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the museum, and various beautiful spots in the neighborhood of the city were all visited during the Ingletons' brief stay at Palermo, and they celebrated the last evening by a visit to the theater, where, if they could not understand the words of the play, the dramatic foreign acting spoke for itself.

"Has my little English signorina enjoyed her trip?" asked Signor Trapani kindly, as Dulcie, sitting by his side in the car, waved an enthusiastic good-by to Palermo.

"Enjoyed it! Rather? It's the loveliest place on earth, and beats London hollow in my opinion. But I do love everything Sicilian so much! Thanks just immensely for giving me[270] such a perfectly delicious time!" declared Dulcie, screwing her neck round to catch a last glimpse of Ernesto, Vittore, and Douglas, who stood by the roadside fluttering handkerchiefs as a signal of farewell.

chapter xx Old England

The holiday in Sicily, like all pleasant things,[271] came to an end at last, and the Ingleton family, leaving the Casa Bianca with many regrets, returned to their own country in time to welcome Roland, Bevis, and Clifford back from school for Easter. Carmel, who had seemed keenly to feel the parting from her mother, and who had been so quiet on the journey that her cousins suspected a bad attack of homesickness, cheered up when they were once more settled at the Chase. The beauties of the English country-side, with plum-blossom, primroses, cowslips, green meadows, and budding woodlands, compared very favorably with even the lovely Sicilian landscape, and Carmel acknowledged frankly that Cheverley had a charm all of its own.

"I never knew how much I loved it till I left it, and then saw it again!" she declared. "There's something about the place that grips."

"Your Ingleton blood showing, of course," remarked Everard. "All your ancestors have lived[272] at the Chase, and it would be queer if you hadn't some sort of a natural feeling for it. People mostly have for the place where their ancestors were born."

"Indeed! I believe my ancestors were all of them born in bed, so no doubt that's why I have such a natural feeling for bed, and don't want to get up in the mornings!" piped Dulcie, who never could resist a quip at Everard. "I don't despise Old England, but Sicily's the land for me, and I'm going back to Montalesso some day. Aunt Nita says so! Lilias can please herself, but, as soon as Mr. Bowden lets me leave school, I shall say 'Ta-ta! I'm off to the land of oranges and lemons!'"

"And in the meantime you'll have to make up at school for this long holiday," reminded Cousin Clare. "I'm afraid you'll find yourself terribly behindhand when you get back to Chilcombe!"

The occupants of the Blue Grotto had much to talk about when they met again.

"It was hateful having the dor. all to ourselves," confided Gowan. "We never had such a slow time in our lives. We had a fearful scare, too! We thought Miss Walters was going to put Laurette with us! She'd had a terrible quarrel with Truie and Hester, and things were rather hot in the Gold bedroom. Fortunately, however, they cooled down, and patched up their quarrels. Bertha and I were simply shaking, though. I[273] heard Miss Walters say to Laurette: 'There's a spare bed at present in the Blue room,' and we thought she was moving in for the rest of the term! Think of being boxed up with Laurette! Wouldn't it have been absolutely grisly?"

"Nothing at all particularly exciting happened while you were away!" groused Bertha. "We got all the drudgery, and you had all the fun!"

"But we brought you some presents! Just wait till I get to the bottom of my box!" put in Carmel.

"Oh, have you?" cried Bertha excitedly. "What have you brought? Don't stop to arrange those blouses! Dump your things out anyhow: I can't wait! I've never had a foreign present in my life before. O-o-oh! What an absolutely ducky little locket! Carmel, you're a darling! You couldn't have given me anything in the whole of this wide world that I should have liked better. I just love it!"

Though the Ingletons' immediate friends at Chilcombe had been rather inclined to look with the green eyes of envy upon their long holiday in Sicily, and consequent immunity from Easter examinations, they were mollified by the pretty gifts which the girls had brought them, and while they still proclaimed them "luckers out of all reason," they forgave them their good fortune, and received them back once more into the bosom of[274] their special clique. The Mafia had indeed languished considerably during their absence. Nobody had troubled very much to keep up its activities, and it had held only one or two half-hearted meetings. Now that its nine members were together again, however, the secret society set to work with renewed vigor. Insensibly it had rather altered its scope. It had begun originally for the purpose of resisting the aggressions of Laurette, Hester, and Truie, but had grown into a sort of confraternity for private fun. The meetings held in each other's dormitories were of a hilarious description, and included games. At Gowan's suggestion they even went a step farther, and produced literary contributions—"of a sort," as she wisely qualified the rather appalling innovation.

"I don't mean exactly Shakespeare, you know," she explained. "But you can write poetry if you care to, or make up something funny like Punch. Everybody has got to do something!"

"Not really?" objected Dulcie, wrinkling her forehead into lines of acute distress. "Oh, Goody! It's as bad as lessons every bit. Look here, I'm not clever, and I don't make any pretence at poetry or the rest of it. You'll just have to leave me out."

"Pull yourself together, Dulcie, my child!" said Gowan calmly. "You'll either be turned[275] bodily out of the Mafia, or you'll do your bit the same as everybody else. Don't for a moment imagine you're coming to listen to other people's industry, and bring nothing of your own with you! That's not the way we manage things here. If you don't show up with a manuscript in your hand, you'll find yourself walking down the passage with the door slammed behind you. Yes, I mean it! You're a decent enough little person, but you're apt to be slack. You must get some stiffening into you this time."

