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home of your own?"

"Listen! I had a home of my own, but my husband was intemperate, and in fits of intoxication would illtreat me and my boy."

"Then you have a boy?" said Kit, surprised.

"Yes; and I support him at a boarding school out of my professional earnings, which are large."

"I am going to ask you another question, but you may not like to answer it."

"Speak plainly."

"Your husband is living, is he not?"

"Yes."

"Does he know that you are a circus performer?"

"No; and I would not have him know for worlds."

"Would he feel sensitive about it?"

Mlle. Lefroy laughed bitterly.

"You don't know him, or you would not ask that question," she said. "He would want to appropriate my salary. That is why I do not care to have him know how I am earning the living which he ought to provide for me."

"I sympathize with you," said Kit, gently.

"Then you don't think any the worse of me because I am a trapeze performer."

"Why should I? Am I not a circus performer also?"

"Yes; but it is different with you, being a man. You would not like to think of your mother or sister in my position."[Pg 174]

"No; I would not, yet I can imagine circumstances that would justify it."

From this time Kit was disposed to look with different eyes upon Mlle. Lefroy. He did not think of her as a daring actor, but rather as an injured wife and devoted mother, who every day risked her life for the sake of one who was dear to her.

"Did you never fear that your husband might be present when you are performing?" asked Kit.

"It is my constant dread," answered Mlle. Lefroy. "When I come out in my costume, and look over the sea of heads, I am always afraid I shall see his face."

"But you never have yet?"

"Never yet. I do not think if I should see that man I could go through my part. It requires nerve, as you know, and my nerves would be so shaken that my life would be in peril. If you ever hear of my meeting with an accident, you may guess the probable cause."

"Then, if ever you recognize your husband among the spectators, it would be prudent to omit your performance."

"That is what I propose to do."

Kit little imagined how soon the contingency which his friend feared would arrive.

Two evenings later Harry Thorne brought him a little note. He opened it and read as follows:

Come and see me at once.   Louise Lefroy.

Kit ascertained where Mlle. Lefroy was to be found, and obeyed the summons immediately.

He found the lady in great agitation.

"Are you not well?" he asked.[Pg 175]

"Well in health, but not in mind," she answered.

"Has anything happened?"

"Yes; what I dreaded has come to pass."

"Have you seen your husband?" asked Kit quickly.

"Yes; I was taking a walk, and saw him on the opposite side of the street."

"Did he see you?"

"No; but I ascertained that he is staying at the hotel. Now he is likely to follow the crowd, and attend the circus to-night."

"That is probable. Then you will not appear."

"I should not dare to. But it will be a great disappointment to the management. The trapeze act is always a popular one, especially in a country town like this. Now I am going to ask a favor of you."

Kit's face flushed with excitement. He foresaw what it would be.

"What is it?" he asked.

"I want you to appear in my place this evening."

"Do you think I am competent?"

"You cannot do my act, but you can do enough to satisfy the public. But, my dear friend, I don't want to subject you to any risk. If you are at all nervous or afraid, don't attempt it."

"I am not afraid," said Kit confidently. "I will appear!"

In the evening the tent was full. Very few knew of the change in the programme. Mr. Barlow had consented to the substitution with some reluctance, for he feared that Kit might be undertaking something beyond his power to perform. Even the Vincenti brothers, Kit's associates, were surprised when the manager came forward and said:

"Ladies and gentlemen, Mlle. Lefroy is indisposed,[Pg 176] and will be unable to perform her act this evening. Unwilling to disappoint the public, we have substituted one of our youngest and most daring performers, who will appear in her place."

When Kit came out, his young face glowing with excitement, and made his bow, the crowd of spectators greeted him with enthusiastic applause. His fellow actors joined in the ovation. They feared he had overrated his ability, but were ready to applaud his pluck.

Now was the time, if any, for Kit to grow nervous, and show stage fright. But he felt none. The sight of the eager faces around him only stimulated him. He caught the rope which hung down from the trapeze, and quickly climbing up poised himself on his elevated perch.

He did not allow himself to look down, but strove to shut out the sight of the hundreds of upturned faces, and proceeded to perform his act as coolly as if he were in a gymnasium, only six feet from the ground instead of thirty.

It is not to be supposed that Kit, who was a comparative novice, could equal Mlle. Louise Lefroy, who had been cultivating her specialty for ten years. He went through several feats, however, hanging from the trapeze with his head down, then quickly recovering himself and swinging by his hands. The public was disposed to be pleased, and, when the act was finished, gave him a round of applause.

Later in the evening a small man, with a very dark complexion, and keen, black eyes, approached him as he was standing near the lion's cage.

"Is this Luigi Vincenti?" he asked.

This was Kit's circus name. He passed for a brother, of Alonzo and Antonio Vincenti.[Pg 177]

"Yes, sir," answered Kit.

"I saw your trapeze act this evening," he went on. "It was very good."

"Thank you, sir. You know, perhaps, that I am not a trapeze performer. I only appeared in place of Mlle. Lefroy, who is indisposed."

