incensed against thee shall be ashamed and confounded,'" quoted the Prophet, pounding his fist against the lettered breast. "'They shall be as nothing; and they that strive with thee shall perish.'"
Mr. Britt leaped off the porch, thrust the Prophet from his path, and strode across the street toward the man in the door. The brother did not lose his smile. He maintained his placid demeanor even when an angry finger slashed through the air close under his nose.
"I never intended to pass speech with you again, you renegade," stormed Tasper. "But I'm talking to-day for a
"You being a stranger, I can let out some of my feelings," returned Mr. Files. "Emperor, you say? He might just as well try to be one as to run for the legislature."
The drummer showed interest.
"That's what getting to be a widderer can do to some men," confided the landlord. He placed a smutty hand on the table and leaned down. "That legislature thing ain't the half of it, mister! He hasn't blacked his whiskers and bought that false mane simply so as to get into politics. He's trying to court the prettiest girl in this town."
"Aha!" said the drummer. "The old story! Cleopatra, queen of Egypt, is doing the job over again with the local Mark Antony!"
"Mebbe," admitted Mr. Files, his fishy gaze revealing that he had no personal knowledge of the parties mentioned. "It's the old story, all right. Widdereritis, and a bad run of it."
The bagman had a scarfpin in the shape of a horse shoe. His comment was in line with his taste in adornment. "Files, old scout, if a colt is put to harness so early that he can't get his natural fling in the fields, he'll have it at the other end of his life, when he's let run to pasture, spavin or no spavin. Why don't Egypt hold off and let Uncle What's-his-name enjoy his new hair and hopes?"
"He has known how to collect in the money that's due him," stated Mr. Files, "compound interest and all! He was only getting back his investments. But he has never put out any of the kind of capital that earns liking or respect or love. He has woke up to what he has been missing. He's trying to collect what he has never invested. And he can't do it, mister! No, sir, he can't!"
The drummer was a young man. He asked a natural question. "Isn't the girl willing to be an old man's darling?"
"You might go over to Britt's bank and ask her," suggested Mr. Files, crisply. "She's bookkeeper there. But you'd better not let that young fellow that's cashier overhear you."
"So that's it? Say, events in Egypt in the near future may make some of the mummies here sit up and take notice!"
"Shouldn't wonder a mite," agreed Mr. Files, beginning to gather up the dishes.
CHAPTER II
FIRST COLLECTIONS
That morning Mr. Britt did not dawdle in the hotel office with his cigar. He knew perfectly well that he merely had been making a pretense of enjoying that sybaritism, putting on his new clubman airs along with his dye and his toupee.
Among other curios in the office was a dusty, stuffed alligator, hanging from the ceiling over the desk. The jaws were widely agape and Mr. Britt always felt an inclination to yawn when he looked alligatorward. Therefore, the alligator offended Mr. Britt by suggesting drowsiness in the morning; Mr. Britt, up early, and strictly after any worm that showed itself along the financial path, resented the feeling of daytime sleepiness as heresy. Furthermore, that morning the gaping alligator also suggested the countenance of the open-mouthed Files whom Britt had just left in the dining room, and Files had been irritating. Britt scowled at the alligator, lighted a cigar, and hustled outdoors; he had the feeling that the day was to be an important one in his affairs.
Egypt's Pharaoh was able to view considerable of the town from the tavern porch. The tavern was an old stage-coach house and was boosted high on a hill, according to the pioneer plan of location. The houses of the little village straggled down the hill.
The aspect was not uninviting, seen under the charitable cloak of February's snow, sun-touched by the freshly risen luminary, the white expanses glinting; all the rocks and ledges and the barren shapes were covered. But under summer's frank sunlight Egypt was as disheartening a spectacle as a racked old horse, ribs and hip bones outthrust, waiting for the knacker's offices.
There were men in Egypt--men whose reverses had put them in a particularly ugly mood--who said out loud in places where Britt could not hear them that the money-grabber could not get much more than twelve-per-cent blood out of the nag he had ridden for so long, and might as well set knife to neck and put the town out of its misery.
Right behind Britt, as he stood on the porch, was a sheaf of yellowed papers nailed to the side of the tavern. Nobody in Egypt bothered to look at the papers; all the taxpayers knew what they were; the papers were signed by the high sheriff of the county and represented that all the real estate of Egypt had been sold over and over for taxes and had been bid in by the town as a municipality--and there the matter rested. Egypt, in other words, had been trying to lift itself by the bootstraps and was not merely still standing on the ground, but was considerably sunk in the hole that had been dug by the boot heels while Egypt was jumping up and down. Mr. Britt was not troubled by the sight of the yellowed papers; he owned mortgages and pulled in profit by the legal curiosities known as "Holmes notes"--leeches of particular drawing power. Mr. Britt did not own real estate. Egypt, in its financial stress and snarl of litigation, was a wonderful operating field for a man with loose money and a tight nature.
