Les Misérables, Victor Hugo [reading rainbow books .txt] 📗

“The wonderful, beautiful girl!” he exclaimed. “And she has so sweet and good an air! she is, without exception, the most charming girl that I have ever seen in my life. Later on, she’ll have virtues with an odor of violets. How graceful! one cannot live otherwise than nobly with such a creature. Marius, my boy, you are a Baron, you are rich, don’t go to pettifogging, I beg of you.”

Cosette and Marius had passed abruptly from the sepulchre to paradise. The transition had not been softened, and they would have been stunned, had they not been dazzled by it.

“Do you understand anything about it?” said Marius to Cosette.

“No,” replied Cosette, “but it seems to me that the good God is caring for us.”

Jean Valjean did everything, smoothed away every difficulty, arranged everything, made everything easy. He hastened towards Cosette’s happiness with as much ardor, and, apparently with as much joy, as Cosette herself.

As he had been a mayor, he understood how to solve that delicate problem, with the secret of which he alone was acquainted, Cosette’s civil status. If he were to announce her origin bluntly, it might prevent the marriage, who knows? He extricated Cosette from all difficulties. He concocted for her a family of dead people, a sure means of not encountering any objections. Cosette was the only scion of an extinct family; Cosette was not his own daughter, but the daughter of the other Fauchelevent. Two brothers Fauchelevent had been gardeners to the convent of the Petit-Picpus. Inquiry was made at that convent; the very best information and the most respectable references abounded; the good nuns, not very apt and but little inclined to fathom questions of paternity, and not attaching any importance to the matter, had never understood exactly of which of the two Fauchelevents Cosette was the daughter. They said what was wanted and they said it with zeal. An acte de notoriété was drawn up. Cosette became in the eyes of the law, Mademoiselle Euphrasie Fauchelevent. She was declared an orphan, both father and mother being dead. Jean Valjean so arranged it that he was appointed, under the name of Fauchelevent, as Cosette’s guardian, with M. Gillenormand as supervising guardian over him.

As for the five hundred and eighty thousand francs, they constituted a legacy bequeathed to Cosette by a dead person, who desired to remain unknown. The original legacy had consisted of five hundred and ninety-four thousand francs; but ten thousand francs had been expended on the education of Mademoiselle Euphrasie, five thousand francs of that amount having been paid to the convent. This legacy, deposited in the hands of a third party, was to be turned over to Cosette at her majority, or at the date of her marriage. This, taken as a whole, was very acceptable, as the reader will perceive, especially when the sum due was half a million. There were some peculiarities here and there, it is true, but they were not noticed; one of the interested parties had his eyes blindfolded by love, the others by the six hundred thousand francs.

Cosette learned that she was not the daughter of that old man whom she had so long called father. He was merely a kinsman; another Fauchelevent was her real father. At any other time this would have broken her heart. But at the ineffable moment which she was then passing through, it cast but a slight shadow, a faint cloud, and she was so full of joy that the cloud did not last long. She had Marius. The young man arrived, the old man was effaced; such is life.

And then, Cosette had, for long years, been habituated to seeing enigmas around her; every being who has had a mysterious childhood is always prepared for certain renunciations.

Nevertheless, she continued to call Jean Valjean: Father.

Cosette, happy as the angels, was enthusiastic over Father Gillenormand. It is true that he overwhelmed her with gallant compliments and presents. While Jean Valjean was building up for Cosette a normal situation in society and an unassailable status, M. Gillenormand was superintending the basket of wedding gifts. Nothing so amused him as being magnificent. He had given to Cosette a robe of Binche guipure which had descended to him from his own grandmother.

“These fashions come up again,” said he, “ancient things are the rage, and the young women of my old age dress like the old women of my childhood.”

He rifled his respectable chests of drawers in Coromandel lacquer, with swelling fronts, which had not been opened for years.—“Let us hear the confession of these dowagers,” he said, “let us see what they have in their paunches.” He noisily violated the pot-bellied drawers of all his wives, of all his mistresses and of all his grandmothers. Pekins, damasks, lampas, painted moires, robes of shot gros de Tours, India kerchiefs embroidered in gold that could be washed, dauphines without a right or wrong side, in the piece, Genoa and Alençon point lace, parures in antique goldsmith’s work, ivory bon-bon boxes ornamented with microscopic battles, gewgaws and ribbons—he lavished everything on Cosette. Cosette, amazed, desperately in love with Marius, and wild with gratitude towards M. Gillenormand, dreamed of a happiness without limit clothed in satin and velvet. Her wedding basket seemed to her to be upheld by seraphim. Her soul flew out into the azure depths, with wings of Mechlin lace.

The intoxication of the lovers was only equalled, as we have already said, by the ecstasy of the grandfather. A sort of flourish of trumpets went on in the Rue des Filles-du-Calvaire.

Every morning, a fresh offering of bric-à-brac from the grandfather to Cosette. All possible knickknacks glittered around her.

One day Marius, who was fond of talking gravely in the midst of his bliss, said, apropos of I know not what incident:

“The men of the revolution are so great, that they have the prestige of the ages, like Cato and like Phocion, and each one of them seems to me an antique memory.”

“Moire antique!” exclaimed the old gentleman. “Thanks, Marius. That is precisely the idea of which I was in search.”

And on the following day, a magnificent dress of tea-rose colored moire antique was added to Cosette’s wedding presents.

From these fripperies, the grandfather extracted a bit of wisdom.

