The Innocence of Father Brown, G. K. Chesterton [best book clubs .txt] 📗

what’s-his-name. You know what I mean. What do you call a man who wants to embrace the chimney-sweep?”

“A saint,” said Father Brown.

“I think,” said Sir Leopold, with a supercilious smile, “that Ruby means a Socialist.”

“A radical does not mean a man who lives on radishes,” remarked Crook, with some impatience; “and a Conservative does not mean a man who preserves jam. Neither, I assure you, does a Socialist mean a man who desires a social evening with the chimney-sweep. A Socialist means a man who wants all the chimneys swept and all the chimney-sweeps paid for it.”

“But who won’t allow you,” put in the priest in a low voice, “to own your own soot.”

Crook looked at him with an eye of interest and even respect. “Does one want to own soot?” he asked.

“One might,” answered Brown, with speculation in his eye. “I’ve heard that gardeners use it. And I once made six children happy at Christmas when the conjuror didn’t come, entirely with soot—applied externally.”

“Oh, splendid,” cried Ruby. “Oh, I wish you’d do it to this company.”

The boisterous Canadian, Mr. Blount, was lifting his loud voice in applause, and the astonished financier his (in some considerable deprecation), when a knock sounded at the double front doors. The priest opened them, and they showed again the front garden of evergreens, monkey-tree and all, now gathering gloom against a gorgeous violet sunset. The scene thus framed was so coloured and quaint, like a back scene in a play, that they forgot a moment the insignificant figure standing in the door. He was dusty-looking and in a frayed coat, evidently a common messenger. “Any of you gentlemen Mr. Blount?” he asked, and held forward a letter doubtfully. Mr. Blount started, and stopped in his shout of assent. Ripping up the envelope with evident astonishment he read it; his face clouded a little, and then cleared, and he turned to his brother-in-law and host.

“I’m sick at being such a nuisance, colonel,” he said, with the cheery colonial conventions; “but would it upset you if an old acquaintance called on me here tonight on business? In point of fact it’s Florian, that famous French acrobat and comic actor; I knew him years ago out West (he was a French-Canadian by birth), and he seems to have business for me, though I hardly guess what.”

“Of course, of course,” replied the colonel carelessly—“My dear chap, any friend of yours. No doubt he will prove an acquisition.”

“He’ll black his face, if that’s what you mean,” cried Blount, laughing. “I don’t doubt he’d black everyone else’s eyes. I don’t care; I’m not refined. I like the jolly old pantomime where a man sits on his top hat.”

“Not on mine, please,” said Sir Leopold Fischer, with dignity.

“Well, well,” observed Crook, airily, “don’t let’s quarrel. There are lower jokes than sitting on a top hat.”

Dislike of the red-tied youth, born of his predatory opinions and evident intimacy with the pretty godchild, led Fischer to say, in his most sarcastic, magisterial manner: “No doubt you have found something much lower than sitting on a top hat. What is it, pray?”

“Letting a top hat sit on you, for instance,” said the Socialist.

“Now, now, now,” cried the Canadian farmer with his barbarian benevolence, “don’t let’s spoil a jolly evening. What I say is, let’s do something for the company tonight. Not blacking faces or sitting on hats, if you don’t like those—but something of the sort. Why couldn’t we have a proper old English pantomime—clown, columbine, and so on. I saw one when I left England at twelve years old, and it’s blazed in my brain like a bonfire ever since. I came back to the old country only last year, and I find the thing’s extinct. Nothing but a lot of snivelling fairy plays. I want a hot poker and a policeman made into sausages, and they give me princesses moralising by moonlight, Blue Birds, or something. Blue Beard’s more in my line, and him I like best when he turned into the pantaloon.”

“I’m all for making a policeman into sausages,” said John Crook. “It’s a better definition of Socialism than some recently given. But surely the get-up would be too big a business.”

“Not a scrap,” cried Blount, quite carried away. “A harlequinade’s the quickest thing we can do, for two reasons. First, one can gag to any degree; and, second, all the objects are household things—tables and towel-horses and washing baskets, and things like that.”

“That’s true,” admitted Crook, nodding eagerly and walking about. “But I’m afraid I can’t have my policeman’s uniform? Haven’t killed a policeman lately.”

Blount frowned thoughtfully a space, and then smote his thigh. “Yes, we can!” he cried. “I’ve got Florian’s address here, and he knows every costumier in London. I’ll phone him to bring a police dress when he comes.” And he went bounding away to the telephone.

“Oh, it’s glorious, godfather,” cried Ruby, almost dancing. “I’ll be columbine and you shall be pantaloon.”

The millionaire held himself stiff with a sort of heathen solemnity. “I think, my dear,” he said, “you must get someone else for pantaloon.”

“I will be pantaloon, if you like,” said Colonel Adams, taking his cigar out of his mouth, and speaking for the first and last time.

“You ought to have a statue,” cried the Canadian, as he came back, radiant, from the telephone. “There, we are all fitted. Mr. Crook shall be clown; he’s a journalist and knows all the oldest jokes. I can be harlequin, that only wants long legs and jumping about. My friend Florian ’phones he’s bringing the police costume; he’s changing on the way. We can act it in this very hall, the audience sitting on those broad stairs opposite, one row above another. These front doors can be the back scene, either open or shut. Shut, you see an English interior. Open, a moonlit garden. It all goes by magic.” And snatching a chance piece of billiard chalk from his pocket, he ran it across the hall floor, half-way between the front door and the staircase, to mark the line of the footlights.

How even such a banquet of bosh was got ready in the time remained a riddle. But they went at it with that mixture of recklessness and industry that lives when youth is in a house; and youth was in that house that night, though not all may have isolated the two faces and hearts from which it flamed. As always happens, the invention grew wilder and wilder through the very tameness of the bourgeois conventions from which it had to create. The columbine looked charming in an outstanding skirt that strangely resembled the large lamp-shade in the drawing-room. The clown and pantaloon made themselves white with flour from the cook, and red with rouge from some other domestic, who remained (like all true Christian benefactors) anonymous. The harlequin, already clad in silver paper out of cigar boxes, was, with difficulty, prevented from smashing the old Victorian lustre chandeliers, that he might cover himself with resplendent crystals. In fact he would certainly have done so, had not Ruby unearthed some old pantomime paste jewels she had worn at a fancy dress party as the Queen of Diamonds. Indeed, her uncle, James Blount, was getting almost out of hand in his excitement;