"Poor little me!" wailed Dulcie.

"No poorer than all the rest of us!"

"Yes, I am, for I haven't got the same thingumbobs in my brains! Couldn't make up poetry to save my life! May I write a letter?"

"Why, yes, if you'd rather!"

"I feel it would be my most adequate form of self-expression," minced Dulcie, mimicking Miss Walters' very best literary manner. "I trust my contribution will be kept for publication. Later on, when I'm famous, it may become of value. The world will never forget that I was educated at Chilcombe Hall. A neat brass plate will some day be placed upon the door of the Blue Grotto to mark the dormitory I slept in, and my bed will be preserved in the local museum!"

"With you (stuffed) inside it, labeled 'Specimen of a Champion Slacker'!" snorted Gowan.[276] "Now, no nonsense! If you don't turn up at the meeting with a manuscript, you won't be admitted!"

"Bow-wow! How very severe we've grown, all of a sudden!" mocked Dulcie, as she danced away. "You take it for granted," she called over her shoulder, "that my contribution is going to mark the literary low tide. Perhaps, after all, it will make as big an impression as anybody else's. There!"

On the evening fixed for the meeting, nine girls put in an appearance at the Blue Grotto, all flaunting manuscripts in a very conspicuous fashion. They seated themselves upon Bertha's and Dulcie's beds, and having as a kind of foregone conclusion, elected Gowan as President of the Ceremonies, got straight to business. Gowan was justice personified, and fearful of even unintentional favoritism, she insisted upon the company drawing lots for the order in which their effusions were to be read. The Fates decided thus: Carmel, Noreen, Edith, Lilias, Gowan, Bertha, Prissie, Phillida, Dulcie.

Carmel, hustled off the bed to be given first hearing, took the chair of honor reserved for each literary star in turn, and having waited a moment to allow undue giggling to subside, opened her sheets of exercise paper and began:[277]

"OLD ENGLAND

"I never can quite see why it is called 'Old' England, because I don't suppose it is any older than any other part of the world, really, but perhaps 'Old' is a term of endearment, because I notice when any girl likes me, she generally calls me 'old sport,' or 'old thing.' Well, at any rate here I am back in Old England, and it is a wonderfully nice sort of a country. I specially like the policemen, who wave their white gloves and stop all the traffic in the street in a second, and the railway porters who yell out the names of the stations, and the little boys who cry the newspapers. There are no beggars in Old England like there are in Sicily, and no mosquitoes, and no earthquakes. At least not proper ones. I thought we were all beggars when we tried to raise money for the 'Waifs and Strays'; Bertha buzzes worse than any mosquito when she wants to borrow my penknife, and I thought there was an earthquake the last time Laurette danced.

"I like all the old houses and castles and cathedrals in Old England, and especially the old gardens. What I don't like are my old lessons. Old England is a jolly, hospitable, comfortable, green sort of country, and I am quite at home here now, so hurrah! Old England for ever!"

Carmel, having read her manuscript as rapidly as possible, vacated the chair in a breathless condition, and pushed Noreen into her place. Noreen had been struggling with Pegasus, and had produced a spring poem. It was short, but perhaps a trifle over-sweet.[278]

"TO MY DEARIE-OH!

"Spring is comen back again,
(Daisy buds for my dearie!)
Gone is winter's snow and rain,
(Cherry lips for my dearie!)
Blossom clothes the orchards now,
(Apple cheeks for my dearie!)
Nests of birds on every bough,
(And kisses for my dearie!)

"It's one of those old-fashioned sort of things—I believe you call them madrigals," she ventured.

Nobody else knew what a madrigal was, so they took Noreen's word for it, and allowed her to retire in favor of Edith, who had also been trying to cultivate the muse of poetry. Her effort at verse was entitled:

"MIRANDA'S MUSIC

"Miranda had learnt the piano to play,
And when seated one day on the stool,
At her latest new piece she was strumming away,
For old Thomas, who sweeps out the school.

"Thought she: ''T will impress him if anything will,
For the left hand goes over the right.
He will surely admire my exquisite skill,
[279]And perhaps will express his delight.'

"But ah! fondest hopes may be dashed to the ground,
Despite what ambition can raise.
Ill pleased by this banquet of beautiful sound,
Old Thomas was scant in his praise.

"'Ay, ay, yes, I hear. 'T is not bad, to be sure!
They may teach you in time!' so he grumbled.
But 'twas plain that he thought the performance but poor,
And Miranda felt terribly humbled.

"One morn when six months had swift glided away,
Again at the instrument seated,
Miranda a nocturne had just ceased to play,
When old Thomas desired it repeated.

"'Why, Miss,' he declared, 'I can hardly believe
That you've made such improvement so soon!
The last time you played, you'd to jump your hand o'er
Before you could pick out the tune!

"'You'd humpety lump in the treble at top,
Then same hand would return to the bass.
But now I can see they have taught you to keep
Each hand in its own proper place!'

"It's a really true story!" persisted Edith, as the girls giggled. "It happened to my sister. She always plays at the Band of Hope concerts in our village at home, and she goes down to the school to practise her solos on the piano there. Old Thomas is the verger, and he's such a queer old character. He really did think she didn't[280] know how to play properly when she crossed her hands over, and he told her so. It was a tremendous joke in our family, because Maisie considers herself musical. She was squashed absolutely flat!"

Neither Lilias, Gowan, Bertha, Prissie, nor Phillida had written

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