Master Humphrey's Clock, Charles Dickens [a court of thorns and roses ebook free .TXT] 📗

mind; something to communicate which I had all along with difficulty repressed; something I had deemed it, during the progress of the story, necessary to its interest to disguise, and which, now that it was over, I wished, and was yet reluctant, to disclose.

To conceal anything from those to whom I am attached, is not in my nature. I can never close my lips where I have opened my heart. This temper, and the consciousness of having done some violence to it in my narrative, laid me under a restraint which I should have had great difficulty in overcoming, but for a timely remark from Mr. Miles, who, as I hinted in a former paper, is a gentleman of business habits, and of great exactness and propriety in all his transactions.

‘I could have wished,’ my friend objected, ‘that we had been made acquainted with the single gentleman’s name. I don’t like his withholding his name. It made me look upon him at first with suspicion, and caused me to doubt his moral character, I assure you. I am fully satisfied by this time of his being a worthy creature; but in this respect he certainly would not appear to have acted at all like a man of business.’

‘My friends,’ said I, drawing to the table, at which they were by this time seated in their usual chairs, ‘do you remember that this story bore another title besides that one we have so often heard of late?’

Mr. Miles had his pocket-book out in an instant, and referring to an entry therein, rejoined, ‘Certainly. Personal Adventures of Master Humphrey. Here it is. I made a note of it at the time.’

I was about to resume what I had to tell them, when the same Mr. Miles again interrupted me, observing that the narrative originated in a personal adventure of my own, and that was no doubt the reason for its being thus designated.

This led me to the point at once.

‘You will one and all forgive me,’ I returned, ‘if for the greater convenience of the story, and for its better introduction, that adventure was fictitious. I had my share, indeed, - no light or trivial one, - in the pages we have read, but it was not the share I feigned to have at first. The younger brother, the single gentleman, the nameless actor in this little drama, stands before you now.’

It was easy to see they had not expected this disclosure.

‘Yes,’ I pursued. ‘I can look back upon my part in it with a calm, half-smiling pity for myself as for some other man. But I am he, indeed; and now the chief sorrows of my life are yours.’

I need not say what true gratification I derived from the sympathy and kindness with which this acknowledgment was received; nor how often it had risen to my lips before; nor how difficult I had found it - how impossible, when I came to those passages which touched me most, and most nearly concerned me - to sustain the character I had assumed. It is enough to say that I replaced in the clock-case the record of so many trials, - sorrowfully, it is true, but with a softened sorrow which was almost pleasure; and felt that in living through the past again, and communicating to others the lesson it had helped to teach me, I had been a happier man.

We lingered so long over the leaves from which I had read, that as I consigned them to their former resting-place, the hand of my trusty clock pointed to twelve, and there came towards us upon the wind the voice of the deep and distant bell of St. Paul’s as it struck the hour of midnight.

‘This,’ said I, returning with a manuscript I had taken at the moment, from the same repository, ‘to be opened to such music, should be a tale where London’s face by night is darkly seen, and where some deed of such a time as this is dimly shadowed out. Which of us here has seen the working of that great machine whose voice has just now ceased?’

Mr. Pickwick had, of course, and so had Mr. Miles. Jack and my deaf friend were in the minority.

I had seen it but a few days before, and could not help telling them of the fancy I had about it.

I paid my fee of twopence upon entering, to one of the money-changers who sit within the Temple; and falling, after a few turns up and down, into the quiet train of thought which such a place awakens, paced the echoing stones like some old monk whose present world lay all within its walls. As I looked afar up into the lofty dome, I could not help wondering what were his reflections whose genius reared that mighty pile, when, the last small wedge of timber fixed, the last nail driven into its home for many centuries, the clang of hammers, and the hum of busy voices gone, and the Great Silence whole years of noise had helped to make, reigning undisturbed around, he mused, as I did now, upon his work, and lost himself amid its vast extent. I could not quite determine whether the contemplation of it would impress him with a sense of greatness or of insignificance; but when I remembered how long a time it had taken to erect, in how short a space it might be traversed even to its remotest parts, for how brief a term he, or any of those who cared to bear his name, would live to see it, or know of its existence, I imagined him far more melancholy than proud, and looking with regret upon his labour done. With these thoughts in my mind, I began to ascend, almost unconsciously, the flight of steps leading to the several wonders of the building, and found myself before a barrier where another money-taker sat, who demanded which among them I would choose to see. There were the stone gallery, he said, and the whispering gallery, the geometrical staircase, the room of models, the clock - the clock being quite in my way, I stopped him there, and chose that sight from all the rest.