From far swamps the whack of axes sounded. Mr. Britt knew that men were cutting hoop poles and timber for shooks; Egypt earned ready money with which to pay interest, getting out shooks and hoop poles. That occupation had been the resource of the pioneers, and the descendants stuck to the work, knowing how to do it better than anything else. There was not enough soil for farming on a real money-making scale. The old sheep, so cynics said, were trained to hold the lambs by their tails and lower them head downward among the rocks to graze. Poor men usually own dogs. But dogs would not live long in Egypt, the cynics went on to assert; the dogs ran themselves to death hustling over the town line to find dirt enough to bury a bone.
Mr. Britt could see his statue in the cemetery.
Down the street was a one-story brick building, the only brick structure in the town. Set into the front of this building was a replica of the statue in the cemetery. Britt had secured special rates by ordering two statues from the stonecutter. Britt possessed vanity. He had hidden it, begrudging the cost of gratifying it. The crust of his nature, hardening through the years, had pressed upon that vanity. The statues, his refurbished beard, and his rehaired head had relieved the pressure somewhat, but the vanity was still sore. In his new mood he was dreading a blow on that sore spot. He realized what kind of a grudge he was carrying around. A vague sense of an unjust deal in life is more dangerous to the possessor than an acute and concrete knowledge of specific injury. The vagueness causes it to be correlated to insanity. Britt, putting his belated aspirations to the test, hoped that nobody would presume to hit on that sore spot. He knew that such an adventure might be dangerous for the person or persons who went up against him.
He buttoned his overcoat, settled the cigar rigidly into one corner of his mouth, stared with approval at the stone image of himself in the facade of Britt Block, and walked to the edge of the porch.
Across the street sat a little building above the door of which was a sign inscribed, "Usial Britt, Shoemaker." That it was a dwelling as well as a shop was indicated when a bare and hairy arm was thrust from a side window and the refuse in a smoking iron spider was dumped upon the snow. Simultaneously it was shown that more than one person tenanted the building: a man, bareheaded, but with a shaggy mat of roached hair that served in lieu of a hat, issued from the door. The wanton luxuriance of the hair would have stirred envy in any baldheaded man; but Tasper Britt exhibited a passion that was more virulent than envy.
The man who came forth was "Prophet Elias." It was the newcomer, the religious fanatic, the exhorter against oppression of the people by usury, the fearless declaimer who named Tasper Britt in diatribe and was setting the folks by the ears.
The Prophet's morning greeting did not make for amity. He stood straight and pointed in turn to the visible statues and then to Tasper Britt, in person. "Baal, and the images of Baal!" he shouted. "Stone, all three!"
Then he stepped from the door and spread a prodigiously big umbrella--an umbrella striped in dingy colors and of the size of the canopies seen over the drivers of delivery wagons. The employment of such a shield from the sun in midwinter indicated that the Prophet was rather more than eccentric; his garb conveyed the same suggestion. He wore a frayed purple robe that hung on his heels when he came striding across the street. On a broad band of cloth that once had been white, reaching from shoulder to waist, diagonally across his breast, were the words, "The Light of the World."
Tasper Britt surveyed him with venomous gaze as he advanced. But Britt shifted his stare and put additional venom into the look he gave a man who came to the door and stood there, leaning against the jamb and surveying the scene with a satisfied grin. There was no need of the name "Britt" above his head to proclaim his kinship with the man who stood on the tavern porch. The beard of the Britt in the door was gray, and his head was bald. But he was Tasper Britt, in looks, as Britt unadorned ought to have been. There was something like subtle reproach in his sticking to nature as nature had ordained. And the folks of Egypt had been having much to say about Usial Britt putting this new touch of malice into the long-enduring feud between twin brothers--even though he merely went on as he had been going, bald and gray. But because Usial had taken to going about in public places wherever Tasper appeared, and unobtrusively got as near his brother as possible on those occasions, and winked and pointed to himself and suggested "Before using!" the malice was apparent.
Usial, in the door, stroked his smooth poll complacently and grinned.
Tasper, on the porch, shook his fist.
Prophet Elias marched close to the porch and struck an attitude. "Hear ye! Hath not Job said, 'The triumphing of the wicked is short, and the joy of the hypocrite but for a moment'?"
A man who was humped over a sawbuck in a nearby yard straightened up and began to pay strict attention. A driver halted a sled loaded with unshaved hoop poles, and listened. The commercial drummer came out on the porch.
"Look here, you crazy coot, haven't I given you fair warning about tongue-whaling me in public?" demanded the man who was pilloried.
"'Behold, all they that are incensed against thee shall be ashamed and confounded,'" quoted the Prophet, pounding his fist against the lettered breast. "'They shall be as nothing; and they that strive with thee shall perish.'"
Mr. Britt leaped off the porch, thrust the Prophet from his path, and strode across the street toward the man in the door. The brother did not lose his smile. He maintained his placid demeanor even when an angry finger slashed through the air close under his nose.
"I never intended to pass speech with you again, you renegade," stormed Tasper. "But I'm talking to-day for a
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