A Great Man, Arnold Bennett [free children's online books .txt] 📗

it on red, and went icy cold in the feet and hands, and swore a horrid oath.

Black won.

He had sworn, and he was a man of his word. He walked straight out of the Casino; but uncertainly, feebly, as a man who has received a staggering blow between the eyes, as a man who has been pitched into a mountain-pool in January, as a somnambulist who has wakened to find himself on the edge of a precipice.

He paid his bill at the hotel, and asked the time of the next train to Paris. There was no next train to Paris that night, but there was a train to Marseilles. He took it. Had it been a train only to Nice, or to the Plutonian realms, he would have taken it. He said no good-byes. He left no messages, no explanations. He went. On the next afternoon but one he arrived at Victoria with fivepence in his pocket. Twopence he paid to deposit his luggage in the cloakroom, and threepence for the Underground fare to Charing Cross. From Charing Cross he walked up to Kenilworth Mansions and got a sovereign from Mark Snyder. Coutts's, where Mark financed himself, was closed, and a sovereign was all that Mark had.

Henry was thankful that the news had not yet reached London--at any rate, it had not reached Mark Snyder. It was certain to do so, however. Henry had read in that morning's Paris edition of the _New York Herald_: 'Mr. Henry S. Knight, the famous young English novelist, broke the bank at Monte Carlo the other day. He was understood to be playing in conjunction with Mademoiselle Cosette, the well-known Parisian _divette_, who is also on a visit to Monte Carlo. I am told that the pair have netted over a hundred and sixty thousand francs.'

He reflected upon Cosette, and he reflected upon Geraldine. It was like returning to two lumps of sugar in one's tea after having got accustomed to three.

He was very proud of himself for having so ruthlessly abandoned Monte Carlo, Cosette, Loulou, Tom, and the whole apparatus. And he had the right to be.


CHAPTER XXVI


THE NEW LIFE

They were nervous, both of them. Although they had been legally and publicly married and their situation was in every way regular, although the new flat in Ashley Gardens was spacious, spotless, and luxurious to an extraordinary degree, although they had a sum of nearly seven thousand pounds at the bank, although their consciences were clear and their persons ornamental, Henry and Geraldine were decidedly nervous as they sat in their drawing-room awaiting the arrival of Mrs. Knight and Aunt Annie, who had accepted an invitation to afternoon tea and dinner.

It was the third day after the conclusion of their mysterious honeymoon.

'Have one, dearest?' said Geraldine, determined to be gay, holding up a morsel which she took from a coloured box by her side. And Henry took it with his teeth from between her charming fingers. 'Lovely, aren't they?' she mumbled, munching another morsel herself, and he mumbled that they were.

She was certainly charming, if English. Thoughts of Cosette, which used to flit through his brain with a surprising effect that can only be likened to an effect of flamingoes sweeping across an English meadow, had now almost entirely ceased to disturb him. He had but to imagine what Geraldine's attitude towards Cosette would have been had the two met, in order to perceive the overpowering balance of advantages in Geraldine's favour.

Much had happened since Cosette.

As a consequence of natural reaction, he had at once settled down to be extremely serious, and to take himself seriously. He had been assisted in the endeavour by the publication of an article in a monthly review, entitled 'The Art of Henry Shakspere Knight.' The article explained to him how wonderful he was, and he was ingenuously and sincerely thankful for the revelation. It also, incidentally, showed him that 'Henry Shakspere Knight' was a better signature for his books than 'Henry S. Knight,' and he decided to adopt it in his next work. Further, it had enormously quickened in him the sense of his mission in the world, of his duty to his colossal public, and his potentiality for good.

He put aside a book which he had already haltingly commenced, and began a new one, in which a victim to the passion for gambling was redeemed by the love of a pure young girl. It contained dramatic scenes in Paris, in the _train de luxe_, and in Monte Carlo. One of the most striking scenes was a harmony of moonlight and love on board a yacht in the Mediterranean, in which sea Veronica prevailed upon Hubert to submerge an ill-gotten gain of six hundred and sixty-three thousand francs, although the renunciation would leave Hubert penniless. Geraldine watched the progress of this book with absolute satisfaction. She had no fault to find with it. She gazed at Henry with large admiring eyes as he read aloud to her chapter after chapter.

'What do you think I'm going to call it?' he had demanded of her once, gleefully.

'I don't know,' she said.

'_Red and Black_,' he told her. 'Isn't that a fine title?'

'Yes,' she said. 'But it's been used before;' and she gave him particulars of Stendhal's novel, of which he had never heard.

'Oh, well!' he exclaimed, somewhat dashed. 'As Stendhal was a Frenchman, and his book doesn't deal with gambling at all, I think I may stick to my title. I thought of it myself, you know.'

'Oh yes, dearest. I _know_ you did,' Geraldine said eagerly.

'You think I'd better alter it?'

Geraldine glanced at the floor. 'You see,' she murmured, 'Stendhal was a really great writer.'

