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for the rifles of Company F had been secured, and at least a dozen soldiers kept filing in and out in British uniform till Washington's august legs were hidden by the heaps of arms rattled down before him. The martial music, the steady tramp, and the patriotic memories awakened, caused this scene to be enthusiastically encored, and the boys would have gone on marching till midnight if Ralph had not peremptorily ordered down the curtain and cleared the stage for the next tableau.

This had been artfully slipped in between two brilliant ones, to show that the Father of his Country had to pay a high price for his glory. The darkened stage represented what seemed to be a camp in a snow-storm, and a very forlorn camp, too; for on “the cold, cold ground” (a reckless display of cotton batting) lay ragged soldiers, sleeping without blankets, their worn-out boots turned up pathetically, and no sign of food or fire to be seen. A very shabby sentinel, with feet bound in bloody cloths, and his face as pale as chalk could make it, gnawed a dry crust as he kept his watch in the wintry night.

A tent at the back of the stage showed a solitary figure sitting on a log of wood, poring over the map spread upon his knee, by the light of one candle stuck in a bottle. There could be no doubt who this was, for the buff-and-blue coat, the legs, the nose, the attitude, all betrayed the great George laboring to save his country, in spite of privations, discouragements, and dangers which would have daunted any other man.

“Valley Forge,” said someone, and the room was very still as old and young looked silently at this little picture of a great and noble struggle in one of its dark hours. The crust, the wounded feet, the rags, the snow, the loneliness, the indomitable courage and endurance of these men touched the hearts of all, for the mimic scene grew real for a moment; and, when a child's voice broke the silence, asking pitifully, “Oh, mamma, was it truly as dreadful as that?” a general outburst answered, as if every one wanted to cheer up the brave fellows and bid them fight on, for victory was surely coming.

In the next scene it did come, and “Washington at Trenton” was prettily done. An arch of flowers crossed the stage, with the motto, “The Defender of the Mothers will be the Preserver of the Daughters;” and, as the hero with his generals advanced on one side, a troop of girls, in old-fashioned muslin frocks, came to scatter flowers before him, singing the song of long ago:—

  “Welcome, mighty chief, once more
  Welcome to this grateful shore;
  Now no mercenary foe
  Aims again the fatal blow,—
  Aims at thee the fatal blow.

  “Virgins fair and matrons grave,
  Those thy conquering arm did save,
  Build for thee triumphal bowers;
  Strew, ye fair, his way with flowers,—
  Strew your hero's way with flowers.”

And they did, singing with all their hearts as they flung artificial roses and lilies at the feet of the great men, who bowed with benign grace. Jack, who did Lafayette with a limp, covered himself with glory by picking up one of the bouquets and pressing it to his heart with all the gallantry of a Frenchman; and when Washington lifted the smallest of the maids and kissed her, the audience cheered. Couldn't help it, you know, it was so pretty and inspiring.

The Washington Family, after the famous picture, came next, with Annette as the serene and sensible Martha, in a very becoming cap. The General was in uniform, there being no time to change, but his attitude was quite correct, and the Custis boy and girl displayed the wide sash and ruffled collar with historic fidelity. The band played “Home,” and every one agreed that it was “Sweet!”

“Now I don't see what more they can have except the death-bed, and that would be rather out of place in this gay company,” said the old gentleman to Mr. Burton, as he mopped his heated face after pounding so heartily he nearly knocked the ferule off his cane.

“No; they gave that up, for my boy wouldn't wear a night-gown in public. I can't tell secrets, but I think they have got a very clever little finale for the first part—a pretty compliment to one person and a pleasant surprise to all,” answered Mr. Burton, who was in great spirits, being fond of theatricals and very justly proud of his children, for the little girls had been among the Trenton maids, and the mimic General had kissed his own small sister, Nelly, very tenderly.

A great deal of interest was felt as to what this surprise was to be, and a general “Oh!” greeted the “Minute Man,” standing motionless upon his pedestal. It was Frank, and Ralph had done his best to have the figure as perfect as possible, for the maker of the original had been a good friend to him; and, while the young sculptor was dancing gayly at the ball, this copy of his work was doing him honor among the children. Frank looked it very well, for his firm-set mouth was full of resolution, his eyes shone keen and courageous under the three-cornered hat, and the muscles stood out upon the bare arm that clutched the old gun. Even the buttons on the gaiters seemed to flash defiance, as the sturdy legs took the first step from the furrow toward the bridge where the young farmer became a hero when he “fired the shot heard 'round the world.”

