My Ántonia, Willa Cather [i am malala young readers edition .TXT] 📗

weddings in Bohemia. Nina interpreted the stories about the creche fancifully, and in spite of our derision she cherished a belief that Christ was born in Bohemia a short time before the Shimerdas left that country. We all liked Tony’s stories. Her voice had a peculiarly engaging quality; it was deep, a little husky, and one always heard the breath vibrating behind it. Everything she said seemed to come right out of her heart.

One evening when we were picking out kernels for walnut taffy, Tony told us a new story.

`Mrs. Harling, did you ever hear about what happened up in the Norwegian settlement last summer, when I was threshing there? We were at Iversons’, and I was driving one of the grain-wagons.’

Mrs. Harling came out and sat down among us. `Could you throw the wheat into the bin yourself, Tony?’ She knew what heavy work it was.

`Yes, ma’m, I did. I could shovel just as fast as that fat Andern boy that drove the other wagon. One day it was just awful hot. When we got back to the field from dinner, we took things kind of easy. The men put in the horses and got the machine going, and Ole Iverson was up on the deck, cutting bands. I was sitting against a straw-stack, trying to get some shade. My wagon wasn’t going out first, and somehow I felt the heat awful that day. The sun was so hot like it was going to burn the world up. After a while I see a man coming across the stubble, and when he got close I see it was a tramp. His toes stuck out of his shoes, and he hadn’t shaved for a long while, and his eyes was awful red and wild, like he had some sickness. He comes right up and begins to talk like he knows me already. He says: `The ponds in this country is done got so low a man couldn’t drownd himself in one of ‘em.’

`I told him nobody wanted to drownd themselves, but if we didn’t have rain soon we’d have to pump water for the cattle.

`“Oh, cattle,” he says, “you’ll all take care of your cattle! Ain’t you got no beer here?” I told him he’d have to go to the Bohemians for beer; the Norwegians didn’t have none when they threshed. “My God!” he says, “so it’s Norwegians now, is it? I thought this was Americy.”

`Then he goes up to the machine and yells out to Ole Iverson, “Hello, partner, let me up there. I can cut bands, and I’m tired of trampin’. I won’t go no farther.”

`I tried to make signs to Ole, ‘cause I thought that man was crazy and might get the machine stopped up. But Ole, he was glad to get down out of the sun and chaff— it gets down your neck and sticks to you something awful when it’s hot like that. So Ole jumped down and crawled under one of the wagons for shade, and the tramp got on the machine. He cut bands all right for a few minutes, and then, Mrs. Harling, he waved his hand to me and jumped head-first right into the threshing machine after the wheat.

`I begun to scream, and the men run to stop the horses, but the belt had sucked him down, and by the time they got her stopped, he was all beat and cut to pieces. He was wedged in so tight it was a hard job to get him out, and the machine ain’t never worked right since.’

`Was he clear dead, Tony?’ we cried.

`Was he dead? Well, I guess so! There, now, Nina’s all upset. We won’t talk about it. Don’t you cry, Nina. No old tramp won’t get you while Tony’s here.’

Mrs. Harling spoke up sternly. `Stop crying, Nina, or I’ll always send you upstairs when Antonia tells us about the country. Did they never find out where he came from, Antonia?’

`Never, ma’m. He hadn’t been seen nowhere except in a little town they call Conway. He tried to get beer there, but there wasn’t any saloon. Maybe he came in on a freight, but the brakeman hadn’t seen him. They couldn’t find no letters nor nothing on him; nothing but an old penknife in his pocket and the wishbone of a chicken wrapped up in a piece of paper, and some poetry.’

`Some poetry?’ we exclaimed.

`I remember,’ said Frances. `It was “The Old Oaken Bucket,” cut out of a newspaper and nearly worn out. Ole Iverson brought it into the office and showed it to me.’

`Now, wasn’t that strange, Miss Frances?’ Tony asked thoughtfully. `What would anybody want to kill themselves in summer for? In threshing time, too! It’s nice everywhere then.’

`So it is, Antonia,’ said Mrs. Harling heartily. `Maybe I’ll go home and help you thresh next summer. Isn’t that taffy nearly ready to eat? I’ve been smelling it a long while.’

There was a basic harmony between Antonia and her mistress. They had strong, independent natures, both of them. They knew what they liked, and were not always trying to imitate other people. They loved children and animals and music, and rough play and digging in the earth. They liked to prepare rich, hearty food and to see people eat it; to make up soft white beds and to see youngsters asleep in them. They ridiculed conceited people and were quick to help unfortunate ones. Deep down in each of them there was a kind of hearty joviality, a relish of life, not over-delicate, but very invigorating. I never tried to define it, but I was distinctly conscious of it. I could not imagine Antonia’s living for a week in any other house in Black Hawk than the Harlings’.

