Adela Cathcart, Volume 3, George MacDonald [parable of the sower read online .txt] 📗

and in another moment the ghost was in the arms of the vampire.

"Lilith had no idea how far her father had wronged Karl, and though, from thinking over the past, he had no doubt that the painter had drugged him, he did not wish to pain her by imparting this conviction. But Lilith was afraid of a reaction of rage and hatred in her father after the terror was removed; and Karl saw that he might thus be deprived of all further intercourse with Lilith, and all chance of softening the old man's heart towards him; while Lilith would not hear of forsaking him who had banished all the human race but herself. They managed at length to agree upon a plan of operation.

"The first thing they did was to go to the cellar where the plaster mass lay, Karl carrying with him a great axe used for cleaving wood. Lilith shuddered when she saw it, stained as it was with the wine Heinrich had spilt over it, and almost believed herself the midnight companion of a vampire after all, visiting with him the terrible corpse in which he lived all day. But Karl soon reassured her; and a few good blows of the axe revealed a very different core to that which Teufelsbürst supposed to be in it. Karl broke it into pieces, and with Lilith's help, who insisted on carrying her share, the whole was soon at the bottom of the Moldau and every trace of its ever having existed removed. Before morning, too, the form of Lilith had dawned anew in every picture. There was no time to restore to its former condition the one Karl had first altered; for in it the changes were all that they seemed; nor indeed was he capable of restoring it in the master's style; but they put it quite out of the way, and hoped that sufficient time might elapse before the painter thought of it again.

"When they had done, and Lilith, for all his entreaties, would remain with him no longer, Karl took his former clothes with him, and having spent the rest of the night in his old room, dressed in them in the morning. When Teufelsbürst entered his studio next day, there sat Karl, as if nothing had happened, finishing the drawing on which he had been at work when the fit of insensibility came upon him. The painter started, stared, rubbed his eyes, thought it was another spectral illusion, and was on the point of yielding to his terror, when Karl rose, and approached him with a smile. The healthy, sunshiny countenance of Karl, let him be ghost or goblin, could not fail to produce somewhat of a tranquilizing effect on Teufelsbürst. He took his offered hand mechanically, his countenance utterly vacant with idiotic bewilderment. Karl said:

"'I was not well, and thought it better to pay a visit to a friend for a few days; but I shall soon make up for lost time, for I am all right now.'

"He sat down at once, taking no notice of his master's behaviour, and went on with his drawing. Teufelsbürst stood staring at him for some minutes without moving, then suddenly turned and left the room. Karl heard him hurrying down the cellar stairs. In a few moments he came up again. Karl stole a glance at him. There he stood in the same spot, no doubt more full of bewilderment than ever, but it was not possible that his face should express more. At last he went to his easel, and sat down with a long-drawn sigh as if of relief. But though he sat at his easel, he painted none that day; and as often as Karl ventured a glance, he saw him still staring at him. The discovery that his pictures were restored to their former condition aided, no doubt, in leading him to the same conclusion as the other facts, whatever that conclusion might be-probably that he had been the sport of some evil power, and had been for the greater part of a week utterly bewitched. Lilith had taken care to instruct the old woman, with whom she was all-powerful; and as neither of them showed the smallest traces of the astonishment which seemed to be slowly vitrifying his own brain, he was at last perfectly satisfied that things had been going on all right everywhere but in his inner man; and in this conclusion he certainly was not far wrong, in more senses than one. But when all was restored again to the old routine, it became evident that the peculiar direction of his art in which he had hitherto indulged had ceased to interest him. The shock had acted chiefly upon that part of his mental being which had been so absorbed. He would sit for hours without doing anything, apparently plunged in meditation.-Several weeks elapsed without any change, and both Lilith and Karl were getting dreadfully anxious about him. Karl paid him every attention; and the old man, for he now looked much older than before, submitted to receive his services as well as those of Lilith. At length, one morning, he said in a slow thoughtful tone:

"'Karl Wolkenlicht, I should like to paint you.'

"'Certainly, sir,' answered Karl, jumping up, 'where would you like me to sit?'

