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to see her always in a white gown; even that gray one was pretty the day she saved his darling.

"Yes," he says, rousing suddenly. "Denise understands all about these matters. You are still so young." Laura he remembers was but a year older, but, oh, how much wiser in worldly lore! No, he would never care to have Violet wise in that way. "And if it had been otherwise,--my child, it was a sad bridal. Some time we will make amends for all that."

Her eyes fill with tears. She is still looking very grave when Denise takes her in the fond, motherly arms. While she is gone upstairs to papa's room, Grandon explains and convinces Denise that the journey is absolutely necessary, and that no one can serve her young mistress as well as she.

He sends a carriage for them while he takes Marcia's phaeton home, and explains to Cecil that her mamma has some important business with Denise, and tells his mother neither of them will be home to luncheon.

Denise looks the neat old serving-woman to perfection, and once started on their journey Violet's face brightens. They find the modiste, who inspects her new customers and is all suavity. Grandon makes a brief explanation, and questions if all toilets must be black.

"It is extremely sad," and Madame Vauban looks sympathetic. "And she is so young, so petite! Crapes seem to weigh her down, yet there must be some for street use. If madame was not purposing to wear it very long, it might be lightened the sooner. Just now there could be only black and white."

"Put plenty of white in it, then," orders Mr. Grandon, and samples are brought out for his inspection. He thinks after this sorrowful time is over she shall dress like a little queen. There are so many lovely gowns and laces, so much that is daintily pretty, appropriate for her. He can hardly refrain from buying her trinkets and nonsense, but he will not have her subjected to hostile criticisms, and he is not sure his judgment is to be trusted. He would doubtless flounder among the proprieties.

"And now," he says, when they are in the street again, "would you like to go anywhere? There is the park, and there must be pictures somewhere. I wish there was a matinee, only it might not be right to go"; and he secretly anathematizes his own ignorance of polite and well-bred circles. But he learns the whereabouts of two galleries, and they stumble over some bric-a-brac that is quite enchanting. Violet has been trained on correct principles. She knows the names and eras of china, and has discrimination. Her little bit of French is well pronounced. She is not so well posted in modern painters, but she has the o'd ones, with their virgins and saints and crucifixions, all by heart.

They are sitting on a sofa resting, and glancing at some pictures opposite. Denise is busy with a homely farm scene that recalls her girlhood, and no one is in their vicinity. One small, white, ungloved hand rests on Violet's lap. Her face is sweet and serious, without the sad gravity that shadows it so often. Indeed, she is very happy. She has not been so much at ease with Floyd Grandon since her marriage, neither has he devoted himself to her entertainment with such a cordial purpose as now. He certainly _is_ a fascinating man to the most of womenkind, even when he is indifferent to them, but he is not indifferent at this juncture. There is a curious quality in Floyd Grandon's nature that is often despised by enthusiastic people. When it is his bounden duty to take certain steps in life, he resolutely bends his will and pleasure to them. He means honestly to love this wife that circumstances or his own sympathetic weakness has brought him. Just now it seems an easy matter. He has a horror of pronounced freedoms; they look silly and vulgar, yet he cannot resist clasping the little bare hand. The warm touch thrills her. She turns just enough to let him catch the shy, pleased, irresistible light in her eye; no finished coquette could have done it better, but with her it is such simple earnest.

"Are you happy?" he asks, not because he is ignorant, but he wants an admission.

"Oh!" It is just a soft, low sigh, and though her cheek flushes that delicious rose pink, her face is still. The light comes over it like a lustrous wave.

"Why, this is a bit of wedding journey," he says. "I did not think of it before. I wish I could take you away for a week or two, but there is so much on my mind that maybe I should not be an entertaining companion. It will come presently, and it will be ever so much better not to be shaded by grief."

She is quite glad that they are not away from all the old things. She knows so little about him, she feels so strange when she comes very near to him in any matter, as if she longed to run away to Denise or Cecil. Just sitting here is extremely sweet and safe, and does not alarm her.

There is a clock striking four. Can it be they have idled away nearly all day? He rises and draws the bare hand through his arm, he is even gallant enough to take her parasol, while she carries a pretty satin satchel-like box of bonbons for Cecil. Denise comes at his nod; she has two or three of her mistress's parcels, and they take up their homeward journey. He carries her parasol so high that the sun shines in her eyes; but the distance is short, and she says nothing.