He started, shocked. She had spoken in such a way that he could not be sure whether she meant, 'Stendhal was a really _great_ writer,' or, '_Stendhal_ was a _really_ great writer.' If the former, he did not mind, much. But if the latter--well, he thought uncomfortably of what Tom had said to him in the train. And he perceived again, and more clearly than ever before, that there was something in Geraldine which baffled him--something which he could not penetrate, and never would penetrate.

'Suppose I call it _Black and Red_? Will that do?' he asked forlornly.

'It would do,' she answered; 'but it doesn't sound so well.'

'I've got it!' he cried exultantly. 'I've got it! _The Plague-Spot._ Monte Carlo the plague-spot of Europe, you know.'

'Splendid!' she said with enthusiasm. 'You are always magnificent at titles.'

And it was universally admitted that he was.

The book had been triumphantly finished, and the manuscript delivered to Macalistairs via Mark Snyder, and the huge cheque received under cover of a letter full of compliments on Henry's achievement. Macalistairs announced that their _Magazine_ would shortly contain the opening chapters of Mr. Henry Shakspere Knight's great romance, _The Plague-Spot_, which would run for one year, and which combined a tremendous indictment of certain phases of modern life with an original love-story by turns idyllic and dramatic. _Gordon's Monthly_ was serializing the novel in America. About this time, an interview with Henry, suggested by Sir Hugh Macalistair himself, appeared in an important daily paper. 'It is quite true,' said Henry in the interview, 'that I went to Monte Carlo to obtain first-hand material for my book. The stories of my breaking the bank there, however, are wildly exaggerated. Of course, I played a little, in order to be able to put myself in the place of my hero. I should explain that I was in Monte Carlo with my cousin, Mr. Dolbiac, the well-known sculptor and painter, who was painting portraits there. Mr. Dolbiac is very much at home in Parisian artistic society, and he happened to introduce me to a famous French lady singer who was in Monte Carlo at the time. This lady and I found ourselves playing at the same table. From time to time I put down her stakes for her; that was all. She certainly had an extraordinary run of luck, but the bank was actually broken at last by the united bets of a number of people. That is the whole story, and I'm afraid it is much less exciting and picturesque than the rumours which have been flying about. I have never seen the lady since that day.'

Then his marriage had filled the air.

At an early stage in the preparations for that event his mother and Aunt Annie became passive--ceased all activity. Perfect peace was maintained, but they withdrew. Fundamentally and absolutely, Geraldine's ideas were not theirs, and Geraldine did as she liked with Henry. Geraldine and Henry interrogated Mark Snyder as to the future. 'Shall we be justified in living at the rate of two thousand a year?' they asked him. 'Yes,' he said, 'and four times that!' He had just perused _The Plague-Spot_ in manuscript. 'Let's make it three thousand, then,' said Geraldine to Henry. And she had planned the establishment of their home on that scale. Henry did not tell the ladies at Dawes Road that the rent of the flat was three hundred a year, and that the furniture had cost over a thousand, and that he was going to give Geraldine two hundred a year for dress. He feared apoplexy in his mother, and a nervous crisis in Aunt Annie.

The marriage took place in a church. It was not this that secretly pained Mrs. Knight and Aunt Annie; all good Wesleyan Methodists marry themselves in church. What secretly pained them was the fact that Henry would not divulge, even to his own mother, the locality of the honeymoon. He did say that Geraldine had been bent upon Paris, and that he had completely barred Paris ('Quite right,' Aunt Annie remarked), but he would say no more. And so after the ceremony the self-conscious pair had disappeared for a fortnight into the unknown and the unknowable.

And now they had reappeared out of the unknown and the unknowable, and, with the help of four servants, meant to sustain life in Mrs. Knight and Aunt Annie for a period of some five hours.

They heard a ring in the distance of the flat.

'Prepare to receive cavalry,' said Geraldine, sitting erect in her blue dress on the green settee in the middle of the immense drawing-room.

Then, seeing Henry's face, she jumped up, crossed over to her husband, and gave him a smacking kiss between the eyes. 'Dearest, I didn't mean it!' she whispered enchantingly. He smiled. She flew back to her seat just as the door opened.

'Mr. Doxey,' said a new parlourmaid, intensely white and black, and intensely aware of the eminence of her young employers. And little Doxey of the P.A. came in, rather shabby and insinuating as usual, and obviously impressed by the magnificence of his surroundings.

'My good Doxey,' exclaimed the chatelaine. 'How delicious of you to have found us out so soon!'

'How d'you do, Doxey?' said Henry, rising.

'Awfully good of you to see me!' began Doxey, depositing his well-preserved hat on a chair. 'Hope I don't interrupt.' He smiled. 'Can't stop a minute. Got a most infernal bazaar on at the Cecil. Look here, old man,' he addressed Henry: 'I've been reading your _Love in Babylon_ again, and I fancied I could make a little curtain-raiser out of it--out of the picture incident, you know. I mentioned the idea to Pilgrim, of the Prince's Theatre, and he's fearfully stuck on it.'

'You mean, you think he is,' Geraldine put in.

'Well, he is,' Doxey pursued, after a brief