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her theory that no amount of intellectual labour, including some manual duties in the way of assisting in the lavatory on tub-nights, washing hair-brushes, and mending clothes, could be too much for a healthy young woman of nineteen. She always talked of Ida as a young woman. The other pupils of the same age she called girls; but of Ida she spoke uncompromisingly as a 'young woman.'

'Oh, how I hate them all!' said Ida, in the midst of her sobs. 'I hate everybody, myself most of all!'

Then she pulled herself together with an effort, dried her tears hurriedly, and began her five-finger exercises, _tum, tum, tum,_ with the little finger, all the other fingers pinned resolutely down upon the keys.

'I wonder whether, if I had been ugly and stupid, they would have been a little more merciful to me?' she said to herself.

Miss Palliser's ability had been a disadvantage to her at Mauleverer Manor. When Miss Pew discovered that the girl had a knack of teaching she enlarged her sphere of tuition, and from taking the lowest class only, as former articled pupils had done, Miss Palliser was allowed to preside over the second and third classes, and thereby saved her employers forty pounds a year.

To teach two classes, each consisting of from fifteen to twenty girls, was in itself no trifling labour. But besides this Ida had to give music lessons to that lowest class which she had ceased to instruct in English and French, and whose studies were now conducted by Miss Pillby. She had her own studies, and she was eager to improve herself, for that career of governess in a gentleman's family was the only future open to her. She used to read the advertisements in the governess column of the _Times_ supplement, and it comforted her to see that an all-accomplished teacher demanded from eighty to a hundred a year for her services. A hundred a year was Ida's idea of illimitable wealth. How much she might do with such a sum! She could dress herself handsomely, she could save enough money for a summer holiday in Normandy with her neglectful father and her weak little vulgar step-mother, and the half-brother, whom she loved better than anyone else in the world.

The thought of this avenue to fortune gave her fortitude. She braced herself up, and set herself valourously to unriddle the perplexities of a nocturne by Chopin.

'After all I have only to work on steadily,' she told herself; 'there will come an end to my slavery.'

Presently she began to laugh to herself softly:

'I wonder whether old Pew has looked at my caricatures,' she thought, 'and whether she'll treat me any worse on account of them?'

She finished her hour's practice, put her music back into her portfolio, which lived in an ancient canterbury under the ancient piano, and went to the room where she slept, in company with seven other spirits, as mischievous and altogether evilly disposed as her own.

Mauleverer Manor had not been built for a school, or it would hardly have been called a manor. There were none of those bleak, bare dormitories, specially planned for the accommodation of thirty sleepers--none of those barrack-like rooms which strike desolation to the soul. With the exception of the large classroom which had been added at one end of the house, the manor was very much as it had been in the days of the Mauleverers, a race now as extinct as the Dodo. It was a roomy, rambling old house of the time of the Stuarts, and bore the date of its erection in many unmistakable peculiarities. There were fine rooms on the ground floor, with handsome chimney-pieces and oak panelling. There were small low rooms above, curious old passages, turns and twists, a short flight of steps here, and another flight there, various levels, irregularities of all kinds, and, in the opinion of every servant who had ever lived in the house, an unimpeachable ghost. All Miss Pew's young ladies believed firmly in that ghost; and there was a legend of a frizzy-haired girl from Barbados who had seen the ghost, and had incontinently gone out of one epileptic fit into another, until her father had come in a fly--presumably from Barbados--and carried her away for ever, epileptic to the last.

Nobody at present located at Mauleverer Manor remembered that young lady from Barbados, nor had any of the existing pupils ever seen the ghost. But the general faith in him was unshaken. He was described as an elderly man in a snuff-coloured, square-cut coat, knee-breeches, and silk stockings rolled up over his knees. He was supposed to be one of the extinct Mauleverers; harmless and even benevolently disposed; given to plucking flowers in the garden at dusk; and to gliding along passages, and loitering on the stairs in a somewhat inane manner. The bolder-spirited among the girls would have given a twelve-month's pocket money to see him. Miss Pillby declared that the sight of that snuff-coloured stranger would be her death.

'I've a weak 'art, you know,' said Miss Pillby, who was not mistress of her aspirates,--she managed them sometimes, but they often evaded her,--'the doctor said so when I was quite a little thing.'

'Were you ever a little thing, Pillby?' asked Miss Rylance with superb disdain, the present Pillby being long and gaunt.

And the group of listeners laughed, with that frank laughter of school girls keenly alive to the ridiculous in other people. There was as much difference in the standing of the various bedrooms at Mauleverer Manor as in that of the London squares, but in this case it was the inhabitants who gave character to the locality. The five-bedded room off the front landing was occupied by the stiffest and best behaved of the first division, and might be ranked with Grosvenor Square or Lancaster Gate. There were rooms on the second floor where girls of the second and third division herded in inelegant obscurity, the Bloomsbury and Camden Town of the mansion. On this story, too, slept the rabble of girls under twelve--creatures utterly despicable in the minds of girls in their teens, and the rooms they inhabited ranked as low as St. Giles's.

