The Two Brothers, Honoré de Balzac [sites to read books for free TXT] 📗

of her master as if she had been an Eastern slave. With due deference to the makers of idylls and to philanthropists, the inhabitants of the provinces have very little idea of certain virtues; and their scruples are of a kind that is roused by self-interest, and not by any sentiment of the right or the becoming. Raised from infancy with no prospect before them but poverty and ceaseless labor, they are led to consider anything that saves them from the hell of hunger and eternal toil as permissible, particularly if it is not contrary to any law. Exceptions to this rule are rare. Virtue, socially speaking, is the companion of a comfortable life, and comes only with education.

Thus the Rabouilleuse was an object of envy to all the young peasant-girls within a circuit of ten miles, although her conduct, from a religious point of view, was supremely reprehensible. Flore, born in 1787, grew up in the midst of the saturnalias of 1793 and 1798, whose lurid gleams penetrated these country regions, then deprived of priests and faith and altars and religious ceremonies; where marriage was nothing more than legal coupling, and revolutionary maxims left a deep impression. This was markedly the case at Issoudun, a land where, as we have seen, revolt of all kinds is traditional. In 1802, Catholic worship was scarcely re-established. The Emperor found it a difficult matter to obtain priests. In 1806, many parishes all over France were still widowed; so slowly were the clergy, decimated by the scaffold, gathered together again after their violent dispersion.

In 1802, therefore, nothing was likely to reproach Flore Brazier, unless it might be her conscience; and conscience was sure to be weaker than self-interest in the ward of Uncle Brazier. If, as everybody chose to suppose, the cynical doctor was compelled by his age to respect a child of fifteen, the Rabouilleuse was none the less considered very "wide awake," a term much used in that region. Still, some persons thought she could claim a certificate of innocence from the cessation of the doctor's cares and attentions in the last two years of his life, during which time he showed her something more than coldness.

Old Rouget had killed too many people not to know when his own end was nigh; and his notary, finding him on his death-bed, draped as it were, in the mantle of encyclopaedic philosophy, pressed him to make a provision in favor of the young girl, then seventeen years old.

"So I do," he said, cynically; "my death sets her at liberty."

This speech paints the nature of the old man. Covering his evil doings with witty sayings, he obtained indulgence for them, in a land where wit is always applauded,--especially when addressed to obvious self-interest. In those words the notary read the concentrated hatred of a man whose calculations had been balked by Nature herself, and who revenged himself upon the innocent object of an impotent love. This opinion was confirmed to some extent by the obstinate resolution of the doctor to leave nothing to the Rabouilleuse, saying with a bitter smile, when the notary again urged the subject upon him,--

"Her beauty will make her rich enough!"


CHAPTER IX

Jean-Jacques Rouget did not mourn his father, though Flore Brazier did. The old doctor had made his son extremely unhappy, especially since he came of age, which happened in 1791; but he had given the little peasant-girl the material pleasures which are the ideal of happiness to country-folk. When Fanchette asked Flore, after the funeral, "Well, what is to become of you, now that monsieur is dead?" Jean-Jacques's eyes lighted up, and for the first time in his life his dull face grew animated, showed feeling, and seemed to brighten under the rays of a thought.

"Leave the room," he said to Fanchette, who was clearing the table.

At seventeen, Flore retained that delicacy of feature and form, that distinction of beauty which attracted the doctor, and which women of the world know how to preserve, though it fades among the peasant-girls like the flowers of the field. Nevertheless, the tendency to embonpoint, which handsome countrywomen develop when they no longer live a life of toil and hardship in the fields and in the sunshine, was already noticeable about her. Her bust had developed. The plump white shoulders were modelled on rich lines that harmoniously blended with those of the throat, already showing a few folds of flesh. But the outline of the face was still faultless, and the chin delicate.

"Flore," said Jean-Jacques, in a trembling voice, "you feel at home in this house?"

"Yes, Monsieur Jean."

As the heir was about to make his declaration, he felt his tongue stiffen at the recollection of the dead man, just put away in his grave, and a doubt seized him as to what lengths his father's benevolence might have gone. Flore, who was quite unable even to suspect his simplicity of mind, looked at her future master and waited for a time, expecting Jean-Jacques to go on with what he was saying; but she finally left him without knowing what to think of such obstinate silence. Whatever teaching the Rabouilleuse may have received from the doctor, it was many a long day before she finally understood the character of Jean-Jacques, whose history we now present in a few words.

