Villette, Charlotte Brontë [if you liked this book .txt] 📗

a cold, callous epicure she was in all things! I see her now. Thin in face and figure, sallow in complexion, regular in features, with perfect teeth, lips like a thread, a large, prominent chin, a well-opened, but frozen eye, of light at once craving and ingrate. She mortally hated work, and loved what she called pleasure; being an insipid, heartless, brainless dissipation of time.

Madame Beck knew this woman’s character perfectly well. She once talked to me about her, with an odd mixture of discrimination, indifference, and antipathy. I asked why she kept her in the establishment. She answered plainly, “because it suited her interest to do so;” and pointed out a fact I had already noticed, namely, that Mademoiselle St. Pierre possessed, in an almost unique degree, the power of keeping order amongst her undisciplined ranks of scholars. A certain petrifying influence accompanied and surrounded her: without passion, noise, or violence, she held them in check as a breezeless frost-air might still a brawling stream. She was of little use as far as communication of knowledge went, but for strict surveillance and maintenance of rules she was invaluable. “Je sais bien qu’elle n’a pas de principes, ni, peut-être, de moeurs,” admitted Madame frankly; but added with philosophy, “son maintien en classe est toujours convenable et rempli même d’une certaine dignité: c’est tout ce qu’il faut. Ni les élèves ni les parents ne regardent plus loin; ni, par conséquent, moi non plus.”

 

*

 

A strange, frolicsome, noisy little world was this school: great pains were taken to hide chains with flowers: a subtle essence of Romanism pervaded every arrangement: large sensual indulgence (so to speak) was permitted by way of counterpoise to jealous spiritual restraint. Each mind was being reared in slavery; but, to prevent reflection from dwelling on this fact, every pretext for physical recreation was seized and made the most of. There, as elsewhere, the CHURCH strove to bring up her children robust in body, feeble in soul, fat, ruddy, hale, joyous, ignorant, unthinking, unquestioning. “Eat, drink, and live!” she says. “Look after your bodies; leave your souls to me. I hold their cure—guide their course: I guarantee their final fate.” A bargain, in which every true Catholic deems himself a gainer. Lucifer just offers the same terms: “All this power will I give thee, and the glory of it; for that is delivered unto me, and to whomsoever I will I give it. If thou, therefore, wilt worship me, all shall be thine!”

About this time—in the ripest glow of summer—Madame Beck’s house became as merry a place as a school could well be. All day long the broad folding-doors and the two-leaved casements stood wide open: settled sunshine seemed naturalized in the atmosphere; clouds were far off, sailing away beyond sea, resting, no doubt, round islands such as England—that dear land of mists—but withdrawn wholly from the drier continent. We lived far more in the garden than under a roof: classes were held, and meals partaken of, in the “grand berceau.” Moreover, there was a note of holiday preparation, which almost turned freedom into licence. The autumnal long vacation was but two months distant; but before that, a great day—an important ceremony—none other than the fête of Madame—awaited celebration.

The conduct of this fête devolved chiefly on Mademoiselle St. Pierre: Madame herself being supposed to stand aloof, disinterestedly unconscious of what might be going forward in her honour. Especially, she never knew, never in the least suspected, that a subscription was annually levied on the whole school for the purchase of a handsome present. The polite tact of the reader will please to leave out of the account a brief, secret consultation on this point in Madame’s own chamber.

“What will you have this year?” was asked by her Parisian lieutenant.

“Oh, no matter! Let it alone. Let the poor children keep their francs,” And Madame looked benign and modest.

The St. Pierre would here protrude her chin; she knew Madame by heart; she always called her airs of “bonté”—“des grimaces.” She never even professed to respect them one instant.

“Vite!” she would say coldly. “Name the article. Shall it be jewellery or porcelain, haberdashery or silver?”

“Eh bien! Deux ou trois cuillers, et autant de fourchettes en argent.”

And the result was a handsome case, containing 300 francs worth of plate.

The programme of the fête-day’s proceedings comprised: Presentation of plate, collation in the garden, dramatic performance (with pupils and teachers for actors), a dance and supper. Very gorgeous seemed the effect of the whole to me, as I well remember. Zélie St. Pierre understood these things and managed them ably.

The play was the main point; a month’s previous drilling being there required. The choice, too, of the actors required knowledge and care; then came lessons in elocution, in attitude, and then the fatigue of countless rehearsals. For all this, as may well be supposed, St. Pierre did not suffice: other management, other accomplishments than hers were requisite here. They were supplied in the person of a master—M. Paul Emanuel, professor of literature. It was never my lot to be present at the histrionic lessons of M. Paul, but I often saw him as he crossed the carré (a square hall between the dwelling-house and school-house). I heard him, too, in the warm evenings, lecturing with open doors, and his name, with anecdotes of him, resounded in ones ears from all sides. Especially our former acquaintance, Miss Ginevra Fanshawe,—who had been selected to take a prominent part in the play—used, in bestowing upon me a large portion of her leisure, to lard her discourse with frequent allusions to his sayings and doings. She esteemed him hideously plain, and used to profess herself frightened almost into hysterics at the sound of his step or voice. A dark little man he certainly was; pungent and austere. Even to me he seemed a harsh apparition, with his close-shorn, black head, his broad, sallow brow, his thin cheek, his wide and quivering nostril, his thorough glance, and hurried bearing. Irritable he was; one heard that, as he apostrophized with vehemence the awkward squad under his orders. Sometimes he would break out on these raw amateur actresses with a passion of impatience at their falseness of conception, their coldness of emotion, their feebleness of delivery. “Ecoutez!” he would cry; and then his voice rang through the premises like a trumpet; and when, mimicking it, came the small pipe of a Ginevra, a Mathilde, or a Blanche, one understood why a hollow groan of scorn, or a fierce hiss of rage, rewarded the tame echo.