Ida Palliser was fortunate enough to have a bed in the butterfly-room, so called on account of a gaudy wall paper, whereon Camberwell Beauties disported themselves among roses and lilies in a strictly conventional style of art. The butterfly-room was the most fashionable and altogether popular dormitory at the Manor. It was the May Fair--a district not without a shade of Bohemianism, a certain fastness of tone. The wildest girls in the school were to be found in the butterfly-room.

It was a pleasant enough room in itself, even apart from its association with pleasant people. The bow window looked out upon the garden and across the garden to the Thames, which at this point took a wide curve between banks shaded by old pollard willows. The landscape was purely pastoral. Beyond the level meadows came an undulating line of low hill and woodland, with here and there a village spire dark against the blue.

Mauleverer Manor lay midway between Hampton and Chertsey, in a land of meadows and gardens which the speculating builder had not yet invaded.

The butterfly-room was furnished a little better than the common run of boarding-school bedchambers. Miss Pew had taken a good deal of the Mauleverer furniture at a valuation when she bought the old house; and the Mauleverer furniture being of a _rococo_ and exploded style, the valuation had been ridiculously low. Thus it happened that a big wainscot wardrobe, with doors substantial enough for a church, projected its enormous bulk upon one side of the butterfly-room, while a tall narrow cheval glass stood in front of a window. That cheval was the glory of the butterfly-room. The girls could see how their skirts hung, and if the backs of their dresses fitted. On Sunday mornings there used to be an incursion of outsiders, eager to test the effect of their Sabbath bonnets, and the sets of their jackets, by the cheval.

And now Ida Palliser came into the butterfly-room, yawning wearily, to brush herself up a little before tea, knowing that Miss Pew and her younger sister, Miss Dulcibella--who devoted herself to dress and the amenities of life generally--would scrutinize her with eyes only too ready to see anything amiss.

The butterfly-room was not empty. Miss Rylance was plaiting her long flaxen hair in front of the toilet table, and another girl, a plump little sixteen-year-old, with nut-brown hair, and a fresh complexion, was advancing and retiring before the cheval, studying the effect of a cherry-coloured neck-ribbon with a gray gown.

'Cherry's a lovely colour in the abstract,' said this damsel, 'but it reminds one too dreadfully of barmaids.'

'Did you ever see a barmaid?' asked Miss Rylance, languidly, slowly winding the long flaxen plait into a shining knob at the back of her head, and contemplating her reflection placidly with large calm blue eyes which saw no fault in the face they belonged to.

With features so correctly modelled, and a complexion so delicately tinted, Miss Rylance ought to have been lovely. But she had escaped loveliness by a long way. There was something wanting, and that something was very big.

'Good gracious, yes; I've seen dozens of barmaids,' answered Bessie Wendover, with her frank voice. 'Do you suppose I've never been into an hotel, or even into a tavern? When I go for a long drive with papa he generally wants brandy and soda, and that's how I get taken into the bar and introduced to the barmaid.'

'When you say introduced, of course you don't mean it,' said Miss Rylance, fastening her brooch. 'Calling things by their wrong names is your idea of wit.'

'I would rather have a mistaken idea of wit than none at all,' retorted Miss Wendover, and then she pirouetted on the tips of her toes, and surveyed her image in the glass from head to foot, with an aggravated air. 'I hope I'm not vulgar-looking, but I'm rather afraid I am,' she said. 'What's the good of belonging to an old Saxon family if one has a thick waist and large hands?'

'What's the good of anything at Mauleverer Manor?' asked Ida, coming into the room, and seating herself on the ground with a dejected air.

Bessie Wendover ran across the room and sat down beside her.

'So you were in for it again this afternoon, you poor dear thing,' she murmured, in a cooing voice. 'I wish I had been there. It would have been "Up, guards, and at 'em!" if I had. I'm sure I should have said something cheeky to old Pew. The idea of overhauling your locker! I should just like her to see the inside of mine. It would make her blood run cold.'

'Ah!' sighed Ida, 'she can't afford to make an example of you. You mean a hundred and fifty pounds a year. I am of no more account in her eyes than an artist's lay figure, which is put away in a dark closet when it isn't in use. She wanted to give you girls a lesson in tidiness, so she put me into her pillory. Fortunately I'm used to the pillory.'

'But you are looking white and worried, you dear lovely thing,' exclaimed Bessie, who was Ida Palliser's bosom friend. 'It's too bad the way they use you. Have this neck-ribbon,' suddenly untying the bow so carefully elaborated five minutes ago. 'You must, you shall; I don't want it; I hate it. Do, dear.'

And for consolation Miss Wendover tied the cherry-coloured ribbon under her
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