The Valley of Silent Men, James Oliver Curwood [suggested reading TXT] 📗

the thought that came to him now. He touched it; he took it in his fingers; he unwound it from about Kedsty's neck, where it had made two deep rings in the flesh. From his fingers it rippled out full length. And he turned slowly and faced Marette Radisson.
Never had human eyes looked at him as she was looking at him now. She reached out a hand, her lips mute, and Kent gave her the tress of hair. And the next instant she turned, with a hand clasped at her own throat, and passed through the door.
After that he heard her going unsteadily up the stairs.


CHAPTER XVIII
Kent did not move. His senses for a space were stunned. He was almost physically insensible to all emotions but that one of shock and horror. He was staring at Kedsty's gray-white, twisted face when he heard Marette's door close. A cry came from his lips, but he did not hear it--was unconscious that he had made a sound. His body shook with a sudden tremor. He could not disbelieve, for the evidence was there. From behind, as he had sat in his chair Marette Radisson had struck the Inspector of Police with some blunt object. The blow had stunned him. And after that--
He drew a hand across his eyes, as if to clear his vision. What he had seen was impossible. The evidence was impossible. Assaulted, in deadly peril, defending either honor or love, Marette Radisson was of the blood to kill. But to creep up behind her victim--it was inconceivable! Yet there had been no struggle. Even the automatic on the floor gave no evidence of that. Kent picked it up. He looked at it closely, and again the unconscious cry of despair came in a half groan from his lips. For on the butt of the Colt was a stain of blood and a few gray hairs. Kedsty had been stunned by a blow from his own gun!
As Kent placed it on the table, his eyes caught suddenly a gleam of steel under the edge of a newspaper, and he drew out from their hiding-place the long-bladed clipping scissors which Kedsty had used in the preparation of his scrap-books and official reports. It was the last link in the deadly evidence--the automatic with its telltale stain, the scissors, the tress of hair, and Marette Radisson. He felt a sensation of sudden dizziness. Every nerve-center in his body had received its shock, and when the shock had passed it left him sweating.
Swiftly the reaction came. It was a lie, he told himself. The evidence was false. Marette could not have committed that crime, as the crime had visualized itself before his eyes. There was something which he had not seen, something which he could not see, something that was hiding itself from him. He became, in an instant, the old James Kent. The instinctive processes of the man-hunter leaped to their stations like trained soldiers. He saw Marette again, as she had looked at him when he entered the room. It was not murder he had caught in her wide-open eyes. It was not hatred. It was not madness. It was a quivering, bleeding soul crying out to him in an agony that no other human eyes had ever revealed to him before. And suddenly a great voice cried out in his brain, drowning all other things, telling him how contemptible a thing was love unless in that love was faith.
With his heart choking him, he turned again to Kedsty. The futility of the thing which he had told himself was faith gripped at him sickeningly, yet he fought for that faith, even as his eyes looked again upon the ghastly torture that was in Kedsty's face.
He was becoming calmer. He touched the dead man's cheek and found that it was no longer warm. The tragedy must have occurred an hour before. He examined more closely the abrasion on Kedsty's forehead. It was not a deep wound, and the blow that had made it must have stunned the Inspector of Police for only a short time. In that space the other thing had happened. In spite of his almost superhuman effort to keep the picture away from him, Kent saw it vividly--the swift turning to the table, the inspiration of the scissors, the clipping of the long tress of hair, the choking to death of Kedsty as he regained consciousness. Over and over again he whispered to himself the impossibility of it, the absurdity of it, the utter incongruity of it. Only a brain gone mad would have conceived that monstrous way of killing Kedsty. And Marette was not mad. She was sane.
Like the eyes of a hunting ferret his own eyes swept quickly about the room. At the four windows there were long curtain cords. On the walls, hung there as trophies, were a number of weapons. On one end of Kedsty's desk, used as a paperweight, was a stone tomahawk. Still nearer to the dead man's hands, unhidden by papers, was a boot-lace. Under his limp right hand was the automatic. With these possible instruments of death close at hand, ready to be snatched up without trouble or waste of time, why had the murderer used a tress of woman's hair?
The boot-lace drew Kent's eyes. It was impossible not to see it, forty-eight inches long and quarter-inch-wide buckskin. He began seeking for its mate, and found it on the floor where Marette Radisson had been standing. And again the unanswerable question pounded in Kent's brain--why had Kedsty's murderer used a tress of hair instead of a buckskin lace or one of the curtain cords hanging conspicuously at the windows?
