The Stark Munro Letters, Arthur Conan Doyle [namjoon book recommendations TXT] 📗
- Author: Arthur Conan Doyle
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I refrained from writing at last, not out of ill temper, but because I thought that if she were given time she would cool down, and take, perhaps, a more reasonable view of the situation. My father, from the short note which he sent me, seemed to think the whole business absolutely irregular, and to refuse to believe my accounts of Cullingworth’s practice and receipts. This double opposition, from the very people whose interests had really been nearest my heart in the whole affair, caused me to be less disappointed than I should otherwise have been when it all came to an end. In fact, I was quite in the humour to finish it myself when Fate did it for me.
Now about the Cullingworths. Madam is as amiable as ever; and yet somehow, unless I am deceiving myself, she has changed somewhat of late in her feelings towards me.
I have turned upon her suddenly more than once, and caught the skirt of a glance which was little less than malignant. In one or two small matters I have also detected a hardness in her which I had never observed before. Is it that I have intruded too much into their family life? Have I come between the husband and the wife? Goodness knows I have striven with all my little stock of tact to avoid doing so. And yet I have often felt that my position was a false one. Perhaps a young man attaches too much importance to a woman’s glances and gestures. He wishes to assign a definite meaning to each, when they may be only the passing caprice of the moment. Ah, well, I have nothing to blame myself with; and in any case it will soon be all over now.
And then I have seen something of the same sort in Cullingworth; but he is so strange a being that I never attach much importance to his variations. He glares at me like an angry bull occasionally; and then when I ask him what is the matter, he growls out, “Oh, nothing!” and turns on his heel. Then at other times he is so cordial and friendly that he almost overdoes it, and I find myself wondering whether he is not acting. It must seem ungracious to you that I should speak so of a man who has been my benefactor; and it seems so to me also, but still that IS the impression which he leaves upon me sometimes. It’s an absurd idea, too; for what possible object could his wife and he have in pretending to be amiable, if they did not really feel so?
And yet you know the feeling that you get when a man smiles with his lips and not with his eyes.
One day we went to the Central Hotel billiard-room in the evening to play a match. Our form is just about the same, and we should have bad an enjoyable game if it had not been for that queer temper of his. He had been in a sullen humour the whole day, pretending not to hear what I said to him, or else giving snappy answers, and looking like a thunder-cloud. I was determined not to have a row, so I took no notice at all of his continual provocations, which, instead of pacifying him, seemed to encourage him to become more offensive. At the end of the match, wanting two to win, I put down the white which was in the jaws of the pocket. He cried out that this was bad form. I contended that it was folly to refrain from doing it when one was only two off game, and, on his continuing to make remarks, I appealed to the marker, who took the same view as I did. This opposition only increased his anger, and he suddenly broke out into most violent language, abusing me in unmeasured terms. I said to him, “If you have anything to say to me, Cullingworth, come out into the street and say it there. It’s a caddish thing to speak like that before the marker.” He lifted his cue, and I thought he was going to strike me with it; but he flung it clattering on the floor, and chucked half a crown to the man. When we got out in the street, he began at once in as offensive a tone as ever.
“That’s enough, Cullingworth,” I said. “I’ve stood already rather more than I can carry.”
We were in the bright light of a shop window at that moment. He looked at me, and looked a second time, uncertain what to do. At any moment I might have found myself in a desperate street row with a man who was my medical partner. I gave no provocation, but kept myself keenly on the alert. Suddenly, to my relief, he burst out laughing (such a roar as made the people stop on the other side of the road), and passing his arm through mine, he hurried me down the street.
“Devil of a temper you’ve got, Munro,” said he. “By Crums, it’s hardly safe to go out with you. I never know what you’re going to do next. Eh, what? You mustn’t be peppery with me, though; for I mean well towards you, as you’ll see before you get finished with me.”
I have told you this trivial little scene, Bertie, to show the strange way in which Cullingworth springs quarrels upon me; suddenly, without the slightest possible provocation, taking a most offensive tone, and then when he sees he has goaded me to the edge of my endurance, turning the whole thing to chaff. This has occurred again and again recently; and, when coupled with the change in Mrs. Cullingworth’s demeanour, makes one feel that something has happened to change one’s relations. What that something may be, I give you my word that I have no more idea than you have. Between their coldness, however, and my unpleasant correspondence with my mother, I was often very sorry that I had not taken the South American liner.
