The Belovéd Vagabond, William J Locke [motivational books for men .TXT] 📗

"Mais dis donc, Asticot," said Blanquette holding a half egg-shell in each hand while the yolk and white fell into the bowl, "who was the lady that came last night and wanted to see the Master?"

"You had better ask him," said I.

"I have done so, but he will not tell me."

"What did he say?"

"He told me to ask the serpent. I don't know what he meant," said Blanquette.

I explained the allusion to the curiosity of Eve.

"But," objected the literal Blanquette, "there is no serpent in the Rue des Saladiers--unless it is you."

"You have beaten those eggs enough," I remarked.

"You can teach me many things, but how to make omelettes--ah no!"

"All right," said I, "when your inordinate curiosity has spoiled the thing, don't blame me."

"She is very pretty," said Blanquette.

"Pretty? She is entirely adorable."

Blanquette sighed. "She must have a great many lovers."

"Blanquette!" cried I scandalised, "she is married."

"Naturally. If she weren't she could not have lovers. I wish I were only half as beautiful."

The lump of butter cast into the frying-pan sizzled, and Blanquette sighed again. I must explain that I had come, as I often did, to share Paragot's midday meal, but as he was still abed, Blanquette had enticed me into her tiny kitchen. The omelette being for my sole consumption I may be pardoned for my interest in its concoction.

"So that you could be married and have lovers?" I asked in a superior way.

"Too many lovers make life unhappy," she replied sagely. "If I were pretty I should only want one--one to love me for myself."

"And for what are you loved now?"

"For my omelettes," she said with a deft turn of the frying-pan.

"Blanquette," said I, "je t'adore."

She laughed with an "es-tu bête!" and ministered to my wants as I sat down to my meal at a corner of the kitchen table. She loved this. Great as was her pride in the speckless and orderly salon, she never felt at her ease there. In the kitchen she was herself, at home, and could do the honours as hostess.

"Do you think the beautiful lady is in love with the Master?"

"You have been reading the feuilletons of the Petit Journal and your head is full of sentimental nonsense," I cried.

"It is not nonsense for a woman to love the Master."

"Oho!" I exclaimed teasingly, "perhaps you are in love with him too."

She turned her back on me and began to clean a spotless casserole.

"Mange ton omelette," she said.

My meal over, I went to Paragot's room. I found him in bed, not as usual pipe in mouth and a tattered volume in his hand, but lying on his back, his arms crossed beneath his head, staring into the white curtains of which Blanquette was so proud.

"My son," said he, after he had enquired after my welfare and my lunch and advised me as to cooling medicaments wherewith to mitigate a certain pimplous condition of cheek, "My son, I want you to make me a promise. Swear that if a hitch occurs in your scheme of the cosmos, you will not break up your furniture with a crusader's mace. Such a proceeding has infinite consequences of effraction. It disrupts your existence and ends with the irreparable smash of your porcelain pipe." Whereupon he asked me for a cigarette and began to smoke reflectively.

"One ought to order one's scheme so that no hitch can occur," said I.

"As far as I can gather from the theologians that is beyond the power even of the Almighty," said Paragot.

Blanquette appeared with the morning absinthe.

"The hitch, my son, in my case was beyond mortal control," he said looking up at the bed-curtains. "You may think that I caused it in the first place. You heard me last night accused of cruelty. You, discreet little image that you are, know more about things than I thought. And yet you must wonder, now that you are nearly a man, what can be, what can have been between this disreputable hairy scallywag who is eating the bread of idleness and," with a sip of his absinthe, "drinking the waters of destruction, and that fair creature of dainty life. Don't judge anyone, my little Asticot 'Hi sumus, qui omnibus veris falsa quædam esse dicamus, tanta similitudine, ut in iis nulla insit certe judicandi et assentiendi nota.' That is Cicero, an author to whom I regret I have not been able to introduce you, and it means that the false is so mingled with the true and looks so like it, that there is no sure mark whereby we may distinguish one from the other. It is a damned fool of a world."

In this chastened mood I left him.

I learned later in the day that the appearance of the Comtesse in the Café Delphine and the exodus of Paragot had caused no small sensation. Cazalet had peeped through the glass door.

"Cré nom de nom, she is driving him off in her own carriage!"

He returned to the table and drank a glass of anisette to steady his nerves. Who was the lady? Evidently Paragot was leading a double life. Madame Boin nodded her head mysteriously as though possessed of secrets she would not divulge. They spent the evening in profitless conjecture. The fact remained that Paragot, the hairy disreputable scallywag, had relations with a high born and beautiful woman. It was stupefying. C'était abracadabrant! That was the final word. When the Quartier Latin calls a thing abracadabrant there is no more to be said.

