Sons and Lovers, D. H. Lawrence [the little red hen read aloud .txt] 📗

Morel said in a frightened voice:

"'E's niver gone, child?"

"Yes."

"When wor't?"

The miner's voice was terrified.

"Last night. We had a telegram from my mother."

Morel walked on a few strides, then leaned up against a truck side, his hand over his eyes. He was not crying. Paul stood looking around, waiting. On the weighing-machine a truck trundled slowly. Paul saw everything, except his father leaning against the truck as if he were tired.

Morel had only once before been to London. He set off, scared and peaked, to help his wife. That was on Wednesday. The children were left alone in the house. Paul went to work, Arthur went to school, and Annie had in a friend to be with her.

On Saturday night, as Paul was turning the corner, coming home from Keston, he saw his mother and father, who had come to Sethley Bridge Station. They were walking in silence in the dark, tired, straggling apart. The boy waited.

"Mother!" he said, in the darkness.

Mrs. Morel's small figure seemed not to observe. He spoke again.

"Paul!" she said, uninterestedly.

She let him kiss her, but she seemed unaware of him.

In the house she was the same—small, white, and mute. She noticed nothing, she said nothing, only:

"The coffin will be here tonight, Walter. You'd better see about some help." Then, turning to the children: "We're bringing him home."

Then she relapsed into the same mute looking into space, her hands folded on her lap. Paul, looking at her, felt he could not breathe. The house was dead silent.

"I went to work, mother," he said plaintively.

"Did you?" she answered dully.

After half an hour Morel, troubled and bewildered, came in again.

"Wheer s'll we ha'e him when he does come?" he asked his wife.

"In the front room."

"Then I'd better shift th' table?"

"Yes."

"An' ha'e him across th' chairs?"

"You know there—Yes, I suppose so."

Morel and Paul went, with a candle, into the parlour. There was no gas there. The father unscrewed the top of the big mahogany oval table, and cleared the middle of the room; then he arranged six chairs opposite each other, so that the coffin could stand on their beds.

"You niver seed such a length as he is!" said the miner, and watching anxiously as he worked.

Paul went to the bay window and looked out. The ash-tree stood monstrous and black in front of the wide darkness. It was a faintly luminous night. Paul went back to his mother.

At ten o'clock Morel called:

"He's here!"

Everyone started. There was a noise of unbarring and unlocking the front door, which opened straight from the night into the room.

"Bring another candle," called Morel.

Annie and Arthur went. Paul followed with his mother. He stood with his arm round her waist in the inner doorway. Down the middle of the cleared room waited six chairs, face to face. In the window, against the lace curtains, Arthur held up one candle, and by the open door, against the night, Annie stood leaning forward, her brass candlestick glittering.

There was the noise of wheels. Outside in the darkness of the street below Paul could see horses and a black vehicle, one lamp, and a few pale faces; then some men, miners, all in their shirt-sleeves, seemed to struggle in the obscurity. Presently two men appeared, bowed beneath a great weight. It was Morel and his neighbour.

"Steady!" called Morel, out of breath.

He and his fellow mounted the steep garden step, heaved into the candle-light with their gleaming coffin-end. Limbs of other men were seen struggling behind. Morel and Burns, in front, staggered; the great dark weight swayed.

"Steady, steady!" cried Morel, as if in pain.

All the six bearers were up in the small garden, holding the great coffin aloft. There were three more steps to the door. The yellow lamp of the carriage shone alone down in the black road.

"Now then!" said Morel.

The coffin swayed, the men began to mount the three steps with their load. Annie's candle flickered, and she whimpered as the first men appeared, and the limbs and bowed heads of six men struggled to climb into the room, bearing the coffin that rode like sorrow on their living flesh.

"Oh, my son—my son!" Mrs. Morel sang softly, and each time the coffin swung to the unequal climbing of the men: "Oh, my son—my son—my son!"

"Mother!" Paul whimpered, his hand round her waist. "Mother!"

She did not hear.

"Oh, my son—my son!" she repeated.

Paul saw drops of sweat fall from his father's brow. Six men were in the room—six coatless men, with yielding, struggling limbs, filling the room and knocking against the furniture. The coffin veered, and was gently lowered on to the chairs. The sweat fell from Morel's face on its boards.

"My word, he's a weight!" said a man, and the five miners sighed, bowed, and, trembling with the struggle, descended the steps again, closing the door behind them.

The family was alone in the parlour with the great polished box. William, when laid out, was six feet four inches long. Like a monument lay the bright brown, ponderous coffin. Paul thought it would never be got out of the room again. His mother was stroking the polished wood.

They buried him on the Monday in the little cemetery on the hillside that looks over the fields at the big church and the houses. It was sunny, and the white chrysanthemums frilled themselves in the warmth.

Mrs. Morel could not be persuaded, after this, to talk and take her old bright interest in life. She remained shut off. All the way home in the train she had said to herself: "If only it could have been me!"