I groped my way into the Turret which it occupies, and saw before me, in a kind of loft, what seemed to be a great, old oaken press with folding doors. These being thrown back by the attendant (who was sleeping when I came upon him, and looked a drowsy fellow, as though his close companionship with Time had made him quite indifferent to it), disclosed a complicated crowd of wheels and chains in iron and brass, - great, sturdy, rattling engines, - suggestive of breaking a finger put in here or there, and grinding the bone to powder, - and these were the Clock! Its very pulse, if I may use the word, was like no other clock. It did not mark the flight of every moment with a gentle second stroke, as though it would check old Time, and have him stay his pace in pity, but measured it with one sledge-hammer beat, as if its business were to crush the seconds as they came trooping on, and remorselessly to clear a path before the Day of Judgment.

I sat down opposite to it, and hearing its regular and never-changing voice, that one deep constant note, uppermost amongst all the noise and clatter in the streets below, - marking that, let that tumult rise or fall, go on or stop, - let it be night or noon, to-morrow or to-day, this year or next, - it still performed its functions with the same dull constancy, and regulated the progress of the life around, the fancy came upon me that this was London’s Heart, - and that when it should cease to beat, the City would be no more.

It is night. Calm and unmoved amidst the scenes that darkness favours, the great heart of London throbs in its Giant breast. Wealth and beggary, vice and virtue, guilt and innocence, repletion and the direst hunger, all treading on each other and crowding together, are gathered round it. Draw but a little circle above the clustering housetops, and you shall have within its space everything, with its opposite extreme and contradiction, close beside. Where yonder feeble light is shining, a man is but this moment dead. The taper at a few yards’ distance is seen by eyes that have this instant opened on the world. There are two houses separated by but an inch or two of wall. In one, there are quiet minds at rest; in the other, a waking conscience that one might think would trouble the very air. In that close corner where the roofs shrink down and cower together as if to hide their secrets from the handsome street hard by, there are such dark crimes, such miseries and horrors, as could be hardly told in whispers. In the handsome street, there are folks asleep who have dwelt there all their lives, and have no more knowledge of these things than if they had never been, or were transacted at the remotest limits of the world, - who, if they were hinted at, would shake their heads, look wise, and frown, and say they were impossible, and out of Nature, - as if all great towns were not. Does not this Heart of London, that nothing moves, nor stops, nor quickens, - that goes on the same let what will be done, does it not express the City’s character well?

The day begins to break, and soon there is the hum and noise of life. Those who have spent the night on doorsteps and cold stones crawl off to beg; they who have slept in beds come forth to their occupation, too, and business is astir. The fog of sleep rolls slowly off, and London shines awake. The streets are filled with carriages and people gaily clad. The jails are full, too, to the throat, nor have the workhouses or hospitals much room to spare. The courts of law are crowded. Taverns have their regular frequenters by this time, and every mart of traffic has its throng. Each of these places is a world, and has its own inhabitants; each is distinct from, and almost unconscious of the existence of any other. There are some few people well to do, who remember to have heard it said, that numbers of men and women - thousands, they think it was - get up in London every day, unknowing where to lay their heads at night; and that there are quarters of the town where misery and famine always are. They don’t believe it quite, - there may be some truth in it, but it is exaggerated, of course. So, each of these thousand worlds goes on, intent upon itself, until night comes again, - first with its lights and pleasures, and its cheerful streets; then with its guilt and darkness.

Heart of London, there is a moral in thy every stroke! as I look on at thy indomitable working, which neither death, nor press of life, nor grief, nor gladness out of doors will influence one jot, I seem to hear a voice within thee which sinks into my heart, bidding me, as I elbow my way among the crowd, have some thought for the meanest wretch that passes, and, being a man, to turn away with scorn and pride from none that bear the human shape.

 

I am by no means sure that I might not have been tempted to enlarge upon the subject, had not the papers that lay before me on the table been a silent reproach for even this digression. I took them up again when I had got thus far, and seriously prepared to read.

The handwriting