The Café Delphine was far from being the school of discretion and good manners that Paragot frequented in his youth, but such was his personal influence that when he reappeared in his usual place no one dared allude to the disconcerting incident. Paragot had recovered from the chastened mood and was gay, Rabelaisian, and with great gestures talked of all subjects under heaven. One of the International Exhibitions was in prospect and many architects' offices were busy with projects for the new buildings. A discussion on these having arisen--two of our company were architectural students--Paragot declared that the Exhibition would be incomplete without a Palais de Dipsomanie. Indeed it should be the central feature.

"Tiens!" he cried, "I have an inspiration! Some one give me a soft black pencil. Hercule, clear the table."

He caught the napkin from beneath Hercule's arm and as soon as the glasses were removed, he dried the marble top, and holding the pencil draughtsman's fashion, a couple of inches from the point, began to draw with feverish haste. His long fingers worked magically. We bent over him, holding our breath, as gradually emerged the most marvellous, weird, riotous dream of drunken architecture the world could ever behold. There were columns admirably indicated, upside down. The domes looked like tops of half inflated balloons. Enormous buttresses supporting nothing leaned incapable against the building. Bottles and wine cups formed part of the mad construction. Satyrs' heads leered instead of windows. The whole palace looked reeling drunk. It was a tremendous feat of imagination and skill. The hour that he spent in elaborating it passed like five minutes. When he had finished he threw down his pencil.

"Voilà!"

Then he called for his drink and emptied the glass at a gulp. We all clamoured our admiration.

"But Paragot," cried one of the architectural students in considerable excitement, "you are a trained architect, and a great architect! It is the work of a genius. Garnier himself could not have done it."

Paragot whipped up the napkin from the seat and, before we could protest, rubbed the drawing into a black smudge.

"I am a poet, painter, architect, musician and philosopher, mon petit Bibi," said he, "and my name is Berzélius Nibbidard Paragot."

It was growing late and we all rose in a body--except Paragot, who made a point of remaining after everyone had gone. He caught me by the sleeve.

"Stay a bit to-night, my little Asticot," said he.

Usually he would not allow me to remain late at the Café. It was bad for my health; and indeed I was not supposed to waste my time thus more than two evenings a week. Paragot did not include my seeing him make a Helot of himself as part of my education. This was the theory at the back of his mind. In practice it had occurred at intervals since the days (or nights) of the Lotus Club.

Paragot ordered another drink. It was astonishing, said he, how provocative of thirst was any diversion from the ordinary course of life.

"If the pig of the Café Cordier had been human," he remarked, "he would have sat down and consumed intoxicating liquors instead of throwing himself under the wheels of an omnibus. My son," he said with solemn eyes, "reverence that pig. It is few of us who have his courage and single-heartedness."

He went on talking for some time in a semi-coherent strain, clouding over with dim allusions the vital idea which, I verily believe, had I been a kind woman of the world instead of a raw youth of nineteen, he would have crystallised with flaming speech. I could only listen to him dumbly, vaguely divinatory through my love for him and I suppose through a certain temperamental sensitiveness, but alas! uncomprehending by reason of my inexperience in the deeps of life.

Presently he announced that he was ready to start. He walked somewhat unsteadily to the door, his hand on my shoulder.

"My little son Asticot," said he on the threshold, "I am so far on my road to immortality that I ought to have vine-leaves in my hair; instead of which I have wormwood in my heart. Will you kindly take me to the Pont Neuf."

"But dear Master," said I, "what on earth are you going to do there?"

"I have something important to say to Henri Quatre."

"You can say it better," I urged, "in the Rue des Saladiers."

"To the Pont Neuf," said he brusquely, pushing me away.

I had to humour him. We started up the Boulevard Saint-Michel. It was drizzling with rain.

"Master, we had better go home."

He did not reply, but strode on. I have a catlike dislike of rain. I bear it philosophically, but that is all. To carry on a conversation during a persistent downpour is beyond my powers. I might as well try to sing under water. Paragot, who ordinarily was indifferent to the seasons' difference, and would discourse gaily in a deluge, walked on in silence. We went along amid the umbrella-covered crowd, past the steaming terraces of cafés, whose lights set the kiosques in a steady glare and sent shafts of yellow from the tops of stationary cabs, and caught the wet passing traffic in livid flashes, and illuminated faces to an unreal significance; down the gloom-enveloped, silent quais frowned upon by the dim and monstrous masses of architecture, guarding the Seine like phantasmagorical bastions, none visible in outline, but only felt looming in the rain-filled night, until we reached the statue of Paragot's tutelary King. And the rain fell miserably.

We were wet through. I put my hand on his dripping sleeve.

"Master, let me see you home."

He shook me off roughly.

"You can go."

"But dear Master," I implored. He put both hands behind his head and threw out his arms in a great gesture.

"Boy! Can't you see," cried he, "that I am in agony of soul?"

I bent my head and went away. God knows what he said to Henri Quatre. I suppose each of us has a pet Gethsemane of his own.

* * * * *

One night, a few weeks later, Blanquette appeared in my little student's attic. Fired by the example of