He went to each of these windows and found them locked. Then, a last time, he bent over Kedsty. He knew that in the final moments of his life Kedsty had suffered a slow and torturing agony. His twisted face left the story. And the Inspector of Police was a powerful man. He had struggled, still partly dazed by the blow. But it had taken strength to overcome him even then, to hold his head back, to choke life out of him slowly with the noose of hair. And Kent, now that the significance of what he saw began to grow upon him more clearly, felt triumphing over all other things in his soul a slow and mighty joy. It was inconceivable that with the strength of her own hands and body Marette Radisson had killed Kedsty. A greater strength than hers had held him in the death-chair, and a greater strength than hers had choked life from the Inspector of Police!
He drew slowly out of the room, closing the door noiselessly behind him. He found that the front door was as Kedsty had left it, unlocked.
Close to that door he stood for a space, scarcely allowing himself to breathe. He listened, but no sound came down the dimly illumined stairway.
A new thing was pressing upon him now. It rode over the shock of tragedy, over the first-roused instincts of the man-hunter, overwhelming him with the realization of a horror such as had never confronted him before. It gripped him more fiercely than the mere killing of Kedsty. His thought was of Marette, of the fate which dawn and discovery would bring for her. His hands clenched and his jaws tightened. The world was against him, and tomorrow it would be against her. Only he, in the face of all that condemning evidence in the room beyond, would disbelieve her guilty of Kedsty's death. And he, Jim Kent, was already a murderer in the eyes of the law.
He felt within him the slow-growing inspiration of a new spirit, the gathering might of a new force. A few hours ago he was an outcast. He was condemned. Life, for him, had been robbed of its last hope. And in that hour of his grimmest despair Marette Radisson had come to him. Through storm that had rocked the earth under her feet and set ablaze the chaotic blackness of the sky over her head she had struggled--for him. She had counted no cost. She had measured no chances. She had simply come--BECAUSE SHE BELIEVED IN HIM. And now, upstairs, she was the victim of the terrible price that was the first cost of his freedom. For he believed, now that the thought came to him like a dagger stroke, that this was so. Her act in freeing him had brought about the final climax, and as a result of it, Kedsty was dead.
He went to the foot of the stair. Quietly, in his shoeless feet, he began to climb them. He wanted to cry out Marette's name even before he came to the top. He wanted to reach up to her with his arms outstretched. But he came silently to her door and looked in.
She lay in a crumpled, huddled heap on her bed. Her face was hidden, and all about her lay her smothering hair. For a moment he was frightened. He could not see that she was breathing. So still was she that she was like one dead.
His footsteps were unheard as he moved across the room. He knelt down beside her, reached out his arms, and gathered her into them.
"Marette!" he cried in a low voice.
He felt the sudden quiver, like a little shock, that ran through her. He crushed his face down, so that it lay in her hair, still damp from its wetting. He drew her closer, tightening his arms about her slender body, and a little cry came from her a cry that was a broken thing, a sob without tears.
"Marette!"
It was all he said. It was all he could say in that moment when his heart was beating like a drum against her breast. And then he felt the slow pressure of her hands against him, saw her white face, her wide, staring eyes within a few inches of his own, and she drew away from him, back against the wall, still huddled like a child on the bed, with her eyes fixed on him in a way that frightened him. There were no tears in them. She had not been crying. But her face was as white as he had seen it down in Kedsty's room. Some of the horror and shock had gone out of it. In it was another look as her eyes glowed upon Kent. It was a look of incredulity, of disbelief, a thing slowly fading away under the miracle of an amazing revelation. The truth thrust itself upon him.
Marette had not expected that he would come to her like this. She had believed that he would take flight into the night, escaping from her as he would have run from a plague. She put up her two hands, in the trick they had of groping at her white throat, and her lips formed a word which she did not speak.
Kent, to his own amazement, was smiling and still on his knees. He pulled himself to his feet, and stood up straight, looking down at her in that same strange, comforting, all-powerful way. The thrill of it was passing into her veins. A flush of color was driving the deathly pallor from her face. Her lips were parted, and she breathed quickly, a little excitedly.
"I thought--you would go!" she said.
"Not without you," he said. "I have come to take you with me."
He drew out his watch. It was two o'clock. He held it down so that she could look at the dial.
"If the storm keeps up, we have three hours before dawn," he said. "How soon can you be ready, Marette?"
He was fighting to make his voice quiet and unexcited. It was a terrific struggle. And Marette was not blind