VII

WINTER LIES TOO LONG in country towns; hangs on until it is stale and shabby, old and sullen. On the farm the weather was the great fact, and men’s affairs went on underneath it, as the streams creep under the ice. But in Black Hawk the scene of human life was spread out shrunken and pinched, frozen down to the bare stalk.

Through January and February I went to the river with the Harlings on clear nights, and we skated up to the big island and made bonfires on the frozen sand. But by March the ice was rough and choppy, and the snow on the river bluffs was grey and mournful-looking. I was tired of school, tired of winter clothes, of the rutted streets, of the dirty drifts and the piles of cinders that had lain in the yards so long. There was only one break in the dreary monotony of that month: when Blind d’Arnault, the Negro pianist, came to town. He gave a concert at the Opera House on Monday night, and he and his manager spent Saturday and Sunday at our comfortable hotel. Mrs. Harling had known d’Arnault for years. She told Antonia she had better go to see Tiny that Saturday evening, as there would certainly be music at the Boys’ Home.

Saturday night after supper I ran downtown to the hotel and slipped quietly into the parlour. The chairs and sofas were already occupied, and the air smelled pleasantly of cigar smoke. The parlour had once been two rooms, and the floor was swaybacked where the partition had been cut away. The wind from without made waves in the long carpet. A coal stove glowed at either end of the room, and the grand piano in the middle stood open.

There was an atmosphere of unusual freedom about the house that night, for Mrs. Gardener had gone to Omaha for a week. Johnnie had been having drinks with the guests until he was rather absent-minded. It was Mrs. Gardener who ran the business and looked after everything. Her husband stood at the desk and welcomed incoming travellers. He was a popular fellow, but no manager.

Mrs. Gardener was admittedly the best-dressed woman in Black Hawk, drove the best horse, and had a smart trap and a little white-and-gold sleigh. She seemed indifferent to her possessions, was not half so solicitous about them as her friends were. She was tall, dark, severe, with something Indian-like in the rigid immobility of her face. Her manner was cold, and she talked little. Guests felt that they were receiving, not conferring, a favour when they stayed at her house. Even the smartest travelling men were flattered when Mrs. Gardener stopped to chat with them for a moment. The patrons of the hotel were divided into two classes: those who had seen Mrs. Gardener’s diamonds, and those who had not.

When I stole into the parlour, Anson Kirkpatrick, Marshall Field’s man, was at the piano, playing airs from a musical comedy then running in Chicago. He was a dapper little Irishman, very vain, homely as a monkey, with friends everywhere, and a sweetheart in every port, like a sailor. I did not know all the men who were sitting about, but I recognized a furniture salesman from Kansas City, a drug man, and Willy O’Reilly, who travelled for a jewellery house and sold musical instruments. The talk was all about good and bad hotels, actors and actresses and musical prodigies. I learned that Mrs. Gardener had gone to Omaha to hear Booth and Barrett, who were to play there next week, and that Mary Anderson was having a great success in `A Winter’s Tale,’ in London.

The door from the office opened, and Johnnie Gardener came in, directing Blind d’Arnault—he would never consent to be led. He was a heavy, bulky mulatto, on short legs, and he came tapping the floor in front of him with his gold-headed cane. His yellow face was lifted in the light, with a show of white teeth, all grinning, and his shrunken, papery eyelids lay motionless over his blind eyes.

`Good evening, gentlemen. No ladies here? Good evening, gentlemen. We going to have a little music? Some of you gentlemen going to play for me this evening?’ It was the soft, amiable Negro voice, like those I remembered from early childhood, with the note of docile subservience in it. He had the Negro head, too; almost no head at all; nothing behind the ears but folds of neck under close-clipped wool. He would have been repulsive if his face had not been so kindly and happy. It was the happiest face I had seen since I left Virginia.

He felt his way directly to the piano. The moment he sat down, I noticed the nervous infirmity of which Mrs. Harling had told me. When he was sitting, or standing still, he swayed back and forth incessantly, like a rocking toy. At the piano, he swayed in time to the music, and when he was not playing, his body kept up this motion, like an empty mill grinding on. He found the pedals and tried them, ran his yellow hands up and down the keys a few times, tinkling off scales, then turned to the company.

`She seems all right, gentlemen. Nothing happened to her since the last time I was here. Mrs. Gardener, she always has this piano tuned up before I come. Now gentlemen, I expect you’ve all got grand voices. Seems like we might have some good old plantation songs tonight.’

The men gathered round him, as he began to play `My Old Kentucky Home.’ They sang one Negro melody after another, while the mulatto sat rocking himself, his head thrown back, his yellow face lifted, his shrivelled eyelids never fluttering.

He was born in the Far South, on the d’Arnault plantation, where the spirit if not the fact of slavery persisted. When he was three weeks old, he had an illness which left him totally blind. As soon as he was old enough to sit up alone and toddle about, another affliction,