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Every one can feel it in the work of Mr. Rudyard Kipling; and when I once remarked on his repulsive little masterpiece called "The Mark of the Beast," to a rather cynical Anglo-Indian officer, he observed moodily, "It's a beastly story. But those devils really can do jolly queer things." It is but to take a commonplace example out of countless more notable ones to mention the many witnesses to the mango trick. Here again we have from time to time to weep over the weak-mindedness that hurriedly dismisses it as the practice of hypnotism. It is as if people were asked to explain how one unarmed Indian had killed three hundred men, and they said it was only the practice of human sacrifice. Nothing that we know as hypnotism will enable a man to alter the eyes in the heads of a huge crowd of total strangers; wide awake in broad daylight; and if it is hypnotism, it is something so appallingly magnified as to need a new magic to explain the explanation; certainly something that explains it better than a Greek word for sleep. But the impression of these special instances is but one example of a more universal impression of the Asiatic atmosphere; and that atmosphere itself is only an example of something vaster still for which I am trying to find words. Asia stands for something which the world in the West as well as the East is more and more feeling as a presence, and even a pressure. It might be called the spiritual world let loose; or a sort of psychical anarchy; a jungle of mango plants. And it is pressing upon the West also to-day because of the breaking down of certain materialistic barriers that have hitherto held it back. In plain words the attitude of science is not only modified; it is now entirely reversed. I do not say it with mere pleasure; in some ways I prefer our materialism to their spiritualism. But for good or evil the scientists are now destroying their own scientific world.

The agnostics have been driven back on agnosticism; and are already recovering from the shock. They find themselves in a really unknown world under really unknown gods; a world which is more mystical, or at least more mysterious. For in the Victorian age the agnostics were not really agnostics. They might be better described as reverent materialists; or at any rate monists. They had at least at the back of their minds a clear and consistent concept of their rather clockwork cosmos; that is why they could not admit the smallest speck of the supernatural into their clockwork. But to-day it is very hard for a scientific man to say where the supernatural ends or the natural begins, or what name should be given to either. The word agnostic has ceased to be a polite word for atheist. It has become a real word for a very real state of mind, conscious of many possibilities beyond that of the atheist, and not excluding that of the polytheist. It is no longer a question of defining or denying a simple central power, but of balancing the brain in a bewilderment of new powers which seem to overlap and might even conflict. Nature herself has become unnatural. The wind is blowing from the other side of the desert, not now with noble truism "There is no God but God," but rather with that other motto out of the deeper anarchy of Asia, drawn out by Mr. Kipling, in the shape of a native proverb, in the very story already mentioned; "Your gods and my gods, do you or I know which is the stronger?" There was a mystical story I read somewhere in my boyhood, of which the only image that remains is that of a rose-bush growing mysteriously in the middle of a room. Taking this image for the sake of argument, we can easily fancy a man half-conscious and convinced that he is delirious, or still partly in a dream, because he sees such a magic bush growing irrationally in the middle of his bedroom. All the walls and furniture are familiar and solid, the table, the clock, the telephone, the looking glass or what not; there is nothing unnatural but this one hovering hallucination or optical delusion of green and red. Now that was very much the view taken of the Rose of Sharon, the mystical rose of the sacred tradition of Palestine, by any educated man about 1850, when the rationalism of the eighteenth century was supposed to have found full support in the science of the nineteenth. He had a sentiment about a rose: he was still glad it had fragrance or atmosphere; though he remembered with a slight discomfort that it had thorns. But what bothered him about it was that it was impossible. And what made him think it impossible was it was inconsistent with everything else. It was one solitary and monstrous exception to the sort of rule that ought to have no exceptions. Science did not convince him that there were few miracles, but that there were no miracles; and why should there be miracles only in Palestine and only for one short period? It was a single and senseless contradiction to an otherwise complete cosmos. For the furniture fitted in bit by bit and better and better; and the bedroom seemed to grow more and more solid. The man recognised the portrait of himself over the mantelpiece or the medicine bottles on the table, like the dying lover in Browning. In other words, science so far had steadily solidified things; Newton had measured the walls and ceiling and made a calculus of their three dimensions. Darwin was already arranging the animals in rank as neatly as a row of chairs, or Faraday the chemical elements as clearly as a row of medicine bottles. From the middle of the eighteenth century to the middle of the nineteenth, science was not only making discoveries, but all the discoveries were in one direction. Science is still making discoveries; but they are in the opposite direction.

