The Duke's Prize, Maturin Murray Ballou [readnow txt] 📗

his chair and called for Stella. She came to him speedily.

"Stella," said he, "I have at last found one to whom I can confide you, who will be your protector when I am gone. What do you say to that? You change color-you tremble."

"O father, why now? Why not wait for a time? I am young. I will not-I cannot leave you."

"You need not leave me. Your husband shall stay here, you both shall cheer my old age."

"Father, I--"

"Read this, my child."

Stella glanced at it, read it hurriedly, and in a transport of joy flung her arms about her father's neck and kissed him again and again, while the tears stood in his eyes as he embraced his daughter.

"Yes, Stella, all is over. I bow before him and do him honor. This shall go to him, and he will come here to receive his reward." He gave the letter to his servant, and again sat down to receive the thanks and witness the happiness of his daughter.

An hour passed away, and a messenger came from the duke bearing a letter to the Count Borelloni. It was a request that in an hour he should come to the Pitti Palace. "For," said he, "I have lately received as an accession to my paintings, a picture of such rare excellence, such exquisite beauty in conception, and wonderful skill in execution, that I set no bounds to my joy in obtaining it. Knowing your passion for art, I have sent to you this notice of its reception."

The count hastened to prepare for his departure. He wondered what was the nature of the piece of which the duke had spoken so highly.

"It must be a wonderful painting," said he, "for the duke is usually sparing in his praise. It is probably one of Rafaelle or Guido. Well, I will soon see it."

Stella felt a joy which words could not utter. She recollected all that Mario had told her of his picture, and of the duke's visit, of his flattering words of commendation-and she believed at once that his picture was the one he spoke of.

The count went off, and at the expiration of the hour entered the palace. He was received by the duke. He was led through the long suite of rooms where the splendor of royal magnificence is all unnoticed amid the charms of priceless paintings, for there the Madonna of Rafaelle tells of the boundless depths of a mother's love, and there Murillo's Madonna breathes forth virgin purity.

At length the duke stopped before a picture covered by a screen. He turned to the count, and saying, "Now Borelloni prepare for a surprise," drew aside the curtain which covered it.

The count started, for not among all the galleries of Italy, not among the priceless collections of Rome, had his eyes ever rested upon so wonderful, so living a picture! It was a living, a breathing form, which there, drawing aside a hanging, seemed to come forth to meet the gazer. Upon the countenance there was the perfection of ideal beauty. Loveliness, angelic, heavenly, was radiant upon the face, and that face was one well known to him, for Stella stood there, but Stella-glorified and immortal.

"Wonderful! Miraculous!" burst from his lips. "It is the creation of a god. It is not the work of man! Who is he? Where is he? The genius who formed this? How could it happen that it should be Stella, my daughter? Who is the artist?"

"He is here in the next apartment," said the duke, and going to the door he spoke to some one. He returned, leading the artist.

"This is he," said the duke. "Mario Fostello."

"Mario!" cried the count. "Mario, my preserver!" And he ran up to him and embraced him.

"Mario, is all forgotten? Forgive me. But I wrong you in asking it."

The duke looked on in wonder, and could not conceal his surprise. But the count begged him to excuse his emotion. "Would you know the cause of it?" said he.

"I am all curiosity."

The count then related all-told him of Mario's love for Stella, of his own pride, of Mario's actions. When it was ended, the duke, who had displayed the greatest emotion, arose and went to Mario.

"Never," he cried, "most noble youth-never have I heard of more generosity and greatness of soul. Happy is he who can call you his friend. But you shall not be neglected by me, for while I live, you will always have a friend. I honor your actions. I love your noble character."

Mario was overwhelmed by mingled emotions of happiness and confusion. Joy had rushed in upon him, like a torrent, and unable to speak, he could only express by his glance, the feelings of his soul.

"God bless you, my lord duke!" at length he cried. "God bless you, Count Borelloni! I am unworthy of such praise, but I can never forget your kindness to an obscure artist."

"An obscure artist? No, not so," answered the duke. "No longer obscure, you are the greatest in the land, and none shall call you otherwise. I name you count-and in a week your title shall be formally bestowed, so henceforth, Count Fostello, you may not be obscure."

A week afterward the palace of Borelloni was all festivity. Lights gleamed in dazzling rows within the long halls where all the flower of Tuscan nobility, and all the lords and barons and great men of other lands were assembled. For this was the day when the Count Fostello led to the altar the lovely Stella Borelloni. The Grand Duke condescended to be the head groomsman. The magnificent form and features of the noble artist were the admiration of all, and only equalled by the beauty of his bride.

The story of his love and constancy, of his wonderful actions and splendid achievements in the realm of art, was told to all, and the city rung with his praise. All courted his friendship. All of noble nature loved him for himself, and the baser spirits were compelled to do him homage, for in him they saw the man whom the duke "delighted to honor."


