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as tables and chairs--that there was a life after this, and that personality survived. Never again could he doubt that for one instant, even in the gloomiest mood. So long as a man walks by faith, by the acceptance of authority, human or Divine, there is always psychologically possible the assertion of self, the instinct that what one has not personally experienced may just conceivably be untrue. But when one has seen--so long as memory does not disappear--this agnostic instinct is an impossibility. Every single act therefore has a new significance. There is no venture about it any more; there is, indeed, very little opportunity for heroism. Once it is certain, by the evidence of the senses, that death is just an interlude, this life becomes merely part of a long process....

Now as to the conduct of that life--what of religion? And here, for a moment or two, Laurie was genuinely dismayed. For, as he looked at the Catholic religion, he perceived that the whole thing had changed. It no longer seemed august and dominant. As he contemplated himself as he had been at Mass on the previous morning, he seemed to have been rather absurd. Why all this trouble, all this energy, all these innumerable acts and efforts of faith? It was not that his religion seemed necessarily untrue; it was certainly possible for a man to hold simultaneously Catholic and spiritualistic beliefs; there had not been a hint last night against Christianity, and yet, in the face of this evidence of the senses, Catholicism seemed a very shadowy thing. It might well be true, as any philosophy may be true, but--did it matter very much? To be enthusiastic about it was the frenzy of an artist, who loves the portrait more than the original--and possibly a very misleading and inadequate portrait. Laurie had seen for himself the original last night; he had seen a disembodied soul in a garb assumed for the purpose of identification.... Did he need, then, a "religion?" Was not his experience all-sufficing....?

Then suddenly all speculation fled away in the presence of the personal element.

Three days ago he had contemplated the thought of Amy with comparative indifference. She had been to him lately little more than a "test case" of the spiritual world, clothed about with the memory of sentiment. Now once more she sprang into vivid vital life as a person. She was not lost; his relations with her were not just incidents of the past; they were as much bound up with the present as courtship has a continuity with married life. She existed--her very self--and communication was possible between them....

Laurie rolled over on to his back. The thought was violently overwhelming; there was a furious, absorbing fascination in it. The gulf had been bridged; it could be bridged again. Even if tales were true, it could be bridged far more securely yet. It was possible that the phantom he had seen could be brought yet more forward into the world of sense, that he could touch again with his very hand a tabernacle enclosing her soul. So far spiritualism had not failed him; why should he suspect it of failure in the future? It had been done before; it could, and should, be done again. Besides, there was the pencil incident....

He threw off the clothes and sprang out of bed. It was time to get up; time to begin again this fascinating, absorbingly interesting earthly life, which now had such enormous possibilities.


II


The rooms of Mr. James Morton were conveniently situated up four flights of stairs in one of those blocks of buildings, so mysterious to the layman, that lie not a very long way from Charing Cross. There is a silence always here as of college life, and the place is frequented by the same curious selections from the human race as haunt University courts. Here are to be seen cooks, aged and dignified men, errand-boys, and rather shabby old women.

The interior of the rooms, too, is not unlike that of an ordinary rather second-rate college; and Mr. James Morton's taste did not redeem the chambers in which he sat. From roof to floor the particular apartment in which he sat was lined with bookshelves filled with unprepossessing volumes and large black tin boxes. A large table stood in the middle of the room, littered with papers, with bulwarks of the same kind of tin boxes rising at either end.

Mr. Morton himself was a square-built man of some forty years, clean-shaven, and rather pale and stout, with strongly marked features, a good loud voice, and the pleasant, brusque manners that befit a University and public school man who has taken seriously to business.

Laurie and he got on excellently together. The younger man had an admiration for the older, whose reputation as a rather distinguished barrister certainly deserved it, and was sufficiently in awe of him to pay attention to his directions in all matters connected with law. But they did not meet much on other planes. Laurie had asked the other down to Stantons once, and had dined with him three or four times in return. And there their acquaintance found its limitations.

This morning, however, the boy's interested air, with its hints of suppressed excitement and his marked inattention to the books and papers which were his business, at last caused the older man to make a remark. It was in his best manner.

"What's the matter, eh?" he suddenly shot at him, without prelude of any kind.

Laurie's attention came back with a jump, and he flushed a little.

"Oh!--er--nothing particular," he murmured. And he set himself down to his books again in silence, conscious of the watchful roving eye on the other side of the table.

About half-past twelve Mr. Morton shut his own book with a slap, leaned back, and began to fill his pipe.