When Paul came home at night he found his mother sitting, her day's work done, with hands folded in her lap upon her coarse apron. She always used to have changed her dress and put on a black apron, before. Now Annie set his supper, and his mother sat looking blankly in front of her, her mouth shut tight. Then he beat his brains for news to tell her.

"Mother, Miss Jordan was down today, and she said my sketch of a colliery at work was beautiful."

But Mrs. Morel took no notice. Night after night he forced himself to tell her things, although she did not listen. It drove him almost insane to have her thus. At last:

"What's a-matter, mother?" he asked.

She did not hear.

"What's a-matter?" he persisted. "Mother, what's a-matter?"

"You know what's the matter," she said irritably, turning away.

The lad—he was sixteen years old—went to bed drearily. He was cut off and wretched through October, November, and December. His mother tried, but she could not rouse herself. She could only brood on her dead son; he had been let to die so cruelly.

At last, on December 23, with his five shillings Christmas-box in his pocket, Paul wandered blindly home. His mother looked at him, and her heart stood still.

"What's the matter?" she asked.

"I'm badly, mother!" he replied. "Mr. Jordan gave me five shillings for a Christmas-box!"

He handed it to her with trembling hands. She put it on the table.

"You aren't glad!" he reproached her; but he trembled violently.

"Where hurts you?" she said, unbuttoning his overcoat.

It was the old question.

"I feel badly, mother."

She undressed him and put him to bed. He had pneumonia dangerously, the doctor said.

"Might he never have had it if I'd kept him at home, not let him go to Nottingham?" was one of the first things she asked.

"He might not have been so bad," said the doctor.

Mrs. Morel stood condemned on her own ground.

"I should have watched the living, not the dead," she told herself.

Paul was very ill. His mother lay in bed at nights with him; they could not afford a nurse. He grew worse, and the crisis approached. One night he tossed into consciousness in the ghastly, sickly feeling of dissolution, when all the cells in the boy seem in intense irritability to be breaking down and consciousness makes a last flare of struggle, like madness.

"I s'll die, mother!" he cried, heaving for breath on the pillow.

She lifted him up, crying in a small voice:

"Oh, my son—my son!"

That brought him to. He realized her. His whole will rose up and arrested him. He put his head on her breast, and took ease of her for love.

"For some things," said his aunt, "it was a good thing Paul was ill that Christmas. I believe it saved his mother."

Paul was in bed for seven weeks. He got up white and fragile. His father had bought him a pot of scarlet and gold tulips. They used to flame in the window in the March sunshine as he sat on the sofa chattering to his mother. The two knitted together in perfect intimacy. Mrs. Morel's life now rooted itself in Paul.

William had been a prophet. Mrs. Morel had a little present and a letter from Lily at Christmas. Mrs. Morel's sister had a letter at the New Year.

"I was at a ball last night. Some delightful people were there, and I enjoyed myself thoroughly," said the letter. "I had every dance—did not sit out one."

Mrs. Morel never heard any more of her.

Morel and his wife were gentle with each other for some time after the death of their son. He would go into a kind of daze, staring wide-eyed and blank across the room. Then he would get up suddenly and hurry out to the Three Spots, returning in his normal state. But never in his life would he go for a walk up Shepstone, past the office where his son had worked, and he always avoided the cemetery.

PART TWO CHAPTER VII
LAD-AND-GIRL LOVE

Paul had been many times up to Willey Farm during the autumn. He was friends with the two youngest boys. Edgar, the eldest, would not condescend at first. And Miriam also refused to be approached. She was afraid of being set at nought, as by her own brothers. The girl was romantic in her soul. Everywhere was a Walter Scott heroine being loved by men with helmets or with plumes in their caps. She herself was something of a princess turned into a swine-girl, in her own imagination. And she was afraid lest this boy, who, nevertheless, looked something like a Walter Scott hero, who could paint and speak French, and knew what algebra meant, and who went by train to Nottingham every day, might consider her simply as the swine-girl, unable to perceive the princess beneath; so she held aloof.

Her great companion was her mother. They were both brown-eyed, and inclined to be mystical, such women as treasure religion inside them, breathe it in their nostrils, and see the whole of life in a mist thereof. So to Miriam, Christ and God made one great figure, which she loved tremblingly and passionately when a tremendous sunset burned out the western sky, and Ediths, and Lucys, and Rowenas, Brian de Bois Guilberts, Rob Roys, and Guy Mannerings, rustled the sunny leaves in the morning, or sat in her bedroom aloft, alone, when it snowed. That was life to her. For the rest, she drudged in the house, which work she would not have minded had not her clean red floor been mucked up immediately by the trampling farm-boots of her brothers. She madly wanted her little brother of four to let her swathe him and stifle him in her love; she went to church reverently, with bowed head, and quivered in anguish from the vulgarity of the other choir-girls and from the common-sounding voice of the curate; she fought with her brothers, whom she considered brutal louts; and she held not her father in too high esteem because he did not carry any mystical ideals cherished in his heart, but only wanted to have as easy a time as he could, and his meals when he was ready for them.

She hated her position as swine-girl. She wanted to be considered. She wanted to learn, thinking that if she could read,