Treasure and Trouble Therewith, Geraldine Bonner [romantic story to read .TXT] 📗

In this room, lit by a wall lamp, its window giving on a tangled growth of shrubs, sat Knapp sprawled before the stove.

Their greetings were brief, and drawing up to the table they began the plans for the next night's work. Through the window the air came cool and moist, fighting with the odors of cooking and the rank, stifling Chinese smell. On the silence without rose the horses' soft whinnyings to one another and then the Chinaman's returning passage through the grass and the rasp of the closing door. He put a bottle and glasses before the men, slipped speechless into the restaurant, and returned, an animated shadow, with the lamp in his hand. This he set on the table in his own room, and sitting before it, began moving the balls in the adding machine. Upon the low voices in the kitchen, the dry click of the shifted balls broke in sharp staccato, followed by pauses when, with a hand as delicate as a woman's, he traced the Chinese characters on the paper.

It was he who heard first. His hand, raised to move a line of the balls, hung suspended, his eyes riveted in an agate-bright stare on the wall opposite. He half rose; his meager body stiffened as if the muscles had suddenly become steel; his face turned in wild question to the room beyond. He was up and had hissed a terrified, "Look out, boss, someone come!" when a rending blow fell on the door.

For a breath there was stillness, then pandemonium--a sudden burst of action following on a moment of paralysis, an explosion of sound and movement. It all came together--the breaking in of the door, the rat-like rush of the men, the crash of falling furniture, of shivered glass, of dark, scrambling figures, and the blinding flash of a revolver. The Chinaman's face, ape-like in its terror, showed above the blankets of his bunk, Knapp lay on the ground caught by the falling table, and in the window jagged edges of glass and a trail of blood on the sill showed the way Garland had gone. In the doorway the sheriff stood with his leveled revolver, while the voices and trampling of men came from the shrubs outside.


CHAPTER XV


THE LAST DINNER

It was depressing weather, rain, rain, and then again rain. For two weeks now, off and on, people had looked out through windows lashed with fine spears or glazed with watery skins which endlessly slipped down the pane. Muddy pools collected and spread across the street, the cars that drove through them sending the water in fan-like spurts from their wheels. Down the high, cobbled hills rivulets felt their way and grass sprouted between the granite blocks. A gray wall shut in the city, which showed dimly under the downpour, gardens blossoming, roof shining beyond roof, wet wall dripping on wet wall.

From his parlor window in the Argonaut Hotel, Boye Mayer looked down on the street's swimming length, and then up at the sky's leaden pall. It was not raining now but there was no knowing when it might begin again. He yawned and stretched, then looked at his watch--half-past four. What should he do for the rest of the afternoon?

Several times during the last month this problem of time to be passed had presented itself. The rain had cut him off from stately promenades on the sunny side of the street and the diversions of San Francisco had grown stale from familiarity. The bloom of his adventure was tarnished; he was becoming used to riches, and comfort had lost its first, fine, careless rapture. It was not that he was actually bored, but he saw, as things were going, he might eventually become so, especially if the rain continued. So far, the green tables and Pancha had held _off_ this undesired state, but like all attractive pastimes both had their dangers. His luck at the green tables had been so bad that he had resolved to give them up, and that made the menace of boredom loom larger. Life in San Francisco in the height of the wet season, with cards denied him and Pancha only to be visited occasionally, was not what it had promised to be.

He had thought of leaving, going to the South, and then decided against it. There were several reasons why it was better for him to stay. One was the money in Sacramento. This had become an intruding matter of worry and indecision. It was not only that the store was so greatly diminished--his losses had made astonishing inroads in it--but he feared its discovery and he hated his trips there. He always spent a night in the place, on a stone-hard bed in a dirty, unaired room, and in his shabby clothes was forced to patronize cheap eating houses where the fare sickened him. He managed it very adroitly, carrying in his old suitcase the hat, coat, shoes and tie he had bought in Sacramento, changing into them in the men's washroom in the Sacramento depot, and emerging therefrom the Harry Romaine who rented room 19 in the Whatcheer House.

Of course there was danger of detection, and faced by this and the memory of his discomfort on the train down, he told himself he would certainly move the money. But back in the Argonaut Hotel his resolution weakened. Where would he move it to? He could bank it in San Francisco, but here again there were perils, of a kind he dreaded even more than the Sacramento trips. There was that question of references, and he feared the eyes of men, honest men, business men. He kept away from them; they were shrewd, bitterly hostile to such as he. So he invariably slipped back into a state where he said he must do something, waited until he had only a few dollars left, then, cursing and groaning, pulled the old clothes out of his trunk, packed his battered suitcase and told Ned Murphy he was going into the interior "on business."