"Nothing seems very important," he said.

As the last uttered word had been spoken an hour previously, Laurie was bewildered, and looked it.

"It won't do, Baxter," went on the other. "You haven't turned a page an hour this morning."

Laurie smiled doubtfully, and leaned back too. Then he had a spasm of confidence.

"Yes. I'm rather upset this morning," he said. "The fact is, last night..."

Mr. Morton waited.

"Well?" he said. "Oh! don't tell if me you don't want to."

Laurie looked at him.

"I wonder what you'd say," he said at last.

The other got up with an abrupt movement, pushed his books together, selected a hat, and put it on.

"I'm going to lunch," he said. "Got to be in the Courts at two; and...."

"Oh! wait a minute," said Laurie. "I think I want to tell you."

"Well, make haste." He stood, in attitude to go.

"What do you think of spiritualism?"

"Blasted rot," said Mr. Morton. "Anything more I can do for you?"

"Do you know anything about it?"

"No. Don't want to. Is that all?"

"Well, look here;" said Laurie.... "Oh! sit down for two minutes."

* * * * *


Then he began. He described carefully his experiences of the night before, explaining so much as was necessary of antecedent events. The other during the course of it tilted his hat back, and half leaned, half sat against a side-table, watching the boy at first with a genial contempt, and finally with the same curious interest that one gives to a man with a new disease.

"Now, what d'you make of that?" ended Laurie, flushed and superb.

"D'you want to know?" came after a short silence.

Laurie nodded.

"What I said at the beginning, then."

"What?"

"Blasted rot," said Mr. Morton again.

Laurie frowned sharply, and affected to put his books together.

"Of course, if you take it like that," he said. "But I don't know what respect you can possibly have for any evidence, if...."

"My dear chap, that isn't evidence. No evidence in the world could make me believe that the earth was upside down. These things don't happen."

"Then how do you explain...?"

"I don't explain," said Mr. Morton. "The thing's simply not worth looking into. If you really saw that, you're either mad or else there was a trick.... Now come along to lunch."

"But I'm not the only one," cried Laurie hotly.

"No, indeed you're not.... Look here, Baxter, that sort of thing plays the devil with nerves. Just drop it once and for all. I knew a chap once who went in for all that. Well, the end was what everybody knew would happen...."

"Yes?" said Laurie.

"Went off his chump," said the other briefly. "Nasty mess all over the floor. Now come to lunch."

"Wait a second. You can't argue from particulars to universals. Was he the only one you ever knew?"

The other paused a moment.

"No," he said. "As it happens, he wasn't. I knew another chap--he's a solicitor.... Oh! by the way, he's one of your people--a Catholic, I mean."

"Well, what about him?" "Oh! he's all right," admitted Mr. Morton, with a grudging air. "But he gave it up and took to religion instead."

"Yes? What's his name?"

"Cathcart."

He glanced up at the clock.

"Good Lord," he said, "ten to one."

Then he was gone.

* * * * *


Laurie was far too exalted to be much depressed by this counsel's opinion; and had, indeed, several minutes of delightful meditation on the crass complacency of a clever man when taken off his ground. It was deplorable, he said to himself, that men should be so content with their limitations. But it was always the way, he reflected. To be a specialist in one point involved the pruning of all growth on every other. Here was Morton, almost in the front rank of his particular subject, and, besides, very far from being a bookworm; yet, when taken an inch out of his rut, he could do nothing but flounder. He wondered what Morton would make of these things if he saw them himself.

In the course of the afternoon Morton himself turned up again. The case had ended unexpectedly soon. Laurie waited till the closing of the shutters offered an opportunity for a break in the work, and once more returned to the charge.

"Morton," he said, "I wish you'd come with me one day."

The other looked up.

"Eh?"

"To see for yourself what I told you."

Mr. Morton snorted abruptly.

"Lord!" he said, "I thought we'd done with that. No, thank you: Egyptian Hall's all I need."

Laurie sighed elaborately.

"Oh! of course, if you won't face facts, one can't expect...."

"Look here, Baxter," said the other almost kindly, "I advise you to give this up. It plays the very devil with nerves, as I told you. Why, you're as jumpy as a cat yourself. And it isn't worth it. If there was anything in it, why it would be another thing; but...."

"I ... I wouldn't give it up for all the world," stammered Laurie in his zeal. "You simply don't know what you're talking about. Why ... why, I'm not a
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