The River's End, James Oliver Curwood [read people like a book TXT] 📗

courage after the night of his dream. The daughters of Achelous had lost in the end. Ulysses had tricked them. Ulysses had won. And in this day and age it was up to him, John Keith, to win, and win he would!
Always he felt this mastering certainty of the future when alone with Mary Josephine in the open day. With her at his side, her hand in his, and his arm about her waist, he told himself that all life was a lie--that there was no earth, no sun, no song or gladness in all the world, if that world held no hope for him. It was there. It was beyond the rim of forest. It was beyond the yellow plains, beyond the farthest timber of the farthest prairie, beyond the foothills; in the heart of the mountains was its abiding place. As he had dreamed of those mountains in boyhood and youth, so now he dreamed his dreams over again with Mary Josephine. For her he painted his pictures of them, as they wandered mile after mile up the shore of the Saskatchewan--the little world they would make all for themselves, how they would live, what they would do, the mysteries they would seek out, the triumphs they would achieve, the glory of that world--just for two. And Mary Josephine planned and dreamed with him.
In a week they lived what might have been encompassed in a year. So it seemed to Keith, who had known her only so long. With Mary Josephine the view-point was different. There had been a long separation, a separation filled with a heartbreak which she would never forget, but it had not served to weaken the bonds between her and this loved one, who, she thought, had always been her own. To her their comradeship was more complete now than it ever had been, even back in the old days, for they were alone in a land that was strange to her, and one was all that the world held for the other. So her possessorship of Keith was a thing which--again in the dark and brooding hours of night--sometimes made him writhe in an agony of shame. Hers was a shameless love, a love which had not even the lover's reason for embarrassment, a love unreserved and open as the day. It was her trick, nights, to nestle herself in the big armchair with him, and it was her fun to smother his face in her hair and tumble it about him, piling it over his mouth and nose until she made him plead for air. Again she would fit herself comfortably in the hollow of his arm and sit the evening out with her head on his shoulder, while they planned their future, and twice in that week she fell asleep there. Each morning she greeted him with a kiss, and each night she came to him to be kissed, and when it was her pleasure she kissed him--or made him kiss her--when they were on their long walks. It was bitter-sweet to Keith, and more frequently came the hours of crushing desolation for him, those hours in the still, dark night when his hypocrisy and his crime stood out stark and hideous in his troubled brain.
As this thing grew in him, a black and foreboding thunderstorm on the horizon of his dreams, an impulse which he did not resist dragged him more and more frequently down to the old home, and Mary Josephine was always with him. They let no one know of these visits. And they talked about John Keith, and in Mary Josephine's eyes he saw more than once a soft and starry glow of understanding. She loved the memory of this man because he, her brother, had loved him. And after these hours came the nights when truth, smiling at him, flung aside its mask and stood a grinning specter, and he measured to the depths the falseness of his triumph. His comfort was the thought that she knew. Whatever happened, she would know what John Keith had been. For he, John Keith, had told her. So much of the truth had he lived.
He fought against the new strain that was descending upon him slowly and steadily as the days passed. He could not but see the new light that had grown in Miriam Kirkstone's eyes. At times it was more than a dawn of hope. It was almost certainty. She had faith in him, faith in his promise to her, in his power to fight, his strength to win. Her growing friendship with Mary Josephine accentuated this, inspiring her at times almost to a point of conviction, for Mary Josephine's confidence in him was a passion. Even McDowell, primarily a fighter of his own battles, cautious and suspicious, had faith in him while he waited for Shan Tung. It was this blind belief in him that depressed him more than all else, for he knew that victory for himself must be based more or less on deceit and treachery. For the first time he heard Miriam laugh with Mary Josephine; he saw the gold and the brown head together out in the sun; he saw her face shining with a light that he had never seen there before, and then, when he came upon them, their faces were turned to him, and his heart bled even as he smiled and held out his hands to Mary Josephine. They trusted him, and he was a liar, a hypocrite, a Pharisee.
On the ninth day he had finished supper with Mary Josephine when the telephone rang. He rose to answer it. It was Miriam Kirkstone.
"He has returned," she said.
That was all. The words were in a choking voice. He answered and hung up the receiver. He knew a change had come into his face when he turned to Mary Josephine. He steeled himself to a composure that drew a questioning tenseness into her face. Gently he stroked her soft hair, explaining that Shan Tung had returned and that he was going to see him. In his bedroom he strapped his Service automatic under his coat.