“Vous n’êtes donc que des poupées,” I heard him thunder. “Vous n’avez pas de passions—vous autres. Vous ne sentez donc rien? Votre chair est de neige, votre sang de glace! Moi, je veux que tout cela s’allume, qu’il ait une vie, une âme!”

Vain resolve! And when he at last found it was vain, he suddenly broke the whole business down. Hitherto he had been teaching them a grand tragedy; he tore the tragedy in morsels, and came next day with a compact little comic trifle. To this they took more kindly; he presently knocked it all into their smooth round pates.

Mademoiselle St. Pierre always presided at M. Emanuel’s lessons, and I was told that the polish of her manner, her seeming attention, her tact and grace, impressed that gentleman very favourably. She had, indeed, the art of pleasing, for a given time, whom she would; but the feeling would not last: in an hour it was dried like dew, vanished like gossamer.

The day preceding Madame’s fête was as much a holiday as the fête itself. It was devoted to clearing out, cleaning, arranging and decorating the three schoolrooms. All within-doors was the gayest bustle; neither upstairs nor down could a quiet, isolated person find rest for the sole of her foot; accordingly, for my part, I took refuge in the garden. The whole day did I wander or sit there alone, finding warmth in the sun, shelter among the trees, and a sort of companionship in my own thoughts. I well remember that I exchanged but two sentences that day with any living being: not that I felt solitary; I was glad to be quiet. For a looker-on, it sufficed to pass through the rooms once or twice, observe what changes were being wrought, how a green-room and a dressing-room were being contrived, a little stage with scenery erected, how M. Paul Emanuel, in conjunction with Mademoiselle St. Pierre, was directing all, and how an eager band of pupils, amongst them Ginevra Fanshawe, were working gaily under his control.

The great day arrived. The sun rose hot and unclouded, and hot and unclouded it burned on till evening. All the doors and all the windows were set open, which gave a pleasant sense of summer freedom—and freedom the most complete seemed indeed the order of the day. Teachers and pupils descended to breakfast in dressing-gowns and curl-papers: anticipating “avec délices” the toilette of the evening, they seemed to take a pleasure in indulging that forenoon in a luxury of slovenliness; like aldermen fasting in preparation for a feast. About nine o’clock A.M., an important functionary, the “coiffeur,” arrived. Sacrilegious to state, he fixed his head-quarters in the oratory, and there, in presence of bénitier, candle, and crucifix, solemnised the mysteries of his art. Each girl was summoned in turn to pass through his hands; emerging from them with head as smooth as a shell, intersected by faultless white lines, and wreathed about with Grecian plaits that shone as if lacquered. I took my turn with the rest, and could hardly believe what the glass said when I applied to it for information afterwards; the lavished garlandry of woven brown hair amazed me—I feared it was not all my own, and it required several convincing pulls to give assurance to the contrary. I then acknowledged in the coiffeur a first-rate artist—one who certainly made the most of indifferent materials.

The oratory closed, the dormitory became the scene of ablutions, arrayings and bedizenings curiously elaborate. To me it was, and ever must be an enigma, how they contrived to spend so much time in doing so little. The operation seemed close, intricate, prolonged: the result simple. A clear white muslin dress, a blue sash (the Virgin’s colours), a pair of white, or straw-colour kid gloves—such was the gala uniform, to the assumption whereof that houseful of teachers and pupils devoted three mortal hours. But though simple, it must be allowed the array was perfect—perfect in fashion, fit, and freshness; every head being also dressed with exquisite nicety, and a certain compact taste—suiting the full, firm comeliness of Labassecourien contours, though too stiff for any more flowing and flexible style of beauty—the general effect was, on the whole, commendable.

In beholding this diaphanous and snowy mass, I well remember feeling myself to be a mere shadowy spot on a field of light; the courage was not in me to put on a transparent white dress: something thin I must wear—the weather and rooms being too hot to give substantial fabrics sufferance, so I had sought through a dozen shops till I lit upon a crape-like material of purple-gray—the colour, in short, of dun mist, lying on a moor in bloom. My tailleuse had kindly made it as well as she could: because, as she judiciously observed, it was “si triste—si pen voyant,” care in the fashion was the more imperative: it was well she took this view of the matter, for I, had no flower, no jewel to relieve it: and, what was more, I had no natural rose of complexion.

We become oblivious of these deficiencies in the uniform routine of daily drudgery, but they will force upon us their unwelcome blank on those bright occasions when beauty should shine.