“That is splendid!” “As like to the original as flesh can be to bronze.” “How still he stands!” “He'll fight when the time comes, and die hard, won't he?” “Hush! You make the statue blush!” These very audible remarks certainly did, for the color rose visibly as the modest lad heard himself praised, though he saw but one face in all the crowd, his mother's, far back, but full of love and pride, as she looked up at her young minute man waiting for the battle which often calls us when we least expect it, and for which she had done her best to make him ready.

If there had been any danger of Frank being puffed up by the success of his statue, it was counteracted by irrepressible Grif, who, just at the most interesting moment, when all were gazing silently, gave a whistle, followed by a “Choo, choo, choo!” and “All aboard!” so naturally that no one could mistake the joke, especially as another laughing voice added, “Now, then, No. 11!” which brought down the house and the curtain too.

Frank was so angry, it was very difficult to keep him on his perch for the last scene of all. He submitted, however, rather than spoil the grand finale, hoping that its beauty would efface that ill-timed pleasantry from the public mind. So, when the agreeable clamor of hands and voices called for a repetition, the Minute Man reappeared, grimmer than before. But not alone, for grouped all about his pedestal were Washington and his generals, the matrons and maids, with a background of troops shouldering arms, Grif and Joe doing such rash things with their muskets, that more than one hero received a poke in his august back. Before the full richness of this picture had been taken in, Ed gave a rap, and all burst out with “Hail Columbia,” in such an inspiring style that it was impossible for the audience to refrain from joining, which they did, all standing and all singing with a heartiness that made the walls ring. The fife shrilled, the horn blew sweet and clear, the fiddle was nearly drowned by the energetic boom of the drum, and out into the starry night, through open windows, rolled the song that stirs the coldest heart with patriotic warmth and tunes every voice to music.

“'America!' We must have 'America!' Pipe up, Ed, this is too good to end without one song more,” cried Mr. Burton, who had been singing like a trumpet; and, hardly waiting to get their breath, off they all went again with the national hymn, singing as they never had sung it before, for somehow the little scenes they had just acted or beheld seemed to show how much this dear America of ours had cost in more than one revolution, how full of courage, energy, and virtue it was in spite of all its faults, and what a privilege, as well as duty, it was for each to do his part toward its safety and its honor in the present, as did those brave men and women in the past.

So the “Scenes from the Life of Washington” were a great success, and, when the songs were over, people were glad of a brief recess while they had raptures, and refreshed themselves with lemonade.

The girls had kept the secret of who the “Princess” was to be, and, when the curtain rose, a hum of surprise and pleasure greeted the pretty group. Jill lay asleep in all her splendor, the bonny “Prince” just lifting the veil to wake her with a kiss, and all about them the court in its nap of a hundred years. The “King” and “Queen” dozing comfortably on the throne; the maids of honor, like a garland of nodding flowers, about the couch; the little page, unconscious of the blow about to fall, and the fool dreaming, with his mouth wide open.

It was so pretty, people did not tire of looking, till Jack's lame leg began to tremble, and he whispered: “Drop her or I shall pitch.” Down went the curtain; but it rose in a moment, and there was the court after the awakening: the “King” and “Queen” looking about them with sleepy dignity, the maids in various attitudes of surprise, the fool grinning from ear to ear, and the “Princess” holding out her hand to the “Prince,” as if glad to welcome the right lover when he came at last.

Molly got the laugh this time, for she could not resist giving poor Boo the cuff which had been hanging over him so long. She gave it with unconscious energy, and Boo cried “Ow!” so naturally that all the children were delighted and wanted it repeated. But Boo declined, and the scenes which followed were found quite as much to their taste, having been expressly prepared for the little people.

Mother Goose's Reception was really very funny, for Ralph was the old lady, and had hired a representation of the immortal bird from a real theatre for this occasion. There they stood, the dame in her pointed hat, red petticoat, cap, and cane, with the noble fowl, a good deal larger than life, beside her, and Grif inside, enjoying himself immensely as he flapped the wings, moved the yellow legs, and waved the long neck about, while unearthly quacks issued from the bill. That was a great surprise for the children, and they got up in their seats to gaze their fill, many of them firmly believing that they actually beheld the blessed old woman who wrote the nursery songs they loved so well.

Then in came, one after another, the best of the characters she has made famous, while a voice behind the scenes sang the proper rhyme as each made their manners to the interesting pair. “Mistress Mary,” and her “pretty maids all in a row,” passed by to their places in the background; “King Cole” and his “fiddlers three” made a goodly show; so did the royal couple, who followed the great pie borne before them, with the “four-and-twenty blackbirds” popping their heads out in the most delightful way. Little “Bo-Peep” led a woolly lamb and wept over its lost tail, for not a sign of one appeared on the poor thing. “Simple Simon” followed the pie-man, gloating over his wares with the drollest antics. The

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