The Man in the Iron Mask, Alexandre Dumas [the best motivational books TXT] 📗

Pain, anguish, and suffering in human life are always in proportion to the strength with which a man is endowed. We will not pretend to say that Heaven always apportions to a man’s capability of endurance the anguish with which he afflicts him; for that, indeed, would not be true, since Heaven permits the existence of death, which is, sometimes, the only refuge open to those who are too closely pressed—too bitterly afflicted, as far as the body is concerned. Suffering is in proportion to the strength which has been accorded; in other words, the weak suffer more, where the trial is the same, than the strong. And what are the elementary principles, we may ask, that compose human strength? Is it not—more than anything else—exercise, habit, experience? We shall not even take the trouble to demonstrate this, for it is an axiom in morals, as in physics. When the young king, stupefied and crushed in every sense and feeling, found himself led to a cell in the Bastile, he fancied death itself is but a sleep; that it, too, has its dreams as well; that the bed had broken through the flooring of his room at Vaux; that death had resulted from the occurrence; and that, still carrying out his dream, the king, Louis XIV., now no longer living, was dreaming one of those horrors, impossible to realize in life, which is termed dethronement, imprisonment, and insult towards a sovereign who formerly wielded unlimited power. To be present at—an actual witness, too—of this bitterness of death; to float, indecisively, in an incomprehensible mystery, between resemblance and reality; to hear everything, to see everything, without interfering in a single detail of agonizing suffering, was—so the king thought within himself—a torture far more terrible, since it might last forever. “Is this what is termed eternity—hell?” he murmured, at the moment the door was closed upon him, which we remember Baisemeaux had shut with his own hands. He did not even look round him; and in the room, leaning with his back against the wall, he allowed himself to be carried away by the terrible supposition that he was already dead, as he closed his eyes, in order to avoid looking upon something even worse still. “How can I have died?” he said to himself, sick with terror. “The bed might have been let down by some artificial means? But no! I do not remember to have felt a bruise, nor any shock either. Would they not rather have poisoned me at my meals, or with the fumes of wax, as they did my ancestress, Jeanne d’Albret?” Suddenly, the chill of the dungeons seemed to fall like a wet cloak upon Louis’s shoulders. “I have seen,” he said, “my father lying dead upon his funeral couch, in his regal robes. That pale face, so calm and worn; those hands, once so skillful, lying nerveless by his side; those limbs stiffened by the icy grasp of death; nothing there betokened a sleep that was disturbed by dreams. And yet, how numerous were the dreams which Heaven might have sent that royal corpse—him whom so many others had preceded, hurried away by him into eternal death! No, that king was still the king: he was enthroned still upon that funeral couch, as upon a velvet armchair; he had not abdicated one title of his majesty. God, who had not punished him, cannot, will not punish me, who have done nothing.” A strange sound attracted the young man’s attention. He looked round him, and saw on the mantel-shelf, just below an enormous crucifix, coarsely painted in fresco on the wall, a rat of enormous size engaged in nibbling a piece of dry bread, but fixing all the time, an intelligent and inquiring look upon the new occupant of the cell. The king could not resist a sudden impulse of fear and disgust: he moved back towards the door, uttering a loud cry; and as if he but needed this cry, which escaped from his breast almost unconsciously, to recognize himself, Louis knew that he was alive and in full possession of his natural senses. “A prisoner!” he cried. “I—I, a prisoner!” He looked round him for a bell to summon some one to him. “There are no bells in the Bastile,” he said, “and it is in the Bastile I am imprisoned. In what way can I have been made a prisoner? It must have been owing to a conspiracy of M. Fouquet. I have been drawn to Vaux, as to a snare. M. Fouquet cannot be acting alone in this affair. His agent—That voice that I but just now heard was M. d’Herblay’s; I recognized it. Colbert was right, then. But what is Fouquet’s object? To reign in my place and stead?—Impossible. Yet who knows!” thought the king, relapsing into gloom again. “Perhaps my brother, the Duc d’Orleans, is doing that which my uncle wished to do during the whole of his life against my father. But the queen?—My mother, too? And La Valliere? Oh! La Valliere, she will have been abandoned to Madame. Dear, dear girl! Yes, it is—it must be so. They have shut her up as they have me. We are separated forever!” And at this idea of separation the poor lover burst into a flood of tears and sobs and groans.

“There is a governor in this place,” the king continued, in a fury of passion; “I will speak to him, I will summon him to me.”

He called—no voice replied to his. He seized hold of his chair, and hurled it against the massive oaken door. The wood resounded against the door, and awakened many a mournful echo in the profound depths of the staircase; but from a human creature, none.

This was a fresh proof for the king of the slight regard in which he was held at the Bastile. Therefore, when his first fit of anger had passed away, having remarked a barred window through which there passed a stream of light, lozenge-shaped, which must be, he knew, the bright orb of approaching day, Louis began to call out, at first gently enough, then louder and louder still; but no one replied. Twenty other attempts which he made, one after another, obtained no other or better success.