“Love is all very well; but there must be something else to go with it. The useless must be mingled with happiness. Happiness is only the necessary. Season that enormously with the superfluous for me. A palace and her heart. Her heart and the Louvre. Her heart and the grand waterworks of Versailles. Give me my shepherdess and try to make her a duchess. Fetch me Phyllis crowned with corn-flowers, and add a hundred thousand francs income. Open for me a bucolic perspective as far as you can see, beneath a marble colonnade. I consent to the bucolic and also to the fairy spectacle of marble and gold. Dry happiness resembles dry bread. One eats, but one does not dine. I want the superfluous, the useless, the extravagant, excess, that which serves no purpose. I remember to have seen, in the Cathedral of Strasburg, a clock, as tall as a three-story house which marked the hours, which had the kindness to indicate the hour, but which had not the air of being made for that; and which, after having struck midday, or midnight,—midday, the hour of the sun, or midnight, the hour of love,—or any other hour that you like, gave you the moon and the stars, the earth and the sea, birds and fishes, Phœbus and Phœbe, and a host of things which emerged from a niche, and the twelve apostles, and the Emperor Charles the Fifth, and Éponine, and Sabinus, and a throng of little gilded goodmen, who played on the trumpet to boot. Without reckoning delicious chimes which it sprinkled through the air, on every occasion, without any one’s knowing why. Is a petty bald clock-face which merely tells the hour equal to that? For my part, I am of the opinion of the big clock of Strasburg, and I prefer it to the cuckoo clock from the Black Forest.”

M. Gillenormand talked nonsense in connection with the wedding, and all the fripperies of the eighteenth century passed pell-mell through his dithyrambs.

“You are ignorant of the art of festivals. You do not know how to organize a day of enjoyment in this age,” he exclaimed. “Your nineteenth century is weak. It lacks excess. It ignores the rich, it ignores the noble. In everything it is clean-shaven. Your third estate is insipid, colorless, odorless, and shapeless. The dreams of your bourgeois who set up, as they express it: a pretty boudoir freshly decorated, violet, ebony and calico. Make way! Make way! the Sieur Curmudgeon is marrying Mademoiselle Clutch-penny. Sumptuousness and splendor. A louis d’or has been stuck to a candle. There’s the epoch for you. My demand is that I may flee from it beyond the Sarmatians. Ah! in 1787, I predict that all was lost, from the day when I beheld the Duc de Rohan, Prince de Léon, Duc de Chabot, Duc de Montbazon, Marquis de Soubise, Vicomte de Thouars, peer of France, go to Longchamps in a tapecu! That has borne its fruits. In this century, men attend to business, they gamble on ’Change, they win money, they are stingy. People take care of their surfaces and varnish them; every one is dressed as though just out of a bandbox, washed, soaped, scraped, shaved, combed, waked, smoothed, rubbed, brushed, cleaned on the outside, irreproachable, polished as a pebble, discreet, neat, and at the same time, death of my life, in the depths of their consciences they have dung-heaps and cesspools that are enough to make a cow-herd who blows his nose in his fingers, recoil. I grant to this age the device: ‘Dirty Cleanliness.’ Don’t be vexed, Marius, give me permission to speak; I say no evil of the people as you see, I am always harping on your people, but do look favorably on my dealing a bit of a slap to the bourgeoisie. I belong to it. He who loves well lashes well. Thereupon, I say plainly, that nowadays people marry, but that they no longer know how to marry. Ah! it is true, I regret the grace of the ancient manners. I regret everything about them, their elegance, their chivalry, those courteous and delicate ways, that joyous luxury which every one possessed, music forming part of the wedding, a symphony above stairs, a beating of drums below stairs, the dances, the joyous faces round the table, the fine-spun gallant compliments, the songs, the fireworks, the frank laughter, the devil’s own row, the huge knots of ribbon. I regret the bride’s garter. The bride’s garter is cousin to the girdle of Venus. On what does the war of Troy turn? On Helen’s garter, parbleu! Why did they fight, why did Diomed the divine break over the head of Meriones that great brazen helmet of ten points? why did Achilles and Hector hew each other up with vast blows of their lances? Because Helen allowed Paris to take her garter. With Cosette’s garter, Homer would construct the Iliad. He would put in his poem, a loquacious old fellow, like me, and he would call him Nestor. My friends, in bygone days, in those amiable days of yore, people married wisely; they had a good contract, and then they had a good carouse. As soon as Cujas had taken his departure, Gamacho entered. But, in sooth! the stomach is an agreeable beast which demands its due, and which wants to have its wedding also. People supped well, and had at table a beautiful neighbor without a guimpe so that her throat was only moderately concealed. Oh! the large laughing mouths, and how gay we were in those days! youth was a bouquet; every young man terminated in a branch of lilacs or a tuft of roses; whether he was a shepherd or a warrior; and if, by chance, one was a captain of dragoons, one found means to call oneself Florian. People thought much of looking well. They embroidered and tinted themselves. A bourgeois had the air of a flower, a Marquis had the air of a precious stone. People had no straps to their boots, they had no boots. They were spruce, shining, waved, lustrous, fluttering, dainty, coquettish, which did not at all prevent their wearing swords by their sides. The humming-bird has beak and claws. That was the day of the Galland Indies. One of the sides of that century was delicate, the other was magnificent; and by the green cabbages! people amused themselves. To-day, people are serious. The bourgeois is avaricious, the bourgeoise is a prude; your century is unfortunate. People would drive away the Graces as being too low in the neck. Alas! beauty is concealed as though it were ugliness. Since the revolution, everything, including the ballet-dancers, has had its trousers; a mountebank dancer must