[FROM "THE FLAG OF OUR UNION."]


A TALE OF A CRUSADER.

BY CHARLES E. WAITE.


CHAPTER I.



He whirls his sword, with unresisted rage,
When closely prest, the Christian bands engage
The high, the low, his equal prowess feel,
The bravest warriors sink beneath his steel.


JERUSALEM DELIVERED.

THERE sat a palmer within the old baronial banqueting hall of Percy Du Bois. The wassail had not yet begun, and there was a pause in the feast. All eyes were bent upon the travel soiled pilgrim,--for he was telling a stirring tale of the martial deeds done in Palestine. The valiant Percy bent forward his anxious visage,--seamed by many a scar, gained in feudal broils and festive brawls,--and ever and anon burst forth, with uncontrollable excitement, into shouts of approval, as some daring achievement was recounted.

His leathern doublet was frayed and stained by the friction of often-tried armor, and in his richly studded belt glistened a diamond handled poniard. Around his massive settle stood servants to do his bidding, while at his side were two or three shaggy hounds, resting their chins upon their master's knee-now soliciting a caress, and now a share of the banquet. Next to the sturdy baron sat the fair Joan, his daughter. Her features were regular, and surpassingly beautiful, and her moist, dark eyes strained upon the palmer, were eloquent of the deep and passionate feelings of her heart. The cut and fashion of her habit were well calculated to exhibit the contour of a bust, and waist that would have triumphed over the strictest criticism of a sculptor or painter-connoisseur. From the multitudinous folds of an ample sleeve peeped forth a little jewelled hand, white as snow, and soft and round as a child's. The chair in which she reclined, was of massive oak, inlaid richly with ivory, and canopied with purple velvet, embroidered with, flowers of gold. Her foot-encased within the smallest shoe in Burgundy, and ornamented with a flashing jewel upon the instep-rested upon a footstool of massive oak, magnificently carved and inlaid.

Together with the baron and his daughter, there sat upon a dais, at the head of the board, several guests of distinction-all listening with intense eagerness to the tales of the exploits of the Crusaders, in battling for the holy sepulchre. Around the walls of the banquet-hall, were suspended the implements and spoils of war or the chase. Crossbows and hunting-spears, helmets and corselets, the tusks of the wild-boar and the antlers of the deer, were displayed in picturesque confusion upon the walls, and within the niches of the apartment.

"O, it was a glorious sight to see!" said the palmer, continuing his narration, while his eyes flashed, and his whole form dilated with enthusiasm. "The gorgeous trappings of the horses glistened in the sunbeams, pennons and banners flashed and fluttered in the wind, and the axes, and morions, and gorgets of polished steel, surging and plunging, as the chargers reared, made the Christian army appear like a billowy sea of silver sheen. Before them stood a host of turbaned Moslems, defending the gates of Jerusalem. The crescents upon their turbans gleamed, and long lines of myriads of scimitars offered a barrier of naked steel against the crusading host, which had come to rescue the Holy Sepulchre. I saw in the van of the Christian array, a knight locked in complete black steel, and enveloped in all the magnificent panoply of war. His charger was coal-black, compact, and of gigantic proportions. The harnessings were of cloth of gold, which swept the ground,--the bridle was sprinkled with stars and jewels,--and pendant from the bridle-rein were fringes of the most precious stones. He rode by the side of the Prince D'Olivar, and he sat in his saddle, as if he were a part of the animal that bore him so gallantly.

"'Advance,' shouted the prince. 'Now to rescue the tomb of the holy Jesus from the impious Saracen!'

"That splendid array moved quickly on, in all the pomp and magnificence of chivalry. Amid the fanfares of trumpets and clarions, the clashing of cymbals, and the shouts of thousands of spectators, they charged. Peal upon peal came the ringing of steel, as sabres crashed down through morion and gorget, or sword crossed with scimitar, in unending clang. Wherever rode the knight of the sable armor, the success of the Christians was signal and complete. His dark plume was seen floating wherever the turbans were thickest, and the conflict hottest. Right into the midst of the Moslem host did his impetuosity bear him, and the heathen throng swaying uncertainly for a moment, finally broke, and dispersed in universal flight, over the field. I saw him fighting single-handed, with a band of Saracens, who had checked their headlong flight to attack him,--and then the clouds of dust took him from my view.

"Just then, from amid the rabble-rout of infidels, there burst a small troop of Moorish horse. Swiftly they flew across the plain, hoping by dint of hoof to reach the city unscathed. Their silken mantles floated in the wind, as they spurred their horses to the top of their speed, and they preserved the finest order in their tumultuous flight. Before they had proceeded above a quarter of a league in their headlong course, a knight in armor left the Christian ranks, and started in pursuit. He was mounted upon a steed