For things are rather different when the man in the bed next looks at the bedroom. Not only is the rose-bush still very obvious; but the other things are looking very odd. The perspective seems to have gone crooked; the walls seem to vary in measurement till the man thinks he is going mad. The wall-paper has a new pattern, of strange spirals instead of round dots. The table seems to have moved by itself across the room and thrown the medicine bottles out of the window. The telephone has vanished from the wall; the mirror does not reflect what is in front of it. The portrait of himself over the mantelpiece has a face that is not his own.

That is something like a vision of the vital change in the whole trend of natural philosophy in the last twenty or thirty years. It matters little whether we regard it as the deepening or the destruction of the scientific universe. It matters little whether we say that grander abysses have opened in it, or merely that the bottom has fallen out of it. It is quite self-evident that scientific men are at war with wilder and more unfathomable fancies than the facts of the age of Huxley. I attempt no controversy about any of the particular cases: it is the cumulative effect of all of them that makes the impression one of common sense. It is really true that the perspective and dimensions of the man's bedroom have altered; the disciples of Einstein will tell him that straight lines are curved and perhaps measure more one way than the other; if that is not a nightmare, what is? It is really true that the clock has altered, for time has turned into the fourth dimension or something entirely different; and the telephone may fairly be said to have faded from view in favour of the invisible telepath. It is true that the pattern of the paper has changed, for the very pattern of the world has changed; we are told that it is not made of atoms like the dots but of electrons like the spirals. Scientific men of the first rank have seen a table move by itself, and walk upstairs by itself. It does not matter here whether it was done by the spirits; it is enough that few still pretend that is entirely done by the spiritualists. I am not dealing with doctrines but with doubts; with the mere fact that all these things have grown deeper and more bewildering. Some people really are throwing their medicine bottles out of the window; and some of them at least are working purely psychological cures of a sort that would once have been called miraculous healing. I do not say we know how far this could go; it is my whole point that we do not know, that we are in contact with numbers of new things of which we know uncommonly little. But the vital point is, not that science deals with what we do not know, but that science is destroying what we thought we did know. Nearly all the latest discoveries have been destructive, not of the old dogmas of religion, but rather of the recent dogmas of science. The conservation of energy could not itself be entirely conserved. The atom was smashed to atoms. And dancing to the tune of Professor Einstein, even the law of gravity is behaving with lamentable levity.

And when the man looks at the portrait of himself he really does not see himself. He sees his Other Self, which some say is the opposite of his ordinary self; his Subconscious Self or his Subliminal Self, said to rage and rule in his dreams, or a suppressed self which hates him though it is hidden from him; or the Alter Ego of a Dual Personality. It is not to my present purpose to discuss the merit of these speculations, or whether they be medicinal or morbid. My purpose is served in pointing out the plain historical fact; that if you had talked to a Utilitarian and Rationalist of Bentham's time, who told men to follow "enlightened self-interest," he would have been considerably bewildered if you had replied brightly and briskly, "And to which self do you refer; the sub-conscious, the conscious, the latently criminal or suppressed, or others that we fortunately have in stock?" When the man looks at his own portrait in his own bedroom, it does really melt into the face of a stranger or flicker into the face of a fiend. When he looks at the bedroom itself, in short, it becomes clearer and clearer that it is exactly this comfortable and solid part of the vision that is altering and breaking up. It is the walls and furniture that are only a dream or memory. And when he looks again at the incongruous rose-bush, he seems to smell as well as see; and he stretches forth his hand, and his finger bleeds upon a thorn.

It will not be altogether surprising if the story ends with the man recovering full consciousness, and finding he has been convalescing in a hammock in a rose-garden. It is not so very unreasonable when you come to think of it; or at least when you come to think of the whole of it. He was not wrong in thinking the whole must be a consistent whole, and that one part seemed inconsistent with the other. He was only wrong about which part was wrong through being inconsistent with the other. Now the whole of the rationalistic doubt about the Palestinian legends, from its rise in the early eighteenth century out of the last movements of the Renascence, was founded on the fixity of facts. Miracles were monstrosities because they were against natural law, which was necessarily immutable law. The prodigies

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