At the door, ready to go, he paused. Mary Josephine came to him and put her hands to his shoulders. A strange unrest was in her eyes, a question which she did not ask.
Something whispered to him that it was the last time. Whatever happened now, tonight must leave him clean. His arms went around her, he drew her close against his breast, and for a space he held her there, looking into her eyes.
"You love me?" he asked softly.
"More than anything else in the world," she whispered.
"Kiss me, Mary Josephine."
Her lips pressed to his.
He released her from his arms, slowly, lingeringly.
After that she stood in the lighted doorway, watching him, until he disappeared in the gloom of the slope. She called good-by, and he answered her. The door closed.
And he went down into the valley, a hand of foreboding gripping at his heart.


XX
With a face out of which all color had fled, and eyes filled with the ghosts of a new horror, Miriam Kirkstone stood before Keith in the big room in the house on the hill.
"He was here--ten minutes," she said, and her voice was as if she was forcing it out of a part of her that was dead and cold. It was lifeless, emotionless, a living voice and yet strange with the chill of death. "In those ten minutes he told me--that! If you fail--"
It was her throat that held him, fascinated him. White, slim, beautiful--her heart seemed pulsing there. And he could see that heart choke back the words she was about to speak.
"If I fail--" he repeated the words slowly after her, watching that white, beating throat.
"There is only the one thing left for me to do. You--you--understand?"
"Yes, I understand. Therefore I shall not fail."
He backed away from her toward the door, and still he could not take his eyes from the white throat with its beating heart. "I shall not fail," he repeated. "And when the telephone rings, you will be here--to answer?"
"Yes, here," she replied huskily.
He went out. Under his feet the gravelly path ran through a flood of moonlight. Over him the sky was agleam with stars. It was a white night, one of those wonderful gold-white nights in the land of the Saskatchewan. Under that sky the world was alive. The little city lay in a golden glimmer of lights. Out of it rose a murmur, a rippling stream of sound, the voice of its life, softened by the little valley between. Into it Keith descended. He passed men and women, laughing, talking, gay. He heard music. The main street was a moving throng. On a corner the Salvation Army, a young woman, a young man, a crippled boy, two young girls, and an old man, were singing "Nearer, My God, to Thee." Opposite the Board of Trade building on the edge of the river a street medicine-fakir had drawn a crowd to his wagon. To the beat of the Salvation Army's tambourine rose the thrum of a made-up negro's banjo.
Through these things Keith passed, his eyes open, his ears listening, but he passed swiftly. What he saw and what he heard pressed upon him with the chilling thrill of that last swan-song, the swan-song of Ecla, of Kobat, of Ty, who had heard their doom chanted from the mountain-tops. It was the city rising up about his cars in rejoicing and triumph. And it put in his heart a cold, impassive anger. He sensed an impending doom, and yet he was not afraid. He was no longer chained by dreams, no more restrained by self. Before his eyes, beating, beating, beating, he saw that tremulous heart in Miriam Kirkstone's soft, white throat.
He came to Shan Tung's. Beyond the softly curtained windows it was a yellow glare of light. He entered and met the flow of life, the murmur of voices and laughter, the tinkle of glasses, the scent of cigarette smoke, and the fainter perfume of incense. And where he had seen him last, as though he had not moved since that hour nine days ago, still with his cigarette, still sphinx-like, narrow-eyed, watchful, stood Li King.
Keith walked straight to him. And this time, as he approached, Li King greeted him with a quick and subtle smile. He nipped his cigarette to the tiled floor. He was bowing, gracious. Tonight he was not stupid.
"I have come to see Shan Tung," said Keith.
He had half expected to be refused, in which event he was prepared to use his prerogative as an officer of the law to gain his point. But Li King did not hesitate. He was almost eager. And Keith knew that Shan Tung was expecting him.
They passed behind one of the screens and then behind another, until it seemed to Keith their way was a sinuous twisting among screens. They paused before a panel in the wall, and Li King pressed the black throat of a long-legged, swan-necked bird with huge wings and the panel opened and swung toward them. It was dark inside, but Li King turned on a light. Through a narrow hallway ten feet in length he led the way, unlocked a second door, and held it open, smiling at Keith.
"Up there," he said.
A flight of steps led upward and as Keith began to mount them the door closed softly behind him. Li King accompanied him no further.
He mounted the steps, treading softly. At the top was another door, and this he opened as quietly as Li King had closed the one below him. Again the omnipresent screens, and then his eyes looked out upon a scene which made him pause in astonishment. It