"So the ice of silence and inactivity was broken, and the painter drew and painted; and the spring of his art flowed once more; and he made a beautiful portrait of Karl-a portrait without evil or suffering. And as soon as he had finished Karl, he began once more to paint Lilith; and when he had painted her, he composed a picture for the very purpose of introducing them together; and in this picture there was neither ugliness nor torture, but human feeling and human hope instead. Then Karl knew that he might speak to him of Lilith; and he spoke, and was heard with a smile. But he did not dare to tell him the truth of the vampire story till one day that Teufelsbürst was lying on the floor of a room in Karl's ancestral castle, half smothered in grandchildren; when the only answer it drew from the old man was a kind of shuddering laugh and the words-'Don't speak of it, Karl, my boy!'"

* * * * *

No one had interrupted Harry. His brother had put a shovelful of coals on the fire, to keep up the flame; but not a word had been spoken. The cold moon had shone in at the windows all the time, her light made yet colder by the snowy sheen from the face of the earth; and any horror that the story could generate had had full freedom to operate on the minds of the listeners.

"Well, I'm glad its over, for my part," said Mrs. Bloomfield. "It made my flesh creep."

"I do not see any good in founding a story upon a superstition. One knows it is false, all the time," said Mrs. Cathcart.

"But," said Harry, "all that I have related might have taken place; for the story is not founded on the superstition itself, but on the belief of the people of the time in the superstition. I have merely used this belief to give the general tone to the story, and sometimes the particular occasion for events in it, the vampire being a terrible fact to those times."

"You write," said the curate, "as if you quoted occasionally from some authority."

"The story of John Kuntz, as well as that of the shoemaker, is told by Henry More in his Antidote against Atheism . He believed the whole affair. His authority is Martin Weinrich, a Silesian doctor. I have only taken the liberty of shifting the scene of the post-mortem exploits of Kuntz from a town of Silesia to Prague."

"Well, Harry," said his sister-in-law, "if your object was to frighten us, I confess that I for one was tolerably uncomfortable. But I don't know that that is a very high aim in story-telling."

"If that were all-certainly not," replied Harry, glancing towards Adela, who had not spoken. Nor did she speak yet. But her expression showed plainly enough that it was not the horror of the story that had taken chief hold of her mind. Her face was full of suppressed light, and she was evidently satisfied-or shall I call it gratified ?-as well as delighted with the tale. Something or other in it had touched her not only deeply, but nearly.

Nothing was said about another meeting-perhaps because, from Adela's illness, the order had been interrupted, and the present had required a special summons.

The ladies had gone up stairs to put on their bonnets. I had crossed into the library, which was on the same floor with the drawing-room, to find out if I was right in supposing I had seen some volumes of Henry More's works on the shelves-certainly the colonel could never have bought them. Our host, the curate and the schoolmaster had followed me. Harry had remained behind in the drawing-room. Thinking of something I wanted to say to him before he went, I left the gentlemen looking over the book-shelves, and went to cross again to the drawing-room. But when I reached the door, there stood at the top of the stair, Adela and Harry. She had evidently just said something warm about the story. I could almost read what she had said still lingering on her face, which was turned up a good deal to look into his, so near each other were they standing. Hers had a rosy flush as of sunset over it, while his glowed like the sun rising in a mist. Evidently the pleasures of giving and receiving were in this case nearly equal. But they were not of long duration; for the moment I appeared, they bade each other a hurried good night, and parted. I, thinking it better to pretermit my speech to Harry, retreated into the library, and was glad to think that no one had seen that conference but myself. Such a conjunction of planets prefigured, however, not merely warm spring weather, but sultry gloom, and thunderous clouds to follow; and although I was delighted with my astronomical observation, I could not help growing anxious about the omen.


CHAPTER VII.

THE CASTLE.


The next day, as I passed the school-house on my way to call on the curate, I heard such an uproar that I stopped involuntarily to listen. I soon satisfied myself that it was only the usual water-spout occasioned on the ocean of boyhood by the vacuum of the master. As soon as I entered the curate's study, there stood the missing master, hat in hand. He had not sat down, and would not, hearing all the time, no doubt, in his soul, the far confusion of his forsaken realm. He had but that moment entered.

"You come just in the right time, Smith," said the curate.-We had already dropped unnecessary prefixes.-"Here is Mr. Bloomfield come to ask us to spend a final evening with him and Mrs. Bloomfield. And in the name of the whole company, I have taken upon me to assure him that it will give us pleasure. Am I not right?"

"Undoubtedly," I replied. "What evening have you fixed upon, Mr. Bloomfield?"

"This day week," he answered. "Shall I tell you why I put it off so long?"

"If you please."

"I heard your brother, Mr. Armstrong, say that you were very fond of