At the death of his father, Jacques, then thirty-seven, was as timid and submissive to paternal discipline as a child of twelve years old. That timidity ought to explain his childhood, youth, and after-life to those who are reluctant to admit the existence of such characters, or such facts as this history relates,--though proofs of them are, alas, common everywhere, even among princes; for Sophie Dawes was taken by the last of the Condes under worse circumstances than the Rabouilleuse. There are two species of timidity,--the timidity of the mind, and the timidity of the nerves; a physical timidity, and a moral timidity. The one is independent of the other. The body may fear and tremble, while the mind is calm and courageous, or vice versa. This is the key to many moral eccentricities. When the two are united in one man, that man will be a cipher all his life; such double-sided timidity makes him what we call "an imbecile." Often fine suppressed qualities are hidden within that imbecile. To this double infirmity we may, perhaps, owe the lives of certain monks who lived in ecstasy; for this unfortunate moral and physical disposition is produced quite as much by the perfection of the soul and of the organs, as by defects which are still unstudied.

The timidity of Jean-Jacques came from a certain torpor of his faculties, which a great teacher or a great surgeon, like Despleins, would have roused. In him, as in the cretins, the sense of love had inherited a strength and vigor which were lacking to his mental qualities, though he had mind enough to guide him in ordinary affairs. The violence of passion, stripped of the ideal in which most young men expend it, only increased his timidity. He had never brought himself to court, as the saying is, any woman in Issoudun. Certainly no young girl or matron would make advances to a young man of mean stature, awkward and shame-faced in attitude; whose vulgar face, with its flattened features and pallid skin, making him look old before his time, was rendered still more hideous by a pair of large and prominent light-green eyes. The presence of a woman stultified the poor fellow, who was driven by passion on the one hand as violently as the lack of ideas, resulting from his education, held him back on the other. Paralyzed between these opposing forces, he had not a word to say, and feared to be spoken to, so much did he dread the obligation of replying. Desire, which usually sets free the tongue, only petrified his powers of speech. Thus it happened that Jean-Jacques Rouget was solitary and sought solitude because there alone he was at his ease.

The doctor had seen, too late for remedy, the havoc wrought in his son's life by a temperament and a character of this kind. He would have been glad to get him married; but to do that, he must deliver him over to an influence that was certain to become tyrannical, and the doctor hesitated. Was it not practically giving the whole management of the property into the hands of a stranger, some unknown girl? The doctor knew how difficult it was to gain true indications of the moral character of a woman from any study of a young girl. So, while he continued to search for a daughter-in-law whose sentiments and education offered some guarantees for the future, he endeavored to push his son into the ways of avarice; meaning to give the poor fool a sort of instinct that might eventually take the place of intelligence.

He trained him, in the first place, to mechanical habits of life; and instilled into him fixed ideas as to the investment of his revenues: and he spared him the chief difficulties of the management of a fortune, by leaving his estates all in good order, and leased for long periods. Nevertheless, a fact which was destined to be of paramount importance in the life of the poor creature escaped the notice of the wily old doctor. Timidity is a good deal like dissimulation, and is equally secretive. Jean-Jacques was passionately in love with the Rabouilleuse. Nothing, of course, could be more natural. Flore was the only woman who lived in the bachelor's presence, the only one he could see at his ease; and at all hours he secretly contemplated her and watched her. To him, she was the light of his paternal home; she gave him, unknown to herself, the only pleasures that brightened his youth. Far from being jealous of his father, he rejoiced in the education the old man was giving to Flore: would it not make her all he wanted, a woman easy to win, and to whom, therefore, he need pay no court? The passion, observe, which is able to reflect, gives even to ninnies, fools, and imbeciles a species of intelligence, especially in youth. In the lowest human creature we find an animal instinct whose persistency resembles thought.

The next day, Flore, who had been reflecting on her master's silence, waited in expectation of some momentous communication; but although he kept near her, and looked at her on the sly with passionate glances, Jean-Jacques still found nothing to say. At last, when the dessert was on the table, he recommenced the scene of the night before.

"You like your life here?" he said to Flore.

"Yes, Monsieur Jean."

"Well, stay here then."

"Thank you, Monsieur Jean."

This strange situation lasted three weeks. One night, when no sound broke the stillness of the house, Flore, who chanced to wake up, heard the regular breathing of human lungs outside her door, and was frightened to discover Jean-Jacques, crouched like a dog on the landing.

"He loves me," she thought; "but he will get the rheumatism if he keeps up that sort of thing."

The next day Flore looked at her master with a certain expression. This mute almost instinctive love had touched her; she no longer thought the poor ninny so ugly, though his forehead was crowned with pimples resembling ulcers, the signs of a vitiated blood.

"You don't want to go back and live in the fields, do you?" said Jean-Jacques when they were alone.

"Why do you ask me that?" she said, looking at him.

"To know--" replied Rouget, turning the color of a boiled lobster.

"Do you wish to send me back?"