But outside all these lesser boredoms and anxieties there was another bigger than all the rest and growing every day: After the money was gone, what?

It was a question that, in the past, he would have sheered away from as a horse shies from an obstacle intruding on a pleasant road. But time had taught him [Note: last word, 'far-righted' must be a typo] many things--the picaroon was becoming far-sighted; the grasshopper had learned of the ant. The spring of his youth was gone; the renewal of the old struggle too horrible to contemplate. And he would have to contemplate it or decide on something to forestall it. That was what he had been thinking about for the past week, shut up in his hotel room, his hands deep in his pockets, his eyes morosely fixed on space.

At the Alston dinner an idea had germinated in his mind. It was only a seed at first, then it began to grow and had now assumed a definite shape. At first he had toyed with it, viewed it from different angles as something fantastic and irrelevant, but nevertheless having a piquancy of its own. Then his ill-luck and that necessary facing of the situation made him regard it more closely, compelled him to award it a serious consideration. He did not like it; it had almost no point of appeal; it was not the sort of thing, had chance been kinder, he would ever have contemplated. But it was inescapable, the angel with the flaming sword planted in his path.

Reluctant, with dragging feet, he had gone to call on the Alston girls. There had been several visits before that in return for continued hospitalities; but this was the first of what might be called a second series, the first after the acceptance of his idea. It had driven him to it, hounded him on like Orestes hounded by the furies. When he got there he saw behind the hounding the hand of fate, for instead of finding both sisters at home or both sisters out, he found Chrystie in and alone. She had talked bashfully, a shy-eyed novice with blush-rose cheeks and fingers feeling cold in the pressure of farewell. The hand of fate pointed to her. If it had been the other sister the hand would have pointed in vain. From the start he had felt the fundamental thing in Lorry--character, brain, vision, whatever you like to call it--upon which his flatteries and blandishments would have been fruitless, arrows falling blunted against a glittering armor. But this child, this blushing, perturbed, unformed creature, as soft and fiberless as a skein of her own hair, was fruit for his plucking.

That was his idea.

He had brooded on it all the week, hearing the rain drumming on the roof outside, smoking countless cigarettes, harassed, balky and beaten. He thought of it now, his hands deep in his pockets, his chest hollowed, his sullen eyes surveying the hill opposite, up which a cable car crawled like a large wet beetle. He watched the car till it dipped over the summit and there was nothing to see but the two shining rails, and the glistening roofs and the shrouded distance. It was like his idea, inexpressibly dreary, a forlorn, monotonous, gray shutting out what once had been a bright, engaging prospect.

He looked again at his watch--not yet half past five--at least an hour to pass before dinner. The green tables began to call, and he turned from the window to the dusk of the room, tempted and restless. He must do something or he would answer the call, and he searched his resources for a diversion at once enlivening and inexpensive. The search brought up on Pancha. She and her mysteries were always amusing; her love flattered him; blues and boredom died in her presence. Dangerous she could be, but dangerous he would not let her be--his was the master mind, cold, self-governing, and self-sure. One more swing around the circle with Pancha and then good-by. Soon he "would give his bridle rein a shake beside the river shore." At that he laughed--"river shore" aptly described San Francisco under present conditions--and laughing went to the telephone and called her up. He caught her at rehearsal and made a rendezvous for dinner in the banquet room at Solari's.

Solari's was a small Italian restaurant in the business quarter which had gained fame by the patronage of the local illuminati known to press and public as "Bohemians." They foregathered nightly there, the plate glass window giving a view of them, conspicuously herded at a large central table, to interested passersby. To the right of the window was a door, giving on a narrow staircase which led up to the second floor and what Solari called his "banquet room." Here on state occasions the Bohemians entertained celebrities, secretly fretted by the absence of their accustomed audience. They had decorated the walls with samples of their art, and when Eastern visitors came to Solari's, they were always taken up there, and expected to say that San Francisco reminded them of Paris. Mayer liked the place and had dined there several times with Pancha, always in the banquet room. There were newspaper men among the Bohemians who would have found material in the simultaneous appearance of the picturesque Mr. Mayer and the Albion's star.

He had ordered the dinner, had the fire lighted and the table spread when she came. She had run up the stairs and was out of breath, bringing in a whiff of the night's fresh dampness, and childishly glad to be there. She made no attempt to hide it, laughing as she slid out of her coat and tossed her hat on a chair.