Fortunately they reach home just in time for dinner. Cecil is out on the porch, in the last stages of desolation.

"Come up with me and get this pretty box," cries Violet, holding it out temptingly. "And to-morrow we will both spend with Denise, who will make us tarts and chocolate cream."

"You stayed such a long, long while," groans Cecil, not quite pacified.

"But I shall not do it again," she promises. She is so bright that the child feels unconsciously aggrieved.

Mrs. Grandon is very stately, and wears an air of injured dignity that really vexes her son, who cannot see how she has been hurt by his marriage, so long as he does not make Violet the real mistress of the house. He has proposed that she affix her own valuation on the furniture she is willing to part with; he will pay her income every six months, and she will be at liberty to go and come as she pleases. What more can he do?

He explains to Violet a day or two afterward, that between the factory and his own writing he will hardly have an hour to spare, and that she must not feel hurt at his absence. Lindmeyer has come, and with Joseph Rising they are going over all with the utmost exactness. There are sullen looks and short answers on the part of the workmen. It has been gently hinted to them that other vacations may be given without any advance wages. Wilmarth is quietly sympathetic. It is necessary, of course, that the best should be done for Mr. Grandon, who has managed to get everything in his own hands and entangle his private fortune. And though Wilmarth never has been a thorough favorite as old Mr. Grandon, and Mr. Eugene, with his _bonhomie_, yet now the men question him in a furtive way.

"I have very little voice in the matter," explains Jasper Wilmarth, with an affected cautiousness. "I have tried to understand Mr. St. Vincent's views about the working of his patent, but machinery is not my forte. I can only hope----"

"We did well enough before the humbugging thing was put in," says one of the workmen, sullenly. "Mr. Grandon made money. We had decent wages and decent wool, and we weren't stopping continually to get this thing changed and that thing altered. Now you're thrown out half a day here and half a day there, and the new men are nosing round as if they suspected you would make way with something and meant to catch you at it."

"We must have patience," says Wilmarth, in that extremely irritating, hopeless tone. "Mr. Grandon _is_ interested in his wife's behalf, though it is said he has a fortune of his own, and the new method must be made to pay him, if every one else suffers. I am not a rich man, and should be sorry to lose what I thought was so sure in this concern."

Rising finds his position an extremely disagreeable one. The men are not only curt, but evince a distrust of him, are unwilling to follow his suggestions, and will keep on in their old ways. Lindmeyer finds himself curiously foiled everywhere. It seems as if some unknown agency was at work. What he puts in order to-day is not quite right to-morrow. All the nice adjustment he can theorize about will not work harmoniously, economically. So passes away a fortnight.

"Mr. Grandon," he says, honestly, "I seldom make a decided blunder about these matters, but I can't get down to the very soul of this. There is a little miss somewhere. I said I could tell you in a month, but I am afraid I shall have to ask a further fortnight's grace. I never was so puzzled in my life. It is making an expensive experiment for you, but I _do_ think it best to go on. I don't say this to lengthen out the job. There is plenty of work for me to go at."

Grandon sighs. He finds it very expensive. It is money on the right hand and the left, and with a costly house and large family the income that was double his bachelor wants melts away like dew. He is not parsimonious, but his instincts and habits have been prudent. He is making inroads upon his capital, and if he should never get it back? His father, it is true, has advised against entangling his private fortune, but it cannot be helped now. To retreat with honor is impossible and would be extremely mortifying. He will not do that, he resolves. But how if he has to retreat with failure?

All these things trouble him greatly and distract his attention. He sits up far into the night poring over his own work that was such pleasure a few months ago, and he can hardly keep his mind on what so delighted him then. There is quite too much on every hand, and he must add to it family complications. His beautiful home is full of jarring elements. Even Cecil grows naughty with the superabundant vitality of childhood, and is inclined to tyrannize over Violet, who often submits for very lack of spirit, and desire of love.

They are always together, these two. They take long drives in the carriage, and Mrs. Grandon complains that everything must be given over to that silly, red-haired thing! Gertrude does battle for the hair one morning.

"I do not call it red," she says, with a decision good to hear from the languid woman. "It is a kind of bright brown, chestnut. Mrs. McLeod's is red."

"Auburn, my dear," retorts Mrs. Grandon mockingly. "If you are sensitively polite in the one instance, you might be so in the other. One is light red, the other dark red."

"One is an ugly bricky red," persists Gertrude, "and no one would call the other red at all."

"I
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