"So I understand; but you do very well for a boy. My name is Signor Oponto. I am at the head of a large circus in Havana. My visit to the United States is partly to secure additional talent. How long are you engaged to Mr. Barlow?"

"For no definite time. I suppose I shall remain till the end of the season."

"You have no engagements beyond?"

"No, sir; this is my first season with any circus."

"Then I will make you an offer. I don't want to take you from Mr. Barlow, but when the season is over I shall be ready to arrange for your appearance in Havana under my personal management."

Though Kit was modest he was human. He did feel flattered to find himself rated so high. It even occurred to him that he might like to be considered a star in circus circles, to be the admiration of circus audiences, and to be regarded with wondering awe by boys of his own age throughout the country. But Kit was also a sensible boy. After all, this preëminence was only of a physical character. A great acrobat or trapeze artist has no recognized place in society, and his ambition is of a low character. While these reflections were presenting themselves to his mind, Signor Oponto stood by in silence, waiting for his answer. He thought that Kit's hesitation was due to pecuniary considerations.

"What salary does Mr. Barlow pay you?" he asked, in a businesslike tone.[Pg 178]

"Twenty-five dollars a week."

"I will give you fifty, and engage you for a year."

He regarded Kit intently to see how this proposal struck him.

"You are very liberal, Signor Oponto," Kit began, but the manager interrupted him.

"I will also pay your board," he added; "and of course defray your expenses to Havana. Is that satisfactory?"

"It would be very much so but for one thing."

"What is that?"

"I doubt whether I shall remain in the business after this season."

"Why not? Don't you like it?"

"Yes, very well; but I prefer to follow some profession of a literary character. I am nearly prepared for college, and I may decide to continue my studies."

"But even your college students devote most of their time to base ball and rowing, I hear."

"Not quite so bad as that," answered Kit, with a smile.

"You don't refuse definitely, I hope."

"No; it may be that I may feel obliged to remain in the business. In that case I will give you the preference."

"That is all I can expect. Here is my card. Whenever you are ready, write to me, and your communication will receive instant attention."

"Thank you, sir."

The next day Mlle. Lefroy resumed her work, the danger of meeting her husband having passed. She expressed her gratitude to Kit for serving as her substitute, and wished to make him a present of ten dollars, but he refused to accept it.

"I was glad of the chance to see what I could do[Pg 179] on the trapeze," he said. "I never expect to follow it up, but I have already received an offer of an engagement in that line."

"So I heard. And you don't care to accept it?"

"No; I do not mean to be a circus performer permanently."

"You are right. It leads to nothing, and before middle life you are liable to find yourself unfitted for it."

CHAPTER XXXVI.
CLOSE OF THE CIRCUS.

Days and weeks flew swiftly by. September gave place to October, and the circus season neared its close. Already the performers were casting about for employment during the long, dull winter that must elapse before the next season.

"What are your plans, Kit?" asked Antonio Vincenti, who in private called his young associate by his real name.

"I don't know yet, Antonio. I may go to school."

"Have you saved money enough to keep you through the winter?"

"Yes; I have four hundred dollars in the wagon."

This is the expression made use of to indicate "in the hands of the treasurer."

"You've done better than my brother or I. We must work during the winter."

"Have you any chance yet?"

"Yes; we can go to work in a dime museum in Philadelphia for a month, and afterwards we will go[Pg 180] to Chicago, where we were last winter. I could get a chance for you, too."

"Thank you, but I don't care to work in that way at present. If I went anywhere I would go to Havana, where I am offered a profitable engagement."

"Has Mr. Barlow said anything to you about next season?"

"Yes; but I shall make no engagement in advance. Something may happen which will keep me at home."

"Oh, you'll be coming round in the spring. You'll have the circus fever like all the rest of us."

Kit smiled and shook his head.

"I haven't been in the business long enough to get so much attached to it as you are," he said. "But at any rate, I shall come round to see my old friends."

The last circus performance was given in Albany, and the winter quarters were to be at a town twenty miles distant. Kit went through his acts with his usual success, and when he took off his circus costume, it was with a feeling that it might be the last time he would wear it.

The breaking up was not to take place till the next day, and he was preparing to spend the night in some Albany hotel.

He had taken off his tights, as has been said, and put on his street dress, when a tall man, with a frank, good humored expression, stepped up to him.

"Are you Christopher Watson?" he asked.

"Yes," answered Kit, in surprise, for he had no recollection of having met the stranger before.

"Of course you don't know me, but I was a school-fellow and intimate friend of your father."

"Then," said Kit, cordially, "I must take you by the hand. All my father's friends are my friends."

The face of the stranger lighted up.[Pg 181]

"That's the way to talk," he said. "I see you are like your father. Shake hands again."

"But how did you know I was with Barlow's circus?" asked Kit, puzzled.

"Your uncle told me."

"Have you seen him lately?" asked Kit, quickly.

"No; I saw him about three months ago at Smyrna."

"What did he tell you about me?"

"He said you were a wayward lad, and preferred traveling with a circus to following an honest business."

"I am afraid you have got a wrong idea of me, then."

"Bless you, I knew your uncle before you were born. He is not at all like your father. One was as

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