Cullingworth is preparing for the issue of our new paper. He has carried the matter through with his usual energy, but he doesn’t know enough about local affairs to be able to write about them, and it is a question whether he can interest the people here in anything else. At present we are prepared to run the paper single-handed; we are working seven hours a day at the practice; we are building a stable; and in our odd hours we are practising at our magnetic ship-protector, with which Cullingworth is still well pleased, though he wants to get it more perfect before submitting it to the Admiralty.
His mind runs rather on naval architecture at present, and he has been devising an ingenious method of preventing wooden-sided vessels from being crippled by artillery fire. I did not think much of his magnetic attractor, because it seemed to me that even if it had all the success that he claimed for it, it would merely have the effect of substituting some other metal for steel in the manufacture of shells. This new project has, however, more to recommend it. This is the idea, as put in his own words; and, as he has been speaking of little else for the last two days, I ought to remember them.
“If you’ve got your armour there, laddie, it will be pierced,” says he. “Put up forty feet thick of steel; and I’ll build a gun that will knock it into tooth-powder. It would blow away, and set the folk coughing after I had one shot at it. But you can’t pierce armour which only drops after the shot has passed through.
What’s the good of it? Why it keeps out the water.
That’s the main thing, after all. I call it the Cullingworth spring-shutter screen. Eh, what, Munro? I wouldn’t take a quarter of a million for the idea. You see how it would work. Spring shutters are furled all along the top of the bulwarks where the hammocks used to be. They are in sections, three feet broad, we will say, and capable when let down of reaching the keel.
Very well! Enemy sends a shot through Section A of the side. Section A shutter is lowered. Only a thin film, you see, but enough to form a temporary plug. Enemy’s ram knocks in sections B, C, D of the side. What do you do? Founder? Not a bit; you lower sections B, C, and D
of Cullingworth’s spring-shutter screen. Or you knock a hole on a rock. The same thing again. It’s a ludicrous sight to see a big ship founder when so simple a precaution would absolutely save her. And it’s equally good for ironclads also. A shot often starts their plates and admits water without breaking them. Down go your shutters, and all is well.”
That’s his idea, and he is busy on a model made out of the steels of his wife’s stays. It sounds plausible, but he has the knack of making anything plausible when he is allowed to slap his hands and bellow.
We are both writing novels, but I fear that the results don’t bear out his theory that a man may do anything which he sets his will to. I thought mine was not so bad (I have done nine chapters), but Cullingworth says he has read it all before, and that it is much too conventional. We must rivet the attention of the public from the start, he says. Certainly, his own is calculated to do so, for it seems to me to be wild rubbish. The end of his first chapter is the only tolerable point that he has made. A fraudulent old baronet is running race-horses on the cross. His son, who is just coming of age, is an innocent youth. The news of the great race of the year has just been received.
“Sir Robert tottered into the room with dry lips and a ghastly face.
“`My poor boy!’ he cried. `Prepare for the worst!’
“`Our horse has lost!’ cried the young heir, springing from his chair.
“The old man threw himself in agony upon the rug.
`No, no!’ he screamed. `IT HAS WON!’”
Most of it, however, is poor stuff, and we are each agreed that the other was never meant for a novelist.
So much for our domestic proceedings, and all these little details which you say you like to hear of. Now I must tell you of the great big change in my affairs, and how it came about.
I have told you about the strange, sulky behaviour of Cullingworth, which has been deepening from day to day.
Well, it seemed to reach a climax this morning, and on our way to the rooms I could hardly get a word out of him. The place was fairly crowded with patients, but my own share was rather below the average. When I had finished I added a chapter to my novel, and waited until he and his wife were ready for the daily bag-carrying homewards.
It was half-past three before he had done. I heard him stamp out into the passage, and a moment later he came banging into my room. I saw in an instant that some sort of a crisis had come.
“Munro,” he cried, “this practice is going to the devil!”
“Ah!” said I. “How’s that?
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